A roaring space shuttle launch, a minigun on an asteroid, and a plot that won’t stop explaining itself—our Armageddon deep-dive embraces the chaos and asks why this 90s juggernaut still works when it absolutely shouldn’t. We start with the central tension: is it “good dumb” or “too dumb”? One of us rewatched it at 8 a.m. and practically saluted the TV; the other kept reaching for the edit button. Between those poles we find the real juice, breaking down how Michael Bay’s color-drenched, constantly moving camera manufactures feeling, myth, and momentum even when the science is hilariously off. Listen to us discuss!
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Music produced by Joey Prosser. X @mrjoeyprosser
