A pioneer of the cool school, jazz saxophonist Lee Konitz was a prolific and idiosyncratic artist – respected as much for the way he didn’t play as for the way he did. Like many musicians of his era, he adopted the expanded harmonic vocabulary of Charlie Parker, but Lee’s improvisations were measured and understated, more thoughtful than heated. Over the years, Lee worked with legends like Dave Brubeck, Ornette Coleman, Charles Mingus, Gerry Mulligan, and Elvin Jones – and he participated in Miles Davis’ “Birth of the Cool” sessions.
The “Jazz Profiles” shows – nearly 200 of them – are part of the Tim Owens Jazz & Broadcast Collection at the University of North Texas Music Library. In a partnership with Tim and UNTML, we’ve picked a handful of noteworthy shows to share with you. You can find more “Jazz Profiles” shows at the UNT Music Library’s Jazz Syndicate (www.library.unt.edu/jazzsyndicate), and learn more about 32 Bar Blues' clothing collection and commitment to the arts at 32barblues.com
