Explores the intertwined relationship between literature and architecture in early modern England, arguing that architectural writing often functioned as a form of literature and historiography. It examines how buildings were used to tell human stories and reflect on history, rather than solely as aesthetic objects. The sources challenge modern architectural history's focus on aesthetic periods and individual architects, highlighting instead the role of patrons and the surveyor, who combined practical building skills with historical and cartographical knowledge. Through analyses of various works, including Camden's Britannia, country house poems, John Stow's Survey of London, and Anne Clifford's diaries, the texts demonstrate how architectural descriptions were deeply embedded in narratives of family, land, and community, sometimes affirming traditional social structures and other times revealing their disruption. Ultimately, the collection reveals a "predisciplinary" approach to architecture where its study overlapped significantly with other forms of cultural and historical inquiry.
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