The
first coproduction between England's Hammer Films and American
International Pictures is an appropriately lurid affair, with many
heaving bosoms showing the telltale marks of Carmilla, the lesbian
vampire. Not as arty as Roger Vadim's superior "Blood and
Roses", this was a big enough hit in 1970 to spawn two
pulchritudinous follow-ups, "Lust for a Vampire" and "Twins
of Evil".
