Stephanie Scott is an artist and designer who creates large-scale murals that transform corporate offices, restaurants, and public spaces across North America. Her work bridges decorative arts history with contemporary design, blending hand-painted and digitally-printed installations that tell stories rooted in community, nature, and timeless symbolism.
In this conversation, Stephanie reveals her journey from a supportive arts high school program to becoming one of the most sought-after muralists in the Kitchener-Waterloo region.
She discusses the creative philosophy behind designing work that thousands will see daily, the challenge of avoiding trends while staying relevant, and why she deliberately avoids having a signature style.
Stephanie opens up about the psychological pull of overwork, the dance-like flow state of painting, and why she believes human creativity will always have something AI can never replicate—the physical, embodied experience of creation itself.
Key Takeaways
- Deliberately avoids having one signature style because she would "lose her mind" doing the same approach repeatedly—her creativity demands variety
- Research process involves listing obvious ideas first, then discarding them to dig deeper beyond surface-level cliches and predictable imagery
- Draws inspiration from decorative arts history: antique malls, old dinner plate motifs, Victorian engravings, tapestries, cabinets of curiosities, and historical design books
- Aims for longevity over trendiness by incorporating nature, history, and universally understood imagery that won't feel dated in five years
- Says yes to nearly every good opportunity or repeat client because optimism about potential makes her reluctant to turn down work that could lead somewhere interesting
- Finds painting murals physically and mentally rewarding despite exhaustion—describes entering a "dance" with the medium where she feels the weight of paint and instinctively knows when to adjust
- Works with tight timelines on international projects that have opened doors to larger clients and more challenging work beyond her local region
- Refuses to use psychology as a design framework because she knows she'd "never emerge from that rabbit hole"—prefers intuitive creative decisions
- Creates modular, adaptable designs that can work vertically and horizontally, extracted into standalone pieces—like visual puzzles requiring intense mental energy
- Most of her large-scale work is hidden inside buildings rather than public exterior murals, seen daily by employees in lobbies, conference rooms, and office spaces
- Learned to say no to projects she's not the right fit for but struggles to turn down work from valued clients or objectively good opportunities
- Believes creativity-based work is safer than talent-based work in an AI-disrupted world because creativity requires constant reinvention and adaptation
Daring Creativity. Daring Forever. Podcast with Radim Malinic
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