Megalopolis isn't a disaster but it isn't good. But it's a disaster. It's not good but it's so bad it's good. It has some good parts but it's not a good movie. It's not a movie about a disaster but it's a disaster. It's better than a disaster but that doesn't mean it's good. It's a good disaster that is so bad it's good.
In this episode of Flyover Film Country, the hosts delve into the chaotic cinematic experience of Francis Ford Coppola's latest film, Megalopolis, exploring its ambitious yet flawed execution. They discuss the surreal nature of the film, its jarring tone shifts, and the audience's reactions. The conversation then shifts to a review of Hans Zimmer's live concert, highlighting the emotional power of film scores and the diverse audience that attended. The hosts reflect on the significance of music in cinema and Coppola's complex legacy in the film industry. In this engaging conversation, the hosts delve into the exhilarating experience of live music, particularly focusing on Hans Zimmer's performances and the cultural significance of music in uniting diverse backgrounds. They share personal anecdotes, including a memorable Harry Potter trivia night, and reflect on the impact of film scores on their lives. The discussion also touches on the challenges of parenting and the importance of enjoying life, culminating in a light-hearted exchange about their favorite movies and experiences.
