Hi everyone!
We’re continuing our Golden Globes coverage this week with today’s review of WHERE’D YOU GO, BERNADETTE? After this month is over, we will have reviewed 30 out of 34 films nominated, including all the winners. We’ll pick up the other four at some point this year, once they’ve hit streaming services. Also, the Oscar nominees will be announced today, so expect a flood of congratulations posts to hit social media for the films we’ve reviewed, and some early February catchup reviews for those we haven’t.
That’s why we’re excited to have Ryan L. Terry back on the podcast, with his thoughts on a personal favorite of his, WHERE’D YOU GO, BERNADETTE? He was gracious enough last week to review JUDY (Episode #677), which won Renée Zellweger a Best Actress in a Drama award. Be sure to check out his previous reviews for THE GOOD LIAR (Episode #662) and I KNOW WHAT YOU DID LAST SUMMER (Episode #614). His promo will run before the review.
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Here we go!
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<< RYAN L TERRY PROMO >>
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Today’s movie is WHERE’D YOU GO, BERNADETTE?, directed by Richard Linklater, written by Linklater and Holly Gent, based on the book by the same name, starring Cate Blanchett, Billy Crudup, and Kristen Wiig. Former architect Bernadette Fox (Cate Blanchett) seems to have it all — a beautiful home in Seattle, a successful and loving husband, and a brilliant teenage daughter who’s about to attend boarding school. When Bernadette suddenly disappears without a trace, her concerned family sets off on an exciting adventure to solve the mystery of where she might have gone.
If you loved Blanchett in her award-winning role in BLUE JASMINE, then you will love her in Richard Linklater’s WHERE’D YOU GO, BERNADETTE? Once again, Blanchett takes on the demanding role of someone struggling with an inner turmoil brought on by losing one’s identity. By no means is Bernadette the same character as Jasmine, but there are many similarities; however, these similarities are expressed in vastly different ways, which makes the story relatable and thought-provoking.
If you’re searching for a human movie, then you have found the right one. The experience of watching this movie sticks with you long after the credits role. This is a film that I feel creative and academic persons will connect with, because often the most creative or intelligent people can experience bouts of identity crisis, mania, and depression when he or she is not in the process of creating something for the world to see. Whether that world is as small as your hometown, your network on social media, or the global stage, there is a catharsis that is experienced when crafting something new. Take away that creative outlet and you may as well remove an arm or leg. Furthermore, destroy that which one has poured his or her soul into, then you metaphorically kill that creative person. The creation is an extension of the soul of the creator. I imagine that my fellow creatives and academics will also be able to identify with Bernadette much in the same manner as did I. Linklater’s film is an existential exploration of the creative genius when the very foundation of that genius is rocked off its foundation. There are many metaphorical visualizations of this concept in the film, including the catalyst that launches Bernadette into her acute downward spiral–the removal of that which was holding everything together.
While most of the characters are mostly flat, the character of Bernadette is complex, vulnerable, and quite human. Despite being an architectural genius of on the level of Frank Lloyd Wright – something that most of us cannot identify with – we identify with her because of the struggle to manage personal and professional life when we’ve lost our way. The title WHERE’D YOU GO, BERNADETTE? works in two ways: (1) during the second and third acts of the movie, Bernadette’s family is literally searching for her, and (2) after learning the news that her masterpiece house was bought simply to be destroyed, she ceased to be herself and became a new, even more eccentric and reclusive person.
Essentially, she took on a new identity, which posits the question, “Where did she go?” The movie is a journey for Bernadette to find herself, and of course for her family to find her. Further evidence of the successful visualization of internal conflict is when Bernadette removes the blackberry bushes in full knowledge that they will make way for a landslide, even though her neighbor wants the bushes gone. Just as the blackberry bushes were the only thing keeping the hillside together, the 20-Mile House was the primary component that kept Bernadette together. When it was destroyed, so was she.
Where this movie fails is in the adaptation from novel to screen. And I am not talking about commitment to details and such. Novels are internally driven whereas movies are visually driven. Sometimes there are novels that explore inner turmoil to such a degree that it makes visualizing it for the screen difficult to achieve. Without having read the novel, I cannot comment fully on why most of the characters are flat and the much of the dialogue is vapid, but my educated guess is that the novel explores the psychology of each character to a greater extent than a movie allows for. Where this movie excels is the performance delivered by Blanchett. Whether quiet or a raving lunatic, she maintains a powerful screen presence that draws the audience in to the heart of the story. There is an unapologetic authenticity in Blanchett’s performance that feels fresh and powerful. It’s a command performance that should not be overlooked. Through her character of Bernadette, we witness just how complex depression, mania, and anxiety are. And not just how complex they are for the individual burdened with them, but for those around the individual.
I’m not naive to the movie’s shortcomings, but there is so much that I find was delivered with excellence that it helps to make up for the mostly weak screenwriting. I believe that the character of Bernadette offers us a fascinating character to explore as she offers great opportunities for relatability. Perhaps we aren’t genius architects, but many of us know what it’s like to see our creations destroyed or being prohibited by internal or external forces from creating. Perhaps the story execution lacked the precision that this plot truly required to be exemplary, but there is a strong message therein coupled with Blanchett’s excellent performance that makes WHERE’D YOU GO, BERNADETTE? a thought-provoking movie to watch.
Rotten Tomatoes: 48%
Metacritic: 51
IMDb: 6.5
One Movie Punch: 7.0/10
WHERE’D YOU GO, BERNADETTE? (2019) is rated PG-13 and is currently playing on VOD.
