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Description

How on earth does one create a 1200-tone tone row? Or even a 372-tone row in Sibelius? Find out in this wacky episode featuring Aaron Breeze, the swingin’ licc master himself! The broader topics in this thrilling, conversational episode include silliness and perceived complexity, the connection between playing and speaking, red dress methodology, repetition and intent, presentation in music, high-effort memes, mixing contexts and genres, and the social state of online spaces. We’re psyched that global icon Sarah Brand brought microtonality back

Music
Intro - Groovy Serialism in 372-TET (Aaron Breeze)
Captain Holt screaming (arr. Aaron Breeze)
Troy and Abed off to Dreamland (arr. Aaron Breeze)
Red Dress (Sarah Brand) - reharmonized by Aaron Breeze
Red Dress (Sarah Brand) - reharmonized by Stephen Weigel
CPAC Anthem Video A CAPPELLA HARMONY! (QW4RTZ)
this is the greatest piano concerto of all time (Aaron Breeze)
3 Slapstick Piano Etudes (Aaron Breeze)
Red Dress (Sarah Brand) - reharmonized by FAST-FAST music
Friday Night (Tim Robinson) - from I Think You Should Leave
Beethoven Symphony No. 5 but it’s in 5/8 and 5-EDO (arr. Aaron Breeze)
Outro - Red Dress (Sarah Brand) - reharmonized by Aaron Breeze

Check out Aaron’s YouTube channel!
https://www.youtube.com/user/AaronBreezeComposer

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