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Description

We are celebrating our big 300th episode with in depth craft talk and our giveaway. 
Kristy breaks down seeing Five Nights at Freddy’s 2 in a packed theater, what real fan service looks like, and why understanding the assignment with IP can matter more than chasing four quadrant appeal. Geoffrey shares his hot take on Wicked For Good and why character motivation has to make emotional sense or the whole story starts to wobble. 

We talk about Netflix buying Warner Bros, what consolidation could mean for theaters and for working writers, and why packed screenings still matter. From there we dig into real listener questions, including what to do when your second act is boring in a contained script, how subplots keep a story alive, why cutting to the antagonist is a secret weapon, and why you should master features before jumping into pilots and series. If you are stuck in act two, worried your work is not ready, or wondering how to get your script seen when you feel like you live in the middle of nowhere, this milestone episode is for you. 

What You’ll Learn in This Episode

Key MomentsAbout the CoHost
Kristy Leigh is a writer, director, and co host of the show. She works in film and television, writes and directs vertical drama such as The Witch Wolf’s Mate for ReelShort, and helps writers level up their scripts through feedback and development.

About the Host
With films on network television, streaming platforms, and in theaters, Geoffrey D. Calhoun is a screenwriter, author of The Guide for Every Screenwriter, and a passionate mentor in the industry. His mission is to inspire and empower writers and filmmakers at every level.

Resources Mentioned in the EpisodeConnect with GuestConnect with Geoffrey D. Calhoun#ScreenwritingPodcast #TheSuccessfulScreenwriter #ScreenwritingTips #SecondActProblems #BadScreenwritingAdvice #KristyLeigh #VirtualGeoffrey #InkTip #FiveNightsAtFreddys #WickedMovie



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