The text presents an extensive word study exploring the "Hidden Codes" within the biblical title, "The Rose of Sharon," which the author asserts is a phonetic rendering of the Hebrew phrase for "the Beginning and the End" found in Isaiah 44:6. The author uses this interpretation to connect the Old Testament verse, often attributed to YHVH, with the declarations made by Jesus Christ in the Book of Revelation, suggesting an encoded affirmation of the Holy Trinity. Furthermore, the study examines the Paleo-Hebrew pictographs of the first and last letters of the Hebrew alphabet, the Alef and the Tav, arguing that their combined meaning within Isaiah 44:6 covertly depicts "Adonai on the Cross" or the Crucifixion Code. Finally, the analysis connects the geometric design and mathematical properties (such as the Golden Ratio) of the physical Rose of Sharon flower to the Creator's "Signature," linking its beauty and design to Christ's divine essence and love for his Bride, the Church.
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