In this episode, host David Myers interviews Jim Newton, renowned political journalist and UCLA lecturer, on his recent book on musician Jerry Garcia and the Grateful Dead, the iconic American band. Newton reflects on his personal and professional pathway to writing about the Dead. He traces his first serious recognition of “Deadhead culture” to the 1982 US Festival, where the band’s community stood out sharply against the broader music landscape. The conversation emphasizes the Dead’s “unique alchemy”: a convergence of Bay Area time and place, the improvisational ethos, the band’s eclectic musical catalogue, and the formative social experimentation of the Acid Tests. Newton argues that the band’s unusually porous relationship with its audience, rooted in these early LSD gatherings where the Dead were not the central attraction, helped produce a distinctive form of loyalty and collective identity that endured long after the scene expanded beyond its intimate origins.
Newton frames the Dead as culturally radical but not conventionally political, aligning the band more with a bohemian ethic of lived values than an evangelical politics of persuasion. The Dead, Newton suggests, modeled community, freedom, and “collective bliss” as a refuge in both the late 1960s and the Reagan-era 1980s. Turning to Jerry Garcia, Newton offers a sober epitaph: an obsessive musical genius with vast curiosity and a deep resistance to responsibility, ultimately undone by addiction and isolation. Yet the episode closes on the enduring afterlife of the Dead through successor acts and cover bands, arguing that the phenomenon persists because it meets persistent social needs that are captured, for Newton, most powerfully in the song “Ripple.”
Jim Newton is a veteran journalist, author and teacher. In 25 years at the Los Angeles Times, Newton worked as a reporter, editor, bureau chief, columnist and, from 2007 through 2010, editor of the editorial pages. He is the recipient of numerous national and local awards in journalism and participated in two staff efforts, coverage of the 1992 riots and the 1994 Northridge Earthquake, that were awarded the Pulitzer Prize. Newton began working at UCLA full-time in early 2015, teaching in Communication Studies and Public Policy and founding Blueprint, a new UCLA magazine addressing the policy challenges facing California and Los Angeles in particular. He serves as the magazine’s editor-in-chief. Newton also is a respected author of important works of history including Justice for All: Earl Warren and the Nation He Made,Eisenhower: The White House Years, Worthy Fights: A Memoir of Leadership in War and Peace, and his 2020 release Man of Tomorrow: The Relentless Life of Jerry Brown, and most recently: Here Beside the Rising Tide: Jerry Garcia, the Grateful Dead, and an American Awakening.
