The movie is essentially presented by Azazel Jacobs as a chamber drama because we don't spend much time outside the apartment—only when Rachel and I go for a smoke break, which sets up a hilarious recurring scene with the building manager. Otherwise, the story's constraints and structure provide the three protagonists with a lively, dialogue-heavy showcase, and happily, that is by far the project's greatest asset. In this family dynamic, Olsen deftly captures Christina's gregarious and affectionate personality; Coon balances this with Katie's more pessimistic view of both the daughter's bond and the impending death; and Lyonne drifts in and out of scenes like a sort of outsider, masking part of Rachel's humiliation and sincere fear of being alone.
https://www.pinterest.com/pin/901845894178162107
https://medium.com/@soap2day045/review-of-his-three-daughters-sisters-at-opposites-together-3f6803ceede6
https://www.tumblr.com/aliceanna7510/762401274335494144/his-three-daughters-were-carrie-coons-daughters?source=share
https://castbox.fm/episode/His-Three-Daughters-Cause-Family-Disintegration-id4987315-id739188131?country=us
https://www.spreaker.com/episode/why-is-the-movie-his-three-daughters-rated-r-described--62074842
