Bienvenue! Today we're in Paris speaking with French performer / educator / writer / Beckett expert (Beckettxpert?) Matthieu Protin about : soliloquys with a mouth full of blood, title characters that go AWOL, saving ailing spectators, and the dangers of classical raked stages -- is it worse to be sliding off the stage, or in the audience waiting to get smushed? Roll with us on this one.
