With Natalie Marlin!
Whatever you know about ZARDOZ — it’s by the guy who made DELIVERANCE (1972), it’s a weird meme, Charlotte Rampling’s instant pregnancy, Sean Connery’s nutsling — we promise you, it’s just the beginning. A critically divisive movie that’s garnered a cult following in the five decades since its release, it’s certainly earned that reputation.
It’s a movie where philosophical mishmash rubs shoulders with overt sexual politics and more dick jokes than you can shake a dick at. But when you step back, it’s got way more going under the hood; in fact, some of us are convinced it’s an iconoclast warning signal for the era of the blockbuster, releasing just a year before JAWS (1975) and three before STAR WARS (1977).
Go on this inter-Vortex journey with us as we welcome Natalie to go inside the big stone head, down the yellow brick road, and to the very heart of ZARDOZ!
References:
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Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Closing audio: "Symphony No.7 in A major op.92 - II, Allegretto" composed by Ludwig van Beethoven, conducted by Eugen Jochum, and performed by the Royal Concertgebouw Orchestra from the ZARDOZ soundtrack.
Timestamps
0:00 - Episode 280: ZARDOZ (1974)
3:06 - The Patented Aaron Grossman Summary
4:28 - The provenance of ZARDOZ
18:01 - What “versions” of science fiction it’s referencing/playing on
25:30 - The visual communication vs. long stretches of dialogue
29:06 - The fourth wall-breaking setup
38:59 - Aaron FINALLY gets his freak on
41:03 - A sci-fi piss-take that occasionally reads straight
46:18 - Zed’s “base” existence vs. the bored, infallible upper caste
1:04:59 - Where the movie ends up thematically
1:11:00 - An allegorical warning for the future of movies
1:21:16 - The Junk Drawer
1:29:33 - To All the Loves We’ve Tried Before: 1974
1:31:49 - Cody’s Noteys: The Zar-dossier (ZARDOZ-adjacent trivia)