Clare and BDM talk about Bernard Rose's 1989 film Paperhouse (along with its source material, Catherine Storr's 1964 Marianne Dreams). Is it a horror movie? Is it a children's movie? Do the police need to be called on somebody? Then after the break they dig into Taylor Swift's rerelease and rerecording of her breakout album, Fearless. For full show notes, check out the Patreon: https://www.patreon.com/stetpod
Where to watch Paperhouse: https://www.justwatch.com/us/movie/paperhouse
Buy Marianne Dreams: https://www.biblio.com/9780571231454
Ebert and Siskel review (sampled): https://www.youtube.com/watch?v=3yxf6QCKAUI
Hans Zimmer score: https://open.spotify.com/album/05n2sAFh19JiO1L7rwKbEI?si=jpJW46_1THeu4gEQ5DrI5A
Clip from Escape Into Night: https://www.youtube.com/watch?v=4eiJ9cKS5Ac
“‘I Write to Frighten Myself’: Catherine Storr and the Development of Children’s Literature Studies in Britain,” Kimberley Reynolds https://link.springer.com/article/10.1007/s10583-017-9339-1
“Fear and evil in children’s books” Catherine Storr https://link.springer.com/article/10.1007%2FBF01140654
Fearless (Taylor’s Version) https://open.spotify.com/album/4hDok0OAJd57SGIT8xuWJH?si=gTRFQL7UQcyvyINCSktcrg
“The decadence of Taylor Swift’s re-recorded record,” Mary Kate Skehan https://spectator.us/book-and-art/decadence-taylor-swift-record-fearless/