What was the first Georgian song taught in the UK, and how did it come about?
How can Georgian songs be used in theatre and ensemble training?
And just how many songs are in the book 99 Georgian songs?
Joan Mills, Voice Director at the Centre for Performance Research (https://thecpr.org.uk/), talks about tending the flame of living traditions - influenced by her recent interview of Sam Lee (https://soundcloud.com/samleesongs) and reflections on Sheila Chandra’s music ‘Weaving My Ancestors' Voices’ (https://www.sheilachandra.com/). She speaks of ‘Points of Contact’ a concept that inspired many ‘Giving Voice’ Festivals. Our wide ranging conversation covers: experimental voice practitioners; approaches to educating both actors and singers; her ‘legacy’ bringing the book 99 Georgian Songs to life with the help of Joseph Jordania (https://twitter.com/drjordania) after the untimely death of its originator - Edisher Garakandize. She sees the Continuum as being “like a bridge, but also like a wheel”.
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Music used:
Ialoni (www.ialoni.bandcamp.com): Sabodisho (Batonebo);
Mtiebi (https://www.discogs.com/artist/1729546-Mtiebi): Shen Khar Venakhi;
Sakhioba (https://soundcloud.com/sakhioba): Khorumi;
Mzetamze (https://www.amazon.com/Voices-Black-Sea-Ensemble-Mzetamze/dp/B000005D2H): Zruni;
and Joan's recordings of the CPR group rehearsing with Edisher and Joseph.
Books mentioned:
99 Georgian Songs (https://thecpr.org.uk/product/99-georgian-songs/)
The Georgian Feast by Dara Goldstein (https://www.amazon.com/Georgian-Feast-Vibrant-Culture-Republic/dp/0520275918)
