Defying gravity is easy. Living with the aftermath is the hard part. We sat down after a packed Friday screening of Wicked For Good to trade notes on what soared, what sagged, and why the second act chooses substance over spectacle. From the first quiet frames to that cheeky final shot, the film wears its love for musical theatre on its sleeve—smart foreshadowing, respectful echoes of the stage, and a visual language that rewards a careful eye.
We dig into the choices that matter: the deliberate pacing that lets propaganda and power take centre stage, the richer world-building around the animals and the Yellow Brick Road, and the way Glinda steps into the light as more than a sparkly foil. No Good Deed is our unanimous showstopper—Cynthia Erivo’s delivery thunders with purpose—while the two new songs split the room. Glinda’s The Girl in the Bubble is lovely but optional; Elphaba’s No Place Like Home never quite integrates with Schwartz’s gold-standard writing. If any character deserved fresh music, we argue it was Nessa, whose arc needed sharper edges and clearer stakes.
We also talk tenderness: Elphaba and Fiyero’s intimacy rendered with restraint, the doorframe farewell that aches without tipping into melodrama, and the Wizard’s late realisation that lands like a confession. Morrible’s manipulations feel uncomfortably current, and the film is at its best when it shows how crowds choose the story they prefer. Throughout, the cinematography nods to Oz lore without winking too hard, and the final image pays a subtle, satisfying tribute to the original poster that musical fans will clock in a heartbeat.
If you love musicals, there’s plenty to admire: craft, care, and a sincere respect for the stage. If you wanted wall-to-wall bangers, Part Two asks for patience—and pays it off with character, consequence, and a duet that still makes the room hold its breath. Loved it? Hated the new songs? Tell us your standout moment, then follow the show, leave a review, and share this episode with a friend who sings show tunes in the car.
End of MLL
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