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Title: The Detachment
Author: Barry Eisler
Narrator: Barry Eisler
Format: Unabridged
Length: 10 hrs and 8 mins
Language: English
Release date: 09-15-11
Publisher: Brilliance Audio
Ratings: 4.5 of 5 out of 1629 votes
Genres: Mysteries & Thrillers, Espionage
Publisher's Summary:
John Rain is back. And the most charismatic assassin since James Bond (San Francisco Chronicle) is up against his most formidable enemy yet: the nexus of political, military, media, and corporate factions known only as the Oligarchy.
When legendary black ops veteran Colonel Scott Hort Horton tracks Rain down in Tokyo, Rain cant resist the offer: a multi-million dollar payday for the natural causes demise of three ultra-high-profile targets who are dangerously close to launching a coup in America. But the opposition on this job is going to be too much for even Rain to pull it off alone. Hell need a detachment of other deniable irregulars: his partner, the former Marine sniper, Dox. Ben Treven, a covert operator with ambivalent motives and conflicted loyalties. And Larison, a man with a hair trigger and a secret hell kill to protect.
From the shadowy backstreets of Tokyo and Vienna, to the deceptive glitz and glamour of Los Angeles and Las Vegas, and finally to a Washington, D.C. in a permanent state of war, these four lone wolf killers will have to survive presidential hit teams, secret CIA prisons, and a national security state as obsessed with guarding its own secrets as it is with invading the privacy of the populace. But first, theyll have to survive each other.
The Detachment is what fans of Eisler, one of the most talented and literary writers in the thriller genre (Chicago Sun-Times), have been waiting for: the worlds of the award-winning Rain series, and of the best-selling Fault Line and Inside Out, colliding in one explosive thriller as real as todays headlines and as frightening as tomorrows.
Critic Reviews:
Praise for the author's narration of Inside Out: "Barry Eisler is ...an exception to the rule that writers should not be allowed to publicly declaim their own prose." (The New York Times)
