From Athina Rachel Tsangari (Chevalier, Attenberg), Harvest is a spellbinding and thrillingly distinctive period piece like no other, telling a folk horror-inflected story about the trauma of modernity and the looming threat of the outsider. Set over seven hallucinatory days in an idyllic rural Scottish village, the traditional way of life for its agrarian community is suddenly disrupted when a series of unexpected invaders from the outside world bring about irrevocable – and potentially damaging – change. In our interview, we discuss Tsangari's approach to location and worldbuilding as well as the beautifully captured 16mm cinematography.
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