Jay Tripwire
On the first night of my first burn this past year, I found myself in the (apparently quite rare) position of playing my first ever DJ set at Burning Man on the fabled @robotheartfoundation bus.
It wasn’t until I arrived at the RH bus after completing my first deep playa bike ride that I was acutely aware of the true nature of this rolling musical monolith. The bus is a mobile sound station, a portable dance party of epic proportions. And where it went, sound would emit, humans would dance, and energy would exchange.
I got to the decks atop the bus, which was well-stocked with every Burning Man archetype I had ever imagined, and many more. Musically, I had no idea how I would be received, but I pushed forward just doing my thing in a way that I thought would translate into this alien, yet strangely familiar setting: a sound system, a DJ booth, and a dance floor.
Listening back to this mix, I am struck with an element of “you had to be there,” that it is difficult for a recording to properly convey the sentiment that myself and the audience experienced that night. When I DJ-it’s very human - I don’t use sync, looping, or Rekordbox and I never pre-plan anything. I use the CDJs as though they are turntables, and my style is especially discernible in this mix.
A big thank you to the Robot Heart crew, especially @benji.ski and @shafferj for giving me such a warm welcome and trusting this BM virgin with the reigns of their seasoned chariot, as well as @gunitaislisted for making my journey to the playa possible. Maybe we ‘ll do it again sometime.
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Cover photo by John Dill.
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