With Natalie Marlin!
Just like the earth he exploits, there’s something roiling under the surface of the wheel-and-dealing Daniel Plainview (Daniel Day-Lewis): A devilish, almost cartoonishly villainous veneer conceals a deep self-hatred. And like all good capitalists, he uses it to fuel the next great pain he can inflict on the people and world around him, from the local preacher of a podunk town to his specious, long-lost brother to his own adopted son.
THERE WILL BE BLOOD kicked off a hell of a run for Paul Thomas Anderson, so for our last episode on his films, we’re happily welcoming Natalie back to the mic for a bit of show-and-tell on when this movie entered our lives, the impact of seeing it as a teen film lover in the mid-aughts, and the crusty layers it reveals more than a decade later.
Plus, why THERE WILL BE BLOOD would be a great 4DX movie, the inevitable porn parody jokes, and say doesn’t Jason’s moustache look a little familiar now?
Find Natalie…
References:
#TheMasterworksofPaulThomasAnderson #35mm
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Show art by Emily Csuy. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Outro music: "Proven Lands" by Jonny Greenwood from the THERE WILL BE BLOOD soundtrack.
Timestamps
0:00 - Episode 324: THERE WILL BE BLOOD (2007)
3:47 - The Patented Aaron Grossman Summary
5:39 - Our histories with this movie (or lack thereof)
21:51 - Daniel Plainview, the cartoon villain afraid of his own insides
28:30 - Daniel Plainview, the cartoon villain afraid of his own insides
43:02 - How Daniel reflects the fragile human systems of the era
49:23 - The performative relationships Daniel has with H.W. (and everyone)
54:52 - Eli Sunday and the fraught relationship between organized faith and capital
1:03:30 - “Pathetic” depictions of violence
1:14:13 - The language of Jonny Greenwood’s score
1:20:36 - The Junk Drawer
1:27:04 - To All the Loves We’ve Tried Before: 2007
1:33:15 - Cody’s Noteys: When Will There Be Blood? (trivia about when blood first appears in the runtime of various films)