The Wind is a Western Horror movie that is a spiritual successor to The Witch. The harsh landscape and interpersonal paranoia are in the forefront of this tense thriller. We review the film and attempt to unravel the non-linear narrative to make sense of what actually happened to the four main characters.
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The Wind Synopsis
The Wind is the first feature film for both the writer Teresa Sutherland, and the director Emma Tammi. It is a Western Horror film that tells the story of two young families living on harsh untamed Western frontier of the US in the 1800’s. Caitlin Gerard plays Lizzy Macklin, who with her husband Isaac (Ashley Zukerman) own a homestead on the windy, dusty plains. They are soon joined by a newlywed couple, Emma and Gideon Harper played by Julia Goldani Telles and Dylan McTee. The Harpers are out of their depth trying to survive in the unforgiving environment. Emma soon starts to show cracks in her psyche, and is driven mad by the pressure. When Lizzy starts to also experience some of the visions and unexplained phenomena described by Emma, she starts to question whether she is also going mad, or is it an actual evil presence seeking to destroy them?
https://youtu.be/WVZBNT0Ap-A
The Wind - Official Trailer
Review of The Wind
Comparisons to the Witch are inevitable and apt with this movie. The harsh environment and the pressures of surviving off the land are basically a main character in both films. The trailer also makes comparisons to The Babadook. Being two of my favorite horror movies of the last decade, those comparisons made me set my expectations fairly high. The good news is that this film, for the most part, met my expectations.
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It is a simple story injected with convincing human drama and told artfully through a non-linear narrative that keeps you engaged and on the edge. Coming from a first time feature film screenwriter and director, it’s actually really impressive how all the moving parts worked so well. You’re fed bits of information piece by piece, which lets you assemble the puzzle of the story’s timeline. Just enough information is withheld throughout to make you question whether the cause of all the trouble is simply paranoia and madness, or if it is an actual demon. The tone is set early with the first scene featuring a dead baby, and the menace is maintained throughout the whole movie.
The score and sound design are excellent, and scared me as much as the visuals did.
The film relies on inter-relationship drama, and psychological horror more than jump scares, but those are represented as well.
