We're back for another one, grazing on a trio of films inspired by Shakespeare's Henriad: David Michod's THE KING (2019), Laurence Olivier's HENRY V (1944) and Orson Welles' CHIMES AT MIDNIGHT (1965).
We also discuss the Andrei Tarkovsky Exhibition at the Eye Filmmuseum in Amsterdam, Jonas Mekas and the Anthology Film Archives, and the EYES WIDE SHUT reissue, as well as reviewing CORPUS CHRISTI, an excellent new Polish release.
The musical arrangements for this episode are as follows:
'Het soude een meysken gaen om wijn' - anon., Dutch, 16th c.
'Po che datte mi chonvien' - anon., Tuscan, 14th c.
'Trotto' - ibid
'Agincourt Carol' - anon., English, 15th c.
'Quand je bois du vin claret' - (attrib.) Pierre Attaignant, French, 16th c.
'Mrs White's Nothing' - John Dowland, English, 16th c.
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co-produced by emmett cruddas and sam storey
