Shows
SoundWorks CollectionThe Sound of Demonic with Director Neill BlomkampIn this exclusive conversation we chat with Director Neill Blomkamp about his new horror film, Demonic which is being released by IFC Midnight. We also feature his sound team including Vince Renaud (Sound Supervisor, Dialogue Editor, Re-recording Mixer) Jo Rossi (Sound Supervisor, Sound Designer, Re-recording Mixer, Sound Effects Editor) Nolan McNaughton (Sound Designer, Sound Effects Editor) and Maureen Murphy (Foley Artist).From the director of DISTRICT 9 and ELYSIUM, a young woman unleashes terrifying demons when supernatural forces at the root of a decades old rift between mother and daughter are revealed.2021-08-3057 minSoundWorks CollectionThe Sound and Music of The Social DilemmaIn our conversation we chat with Director Jeff Orlowski about his Emmy nominated documentary The Social Dilemma now streaming on Netflix. We also feature Supervising Sound Editor / Sound Designer, Richard Gould, Foley Artist Andrea Gard and Composer and Production Sound recordist Mark Crawford.We tweet, we like, and we share— but what are the consequences of our growing dependence on social media? As digital platforms increasingly become a lifeline to stay connected, Silicon Valley insiders reveal how social media is reprogramming civilization by exposing what’s hiding on the other side of your screen. The Social Dilemma premiered at the 2020 Sund...2021-08-121h 00SoundWorks CollectionBillie Eilish: The World's A Little Blurry w/Director R. J. Cutler and Music Director Aron ForbesWe chat with Director R. J. Cutler and Emmy-nominated Music Director Aron Forbes who was nominated for Outstanding Music Direction and Outstanding Sound Mixing for a non-fiction or reality programming about their recent collaboration on Billie Eilish: The World's A Little Blurry now streaming on AppleTV+."Billie Eilish: The World’s A Little Blurry” tells the true coming-of-age story of the singer-songwriter and her rise to global superstardom. From award-winning filmmaker R.J. Cutler, the documentary offers a deeply intimate look at this extraordinary teenager’s journey, at just seventeen years old, navigating life on the road, on stage, and at hom...2021-08-0233 minSoundWorks CollectionThe Sound of Zenimation on Disney+In the exclusive conversation we talk with the creative team behind Zenimation on Disney+ including creator and editor David Bess, Executive Producer Amy Astley, Re-recording Mixer David Fluhr and Supervising Sound Editor and Sound Designer Shannon Mills.Unplug, relax, and refresh your senses for a moment of mindfulness with Walt Disney Animation Studios’ “Zenimation” – an animated soundscape experience. Whether it’s baby Moana being called by the ocean, Anna and Kristoff walking through an icy forest, or Baymax and Hiro Hamada flying over San Fransokyo, these iconic scenes become an aural experience like no other with the sounds of ocean waves, an...2021-07-1253 minSoundWorks CollectionThe Sound of F9: The Fast SagaIn this conversation we talk with Re-recording Mixers Jon Taylor and Frank A. Montaño about their longtime collaboration with Director Justin Lin and their explosive and dynamic sound mix on F9: The Fast Saga.2021-07-0645 minSoundWorks CollectionSound Editing and Mixing: Comedy, Drama and In-Between - Mix Sessions 2021Subtle choices in timing, backgrounds, EQ, reverb or overall balance in the dialog, music and effects can make the difference between a good mix and an award-winning mix. From production sound, to editing, to the re-recording stage, these expert sound editors and mixers discuss the sonic choices and overall tone that make their shows unique.Moderator - Tom Kenny, Editor of Mix MagazineOdin Benitez - Formosa Group.Joe Schultz - Waterman Sound.Danika Wikke - Formosa Group.Mix Sessions: Emmy® Awards Season is a virtual event honoring the year’s best creative talent in television sound—Editing, Mixing and Music. While...2021-06-2532 minSoundWorks CollectionMark Mangini and Pro Sound Effects Odyssey Creatures LibraryIn the exclusive conversation we chat with sound designer and sound supervisor Mark Mangini about the new Pro Sound Effects, Odyssey Creatures library.Sonify the beasts and critters of your wildest dreams with The Odyssey Collection: Creatures. Add life and energy to any project with characterful animal recordings ranging from rare and exotic to common and domesticated – plus designed beasts and mythical beings.Create realistic scenes and otherworldly soundscapes with animal sounds from around the globe, including leopard growls, lion roars, horse whinnies, rhinoceros bellows, bird calls, monkey vocals, dog barks, insect swarms and more. This library features thorough coverage of...2021-03-2353 minSoundWorks CollectionComposer Jermaine Stegall - The Music of Coming 2 AmericaWe chat with Composer Jermaine Stegall about the music of Coming 2 America directed by Craig Brewer and now streaming on Amazon Prime Video.Set in the lush and royal country of Zamunda, newly-crowned King Akeem (Eddie Murphy) and his trusted confidante Semmi (Arsenio Hall) embark on an all-new hilarious adventure that has them traversing the globe from their great African nation to the borough of Queens, New York - where it all began.AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollectionMORE VIDEOS AND INDUSTRY NEWS: https://www.SoundWorksCollection.com2021-03-0849 minSoundWorks CollectionThe Sound of NomadlandWe chat with Supervising sound editor Sergio Diaz and re-recording mixer Zach Seivers about Director Chloé Zhao's new film, Nomadland.Frances McDormand and director Chloé Zhao met a day before the 33rd Independent Spirit Awards in March 2018, and instantly wanted to do a film together. Filming for Nomadland took place over four months in fall 2018, with writer-director Zhao splitting time between set and pre-production for Eternals (2021). McDormand, Zhao, and other crew members lived out of vans over the course of production. David Strathairn, and real-life nomads Linda May, Charlene Swankie, and Bob Wells, also star.The sound design was very im...2021-02-2241 minSoundWorks CollectionNews of the World with Composer James Newton HowardIn this episode we chat with Composer James Newton Howard about his recent collaboration with Director Paul Greengrass on his new film, News of the World.ABOUT THE FILM:Five years after the end of the Civil War, Capt. Jefferson Kyle Kidd crosses paths with a 10-year-old girl taken by the Kiowa people. Forced to return to her aunt and uncle, Kidd agrees to escort the child across the harsh and unforgiving plains of Texas. However, the long journey soon turns into a fight for survival as the traveling companions encounter danger at every turn -- both human and natural...2021-02-1946 minSoundWorks CollectionThe Sound of The Invisible ManWe chat with Director Leigh Whannell about the sound and music of his new science fiction horror film, The Invisible Man starring Elisabeth Moss.Also featuring Composer Benjamin Wallfisch, Supervising Sound Editor & Re-recording Mixer Will Files and Supervising Sound Editor & Sound Designer Philip Hooker.AUDIO PODCAST SUBSCRIBE: https://linktr.ee/soundworkscollectionMORE VIDEOS AND INDUSTRY NEWS: https://www.SoundWorksCollection.com2021-02-1859 minSoundWorks CollectionThe Sound of The Trial of the Chicago 7In this chat we explore Director Aaron Sorkin's new film, The Trial of the Chicago 7 with Supervising Sound Editor Renee Tondelli and Re-recording Mixer Julian Slater.The film is based on the infamous 1969 trial of seven defendants charged by the federal government with conspiracy and more, arising from the countercultural protests in Chicago at the 1968 Democratic National Convention. The trial transfixed the nation and sparked a conversation about mayhem intended to undermine the U.S. government.The film is now streaming on Netflix!SUBSCRIBE ON YOUTUBE:http://bit.ly/SubscribeSoundWorksCollectionAUDIO PODCAST SUBSCRIBE:https://linktr.ee/soundworkscollectionMORE VIDEOS AND NEWS:https...2021-02-1153 minSoundWorks CollectionThe Sound of TenetWe're excited to have Supervising Sound Editor and Sound Designer Richard King and Re-recording Mixer Gary Rizzo, who recently collaborated with Director Christopher Nolan on his latest science fiction action-thriller film TENET.Tenet was released in September of 2019 and was the first major Hollywood release since the coronavirus pandemic started and is now available on 4K Ultra HD, Blu-ray, DVD, and digital services.If you haven’t seen the film, you should definitely check it out as today’s discussion is going to cover many of the key plot points and exciting sound moments in the film!AUDIO PODCAST SUBSCRIBE:http...2021-02-081h 43SoundWorks CollectionComposer Christophe Beck and the Music of WandaVisionWe chat with Composer Christophe Beck about his return to the Marvel universe scoring original music for the new Disney+ series, WandaVision.Disney is releasing official WandaVision soundtracks the week after episodes air, including the incredibly catchy theme songs by Kristen Anderson-Lopez and Robert Lopez (who have previously done original music for Frozen, Avenue Q, and The Book of Mormon), and the original music by Christophe Beck.http://www.christophebeck.comWandaVision is an American television miniseries created by Jac Schaeffer for the streaming service Disney+, based on the Marvel Comics characters Wanda Maximoff / Scarlet Witch and Vision. Set in the...2021-02-0441 minSoundWorks CollectionSundance Film Festival in the Time of COVIDBecause of the ongoing COVID-19 pandemic, this year’s Sundance Film Festival will be entirely virtual. But what exactly does a virtual film festival look like? Glenn sits down with Keri Putnam, CEO of the Sundance Institute, Tabitha Jackson, the brand new director of the Sundance Film Festival, and Michelle Satter, director of the Sundance Labs, to answer all these questions and more. It’s a fascinating conversation about not just the challenges of hosting the Sundance Film Festival in 2021, but also the new opportunities this situation may have uncovered. Indeed, this year could become the road map for the futu...2021-02-0256 minSoundWorks CollectionVery Important Announcement!A message from our friends at the Dolby Institute who have partnered with Soundworks Collection for the past 5+ years. The Dolby Institute Podcast has moved and they have a brand new show title (Soundworks Collection podcast continues!):Sound + Vision Lab: The Dolby Institute PodcastPlease subscribe to our new dedicated podcast feed, wherever you get your podcasts. Our next episode will be our FINAL episode on the Soundworks feed, so please subscribe to this new feed straight away, as we have many exciting improvements coming in 2021.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on...2021-01-2803 minSoundWorks CollectionComposer Steven Price - Over the Moon and David Attenborough: A Life on Our PlanetWe chat with Composer Steven Price about the music of Netflix’s animated musical, Over the Moon and documentary feature, David Attenborough: A Life on Our Planet.Steven Price is an Academy Award winning film composer. His unique, story-driven approach to the craft of film scoring has seen him work on some of the most innovative productions of recent years. From Alfonso Cuaron’s GRAVITY to Edgar Wright’s BABY DRIVER, Steven’s individualistic scores seek to enhance the ideas and images of great filmmakers in truly bespoke ways.Price’s diverse music reflects the wide range of movie and television...2021-01-1255 minSoundWorks CollectionThe Music of Call of Duty: Black Ops Cold War with Composer Jack WallWe chat with Composer Jack Wall about his work on Call of Duty: Black Ops Cold War.Black Ops Cold War is set during the early 1980s of the Cold War. Its campaign follows CIA officer Russell Adler as he pursues Perseus, an alleged Soviet spy, whose stated goal is to subvert the United States and tilt the balance of power toward the Soviet Union.2020-12-0849 minSoundWorks CollectionDallas Taylor - Twenty Thousand Hertz Podcast & Defacto SoundThis episode we chat with Dallas Taylor, the host and creator of Twenty Thousand Hertz, a lovingly crafted podcast revealing the stories behind the world’s most recognizable and interesting sounds. Dallas is also the Creative Director of Defacto Sound, where he has led thousands of high-profile projects ranging from blockbuster trailers and advertising campaigns to Sundance award-winning films and major television series.www.20k.orgwww.defactosound.com2020-12-031h 05SoundWorks CollectionThe Sound of Zappa with Composer John FrizzellWe chat with Composer John Frizzell about his recent work on Alex Winter's new music documentary, Zappa and explore the creative process for melodically representing the life of musician and composer Frank Zappa.With unfettered access to the Zappa family trust and all archival footage, ZAPPA explores the private life behind the mammoth musical career that never shied away from the political turbulence of its time. Alex Winter’s assembly features appearances by Frank’s widow Gail Zappa and several of Frank’s musical collaborators including Mike Keneally, Ian Underwood, Steve Vai, Pamela Des Barres, Bunk Gardner, David Harrington, Scott Thunes...2020-11-3049 minSoundWorks CollectionSound Of Metal with Supervising Sound Editor Nicolas BeckerSound Of Metal with Supervising Sound Editor Nicolas Becker, moderated by Michael Coleman of SoundWorks Collection.Sound of Metal is a 2019 American drama film directed and co-written by Darius Marder and starring Riz Ahmed, Olivia Cooke, Paul Raci, Lauren Ridloff and Mathieu Amalric. It tells the story of Ruben, a drummer and one half of the duo Blackgammon along with his singer girlfriend Lou. A former drug addict, he is sober for four years. Suddenly, he begins to lose his hearing. His sponsor makes him go meet Joe, who leads a deaf community. With the help from them, Ruben struggles...2020-11-2353 minSoundWorks CollectionMuse - Simulation Theory Live Concert FilmIn this episode, we chat with the sound team from Muse’s Simulation Theory live concert film featuring Supervising Sound Editor & Sound Designer Gerry Vazquez, Re-recording Mixer Aleks von Korff and Re-recording Mixer James Parnell.The latest live film coming from Muse, based around the 2019 album, Simulation Theory, was released in select IMAX cinemas on August 17th with digital downloads from Amazon, Google Play and iTunes released on August 21st with a deluxe box-set set to be released on 11th December, featuring a 5.1 DTS Master Audio Blu-Ray, together with an LP, both with audio from the film, paired with a Ca...2020-10-0943 minSoundWorks CollectionThe Sound of Bleeding Audio with Director Chelsea ChristerTold through the eyes of quirky, charming, and humble bandmates: Shawn, Jon, Matt, and Justin, Bleeding Audio is an intimate portrait detailing The Matches' promising career, defeating break up, and inspiring reunion, as they reflect on what success truly means for musicians in today's digital industry.The Matches’ story overlaps with the drastic changes the music industry has undergone in the past several years. From declining record sales, to excessive touring, to illegal downloading and streaming. This documentary uses The Matches history and recent reunion to dig deeper into the root of the challenges the average musician faces in the di...2020-09-0340 minSoundWorks CollectionComposer Mark Isham - Bill & Ted Face the Music / Little Fires EverywhereWe chat with Composer Mark Isham about his recent Emmy nomination on the Hulu show, Little Fires Everywhere and explore the close collaboration with Florence + the Machines' Isabella Summers and drummer Vinnie Colaiuta. We also discuss their work on the Ingrid Michaelson song "Build it Up" and the covers of "In the Air Tonight" sung by Judith Hill and "Bitch" sung by Ruby Amanfu.We also talk about Mark's recent work on "Bill & Ted Face the Music" to craft the main title using a Prophet-5 and Moog Modular synthesizers and the direct influence the musical group Weather...2020-08-1851 minSoundWorks CollectionThe Sound of The Last of Us: Part 2In this conversation we chat with the sound team from Naughty Dog to discuss their extensive work on The Last of Us: Part 2. We explore the gun and foley sound recordings, creating the terrifying sounds of the infected, the whistle language of the Seraphites, the unique glass and breathing sound systems, Ellie’s guitar gameplay sounds and much more!Robert Krekel - Audio LeadNeil Uchitel - Senior Sound DesignerJonathan Lanier - Audio ProgrammerMaged Khalil Ragab – Dialogue Supervisor2020-08-061h 33SoundWorks CollectionComposer Mac Quayle - The Last of Us Part IIComposer Mac Quayle discusses working on The Last of Us Part II with Composer Gustavo Santaolalla and Naughty Dog Studios. We discuss the creative process for scoring a wide range of musical textures that were implemented throughout the game including Mac's music that was used for the 2018 E3 game preview. Mac shares his approach to scoring for video games and using the Resonant Garden, an acoustic-electronic hybrid instrument.ABOUT MAC QUAYLE:Audiences worldwide have been captivated by the unique musical stylings of emmy-winning and grammy-nominated composer, Mac Quayle. Quayle won an emmy for his score on usa network’s golden gl...2020-07-2041 minSoundWorks CollectionThe Sound of OzarkIn the Netflix series Ozark, Marty and Wendy appear to have a normal suburban life, but that’s all a front for their real job: laundering money for a Mexican drug cartel. As with the story, the sound in the show is working on multiple levels, and in this episode Sound Supervisor Nick Forshager and Mixer Larry Benjamin take us through constructing the sonic environments of riverboat casinos and basement dungeons, and talk about how to use sound design and music to relentlessly build tension until the shocking resolution of the final episode of season 3.Larry Benjamin - Re-Recording MixerNick Fo...2020-07-161h 05SoundWorks CollectionThe Sound of HamiltonHamilton is a landmark Broadway production of remarkable scope, now streaming into your home on Disney+. In producing the film version, the show’s creative team sought to give the audience “the best seat in the house,” and in this podcast we talk with original Broadway team artists Alex Lacamoire and Nevin Steinberg along with the film’s sound team Tony Volante, Roberto Fernandez, and Dan Timmons about a number of Hamilton topics, including the challenges of designing a custom sound system for the historic Richard Rodgers Theatre, translating the live show into a cinematic world, and how Dolby Atmos played a...2020-07-091h 06SoundWorks CollectionThe Sound of MindHunterCinema director David Fincher created one of the first original streaming series with House of Cards, and his innovative spirit infuses the Netflix original series Mindhunter, now in its second season.In this podcast episode, the sound team discuss Fincher’s unique approach to the sound of serial killer interrogation scenes, a hallmark of this fascinating, dark series. The team discuss setting the acoustic tone of the series, including the oppression of the FBI agents’ basement office (and a very special door), why it was important to Fincher to always hear trainee agents at Quantico at target practice, and the joy...2020-07-0247 minSoundWorks CollectionThe Sound of Little Fires EverywhereIn this exclusive conversation we chat with Re-recording Mixer Marc Fishman and Supervising Sound Editor Mark Relyea about Little Fires Everywhere which is based on the 2017 novel of the same name by Celeste Ng and currently streaming on Hulu.The series stars Reese Witherspoon and Kerry Washington, both of whom also executive produced, alongside Liz Tigelaar, Lauren Neustadter, and Pilar Savone.Set in the Cleveland suburb of Shaker Heights, Ohio during the late 1990s, it features Witherspoon and Washington as mothers from different socioeconomic backgrounds. The story explores the weight of secrets, the nature of art and identity, the ferocious...2020-07-0135 minSoundWorks CollectionThe Sound of Westworld - Susan Cahill, Benjamin Cook, Keith RogersIn season 3, the Emmy-award winning Westworld leaves the parks behind for the sounds of the “real” world, circa 2057. In this episode, the sound team behind the remarkable show discusses showrunner Jonah Nolan’s design concept that noise-reduction technology has progressed to the point that the world seems quiet and peaceful...until the climactic end when all technology fails and the world devolves into chaos. The conversation also includes a discussion of mixing the show natively in Dolby Atmos, and the challenges of finishing postproduction as the world went into Covid-19 lockdown.Susan Cahill — Supervising Sound EditorBenjamin Cook — Sound Designer/Re-recording MixerKeith...2020-06-251h 01SoundWorks CollectionThe Sound of The Mandalorian - Bonnie Wild, Sound Effects Editor and Re-recording MixerBonnie Wild, the sound effects editor and re-recording mixer of Disney+’s hit show The Mandalorian, takes us behind the scenes for a conversation about achieving cinematic scale and production value on a television budget, balancing the palette of new sound creation with classic Star Wars sounds we all know and love, why mixing in a home theater environment was important for the show, and how to do a Jawa loop group session.It is the first live action series in the Star Wars franchise. Set five years after the events of Return of the Jedi and 25 years prior to th...2020-06-1843 minSoundWorks CollectionComposer Kris Bowers - (Mrs. America, Green Book, Dear White People, Kobe Bryant's Muse)This week we chat with Composer Kris Bowers about his recent work on the Hulu show, Mrs. America and the challenges of completing his score during the COVID-19 pandemic.ABOUT KRIS BOWERSEmmy Award-winning composer and pianist, Kris Bowers, creates genre-defying music that pays homage to his jazz roots with inflections of alternative and R&B influences. The result is a sound rife with contradictions, a work of nuanced alchemy situated at the summit of his influences. A confluence of jazz greats, classical standards, and the alternative and experimental music of his youth, along with the cinematic storytelling of his most...2020-06-0431 minSoundWorks CollectionThe Sound of Strange NegotiationsIn this exclusive roundtable conversation we talk with documentary Director Brandon Vedder and re-recording mixer Tony Villaflor about their work on the biographical music documentary, Strange Negotiations.After abandoning his long-held Christian beliefs and walking away from his critically-acclaimed band, Pedro the Lion, musician David Bazan retreated into a solitary life as a solo musician — modest house shows, weeks away from family, and lingering questions about his faith, music, and America. STRANGE NEGOTIATIONS, which premiered at the SXSW Film Festival, follows Bazan a decade into his journey as a reluctant prophet for a generation wrestling with America’s own crisis of f...2020-04-3034 minSoundWorks CollectionCoachella: 20 Years in The Desert Documentary with Re-recording mixer Eric FischerIn this episode we chat with re-recording mixer Eric Fischer from Autumn Audio who worked on the new music documentary, Coachella: 20 Years in The Desert.A documentary feature two decades in the making, “Coachella: 20 Years in the Desert” opens up the vault for the very first time to present the legendary performances and behind-the-scenes stories that shaped the seminal music festival. The film provides a rare look at Coachella’s colorful beginning, presents exclusive, never-before-seen footage, interviews, and key performances from some of the biggest names in music.Produced and directed by Chris PerkelExecutive Produced by Raymond Leon Roker and Paul Tol...2020-04-2046 minSoundWorks CollectionJames Mockoski - Film Archivist and Restoration Supervisor at American ZoetropeJames Mockoski, head of production and archives at American Zoetrope joins us this week to discuss his work supervising the restoration department for Director Francis Ford Coppola’s production company. We discuss his recent work on the 4K Dolby Atmos release of Apocalypse Now: Final Cut and other titles including The Conversation, The Godfather and Lost in Translation.ABOUT AMERICAN ZOETROPE: American Zoetrope (also known as Zoetrope Studios from 1979 until 1990) is a privately run American film production company, centered in San Francisco, California and founded by Francis Ford Coppola and George Lucas.Opened on December 12, 1969, the studio has produced not on...2020-04-0244 minSoundWorks CollectionCrip Camp with Directors James Lebrecht & Nicole NewnhamIn this episode we chat with Crip Camp Directors James Lebrecht & Nicole Newnham about how the project developed, structuring their complex storyline and the deeper issues the film addresses.Crip Camp won the Audience Award for U.S. Documentary at the 2020 Sundance Film Festival and is now streaming on Netflix worldwide.About Crip CampJust down the road from Woodstock, in the late 1960s and early 1970s, a parallel revolution blossomed in a ramshackle summer camp for disabled teenagers. Steeped in the humor and music of the era, Crip Camp explores the universal experience of summer camp awakenings that would transform...2020-03-3056 minSoundWorks CollectionComposer Gareth Coker - Ori and the Will of the WispsFrom the creators of Ori and the Blind Forest - the acclaimed adventure game with more than 50 awards and nominations - comes the highly-anticipated sequel, Ori and the Will of the Wisps.Embark on an all-new adventure in a vast and exotic world where you’ll encounter towering enemies and challenging puzzles on your quest to unravel Ori’s true destiny.Gareth Coker is a British composer for film, games, and commercials. Since moving from Japan to Los Angeles in 2009, Gareth has developed a compositional style focusing on memorable, melodically-driven themes and motifs, combined with unique, and unconventional soundscapes. This appr...2020-03-2458 minSoundWorks CollectionMeyer Sound Cinema Speaker Chat with Miles RogersWe chat with Miles Rogers from Meyer Sound about a wide range of cinema focused speakers including the Bluehorn System, Amie Precision Studio Monitor, HMS Cinema Surround Loudspeakers and the VLFC (Very Low Frequency Control Element) recently used by Director Francis Ford Coppola for Apocalypse Now: Final Cut.Find out more information:Amie - http://www.meyersound.com/product/amie/ Amie Sub - http://www.meyersound.com/product/amie-sub/ VLFC - http://www.meyersound.com/product/vlfc/ Bluehorn System - http://www.meyersound.com/product/bluehorn-system2020-02-2748 minSoundWorks CollectionThe Sound of Ford v Ferrari - Oscar Podcast 2020Ford v Ferrari is so much more than a race car movie. At its core, it’s a movie about a friendship, and about two men fighting for what they believe. In this episode the sound team talks about the carving out moments for internal character sounds to come through, the process of tracking down the original cars to keep the film sounding real, and the challenges of building a 45-minute racing sequence and keeping it acoustically interesting.Paul Massey - Re-recording MixerDon Sylvester - Supervising Sound EditorDavid Giammarco - Re-recording Mixer & Sound DesignerModerated by Glenn Kiser, Dolby InstituteRecorded at th...2020-01-3048 minSoundWorks CollectionThe Sound of 1917 - Oscar Podcast 2020As a large-scale historical film, 1917 creates an intense and realistic soundscape of World War I. In this episode, we talk with the sound team, nominated for Best Sound Editing and Best Sound Mixing, about the challenges and fun experiences that arose from this film. In part 1, we talk with ADR and dialogue supervisor Rachael Tate about blending the unique amount of sound coverage into the film, trying to work with minimum ADR, and making sure that even background chatter is historically realistic. In part 2, production sound mixer Stuart Wilson shares challenges with mic placements, the importance of on-set sound for...2020-01-291h 05SoundWorks CollectionThe Sound of Star Wars: The Rise of Skywalker - Oscar Podcast 2020Supervising sound editors Matthew Wood and David Acord delve into the conceptual and sonic intricacies of evolving “force lightning,” and about working in stages from temp mixes to the final mix in a film with a legacy. They share experiences working playfully and dynamically with director J.J. Abrams, recording lines in actor Adam Driver’s closet, and working on previous Star Wars films.2020-01-2847 minSoundWorks CollectionThe Sound of Once Upon a Time in Hollywood - Oscar Podcast 2020Three time Academy Award-winning re-recording mixer Mike Minkler, multiple Oscar-nominated supervising sound editor Wylie Stateman, and effects mixer Christian Minkler discuss how they recreated 1969 Los Angeles for director Quentin Tarantino, including their approach to building the distinctive sound of the vintage television shows within the movie. They deconstruct the sound of the extraordinary Spahn Movie Ranch sequence, and discuss why Tarantino chooses to use songs rather than traditional musical score.2020-01-2751 minSoundWorks CollectionThe Sound of Ad Astra with Gary Rydstrom - Oscar Podcast 2020In this episode, seven-time Academy Award-winner Gary Rydstrom delves into using sound to create an increasingly unsettling journey for the audience through the use of subliminal ambiences, manipulated vocal loops, and strategically used distortion. We also deconstruct the film’s signature lunar rover chase sequence and discuss the film’s rules of sound, an important topic to director James Gray.2020-01-2427 minSoundWorks CollectionFord v Ferrari Production Sound Mixer Steve Morrow - Oscar Podcast 2020Ford v Ferrari is so much more than a race car movie. At its core, it’s a movie about a friendship, and about two men fighting for what they believe. In this episode production sound mixer Steven Morrow shares some insight to recording cars for Ford v Ferrari, his humble roots as an unpaid boom operator and the challenges of recording a variety of race cars on set.2020-01-2328 minSoundWorks CollectionProduction Sound Mixer Mark Ulano - Ad Astra & Once Upon a Time in Hollywood - 2020 Oscar SeriesAcademy Award winning production sound mixer Mark Ulano talks double nominations for Ad Astra and Once Upon a Time... in Hollywood, Quentin Tarantino's nicknames for his crew, and about how his passion for sound takes him from McDonald's meetings to FaceTime space interviews to his thoughts on the next generation of filmmakers.2020-01-2254 minSoundWorks CollectionThe Sound of Joker - 2020 Oscar SeriesAcademy Award winning supervising sound editor Alan Murray, re-recording mixer and sound designer Tom Ozanich and re-recording mixer Dean Zupancic discuss their continued debates over Joker theories, the layered artistic approach of sound, and how sound is used to explore a character's headspace.In the second part of this conversation, we chat with production sound mixer Tod Maitland.2020-01-221h 12SoundWorks Collection10 Years of SoundWorks CollectionSoundWorks Collection was started in 2009 with the simple goal to profile the greatest and upcoming sound minds from around the world and highlight their contributions.Over the past decade we have had the incredible honor to meet hundreds of sound artists and help share their incredible stories. We are excited for the future and thank the worldwide sound community for the ongoing support!In this special 90-minute conversation, SoundWorks Collection founder Michael Coleman chats with friend and longtime collaborator Michael Tucker (Lessons from the Screenplay) and discuss how it all started.2020-01-011h 35SoundWorks CollectionThe Sound of The IrishmanMartin Scorsese’s longtime sound collaborators Eugene Gearty and Tom Fleischman (Oscar-winners for Hugo) have joined the acclaimed filmmaker once again for the epic film The Irishman. Much has been written about the visual effects used to de-age the actors playing the main characters, and in this episode we talk about the attempts made to de-age the sound of the actors voices, the challenges of building the film’s minimalist sound track, and the working collaboration Eugene and Tom have crafted over the years with Scorsese and his legendary film editor, Thelma Schoonmaker.2019-12-2434 minSoundWorks CollectionThe Sound of Rick and MortySupervising Sound Editor Hunter Curra describes his work over the past four seasons of Rick and Morty and collaborating with co-creators Justin Roiland and Dan Harmon. We discuss the various interdimensional adventures, unique animation workflow and Rick's burping sound library.After having been missing for nearly 20 years, Rick Sanchez suddenly arrives at daughter Beth's doorstep to move in with her and her family. Although Beth welcomes Rick into her home, her husband, Jerry, isn't as happy about the family reunion. Jerry is concerned about Rick, a sociopathic scientist, using the garage as his personal laboratory. In the lab, Rick works...2019-12-2347 minSoundWorks CollectionThe Sound of Star Wars with Matthew Wood and David AcordMatthew Wood and David Acord, co-sound supervisors on Star Wars: The Rise of Skywalker, have been working on the sound of the SW films for nearly two decades. Join us for a wide-ranging conversation on the audio restorations of the original films, the voice of Baby Yoda from the new streaming series The Mandalorian, the importance of sound to George Lucas...and even the controversy about whether Han or Greedo shot first and the notorious “Maclunkey.”2019-12-1637 minSoundWorks CollectionThe Sound of The AeronautsWe chat with re-recording mixer and supervising sound editor Lee Walpole about his recent work on Director Tom Harper's film, The Aeronauts. The film is in theaters now and will be streaming on Amazon Prime Video starting December 20th!In 1862, daredevil balloon pilot Amelia Wren (Felicity Jones) teams up with pioneering meteorologist James Glaisher (Eddie Redmayne) to advance human knowledge of the weather and fly higher than anyone in history. While breaking records and advancing scientific discovery, their voyage to the very edge of existence helps the unlikely pair find their place in the world they have left far below...2019-12-1338 minSoundWorks CollectionThe Sound of Uncut GemsJoin filmmakers Josh & Benny Safdie for a behind-the-scenes conversation about their new film Uncut Gems. The brothers discuss how they used sound design and music to create the perilous, uncomfortable world of Adam Sandler’s character, Howard Ratner. They are joined by composer Daniel Lopatin, who talks about using the classic 1970s Moog synthesizer to create the movie’s emotional score, and re-recording mixer Skip Lievsay, who talks about how he used Dolby Atmos to give the audience the experience of being in the world of the characters. Recorded in front of a live audience at the New York Film Fest...2019-12-1050 minSoundWorks CollectionIn Conversation with Composer Tom SaltaASCAP winning and MTV VMA nominated composer Tom Salta is one of the most versatile and prolific music artists/producers working in film, television, advertising and video games. Renowned for crafting emotionally engaging soundtracks for multimedia, Salta has received widespread industry acclaim for his world-class produced hybrid scores featured in film, television and video games such as Machine Games’ WOLFENSTEIN : Youngblood & Cyberpilot, Microsoft’s iconic HALO series (G.A.N.G. Best Original Soundtrack Award), Ubisoft’s PRINCE OF PERSIA: The Forgotten Sands and RED STEEL (IGN Award for Best Original Score), Tom Clancy’s GHOST RECON and H.A.W.X seri...2019-12-0343 minSoundWorks CollectionThe Sound of RocketmanIn this episode we catch up with the picture editor and sound team behind the Elton John biopic Rocketman to discuss the film’s unique blend of pre-recorded music, live singing on set, and post-recorded songs. The team unpacks numerous musical sequences in the film, including the famous Troubadour concert featuring the song “Crocodile Rock,” and the collaboration with music producer Giles Martin to create the film’s signature sound.Danny Sheehan, Supervising sound editorMatthew Collinge, Supervising sound editor & re-recording mixerMike Prestwood Smith, Re-recording mixerChris Dickens, Film editor2019-11-2748 minSoundWorks CollectionRobby Stambler and Lindsey Alvarez MasterclassJoin Lindsey Alvarez and Robert Stambler as they share their creative process behind some of today’s most interesting-sounding creatures, superheroes, and villains. This masterclass presentation will illuminate the important role of creative sound work and the close collaboration of the sound team and director.Moderated by Michael Coleman, SoundWorks CollectionRecorded on October 28th, 2019 at the Savannah Film Festival2019-11-251h 13SoundWorks CollectionThe Sound of The Outer WorldsWe chat with the Obsidian Entertainment sound team to discuss their recent video game release, The Outer Worlds!Justin E. Bell, Studio Audio Director – Audio Director, ComposerScott Gilmore, Senior Audio Designer – Creatures and GameplayZachary Simon, Senior Audio Designer – Weapons and FoleyDylan Hairston, Audio Designer – Ambiences and EmittersJerrick Flores, Technical Designer – Chatter, Spatialization, and OptimizationLost in transit while on a colonist ship bound for the furthest edge of the galaxy, you awake decades later than you expected only to find yourself in the midst of a deep conspiracy threatening to destroy the Halcyon colony.As you explore the furthest reaches of space and...2019-11-151h 06SoundWorks CollectionThe Sound of Carnival RowCarnival Row is an expansive, visually and aurally opulent murder mystery series from Amazon. Join re-recording mixers Marc Fishman and Robert Carr as they talk about how one goes about creating the sound of flying faeries’ wings, why Dolby Atmos was part of the concept of the sound of the series right from the beginning, and how one of the major plot points of the series was communicated to the audience through Foley, with no dialog.Marc Fishman - Re-recording MixerRobert Carr - Re-recording MixerModerated by Glenn Kiser, Director of the Dolby InstituteRecorded at the Mix Magazine Sound for Film & TV...2019-11-0556 minSoundWorks CollectionThe Sound of Stranger Things 3Join the team behind the sound and music of Stranger Things 3 for a discussion about how the sound of the show has evolved and grown over three seasons, delivering cinema quality sound on an episodic schedule and budget, how to preserve that experience across all home platforms, the challenges of keeping creature sounds fresh and new, and finally, how the famous Neverending Story sequence came together.Craig Henighan - Sound SupervisorMark Patterson - Dx and Music MixerDavid Klotz - Music EditorAngelo Palazzo - SFX EditorKatie Halliday - SFX EditorModerated by Glenn Kiser, Director of the Dolby InstituteRecorded at the Mix...2019-10-2950 minSoundWorks CollectionThe Sound of The Lighthouse with Damian VolpeWe chat with Supervising Sound Editor, Sound Designer and Re-recording Mixer Damian Volpe to discuss his recent collaboration with visionary Director Robert Eggers and explore his new film, The Lighthouse.Shot in black-and-white, the film follows two lighthouse keepers (portrayed by Willem Dafoe and Robert Pattinson) as they are faced with solitude, but start to lose their sanity and become threatened by their worst nightmares.Damian Volpe is a Brooklyn based sound designer, supervisor, and mixer. He is a founding member of Harbor Sound, and a working partner of ((Audience)), a non- profit group dedicated to presenting music and sound...2019-10-2538 minSoundWorks CollectionMaking Waves: The Art of Cinematic Sound w/Walter Murch, Ben Burtt, Gary Rydstrom and Midge CostinFilm sound legends Walter Murch (The Godfather, Apocalypse Now), Ben Burtt (Star Wars, Wall•E), Gary Rydstrom (Jurassic Park, Saving Private Ryan) and Making Waves director Midge Costin join Dolby Institute director Glenn Kiser in conversation before a live audience after the film’s premiere at the Tribeca Film Festival. The wide-ranging discussion touches on the role of subjective sound in creative storytelling, why the sound of Wall•E’s voice made some people cry, and how famed director Francis Ford Coppola uses what he calls “silent take 6.”2019-10-2252 minSoundWorks CollectionDocumentary Sound Design & Atmos Mixing with Cheryl OttenritterRe-recording mixer Cheryl Ottenritter discusses documentary sound design & Dolby Atmos mixing at the Mix Magazine Sound for Film & TV event at Sony Studios on Saturday, September 28, 2019.Hidden Pacific's Sound Team:Rick Rush, Sound DesignCheryl Ottenritter, Sound Design and Re-Recording MixerAdam Parrish King, Sound Design and Re-Recording MixerModerated by Michael Coleman, SoundWorks CollectionOtt House Audio, or OHA as it’s often called, is a boutique studio based in Silver Spring, Maryland. The heart and soul of this woman-owned business is Cheryl Ottenritter. Cheryl's love for the art of sound shines through every project that comes through her doors. Launched in 2006 in th...2019-10-0547 minSoundWorks CollectionGeorge Massenburg Mixing in Dolby AtmosGeorge Massenburg discusses mixing an Alicia Keys track in Dolby Atmos at the Mix Magazine Sound for Film & TV event at Sony Studios on Saturday, September 28, 2019.2019-10-0413 minSoundWorks Collection2019 Mix Magazine Sound for Film & TV - Follow the Tracks"Follow the Tracks" panel recorded at the 2019 Mix Magazine Sound for Film & TV event at Sony Studios on Saturday, September 28, 2019A panel of experts discusses where our dialog tracks come from, where they go, and what happens to them along the way, from set to screen.Panelists:Gary Bourgeois - CAS Re-recording MixerAdam Carl - RecordistMatt "Smokey" Cloud - Assistant EditorChris Jacobson - CAS Re-recording MixerAnna Mackenzie - Dialog EditorBen Patrick - CAS Production MixerTod A. Maitland - Production MixerModerated by:Gary Bourgeois - CAS Re-recording Mixer2019-10-0444 minSoundWorks Collection2019 Mix Magazine Sound for Film & TV - The Networked Studio: Building a Near-Field Immersive Room With Audio-Over-IP"The Networked Studio: Building a Near-Field Immersive Room With Audio-Over-IP" panel recorded at the 2019 Mix Magazine Sound for Film & TV event at Sony Studios on Saturday, September 28, 2019Chief engineers, designers and integrators discuss the ins and outs of building a near-field immersive audio studio using advanced Audio-Over-IP networking technologies and tools.Panelists:Brian Armstrong, Streamline System DesignLane Burch - Sony Pictures StudioRon Romano - Belmont UniversityPhil Wagner - Wagner ConsultingBrian Armstrong - Streamline System DesignDavid Henszey - Managing Member Henszey Sound LLC.Moderated by: Phil Wagner2019-10-0454 minSoundWorks Collection2019 Mix Magazine Sound for Film & TV - Immersive Audio Workflow: Concept, Editorial, Design and MixImmersive Audio Workflow: Concept, Editorial, Design and Mix panelRecorded at the 2019 Mix Magazine Sound for Film & TV event at Sony Studios on Saturday, September 28, 2019.Our panel of experts will discuss a how-to plan for creating and delivering audio through the post-production process for the best use of immersive sound technology.Moderated by: Carolyn Giardina - The Hollywood Reporter Panelists:Steve Ticknor - Supervising and Sound Design Editor Sony Pictures StudiosTony Lamberti - Supervising Sound Editor, Re-Recording Mixer Sony Pictures StudiosCaleb Hollenback - Formosa GroupCheryl Ottenritter - Sound Designer and Re-Recording Mixer Ott House AudioScott Kramer - NetflixPaula Fairfield - Sound...2019-10-0457 minSoundWorks Collection2019 Mix Magazine Sound for Film & TV - Keynote Wylie StatemanWylie Stateman, a legendary sound designer and post-production media entrepreneur, delivered the Keynote Address at the sixth annual Mix Presents Sound for Film & Television, held Saturday, September 28, at Sony Pictures Studios in Culver City, Calif.Wylie has supervised more than 150 sound projects, and his work has been recognized in the industry with over 40 nominations spanning every decade of his 40-year career. His industry recognitions include 8 Oscar nominations, 6 BAFTA nominations, 2 Emmy nominations, and 30-plus MPSE Golden Reel nominations. In 1994 he received, with Lon Bender and Kim Waugh, an Academy Scientific and Technical Award for an innovation that contributed to the advancement...2019-10-0312 minSoundWorks CollectionThe Sound of The Dark Crystal: Age of ResistanceWe chat with the sound team of The Dark Crystal: Age of Resistance which was recently released as a 10-episode series on Netflix. In this conversation we chat with Re-Recording Mixer / sound designer / supervising sound editor Tim Nielsen, foley artist Shelley Roden and supervising adr editor Tim Hands.The Dark Crystal: Age of Resistance returns to the world of Thra, with an all new adventure. When three young Gelfling discover the horrifying secret behind the Skeksis’ power, they set out on an epic journey to ignite the fires of rebellion and save their world.Rediscover the age of wonder inspired by...2019-09-2657 minSoundWorks CollectionThe Sound of Apocalypse Now: Final Cut with Pete HornerRe-recording mixer Pete Horner discusses the incredible process of restoring and remixing the 40th anniversary edition of Apocalypse Now: Final Cut that was recently released in Dolby Atmos and 4K Ultra HD. Pete shares how he created a new master track, enhanced the LFE with the help of a new Meyer Sound speaker and collaborated with Director Francis Ford Coppola and Walter Murch.2019-08-2257 minSoundWorks CollectionThe Sound of Once Upon a Time in HollywoodIn this exclusive SoundWorks Collection conversation, we chat with the sound team behind Director Quentin Tarantino's film, Once Upon a Time in Hollywood. Featuring Production Sound Mixer Mark Ulano, Supervising Sound Editor Wylie Stateman and Re-Recording Mixer Michael Minkler!2019-08-0544 minSoundWorks CollectionRussell Emanuel - Extreme Music & Bleeding Fingers MusicAs president and CEO of Bleeding Fingers Music and Extreme Music, Russell Emanuel is a trailblazing leader, innovator, and producer in the music industry. Bleeding Fingers is one of the leading producers of quality-crafted film and television scores in the world, bolstered by a unique creative association and business partnership with industry legend, Hans Zimmer, and his long-term business partner, Steve Kofsky.Russell’s vision for Bleeding Fingers led to a thriving collaboration with David Attenborough and BBC on the music for Planet Earth II – a score that contributed to the series’ record-breaking viewership, international acclaim, and BAFTA and Emmy nomina...2019-07-1230 minSoundWorks CollectionThe Sound of Rocketman - Mike Prestwood SmithWe chat with re-recording mixer Mike Prestwood Smith about his recent work on Rocketman and explore his creative process recreating the iconic songs that defined Elton John’s career and personal journey.Rocketman is a 2019 biographical musical film based on the life of musician Elton John. Directed by Dexter Fletcher and written by Lee Hall, it stars Taron Egerton as John, with Jamie Bell, Richard Madden, and Bryce Dallas Howard. The film follows John's early days as a prodigy at the Royal Academy of Music to his musical partnership with Bernie Taupin. The film is titled after John's 1972 song "Rocket Ma...2019-06-0951 minSoundWorks CollectionThe Sound of Game of Thrones - Season 8The eighth and final season of Game of Thrones has concluded and in this conversation we chat with Supervising Sound Editor Tim Kimmel and Sound Designer Paula Fairfield about the Great War against the Army of the Dead, dragon battles and the war for the throne at King’s Landing.The final season depicts the culmination of the series' two primary conflicts: the Great War against the Army of the Dead, and the Last War for control of the Iron Throne. The first half of the season involves many of the main characters converging at Winterfell with their armies in an...2019-05-221h 05SoundWorks CollectionComposer Nathan Whitehead - Days GoneWe chat with Composer Nathan Whitehead (The Purge, Keanu) about his recent work on the PS4 exclusive video game, DAYS GONE from Sony Bend Studio. We discuss his move from East Tennessee to Los Angeles, early mentors including Supervising Sound Editor Dane Davis and Composer Steve Jablonsky and creating the sound of a post-apocalyptic wilderness setting.2019-05-0346 minSoundWorks CollectionRe-recording Mixer & Sound Designer Derek VanderhorstSummit Post is for the crazy ones – for the directors and producers who see things differently and want to challenge the status quo of the post production experience. We are for clients seeking collaboration, passion, and flexibility to explore the boundaries of sound with the industry’s top sound designers, editors and mixers. We are committed to speed and high quality without compromising creativity or fun. From independent films to major features, episodic television and emerging media we bring together the best team to meet the unique needs of each project.Summit Post is a state-of-the-art 7.1 and ATMOS mix stage with...2019-04-1553 minSoundWorks CollectionThe Sound of A Star is BornProduction sound mixer Steve Morrow, Grammy-winning music mixer Nick Baxter, and re-recording mixer Dean Zupancic talk about grabbing crowd scenes between sets at the Stagecoach and Glastonbury music festivals, how doing impulse responses in each of the venues allowed them to recreate the sound of the arenas in post-production, and how Bradley Cooper was not your typical first-time director.Steve Morrow, Production sound mixerNick Baxter, Music mixerDean Zupancic, Re-recording mixer2019-02-1438 minSoundWorks CollectionThe Sound of Roma - Two-part EpisodeIn this two-part episode, Writer/Director Alfonso Cuarónjoins his sound, picture, and music editorial artists to discuss the extraordinarily detailed work that went into re-creating the Mexico City of his 1970s childhood, including how not having a musical score keeps the audience guessing what will happen next, why it was important to have the dialog emanate not just from the screen channels but all around the audience, and how shooting the movie in sequence allowed for more spontaneous performances.In part two, Supervising sound editor & re-recording mixer Skip Lievsay takes us on a deep dive discussion of how the f...2019-02-141h 17SoundWorks CollectionThe Sound of First Man - Two-Part EpisodeIn this two-part episode, First Man’s sound editing nominees Ai-Ling Lee and Mildred Iatrou Morgan and sound mixing nominees Frank Montaño and Jon Taylor join composer Justin Hurwitz and picture editor Tom Cross to discuss how the film’s documentary look (it was filmed in Super-16mm) affected the approach to sound and music, and how the sound elements contributed to the understanding of how dangerous the early space flights were.In part two, we join Production sound mixer Mary Ellis as she talks about the challenges of recording the production tracks for the film, including the complex syste...2019-02-141h 20SoundWorks CollectionIn Conversation with Composer Nicholas Britell - If Beale Street Could Talk - VIDEOIn this exclusive video Veteran music writer Jon Burlingame chats with Oscar nominated Composer Nicholas Britell about his recent work on, “If Beale Street Could Talk” and the organic process of collaborating with the director Barry Jenkins on the film’s lush and evocative score.In early 1970s Harlem, daughter and wife-to-be Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny. Friends since childhood, the devoted couple dream of a future together, but their plans are derailed when Fonny is arrested for a crime he did not...2019-02-1316 minSoundWorks CollectionThe Sound of Black Panther with Steve Boeddeker and Brandon ProctorSupervising sound editor and re-recording mixer Steve Boeddeker and re-recording mixer Brandon Proctor talk about how the sound design of futuristic Wakanda technology and weaponry is influenced by West African sounds, how they used signature sounds to differentiate the action in Wakanda, Oakland, and Korea, and the intricacies of constructing the ritual fight scenes in a waterfall.2019-02-1146 minSoundWorks CollectionThe Sound of Bohemian RhapsodySound Editing nominees John Warhurst and Nina Hartstone join Sound Mixing nominees Paul Massey, Tim Cavagin, and John Casali to discuss the intricate work of building the sounds of the rock band Queen for Bohemian Rhapsody. In this episode the team discusses the process of recreating the band’s famous 1985 Live-Aid concert performance, how sound design helped to get inside the head of an agitated Freddie Mercury during an infamous London press conference, and how having access to the band’s original session tapes let this Oscar-nominated team build the amazing scene where the band records the iconic “Bohemian Rhapsody” single.2019-02-1155 minSoundWorks CollectionThe Sound of A Quiet Place with Erik Aadahl and Ethan Van der RynCo-supervising sound editors Erik Aadahl and Ethan Van der Ryn talk about the challenges of building the sound scape for what many people think is a “silent” movie, how sound design was used to give the audience the experience of the hearing impairment of one of the main characters, and the fun of creating an alien monster who hunts and navigates using only its hearing.2019-02-1151 minSoundWorks CollectionThe Sound of Incredibles 2 with Director Brad Bird and Producer Nicole Paradis GrindleWriter/Director Brad Bird and Producer Nicole Paradis Grindle join us from the studios at Pixar to discuss returning fourteen years later for the sequel to a beloved film as they describe the technical challenges of the new movie, how their approach to visual design, color, and sound have evolved, and the inspiration behind the notorious fight scene between baby Jack-Jack and the raccoon.2019-02-1145 minSoundWorks CollectionSongwriter Diane Warren on her Oscar Nominated song, 'I'll Fight' for 'RBG'Songwriter Diane Warren has written hundreds of hit songs including “Because You Loved Me”, “If I Could Turn Back Time”, “Rhythm Of The Night”, “I Don’t Want To Miss A Thing” and many more. Diane has won a Grammy Award, an Emmy Award, a Golden Globe Award, three consecutive Billboard Music Awards for Songwriter of the Year, and has been nominated for nine Academy Awards.Many of her songs were written for films, and have then gone on to be launched into the stratosphere of pop culture. In recent years her music has tackled incredibly important subjects. She has written “Til It Ha...2019-01-3126 minSoundWorks CollectionThe Sound of Spider Man: Into the Spider-VerseSupervising Sound Editors Curt Schulkey and Geoffrey Rubay join us to chat about their work on Spider-Man: Into the Spider-Verse and discuss the incredible task of introducing a new unlikely hero, Miles Morales and his five counterparts from another dimensions to stop a threat for all realities.Bitten by a radioactive spider in the subway, Brooklyn teenager Miles Morales suddenly develops mysterious powers that transform him into the one and only Spider-Man. When he meets Peter Parker, he soon realizes that there are many others who share his special, high-flying talents. Miles must now use his newfound skills to battle...2018-12-2856 minSoundWorks CollectionThe Sound of First Man Soundshow w/Damien ChazelleThe Sound of First Man motion picture soundshow featuring Director Damien Chazelle, Re-recording Mixer/Sound Designer/Supervising Sound Editor Ai-Ling Lee, Supervising Dialogue Editor Susan Dawes and Re-recording mixers Jon Taylor and Frank A. Montaño.Featuring special sound breakdown sequences including the X15 flight, Gemini Rocket walk-up and launch and Neil Armstrong moon walk dialogue.Recorded on December 18, 2018 on the Hitchcock Mixing Stage at Universal Studios and moderated by Michael Coleman from SoundWorks Collection2018-12-261h 34SoundWorks CollectionThe Sound of Mary Poppins ReturnsIn this exclusive conversation we talk with Supervising sound editors and sound designers Renee Tondelli and Eugene Gerty about their recent work on Mary Poppins Returns directed by Rob Marshall.Now an adult with three children, bank teller Michael Banks learns that his house will be repossessed in five days unless he can pay back a loan. His only hope is to find a missing certificate that shows proof of valuable shares that his father left him years earlier. Just as all seems lost, Michael and his sister receive the surprise of a lifetime when Mary Poppins -- the beloved...2018-12-2558 minSoundWorks CollectionThe Sound of Mary Queen of ScotsDirector Josie Rourke talks about why telling “better versions of our history” gave herpurpose intelling this particular story atthis particular time, how she approachessound differently for cinema and live stage productions, the importance of silence to her story, and how Dolby Atmos allowed her to subtly introduce the sound of whistling wind in the overhead speakers to remind the audience of how drafty and cold 16thcentury stone castles could be.2018-12-1036 minSoundWorks CollectionThe Sound of Roma with Skip LievsayAcademy Award-winning sound supervisor and re-recording mixer Skip Lievsay talks about the extraordinary sound work behind director Alfonso Cuarón’s epic black-and-white film about his own childhood in 1970s Mexico City. Skip talks about how not having a musical score keeps the audience guessing what will happen next, why it was important to Cuarón to have the dialog emanate not just from the screen channels but from all around the audience, the stunning five-day loop group recording session with 350 actors, and the 70-day final mix of the film.Sponsored by The Dolby InstituteThe Dolby Institute develops educational programming to h...2018-11-2650 minSoundWorks CollectionThe Sound of A Star Is Born - Mix Magazine EventProduction sound mixer Steve Morrow, Grammy-winning music mixer Nick Baxter, and re-recording mixer Dean Zupancic talk about grabbing crowd scenes between sets at the Stagecoach and Glastonbury music festivals, how doing impulse responses in each of the venues allowed them to recreate the sound of the arenas in postproduction, and how Bradley Cooper was not your typical first-time director.Sponsored by The Dolby Institute: The Dolby Institute develops educational programming to help you advance the art of storytelling, whether you're making a film, mixing the sound for a sporting event, or designing the next-generation virtual reality experience.www.dolby.com...2018-11-2038 minSoundWorks CollectionThe Sound of Black Panther - Mix Magazine EventComposer Ludwig Göransson and supervising sound editor Steve Boeddeker talk about the collaboration of sound design and score in BLACK PANTHER, the integration of African music into a traditional symphonic score, and how the sound design of futuristic Wakanda technology and weaponry is influenced by West African sounds (like a bird becoming the sound of a passing spaceship).Sponsored by The Dolby Institute: The Dolby Institute develops educational programming to help you advance the art of storytelling, whether you're making a film, mixing the sound for a sporting event, or designing the next-generation virtual reality experience.www.dolby.com/u...2018-11-2042 minSoundWorks CollectionThe Sound of First Man - Mix Magazine EventAcademy Award- and Grammy-winning composer Justin Hurwitz, sound supervisor and re-recording mixer Ai-Ling Lee, sound supervisor Mildred Iatrou, re-recording mixer Frank Montaño, re-recording mixer Jon Taylor, and Academy Award-winning picture editor Tom Cross discuss how the film’s documentary look (it was filmed in Super-16mm) affected the approach to sound and music, how the sound elements contributed to the understanding of how dangerous the early space flights were, and why it was important to focus on the sound of an errant fly in the space capsule.Sponsored by The Dolby Institute: The Dolby Institute develops educational programming to hel...2018-11-2053 minSoundWorks CollectionPaul Lipson Keynote - GameSoundCon 2018An award-winning executive, audio director and composer, Paul’s career has taken him all over the world and has helped him innovate and advocate as a leading figure in the interactive entertainment industry. As the creative leader of Formosa Interactive, he works as the Vice President of Creative Services - driving strategy, content development, and audio pipelines with the famed award winning team in Los Angeles, California.GameSoundCon is two days of intensive sessions, panels and masterclasses on the business, creative and technical challenges of game music and sound, designed for those coming from Film, TV, music and other more tr...2018-11-1449 minSoundWorks CollectionMarty O'Donnell - VR Audio: Forget the Tech! What do you hear? - GameSoundCon 2018VR game development still has many questions left to be answered, and in the past three years of development, Highwire Games has attempted to answer some of them. In this talk, we discuss the techniques used to realize the soundscape of Golem, a fully-featured, high-fidelity game for PlayStation VR. From the first sounds that caught our ears through the challenges that arose and the solutions we found, we answered many questions, but many are still left. Developing in virtual reality requires new technologies and techniques, but also a steadfast commitment to the aesthetics of traditional media. We’ll discuss why, in...2018-11-1455 minSoundWorks CollectionBrian White & Brian Trifon - Beyond The Presets - GameSoundCon 2018Join composing team Brian Trifon and Brian Lee White (aka Finishing Move) as they discuss and share their approach to musical sound design. Learn how they craft bespoke soundscapes that cut through the crowd of generic presets and commercial sample libraries to create a unique sonic identity for every project. In this 25 minute presentation, the team will discuss their general process/approach to musical sound design for games, share some specific examples of how they create entirely new sounds and instruments for iconic franchises, as well as provide some tips for those looking to create or expand on their own...2018-11-1426 minSoundWorks CollectionTom Salta - Composing Interactive MusicThis session will walk attendees through the foundations and various stages of scoring music for video games. Tom Salta will share his composing workflow from start to finish covering everything from working with the game designer, concept development, interactive composition considerations, testing and more. This talk will offer valuable insights for beginners as well as seasoned pros.GameSoundCon is two days of intensive sessions, panels and masterclasses on the business, creative and technical challenges of game music and sound, designed for those coming from Film, TV, music and other more traditional media.2018-11-1459 minSoundWorks CollectionThomas Dolby - The Next Generation of non-linear VR Composers - GameSoundCon 2018In the future, music composers are going need to be able to think and create in a non-linear way. This goes way beyond branching or crossfading stems of pre-mixed music: they will need to create adaptive music scores and orchestrations that respond in real time to user choices, game states, and arbitrary messages from the game engine. Armed with this knowledge, how can college educators compile the curriculum for a multi-year VR/Games music composition program in the face of technology and tools that are rapidly evolving? And, given the relatively unexplored nature of non-linear composition, who is truly qualified...2018-11-1428 minSoundWorks CollectionNuts and Bolts of Immersive Audio for 360/VR/AR/MR - GameSoundCon 2018This session provides an introduction to the terms and concepts that form the basis for immersive audio as found in 360 degree environments. While many topics are extensions or subsets of typical game audio concepts, working in this up and coming media format brings with it some additional considerations. This session provides an overview of the first things you need to understand and consider as you step into this growing field.GameSoundCon is two days of intensive sessions, panels and masterclasses on the business, creative and technical challenges of game music and sound, designed for those coming from Film, TV, music...2018-11-1452 minSoundWorks CollectionNose to Tail: A Conversation About Dialog with Naughty Dog - GameSoundCon 2018Spend an hour with Becky Dodd (Talent and Production Coordinator), Ryan James (Lead Editor), and Ammie Puckett (Localization Manager) of formidable development studio, Naughty Dog, as they walk through the studio’s overall approach to the Dialogue process in their games, with tips and tidbits that might help you navigate your path through projects of all shapes and sizes.GameSoundCon is two days of intensive sessions, panels and masterclasses on the business, creative and technical challenges of game music and sound, designed for those coming from Film, TV, music and other more traditional media.2018-11-1456 minSoundWorks CollectionMix Sound Event - Sound Editing For Animation PanelSound Editing For Animation Panel Featuring:Paul Ottoson, Sound DesignerGeoffrey Rubay, Sound EngineerErik Aadahl, Sound EditorEileen Horta, Sound SupervisorDave Fluhr, Sound DesignerModerated by Carolyn Giardina, Hollywood ReporterMix Magazine presented the fifth annual Sound for Film and TV event, an all-day exhibition and conference spotlighting the technologies and techniques behind sound for picture, from production to playback.The boom in television and streaming services, along with the emergence of Virtual Reality, has led to a technology/workflow change in how content is produced. The techniques and tools are merging, and studios and producers have adapted their methods. We bring film, television...2018-10-241h 02