In a world that’s forgotten how to listen, two voices follow stories like breadcrumbs back to human connection.
Stories are strange creatures. They’re how we once found each other—moving slowly, making room for silence, carrying their meaning in the pauses. Stories curl around stories, language stretches its limbs, and sense quietly knocks from the inside.
Cono responds, opening the door to Ernest Kurtz and Katherine Ketcham’s The Spirituality of Imperfection, and steps into the odd, invisible architecture of connection—where words bend, listening deepens, and storytelling does more than explain. He wanders through the places stories used to live comfortably, before speed, certainty, and perfectly optimized answers shoved them to the margins, and finally arrives in a living conversation.
Russ Hamilton of Connection Lab appears like a cartographer of human contact, mapping the shifting terrain between autonomy and community, speech and silence, fear and presence. Stress loosens. Attention sharpens. Communication becomes less a performance and more a shared breath.
As the room empties, language itself steps forward—ancient, restless, unfinished—crawling from gesture to sound, from mark to meaning, fracturing into thousands of tongues, then recombining into The Evolution of Human Language by Bruce William. It lingers like an echo, suggesting that words are not tools we control so much as living things we keep trying to ride. They change. We change. And somewhere between the two, connection keeps attempting to happen.
Conovision: where stories don’t explain the world—they invite us into it.
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