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An extraordinary new exhibition has just opened in the small Alabama township of Gees Bend, and it gives us some clues as to why this community of world-famous quilters became home to one of America's greatest creative legacies.

 

The quilts of Gees Bend were first exhibited at the Museum of Fine Arts in Houston, nearly 25 years ago and today their quilts hang in many global art galleries. Since then the critics have repeatedly asked how an isolated community of Black American women could have prefigured many of the traditions of modern art without any formal training. These quilts were born of need, but they were fresh, and utterly original.  

 

Since then not only has their legacy and reputation grown, but other African American quilters have also come to the fore. These include communities in Mississippi, as well as those who carried their southern quilt making traditions to California during World War Two.

 

Now the exhibition in Gees Bend tells the story of the first named quilter in the township – a woman who almost certainly arrived in America from West Africa as a child on the last known slave ship to enter US waters in 1860, over 50 years after the trade in human beings had allegedly been outlawed.

 

For more information about this episode and pictures of the people and places mentioned in this episode please go to https://hapticandhue.com/tales-of-textiles-series-8/

 

And if you would like to find out about Friends of Haptic & Hue with an extra podcast every month hosted by Jo Andrews and Bill Taylor – here's the link: https://hapticandhue.com/join/