What if the best film school is a 15×22 basement? Former NationWriter-director Chris Maes breaks down how he turned a tiny room into a soundstage, shot two features with lean crews, and resourceful filmmaking. We dig into Hemisphere and AirShift, the genre twist that saved a stalled script, and the Nat Geo lessons that taught him to prep hard and stay lean.
Chris shares candid night-shoot challenges, smart pre-lighting tactics, and why actor chemistry and small details make low-budget films feel big.
