This week, Robbo, Robert, George, and AP dive headfirst into the digital abyss of archiving audio sessions. It's a showdown of practices, preferences, and pure paranoia that none of us want to miss. We're slicing through the magnetic tape of mystery to answer the burning question: To archive or not to archive? That is the question. Especially for voice actors like AP - is digital hoarding a necessary evil, or just a fast track to a cluttered hard drive? We're peeling back the layers on why every beep, click, and voiceover session might just be worth its weight in digital gold. Robbo, with his trusty naming convention stolen from his days at Foxtel, shares his vault-like approach to keeping every sonic snippet since Voodoo Sound's inception. That's right, folks - for a mere $25, Robbo will keep your audio safe from the digital gremlins, guaranteeing that not even a rogue magnet could erase your audio masterpiece. Then there's Robert, with his tech fortress of JBODs and RAID arrays, ensuring not even a single byte goes awry. It's like Fort Knox for soundwaves over there, proving once and for all that redundancy isn't just a good idea; it's the law in the land of post-production. But wait, there's a twist! Robbo shares a cautionary tale that's straight out of an audio engineer's nightmare - precious recordings lost to the abyss of DAT tape oblivion. A horror story to chill the bones of any audio professional, reminding us all of the fragility of our digital (and not-so-digital) creations. As for AP? He's the wild card, questioning the very fabric of our digital hoarding habits. But when push comes to shove, even AP can't deny the siren call of a well-placed backup, especially when clients come knocking for that one session from yesteryear. We also get a deep dive into the eccentricities of backup strategies, from George's cloud-based safety nets to the analog nostalgia of reel-to-reel tapes. It's a journey through time, technology, and the occasional Rod Stewart office painting gig - because, why not? So, gear up for an episode that's part backup seminar, part group therapy for data hoarders. We're dissecting the digital, analog, and everything in between to keep your audio safe, sound, and ready to resurface at a moment's notice. Don't miss this electrifying episode of The Pro Audio Suite, where the backups are plentiful, and the stories are even better. Who's backing up this podcast, you ask? Well, let's just hope someone hit record.
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Summary
In the latest episode of the pro audio suite, we dive into the world of audio archiving and discuss the various approaches and philosophies toward preserving our work. We're joined by industry professionals including Robert Marshall from source elements and Darren 'Robbo' Robertson from Voodoo Radio Imaging, as well as George 'the tech' Wittam and Andrew Peters, who share their personal strategies and experiences with archiving voiceover projects. The conversation opens with a discussion about the importance of having a naming convention for files, with insights on the methods adopted from professional entities like Foxtel. Listeners will learn the value of archiving everything, as shared by Robbo, including the practice of charging a backup fee to clients to cover the costs of maintaining archives. George introduces his once-a-year protocol of transferring data to an archive hard drive, emphasizing how affordable data storage has become. However, he also highlights the importance of staying current with technology to avoid the obsolescence of media, sharing anecdotes about DA 88 tapes and the need to keep track of archival materials. The episode touches on practical voiceover tips, like not necessitating a workstation at home and utilizing a laptop as a backup plan for voiceover recording. We also cover the worst-case scenarios such as dealing with corrupted audio and the advantages of modern backup solutions. The discussion moves on to cloud storage, specifically iCloud, and its benefits for voice actors who might otherwise become digital hoarders. The team debates the challenges of booting up from an external drive on modern Mac systems like the M1 or M2, offering insights into the workaround solutions which may require additional purchases. Listeners are reminded of the great offers from our sponsors, such as Tribooth for the perfect home or on-the-go vocal booth and Austrian Audio's commitment to making passion heard. The episode comes to a close emphasizing the professional edge of the podcast, all thanks to the contributions of Triboof and Austrian Audio, and the craftsmanship deployed using Source Connect, with post-production by Andrew Peters and mixing by Voodoo Radio Imaging. The audience is invited to subscribe to the show and participate in the conversation via the podcast's Facebook group. #VoiceOverTechTips #TriBoothTales #ArchivingAudioArt
Timestamps
(00:00:00) Introduction: Tributh Vocal Booth (00:00:42) Archiving Discussion with Robbo (00:07:34) Talent Experiences with Archiving (00:13:17) Digital Media Frailties (00:18:48) Tape Transfers Before Auctions (00:21:27) Backup Plans in Voiceover Work (00:27:39) Importance of Redundancy (00:31:04) Apple Silicon Booting Limitations (00:35:25) Podcast Credits & Reminder to Subscribe Transcript
Speaker A: Y'all ready? Be history.
Speaker B: Get started.
Speaker C: Welcome.
Speaker B: Hi. Hi. Hello, everyone to the pro audio suite. These guys are professional. They're motivated.
Speaker C: Thanks to tributh, the best vocal booth for home or on the road. Voice recording and austrian audio making passion heard. Introducing Robert Marshall from source elements and someone audio post Chicago, Darren. Robert Robertson from Voodoo Radio Imaging, Sydney. To the Vo stars, George the tech Wittam from LA, and me, Andrew Peters, voiceover talent and home studio guy.
Speaker B: Learn up, learner. Here we go.
: And don't forget the code. Trip a p 200 and that will get you $200 off your tribooth. Now, Robbo and I were having a bit of a chat the other day about archiving, which is something I strangely do, and I don't know why I do it, but I do. But there are different reasons for archiving, and mine is obviously completely different to Robert's. And of course, it's completely different from Robo's. So how much do you archive and how far back do your archives go?
Speaker A: Well, as I said in the conversation yesterday, I actually archive everything. I could pretty much pull out any session I've done since voodoo sound existed, which is fast approaching 20 years. But I do charge a backup fee to my clients, so they pay $25 for the privilege. And, look, to be fair, whether they pay it or not, I do archive it, but it's a built in cost covering for me to be able to go and buy a couple of hard drives every year. But I reckon if you're going to do it, the most important thing for me anyway, is having some sort of naming convention. So I actually pinched mine off Foxtel when I used to freelance there. The channels had a three letter prefix
