New York has always been – bold statement coming up – my favourite music city. No question that it’s connected to my life changing discovery of the Ramones way back when. I still can’t walk past the Guild Hall in my hometown of Preston without a couple of nostalgic tears forming for when I first saw them play there – I tried my best not to wash off the water that Joey threw over me when things were getting a little hot.
But getting back on track… all those New York musicians over the years – infinitely different stylistically, but almost always identifiable as a New York “sound”. I don’t know what it is – and hindsight’s a glorious thing to have – but could the Ramones, Blondie, Public Enemy, Roxanne Shante, Lou Reed, Talking Heads, Swans, Sonic Youth, Yeah Yeah Yeahs, Nas, have existed anywhere else and created their own distinctive sound yet is still a New York sound?
Jesse Hartman's, Laptop, goes back to the late 90’s – such a divisive decade. I really feel Laptop were ahead of their time and this is perhaps part of what makes New York New York – that ability to be ahead of the pack so often . They had the cinematic monologues, the rebellion, the self deprecation, the love, the heartbreak, the nostalgia and an ability to cross generations. I say that because I’m 20-odd years older and their second coming is here and I’m still hooked.
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I Wanna Jump Like Dee Dee is the music podcast that does music interviews differently.
Giles Sibbald talks to musicians, DJ’s and producers about how they use an experimental mindset in every part of their lives.
- brought to you from the mothership of the experimental mindset™
- cover art by Giles Sibbald
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