Republished 11/16/2025 (originally published on April 19, 2020, as "'Trylove in the Time of Corona' Episode 4")
In honor of Nobuhiko Obayashi's passing on April 10, we're discussing HIS MOTORBIKE, HER ISLAND (1986), the director's summery teen romance that does what all good teen movies do: it makes you want to trek the Japanese countryside on a Kawasaki motorcycle.
Less outrageous but no less pointed than Obayashi's seminal HAUSU (1977), HIS MOTORBIKE, HER ISLAND is still a showcase for the director's playful awareness of audience and how to surmount the limitations of cinema. Only Obayashi could make a movie about falling for someone so deeply that the differences between seasons, between selves, between fantasy and reality, cease to matter – and then carry that thesis through every element of the film's production.
References:
— Harry Mackin's essay on HIS MOTORBIKE, HER ISLAND for Perisphere, the Trylon blog
by Jake Rudegair for Perisphere, the Trylon blog
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