You know that moment when the room doesn’t change, exactly… but you do? A joke lands a little sideways, a silence settles in, and your brain starts doing that ridiculous math where staying feels safer than leaving—even when every part of you is quietly screaming, “Go.” That’s the engine of this month’s Sitting in the Dark, as Pete Wright sits down with Tommy Metz III, Chelsea Stardust, and Kynan Dias to unpack “Overstayed”: three films built around the fear of the open door you don’t walk through.They start with Karyn Kusama’s The Invitation, a dinner party that weaponizes politeness, history, and that stubborn desire to not be the first person to say what everyone’s thinking. From there, they pivot to David Bruckner’s The Night House, where the trap isn’t social pressure—it’s grief, isolation, and a house that seems to rearrange itself into meaning when you’re not looking. And then there’s Damien McCarthy’s Caveat, a movie that takes the idea of being “stuck” and makes it aggressively literal, daring you to decide whether you’re watching realism… or a fable with teeth.Along the way, the conversation keeps circling one question: what is it in us that wants answers more than safety? It’s a theme that feels uncomfortably familiar—and the kind of horror that lingers because it doesn’t ask what you’d do in a haunted house. It asks what you’d do at a party, in a marriage, in a moment where the cost of being wrong feels higher than the cost of staying.Featured Films
