“Listen, human beings. I’m Princess Elzebub. I’ve conquered the Earth. I’m your new master now.”
Hong Kong's Super-Powered Shaw Brothers SpectacleThe Super Inframan, released by Shaw Brothers Studio in 1975, represents a fascinating fusion of tokusatsu, kung fu, and superhero genres. Directed by Hua Shan, this Hong Kong science fiction action film emerged during a period when Asian cinema was actively experimenting with Western genre influences. The film follows a scientist who transforms a volunteer into a cyborg superhero to battle Princess Dragon Mom and her army of monsters. Join us—Pete Wright and Andy Nelson—as we continue the Golden Jubilee: 1975's Pioneering Visions in Global Cinema series with this month's member bonus episode discussing The Super Inframan.Monster Mayhem and Creative ChaosPete and Andy dive deep into the film's spectacular array of monsters, from the memorable "Boing Boing Boys" with their spring-loaded mace heads to Witch Eye with her laser-shooting hand-eyes. They particularly appreciate the creative costume design despite obvious budget constraints, noting how the film manages to create memorable characters through imaginative practical effects and enthusiastic performances.Shaw Brothers' Influence and LegacyThe hosts explore how The Super Inframan fits into the larger Shaw Brothers catalog and its influence on later filmmakers like Robert Rodriguez and Quentin Tarantino, among others. They discuss how the studio's willingness to experiment with genre combinations helped pave the way for future martial arts and action cinema.Key Discussion Points: