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Adam Art Gallery Te Pataka Toi

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Tout est déjà là - Spiritualité & Entrepreneuriat
Tout est déjà là - Spiritualité & Entrepreneuriat39. Joyeux Yogi Noël !Dans l’épisode du jour de Tout est déjà là, le podcast qui accompagne ton éveil et te donne des clés pour une vie plus consciente, je partage avec toi ma hotte pour un Yogi Noël tout en beauté et en lumière, respectueux !Voici quelques-unes des pépites que j’ai dans mon entourage, direct ou indirect. Oracles, tarots, plantes médicinales, art, carnets de journaling, objets totems, encens, etc., je te donne toute une liste d’artistes et artisans à contacter afin d’embellir ton quotidien ou celui d’une personne qui t’est proche.Belle d...
2024-12-1941 minCOURTESY OF
COURTESY OFThe buildings notice me Ep1 | TūrangahakoaHanging on the wall in the Upper Chartwell, Brook Konia’s work Tūrangahakoa connects twelve paired bars pointing upward. A zagged manawa-line is revealed in the middle, signifying the journey one goes on in life. Altogether the artwork is a tohu of belonging, joy and aspiration. In this conversation with Rosalie Koko the 2024 Pia Nahanaha Taonga Curatorial Intern, Konia shares the kōrero informing Tūrangahakoa which navigates around the places, people, objects, customs and ways of relating to each other that transition someone from wandering and wondering to being welcome.This episode is a recording of th...
2024-09-2243 minCOURTESY OF
COURTESY OFInfrastructure Ep 2 | Finding Ways ForwardThe same week the exhibition ‘Infrastructure: power, politics and imagination’ opened at Te Pātaka Toi Adam Art Gallery, select committee submissions closed for the National Government’s Fast-track Approvals Bill. This controversial Bill, which aims to speed up approvals for infrastructure and development projects, has been identified as having implications for iwi and environmental protection.In this political context and sitting amongst artist Matthew Galloway’s immersive project titled ‘The Power That Flows Through Us’, Galloway sat down with Professor of Politics and Māori Studies at Te Herenga Waka—Victoria University of Wellington Maria Bargh, to explore conte...
2024-06-2738 minCOURTESY OF
COURTESY OFInfrastructure Ep 1 | Of Influence & Impact: Political Cartooning in AotearoaIn the project The Power That Flows Through Us artist Matthew Galloway revisits cartoons from the 1970s/80s by Robert Brockie, Sid Scales, Gordon Minhinnik and Daryl Crimp. This historical era of cartooning is the starting point for this podcast episode, which is a recording of a panel discussion that took place on 14 May 2024 in conjunction with the exhibition Infrastructure: power, politics and imagination ,Sitting amongst Galloway's project - and in particular, next to historical cartoons enlarged as life-sized sculptures - are the panelists: Sharon Murdoch, the first woman political cartoonist in the Aotearoa mainstream me...
2024-06-2058 minCOURTESY OF
COURTESY OFFolded Memory Ep2 | Ki te Ngāhere: Conversations about time, material & memory A forest consists of many timescales. Through a constant process of renewal and decay, the ecosystem becomes a record of time passing. Similarly, human memory folds together new and old. Every moment that something is remembered material traces are reshaped and reconstructed. This episode is a recording from a panel discussion featuring artists Taarn Scott and Raewyn Martyn in conversation with exhibition co-curator Su Ballard, which took place on 23 March 2024 as part of the closing weekend event for 'Folded Memory' titled 'Ki te Ngāhere: Conversations about time material and memory', Tracing an ongoing thread b...
2024-04-0441 minCOURTESY OF
COURTESY OFFolded Memory Ep1 | Spoken EcologiesOn the occasion of the exhibition Folded Memory (18 November 2023 - 28 March 2024) this podcast episode is a recording of a poetry reading in the Gallery on Wednesday 13 March 2024, titled Spoken Ecologies.For Spoken Ecologies 2023/24 Tāhuhu Kōrero Toi Summer Scholar in Art History at Te Herenga Waka—Victoria University of Wellington, Margo Montes de Oca brought together poets to share work in response to Folded Memory. Using their poetry to bear witness to the kaleidoscopic stories of geology and ecology of Aotearoa, these readers guide us through shifting landscapes of time, extending the tendrils of human language out...
2024-03-2853 minCOURTESY OF
COURTESY OFBack of House Ep2 | Thomas Voyce: Is This Meta Enough For You?In this episode, you’ll hear a mastered recording of Is This Meta Enough For You? an improvised live electronic music performance by sonic artist Thomas Voyce. During the exhibition installation period for Back of House, Voyce collected field recordings by attaching binaural microphones to individual Adam Art Gallery staff members. Is This Meta Enough For You? is the culmination of these recordings amplified by Te Kōkī Soundsystem and mixed live in the gallery on the evening of Wednesday 18 October 2023.Thomas Voyce is a sound artist from Te Whanganui-a-Tara, who works primarily with field recordings and live...
2023-11-2818 minCOURTESY OF
COURTESY OFBack of House Ep1 | Cora-Allan: Making Material HistoriesThis episode features 'Aro Toi/ Art Collection in Focus' curator Sophie Thorn speaking with artist Cora-Allan on Saturday 16 September 2023, in a floor-talk associated with the exhibition 'Back of House'.Cora-Allan is of Māori (Ngāpuhi, Ngātitumutumu) and Niue descent. A contemporary practitioner of the Niue tradition of barkcloth known as hiapo, Cora-Allan is credited with reviving the ‘sleeping artform’ which has not been practised in Niue for several generations.In this conversation Sophie and Cora-Allan discuss the material processes of harvesting whenua paint and the materials science of producing natural dyes as they relate...
2023-10-1142 minCOURTESY OF
COURTESY OFS07 E07 - In Relation to In Relation Ep6 | Tina Barton Reads - Lunchtime TalksEvery second Tuesday lunchtime, Christina Barton, Director of the Adam Art Gallery and co-curator of In Relation: Performance Works by Peter Roche & Linda Buis 1979–1985, selects a performance in the exhibition and reads the relevant original notes drafted by the artists or compiled by their most assiduous audience member, the critic and curator Wystan Curnow. Her idea is to bring a live dimension into the gallery as a way of animating the documentation on display and sharing first-hand insights in their unedited form. Each reading is between 15 and 30 minutes in duration with some comments before and after.In th...
2023-07-2713 minCOURTESY OF
COURTESY OFIn Relation to In Relation Ep5 | Tina Barton Reads - Lunchtime TalksEvery second Tuesday lunchtime, Christina Barton, Director of the Adam Art Gallery and co-curator of In Relation: Performance Works by Peter Roche & Linda Buis 1979–1985, selects a performance in the exhibition and reads the relevant original notes drafted by the artists or compiled by their most assiduous audience member, the critic and curator Wystan Curnow. Her idea is to bring a live dimension into the gallery as a way of animating the documentation on display and sharing first-hand insights in their unedited form. Each reading is between 15 and 30 minutes in duration with some comments before and after.In th...
2023-07-2430 minCOURTESY OF
COURTESY OFIn Relation to In Relation Ep4 | Tina Barton Reads - Lunchtime TalksEvery second Tuesday lunchtime, Christina Barton, Director of the Adam Art Gallery and co-curator of In Relation: Performance Works by Peter Roche & Linda Buis 1979–1985, selects a performance in the exhibition and reads the relevant original notes drafted by the artists or compiled by their most assiduous audience member, the critic and curator Wystan Curnow. Her idea is to bring a live dimension into the gallery as a way of animating the documentation on display and sharing first-hand insights in their unedited form. Each reading will be between 15 and 20 minutes with time for questions after.In this reading Ti...
2023-07-1043 minCOURTESY OF
COURTESY OFLegacies | What Sparks The Words? - Panel DiscussionA conversation with writers Tina Makereti, Gregory Kan, and Gwynneth Porter, chaired by Thomasin Sleigh.Writers are inspired and challenged by the visual arts, whether it be for its politics, its abstraction, its humour, or through creative and productive friendships with the artists themselves. But what does ‘responding’ to an artwork really mean? What are a writer’s specific considerations for different commissions and publications? Beyond the essay, what is the potential of fiction, poetry, and other literary forms to respond to a work of visual art? And what is the role of the reader, as the third...
2023-06-261h 08COURTESY OF
COURTESY OFIn Relation to In Relation Ep3 | Tina Barton Reads - Lunchtime TalksEvery second Tuesday lunchtime, Christina Barton, Director of the Adam Art Gallery and co-curator of In Relation: Performance Works by Peter Roche & Linda Buis 1979–1985, selects a performance in the exhibition and reads the relevant original notes drafted by the artists or compiled by their most assiduous audience member, the critic and curator Wystan Curnow. Her idea is to bring a live dimension into the gallery as a way of animating the documentation on display and sharing first-hand insights in their unedited form. Each reading will be between 15 and 20 minutes with time for questions after.In this reading Ti...
2023-06-1926 minCIRCUIT CAST
CIRCUIT CASTEpisode 113: What sparks the words?A conversation with writers Tina Makereti, Gregory Kan, and Gwynneth Porter, on the dynamic possibilities for writing to respond to art beyond the essay, chaired by Thomasin Sleigh. Recorded at Te Pātaka Toi Adam Art Gallery.
2023-06-191h 08COURTESY OF
COURTESY OFIn Relation to In Relation Ep2 | Tina Barton Reads - Lunchtime TalksEvery second Tuesday lunchtime, Christina Barton, Director of the Adam Art Gallery and co-curator of In Relation: Performance Works by Peter Roche & Linda Buis 1979–1985, selects a performance in the exhibition and reads the relevant original notes drafted by the artists or compiled by their most assiduous audience member, the critic and curator Wystan Curnow. Her idea is to bring a live dimension into the gallery as a way of animating the documentation on display and sharing first-hand insights in their unedited form. Each reading will be between 15 and 20 minutes with time for questions after.In this reading Ti...
2023-05-3130 minCOURTESY OF
COURTESY OFIn Relation to In Relation Ep1 | Tina Barton Reads - Lunchtime TalksEvery second Tuesday lunchtime, Christina Barton, Director of the Adam Art Gallery and co-curator of In Relation: Performance Works by Peter Roche & Linda Buis 1979–1985, will select a performance in the exhibition and read the relevant original notes drafted by the artists or compiled by their most assiduous audience member, the critic and curator Wystan Curnow. Her idea is to bring a live dimension into the gallery as a way of animating the documentation on display and sharing first-hand insights in their unedited form. Each reading will be between 10 and 20 minutes with time for questions after.In this re...
2023-05-2342 minCOURTESY OF
COURTESY OFWalking, Talking, Reading, Writing Ep1 | Rachel O'NeillWelcome to the first episode of ‘Walking, Talking, Reading, Writing’ Te Pātaka Toi Adam Art Gallery’s podcast series exploring themes running through the exhibitions ‘Nick Austin: Life Puzzle’ and ‘Aro Toi / Art Collection in Focus: Ana Iti, A dusty handrail on the track’. The common point of departure is a push-pull approach to language and physical structure, referencing different approaches to narrative sequencing and spanning physical or temporal distances.This episode features Rachel O’Neill, a Pākehā queer filmmaker, writer and artist living and working between the Kāpiti Coast and Te Whanganui-a-Tara, Aotearoa. Rachel develops scre...
2023-04-0617 minCOURTESY OF
COURTESY OFBridging Worlds Ep4 | Mermaid Metaphors & Other Tales - Megan Dunn & Jess Hinerangi Thompson-CarrLunchtime talk12pm 08 December 2022Join us to explore some recent poems by writers who identify with or respond to the mermaid as a figure who slips between categories. Ōtepoti artist and poet, Jessica Hinerangi Thompson- Carr aka the Māori Mermaid, joins curator Megan Dunn to discuss their individual resonance with mermaid symbology. The Māori mermaid reads her own work and talks about the work of others from poetry to popular culture, shining light on the imaginative potential of the mermaid and its relevance to contemporary Aotearoa.Jessica Hinerangi Thompson-Carr is Ngāruah...
2023-03-0535 minCOURTESY OF
COURTESY OFBridging Worlds Ep3 | Jim McAloon - The Life & Times of Gerald O'BrienLunchtime talk12pm 01 December 2022O’Brien held many roles during his long life – he had been a radar operator in the airforce, a businessman, a city councillor, and eventually the president of the World Peace Council. As a prominent politician he was elected during a time of change within both the Labour Party and within Aotearoa as a whole. In this lunchtime talk political historian, Jim McAloon, offers compelling insights into the social and political context in which Gerald O’Brien lived and worked.Jim McAloon is a professor of history at Te Hereng...
2023-03-0226 minCOURTESY OF
COURTESY OFBridging Worlds Ep2 | Megan Dunn; The Mermaid Chronicles interviewsThis episode features the interviews Megan Dunn, curator/creator of the exhibition The Mermaid Chronicles, undertook via Zoom to support the public programme screenings of mermaid-centric films ‘Splash’, ‘Million Dollar Mermaid’ and ‘I’ve Heard The Mermaid Singing’.We hear from Robert Short – mermaid tail-maker for Splash, Dr Jenny Kokai – author of Swim Pretty Aquatic Spectacles and the Performance of Race, Gender, and Nature, and Patricia Rozema - director of I’ve Heard the Mermaid Singing.
2023-02-271h 08COURTESY OF
COURTESY OFBridging Worlds Ep1 | Lucien Rizos & Gregory O'BrienLunchtime Talk recorded on 17 November 2022Lucien Rizos in conversation with Gregory O'Brien.Gerald O’Brien was like a father to Lucien Rizos, yet throughout their time together O’Brien never mentioned his lifelong creative project which is featured in Rizos’s exhibition, Everything. Join Rizos in conversation with Wellington artist and writer Gregory O’Brien as they discuss and try to make sense of O’Brien’s life and the fantasy world he kept secret.Gregory O'Brien is a Wellington poet, essayist and painter who curated exhibitions at City Gallery Wellington between 1997 and 2009. While there...
2022-12-1333 minCOURTESY OF
COURTESY OFWriting About Painting | A Panel Discussion re Barbara Tuck - Delirium CrossingThis episode is captured from a panel discussion ‘Writing About Painting’, which occurred in conjunction with the exhibition ‘Barbara Tuck – Delirium Crossing’ at Te Pātaka Toi Adam Art Gallery, on Wednesday 17th August 2022.Developed as a partnership between Anna Miles Gallery, Auckland; Ramp Gallery, Hamilton, and Te Pātaka Toi Adam Art Gallery, ‘Barbara Tuck – Delirium Crossing’ evolved as a conscious alternative to the conventional retrospective. For ‘Delirium Crossing’ paintings were chosen by fifteen writers and their texts collated in an accompanying catalogue, fulfilling the artist’s ambition to create a forum for thinking about her medium, as much as a too...
2022-09-1459 minCOURTESY OF
COURTESY OFIN FOCUS (from the collection) | Ep1: Jane Campion, Thomasin Harcourt McKenzie, Christina BartonThis episode stems from an event which took place on the 27th of April 2022. It features Oscar-winning film director Dame Jane Campion and actor Thomasin Harcourt McKenzie speaking with Adam Art Gallery Director Christina Barton discussing two largescale paintings recently installed on the Victoria University of Wellington Kelburn Campus: Easy Living I, 2015, by Wellington artist Séraphine Pick and Conflicts of the Psyche – The Struggle Between Ambition and Desire II, 1984, by New Zealand-born, London-based artist Alexis Hunter (1948–2016). This intriguing pairing not only puts together two talented film-world figures as lenders, but it also stages a fascinating conversation between two figur...
2022-05-1841 minCOURTESY OF
COURTESY OFListening Stones Jumping Rock/The Machine Stops | Episode 2: Su Ballard and Rachel Shearer discuss Te Oro o te AoJoin artist Rachel Shearer (Pākehā, Rongowhakaata, Te Aitanga a Māhaki) and co-curator of Listening Stones Jumping Rocks Su Ballard in a discussion that descends into Shearer’s artwork Te Oro o te Ao, an immersive sound installation in a blacked-out room. Described as an assemblage of sounds Te Oro o te Ao takes us deep into the unfolding energies of Papatūānuku.“I don’t come out with any specific answers, but really just the question: if we listen closely to the earth what do we hear? And for me, I hear whakapapa, I hear connection...
2022-03-1833 minCOURTESY OF
COURTESY OFListening Stones Jumping Rock/The Machine Stops | Episode 1: Pip Adam | Giants in Space: Fiction and MegaFauna𝘎𝘪𝘢𝘯𝘵𝘴 𝘪𝘯 𝘚𝘱𝘢𝘤𝘦 𝘓𝘪𝘴𝘵𝘦𝘯𝘪𝘯𝘨: 𝘍𝘪𝘤𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘔𝘦𝘨𝘢𝘍𝘢𝘶𝘯𝘢 is reworked, in the context of the exhibition Listening Stones Jumping Rocks, from Pip Adam’s keynote lecture at the 𝘕𝘨ā 𝘵𝘰𝘩𝘶 𝘰 𝘵𝘦 𝘩𝘶𝘢𝘳𝘦𝘳𝘦: 𝘊𝘰𝘯𝘷𝘦𝘳𝘴𝘢𝘵𝘪𝘰𝘯𝘴 𝘣𝘦𝘺𝘰𝘯𝘥 𝘩𝘶𝘮𝘢𝘯 𝘴𝘤𝘢𝘭𝘦𝘴 conference held at Te Herenga Waka—Victoria University of Wellington in November 2021. As well as featuring discussion of works such as Sorawit Songsataya The Interior it is loosely based on the novel Adam is writing about a group of giant humans banished from earth in a spacecraft powered by sound. Her fictional work explores features of our existing carceral and policing systems and attempts to offer experiences of alternative forms of justice.
2022-02-0243 minRadio DevOps
Radio DevOps🗞 Scaleway quitte GAIA X | Actus DevOps Décembre 2021De l'eau dans le gaz entre Gaia-X et #Scaleway, une grosse fuite de données chez #Godaddy, et bien plus encore.💬 Viens discuter avec nous et la communauté : https://www.compagnons-devops.fr00:00 Que se passe t'il en ce moment dans le monde du #DevOps ou du Cloud ?💖 Tu peux soutenir mon travail et la communauté sur :https://liberapay.com/cchaudier01:12 Du grabuge chez Gaia X ?- Post LinkedIn de Clément DAVID : https://www.linkedin.com/posts/cl%C3%A9ment-david-59048944_petite-bombe-dans-le-cloud-fran%C3%A7ais-activi...
2021-12-2348 minCOURTESY OF
COURTESY OFFeedback | Episode 3: Panel discussion: ‘What was/is Video Art?’ On the closing weekend of Image Processors, Adam Art Gallery director Christina Barton invited a panel of artists and curators to discuss the medium of video. Her starting point was the idea that video art is an unstable category that troubles our desires to categorise and collect. The panel featured Circuit director Mark Williams; Te Papa’s curator of contemporary art, Nina Tonga; writer and curator Lawrence McDonald, and artist Shannon Te Ao in this discussion, with questions designed to probe how video has served artists and audiences from the 1960s to the present.Participants La...
2021-11-251h 38COURTESY OF
COURTESY OFFeedback | Episode 2: Chelsea Nichols with Matthew GriffinOur second podcast features Australian artist Matthew Griffin in conversation with Chelsea Nichols, senior curator at the Dowse Art Museum. Both artist and curator have busy online lives, Nichols feeding her online imaginary museum, Griffin making short videos for Instagram. Here they discuss Matthew's featured work Unchained Malady, the chaos of the algorithm and whether everything is just mould.
2021-10-0642 minCOURTESY OF
COURTESY OFFeedback | Episode 1: Mark Williams and Mike HeynesListen to the first in our new series of podcasts made in association with Image Processors, Artists in the Medium – A Short History 1968–2020. Two moving-image consumers who describe themselves as growing up “pre-internet” but being babysat by TV, Wellington-based artist Mike Heynes and Circuit Artist Film and Video Aotearoa director Mark Williams, discuss Mike’s work, News of the Uruguay Round, 2016, in the wider context of the exhibition.
2021-09-2324 minCOURTESY OF
COURTESY OFLaundry Day | On Distance - Boaz LevinOne of the pivotal components of ‘Crossings’ was a layered installation in our Kirk Gallery. The space was used to unpack an essay written by Berlin-based writer Boaz Levin for the third iteration of the publication Next Spring titled ‘On Distance’. Included in the installation was a reading of this essay by the author. This reading is now available here.Levin’s essay focusses on the film ‘Havarie’, by Philip Sheffner and Merle Kröger. This film repurposes a short, amateur video clip uploaded to YouTube by its author Terry Diamond, a passenger on board a cruise liner, who caug...
2021-08-2843 minCOURTESY OF
COURTESY OFLaundry Day | Episode 5: Tina Barton with artists Sonya Lacey and Allan McDonaldLaundry day: a podcast series of unfolding conversations with the artists in Crossings“At times we phone or Skype. It’s the only way we can talk.”- Rhim Ibrir, Havarie, 2016Crossings is a show about the closeness of distance, the experience of connecting with others from afar, while ensconced in our homes, physically disconnected yet always online. As we shared the experiences of a global pandemic, of shifting political landscapes and transformative action, 2020 was also a time of interiority, of modified subjectivities and heightened anxieties as global lockdowns forced us to turn inward...
2021-08-2137 minCOURTESY OF
COURTESY OFLaundry Day | Episode 4: Artist Emma McIntyre with gallerist Sarah HopkinsonLaundry day: a podcast series of unfolding conversations with the artists in Crossings“At times we phone or Skype. It’s the only way we can talk.”- Rhim Ibrir, Havarie, 2016Crossings is a show about the closeness of distance, the experience of connecting with others from afar, while ensconced in our homes, physically disconnected yet always online. As we shared the experiences of a global pandemic, of shifting political landscapes and transformative action, 2020 was also a time of interiority, of modified subjectivities and heightened anxieties as global lockdowns forced us to turn inward...
2021-08-1526 minCOURTESY OF
COURTESY OFLaundry Day | Episode 3: Co-curator Millie Riddell with artists Tui Harrington and Layla Rudneva-MackayLaundry day: a podcast series of unfolding conversations with the artists in Crossings“At times we phone or Skype. It’s the only way we can talk.”- Rhim Ibrir, Havarie, 2016Crossings is a show about the closeness of distance, the experience of connecting with others from afar, while ensconced in our homes, physically disconnected yet always online. As we shared the experiences of a global pandemic, of shifting political landscapes and transformative action, 2020 was also a time of interiority, of modified subjectivities and heightened anxieties as global lockdowns forced us to turn inward...
2021-08-0835 minCOURTESY OF
COURTESY OFLaundry Day | Episode 2: Laura Preston with Boaz LevinLaundry day: a podcast series of unfolding conversations with the artists in Crossings“At times we phone or Skype. It’s the only way we can talk.”- Rhim Ibrir, Havarie, 2016Crossings is a show about the closeness of distance, the experience of connecting with others from afar, while ensconced in our homes, physically disconnected yet always online. As we shared the experiences of a global pandemic, of shifting political landscapes and transformative action, 2020 was also a time of interiority, of modified subjectivities and heightened anxieties as global lockdowns forced us to tur...
2021-07-2422 minCOURTESY OF
COURTESY OFLaundry Day | Episode 1: Co-curator Sophie Thorn with artist Richard ShepherdLaundry day: a podcast series of unfolding conversations with the artists in Crossings“At times we phone or Skype. It’s the only way we can talk.”- Rhim Ibrir, Havarie, 2016Crossings is a show about the closeness of distance, the experience of connecting with others from afar, while ensconced in our homes, physically disconnected yet always online. As we shared the experiences of a global pandemic, of shifting political landscapes and transformative action, 2020 was also a time of interiority, of modified subjectivities and heightened anxieties as global...
2021-07-1829 minNOM 2 ZEUS L\'émission du cinéma
NOM 2 ZEUS L'émission du cinémaL'Histoire 2 BATMAN (1989) - NOM 2 ZEUSTu te sens l'âme d'un super héros ! Mais en même temps t'aime t'habiller en noir et les chauve souris ? Cette Vidéo est la pour toi . Pas pour devenir un super heros dark , mais pour connaître l'histoire de la production OUF de ce film culte. Abonne Toi , commente et like ça combat le mal a ce qui parait . testonsVideo de Mr Meeea : BEETLEJUICE (1988) - Les Chroniques du Meahttps://www.youtube.com/watch?v=dRovmiG3a9IInsta : Nom_2_Zeus Twitter : @nom_2_zeus
2021-04-2123 minLes Good Vibes du Lundi by Toutouba
Les Good Vibes du Lundi by ToutoubaL'Art de se sentir mal - Feat François GervaisJe suis Toutouba de Resolvesproblems.    Mon but : Faire en sorte que tu tires une source de revenu de ton métier de rêve, ta passion, ton savoir-faire inné, avec une équipe spécialement dédiée à ta spécificité.  👉🏾 Resolvesproblems *******************************************************************************  Cette semaine le podcast se laisse aller à l'art subtile de la déprime. Comment gérer son spleen, se laisser aller au fond du trou pour mieux remonter à la surface : plus fort-e, plus averti-e et transformé-e.  Oui, Good Vibeuse, Good Viber, tu as le droit de ne pas te sentir bien, même un lundi...
2021-02-0819 minShelf Life - A Collector\'s Podcast
Shelf Life - A Collector's Podcast18. The Toys That Made Us: Star Trek!WOOP! !WOOP! Trekkers only on this episode! Trekkies get lost! And Star Warsies can straight up fuhgeddaboutit (Gotti). This time we dissect an episode of Netflix's THE TOYS THAT MADE US that constantly reminds us it's not Star Wars. We're joined by resident Trek Expert (Trexpert) MATT TAYLOR who is also in Blake's band! Matt's not as much of a pathetic toi boi as we are so we gotta toysplain a lotta shit. Luckily he had plenty of childhood experience making grocery bag parachutes for GI Joes, which Blake didn't know was a thing. We talk about the episode and...
2018-06-281h 23CIRCUIT CAST
CIRCUIT CASTEpisode 48: Inhabiting SpaceIn this podcast the panel puzzle over the 'beautiful threads' that interrogate the Adam Art Gallery group show Inhabiting Space but ask 'is that enough?' Installation view: Sriwhana Spong, The Fourth Notebook, 2015, HD Video, 8mins 36 secs. Courtesy of Michael Lett, Auckland. Dancer Benjamin ord. Commissioned by Carriageworks Sydney. In the exhibition Inhabiting Space at The Adam Art Gallery Te Pātaka Toi, Victoria University of Wellington. (photo: Shaun Waugh)
2016-08-0223 min