“How do our cells become oriented to justice?”
Dancer and activist Emily Johnson invites us to embody justice through song, dance, and vibration. “Think of the ground lifting up with you, beneath your feet … this vibratory lift. The stomp is after the sound, the impact, the land. The spaces in-between: possibility, otherwise.” Emerging from Johnson’s land and water protection efforts in Lenapehoking (New York City), her Transmission serves as a call-to-action to resist setter capitalism.
“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.
Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.
Emily Johnson is an artist who makes body-based work. She is a land- and water-protector and an activist for justice, sovereignty, and well-being. A Bessie Award-winning choreographer, Guggenheim Fellow, and recipient of the Doris Duke Artist Award, she is based in Lenapehoking/New York City. Johnson is of the Yup’ik Nation, and since 1998 has created work that considers the experience of sensing and seeing performance. Her dances function as portals and care processions, they engage audienceship within and through space, time, and environment—interacting with a place's architecture, peoples, history, and role in building futures. Johnson is trying to make a world where performance is part of life; where performance is an integral connection to each other, our environment, our stories, our past, present and future.
Contributor Acknowledgments: Love to Karyn Recollet, ever collaborator; Zach Crumrine, sound engineer and support; and Eileen Myles who offered feedback.
Photo: Adam Sings in the Timber
