“How different Barry’s fate might have been had he not fallen in love with Nora and had he not flung the wine at Captain Quinn’s face, but he was destined to be a wanderer and the battle with Quinn set him on his travels at a very early age, as you shall soon see.”
From Novel to Screen: Kubrick's Aristocratic Satire
Stanley Kubrick's 1975 period drama Barry Lyndon transforms William Makepeace Thackeray's novel into a visually stunning examination of 18th-century European aristocracy. Starring Ryan O'Neal as the opportunistic Irish rogue Redmond Barry, the film employed groundbreaking NASA-developed lenses to capture authentic candlelit scenes. Originally met with mixed commercial success despite critical acclaim, the film has since been recognized as a masterpiece of cinematography and historical storytelling. Join us—Pete Wright and Andy Nelson—as we kick off our Golden Jubilee: 1975's Pioneering Visions in Global Cinema series with a conversation about Barry Lyndon.
The Power of Narration
We explore how the third-person narrator fundamentally shapes the film's storytelling, with Pete surprisingly defending its necessity—notable given his general skepticism toward voiceovers. We discuss Kubrick's deliberate deviation from Thackeray's first-person narrative, creating an omniscient perspective that enhances the film's satirical elements.
Character and Performance
We delve into Ryan O'Neal's portrayal of Barry, examining how his sometimes vacant performance effectively serves the character's journey from ambitious young man to failed aristocrat. We analyze Barry's relationship with Lord Bullingdon and the complex family dynamics that ultimately lead to his downfall.
Technical Mastery
Discussion points include:
