20 years after the world’s last baby was born, revolutionary-turned-working stiff Theo Faron (Clive Owen) is content to coast until the end catches up to the world — until his former lover and the mother of his dead son Julian (Julianne Moore) wrangles him into a plan to escort expecting mother Kee (Clare-Hope Ashitey) to safety.
Remembered (and heavily cribbed) for its effective worldbuilding and the immediacy of its handheld long takes, Alfonso Cuarón’s post-apocalyptic tale feels purpose-built to reawaken dormant empathy. This podcast also features the last white man who hadn’t seen CHILDREN OF MEN until 2024.
References:
#TheLongTake #DCP
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Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Song Of The Angel" composed by John Tavener from the CHILDREN OF MEN soundtrack.
Timestamps
0:00 - Episode 292: CHILDREN OF MEN (2006)
3:52 - The Patented Aaron Grossman Summary
5:54 - The relationship of CHILDREN OF MEN to the things it inspired later
17:15 - The spirit of the long take and “democratizing the frame”
32:39 - How the world is built to shape Theo
44:33 - Luke, Julian, and the politics of radicalization
1:08:32 - The Junk Drawer
1:19:35 - To All the Loves We’ve Tried Before: 2006
