We're joined by Lindsay Pugh to continue our ongoing conversation around films about female artists, and how the way these stories are being told is changing, including The Souvenir, Mothering Sunday, Bergman Island, and more.
This episode features Editor-in-Chief Alex Heeney, Executive Editor Orla Smith, and Contributing Editor Lindsay Pugh
Show notes and related episodes:
- Ep. 44: Shirley and portraits of female artists (Member's Only)
- Ep. 122: Joachim Trier’s The Worst Person in the World
- Ep. 121: Ninjababy & Obvious Child: Unwanted pregnancies in romantic comedies
- Ep. 118: The Souvenir Part I and II
- Ep. 114: Mia Hansen-Løve’s Things to Come and Bergman Island (Member's Only)
- Ep. 92: Sugar Daddy and An Easy Girl: Commodifying women (Member's Only)
- Ep. 89: Spinster and The Forty-Year-Old Version: Coming of age at forty (Member's Only)
- Ep. 54: I Used to Go Here and Unexpected: Kris Rey’s thirtysomethings (Member's Only)
- Ep. 45: The films of Anne Émond, from Nuit #1 to Nelly (Member's Only)
- Ep. 30: Céline Sciamma’s Portrait of a Lady on Fire (Member's Only)
- Ep. 15: Vita & Virginia and the author biopic (Member's Only)
- Ep. 14: The Souvenir and the films of Joanna Hogg (Member's Only)
