Counter-Reformation.
Pope Paul IV, elected in 1555, was a member of the anti-Spanish party in the Italian War of 1551–59, but his policy resulted in the Neapolitan troops of the viceroy again besieging Rome in 1556. Paul sued for peace, but had to accept the supremacy of Philip II of Spain. He was one of the most hated Popes of all, and, after his death the raging populace burned the Holy Inquisition's palace and destroyed his marble statue on the Campidoglio.
Pope Paul's Counter-Reformation views are well shown by his order that a central area of Rome, around the Porticus Octaviae, be delimited, creating the famous Roman Ghetto, the very constricted area in which the city's Jews were forced to live in seclusion. They had to remain in the rione Sant'Angelo and locked in at night. The Pope decreed that Jews should wear a distinctive sign, yellow hats for men and veils or shawls for women. Jewish ghettos existed in Europe for the next 315 years.
The Counter-Reformation gained pace under his successors, the milder Pope Pius IV and the severe Pope Pius V. The former was a nepotist lover of court splendours, but more severe customs arrived anyway through the ideas of his advisor, the prelate Charles Borromeo, who was to become one of the most popular figures among Rome's people. Pius V and Borromeo gave Rome a true Counter-Reformation character. All pomp was removed from the court, the jokers were expelled, and cardinals and bishops were obliged to live in the city. Blasphemy and concubinage were severely punished. Prostitutes were expelled or confined in a reserved district. The Inquisition's power in the city was reasserted, and its palace rebuilt with an increased space for prisons. During this period Michelangelo opened the Porta Pia and turned the Baths of Diocletian into the spectacular basilica of Santa Maria degli Angeli e dei Martiri, where Pius IV was buried. The expression of mannerism was meticulously widespread with Vignola, for civil and religious buildings in Rome and throughout the Papal States, his masterpieces, even before the Church of the Gesù (1568), became villas such as Villa Giulia and Villa Farnese.
The pontificate of his successor, Gregory XIII, was considered a failure. As he tried to use milder measures than those of St. Pius, the worst element of the Roman population felt free to scourge again the streets. The French writer and philosopher Montaigne maintained that "life and goods were never as unsure as at the time of Gregorius XIII, perhaps", and that a confraternity even held same-sex marriage in the church of San Giovanni a Porta Latina. The courtesans repressed by Pius had now returned.
Sixtus V was of very different temper. Although short (1585–1590), his reign however is remembered as one of the most effective in the modern Rome's history. He was even tougher than Pius V, and was variously nicknamed castigamatti ("punisher of the mad"), papa di ferro ("Iron Pope"), dictator and even, ironically, demon, since no other Pope before him pursued with such a determination the reform of the church and the customs. Sixtus profoundly reorganised the Papal States' administration, and cleaned the streets of Rome of thugs, procurers, duelling and so on. Even the nobles and Cardinals could not consider themselves free from the arms of Sixtus' police. The money from taxes, which were not now wasted in corruption, permitted an ambitious building programme. Some ancient aqueducts were restored, and a new one, the Acquedotto Felice (from Sixtus' name, Felice Peretti) was constructed. New houses were built in the desolate district of Esquilino, Viminale and Quirinale, while old houses in the centre of the city were destroyed to open new, larger streets. Sixtus's principal aim was to make Rome a better destination for pilgrimages, and the new streets were intended to permit a better access to the major Basilicas. Old obelisks were moved or erected to embellish St. John in Lateran, Santa Maria Maggiore and St. Peter, as well as Piazza del Popolo, in front of Santa Maria del Popolo.
Baroque period.
In the 18th century, the Papacy reached the peak of its temporal power, the Papal States including most of Central Italy, including Latium, Umbria, Marche and the Legations of Ravenna, Ferrara and Bologna extending north into the Romagna, as well as the small enclaves of Benevento and Pontecorvo in southern Italy and the larger Comtat Venaissin around Avignon in southern France.
Baroque and Rococo architecture flourished in Rome, with several famous works being completed. Work on the Trevi Fountain began in 1732 and was completed in 1762. The Spanish Steps were designed in 1735. Pope Clement XIII's tomb by Canova was completed in 1792.
The arts also flourished throughout this period. Palazzo Nuovo became the world's first public museum in 1734 and some of the most famous views of Rome in the 18th century were etched by Giovanni Battista Piranesi. His grand vision of classic Rome inspired many to visit the city and examine the ruins themselves.
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