What made Grace remarkable wasn't just Buckley's voice, though that instrument deserves its reputation. It's the way that voice functioned as a kind of emotional translator, capable of turning inward-looking material into something transcendent. This was the voice of someone steeped in the chanteuse tradition — Édith Piaf, Maria Callas — but transplanted into a rock context. Listening now, Grace endures not as a monument, but as a living document — sensuous, flawed, generous, and emotionally resonant. It’s an album that doesn’t ask to be mythologised so much as revisited, each time revealing something slightly different.
Featured songs:
Mojo Pin
Grace
Lilac Wine
So Real
Lover, You Should've Come Over
Hallelujah
