A Technicolor convent clings to a cliff in Black Narcissus (1947), where desire, memory, and madness simmer. Ed and Melanie unpack Kathleen Byron’s unforgettable performance, Deborah Kerr’s quiet power, and colonialist shadows.
📧 melanded@whothehellarewe.com
🔗 melanieanded.substack.com
🌀 Originally released: October 15, 2023
