Shows
Hoosier Ag Today Podcast NetworkThe Hoosier Ag This Week Podcast for 5/10/25On this edition of Hoosier Ag This Week: We have planting updates from four different farmers from four different parts of the state in our Hoosier Ag Today Crop Tour! You'll hear from Jenna Scott in Delaware County, Ryan Rippy in Montgomery County, J.R. Roesner in Dubois County, and Denise Scarborough in LaPorte County as they share their progress this Spring. You'll also hear from David Cobb with Clean Fuels Alliance America about the burdens that EPA and the federal government have placed on the biofuels industry, which have also created burdens for corn and soybean producers as well...2025-05-1027 min
Staging Sound. Reflecting theatre music and sound designBook launch (part 2): Music and Sound in European TheatreA conversation with some of the authors and first readers of this new volume
Today’s episode is part II of a launch conversation about the new edited volume Music and Sound in European Theatre. Practices, Performances, Perspectives. (Routledge 2025)
https://www.routledge.com/Music-and-Sound-in-European-Theatre-Practices-Performances-Perspectives/Roesner-Quick/p/book/9781032675114
We introduce you to the chapters and discuss some of their connections and implications.
The guests on this show are:
Deniz Başar, Sabancı University, Turkey
Emine Fişek Türem, Österreichischen Akademie der Wissenschaften, Austria
Lynne Kendrick, Royal Central School of Speech and Drama, UK
Helena Langewi...2025-03-1756 min
Staging Sound. Reflecting theatre music and sound designBook launch (part 1): Music and Sound in European TheatreA conversation with some of the authors and first readers of this new volume
Today’s episode is part I of a launch conversation about the new edited volume Music and Sound in European Theatre. Practices, Performances, Perspectives. (Routledge 2025)
https://www.routledge.com/Music-and-Sound-in-European-Theatre-Practices-Performances-Perspectives/Roesner-Quick/p/book/9781032675114
We introduce you to the chapters and discuss some of their connections and implications.
The guests on this show are:
Deniz Başar, Sabancı University, Turkey
Emine Fişek Türem, Österreichischen Akademie der Wissenschaften, Austria
Lynne Kendrick, Royal Central School of Speech and Drama, UK
Helena Langewi...2025-03-171h 10
Staging Sound. Reflecting theatre music and sound designInterview with Drummer and Theatre Musician Matze PröllochsTalking about his first solo album "Birth No Birth" and his theatre works
You can find more information about Matze's work and tour dates here:
https://matzeproellochs.com
More details on "Dionysos Stadt" (2018) are here:
https://www.muenchner-kammerspiele.de/de/programm/8384-dionysos-stadt
The forthcoming production at the Wiener Festwochen will be announced here:
https://www.festwochen.at/home
The briefly mentioned theatrophone has been discussed widely, such as here:
Larrue, Jean-Marc. 2011. « Sound Reproduction Techniques in Theatre: a Case of Mediatic Resistance. » In: Theatre Noise. The Sound of Performance, edited by Lynne Kendrick and Da...2025-02-1843 min
Staging Sound. Reflecting theatre music and sound designThe Sound of a Shared Intimacy (Leonie Persyn)Lynne Kendrick and David Roesner in conversation with Leonie Persyn about her PhD Project
Leonie Persyn, is a dramaturg, performance maker and academic, who has just graduated from the Ghent University at the Department of Music, Visual Arts and Performance Studies supervised by Christine Stapert and Martine Huvenne. She was trained as a visual artist (Sint-Lucas, Antwerp) and as an Art historian (Ghent) and her PhD project is entitled THE SOUND OF A SHARED INTIMACY. A PHENOMENOLOGICAL RESEARCH INTO SOUND(ING) AND LISTENING IN PERFORMANCE PRACTICES. She defended her thesis in September 2024.
Lynne Kendrick works at the...2024-12-1650 min
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Final Part 4.3Sound in revisited theatre stagings curated by Anna R. Burzyńska, Ursula Kramer and Julia H. Schröder
Salomé Voegelin: https://www.salomevoegelin.net
Bad Weather (2017/2019): https://arturasbumsteinas.com/works/2017-3/badweather/2024-10-0836 min
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 4.2Sound in revisited theatre stagings curated by Anna R. Burzyńska, Ursula Kramer and Julia H. Schröder
The full programme of the conference can be found here:
https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies
Biographies can be found at:
Ursula Kramer: https://www.musikwissenschaft.uni-mainz.de/personen/prof-dr-ursula-kramer/
The illustrations to her talk can be found here:
https://theatermus.hypotheses.org/files/2024/07/Kramer-CAS-15.9.23-mit-Zeitangaben-Podcast.pdf
Dorothea Volz: https://www.theaterwissenschaft.uni-muenchen.de/personen2/lehrbeauftragte/volz_dorothea/index.html
Peter Kiefer: http://www.peter-kiefer.de. Images from projects he mentions can also be found on hi...2024-07-281h 18
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 4.1Sound in revisited theatre stagings curated by Anna R. Burzyńska, Ursula Kramer and Julia H. Schröder
The full programme of the conference can be found here:
https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies
Biographies
Dr. Julia H. Schröder (Universität der Künste Berlin, SoundS) is a lecturer at the Sound Studies and Sonic Arts Master studies programme at Berlin University of the Arts. She holds a PhD in musicology with research interests in contemporary art music, sound art, sound studies, music and dance as well as sound design in theatre. Her current research project is title...2024-06-2440 min
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 3.5: Discussion with ZU-UK and Gareth FryCollaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner
The full programme of the conference can be found here:
https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies
ZU-UK: http://zu-uk.com/about-us/
ZU-UK interview with Duška Radosavjlević: https://www.auralia.space/gallery3-zuuk/
Gareth Fry: https://www.garethfry.co.uk2024-05-031h 14
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 3.4: Discussion of the Audio PapersCollaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner
The full programme of the conference can be found here:
https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies
In this session we pay closer attention to the processes and dynamics of the collaborative relationships involved in, and between, sound design and music composition for theatre, past and present. We are not only interested in the creative dialogue between a sound designer and a composer (in those theatre cultures where this pairing conventionally exists), but also between the more abstract “functions” of contri...2024-04-261h 07
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 3.3 Audio papersPapers by Maciej Guzy and Demetris Zavros
Beyond Emotions: The Collaboration of Scenography and Sound Design in the Service of Affects
by Maciej Guzy
Abstract
In the paper, concluding one phase of broader research into the interplay of sound and scenography in contemporary Polish theater, I analyze the collaboration that emerged between scenographer Philip Bussmann and composer Karol Nepelski during the production of Luk Perceval’s play “3Sisters” (TR Warszawa & Stary Teatr in Kraków). I investigate the effects of their cooperation on the production’s organizational process and artistic expression of the performance. I present a technical...2024-03-2934 min
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 3.2 Audio papersPapers by Paul Clark, Melanie Wilson, and Alyson Campbell and Meta Cohen
Carving up sonic responsibilities
By Paul Clark
Abstract
In this audio essay, Paul Clark compares his practical experiences of being both composer and sound designer for multiple Clod Ensemble productions, with working as a composer in collaboration with British sound designers Gareth Fry, Melanie Wilson and Donato Wharton on three productions directed by Katie Mitchell. He references Clod Ensemble’s Red Ladies (2003- present), Cleansed (National Theatre 2016), The Cat in the Hat (National Theatre 2009) and The Maids (2016 Toneelgroep). He discusses the many different ways of ca...2024-03-2238 min
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 3.1 Audio papersPapers by Victoria Deiorio and Jimmy Eadie
What is it that Sound Designers do?
by Victoria Deiorio
Abstract:
This audio paper explores what a sound designer brings to a collaboration and how the intangible essence of sound provides information where the visual leaves off. It is more a reflection of what the role of sound designer is and how it supports the artistry of live production.
Biography:
Victoria Deiorio built the Sound Design BFA program at the conservatory of The Theatre School at DePaul University in Chicago, IL, USA. As an award-winning Chicago based artist...2024-03-1525 min
Staging Sound. Reflecting theatre music and sound designTheatre Sound as Collaboration (Conference Documentation). Part 2.1: Francesco Bentivegna, Alex Nowitz and Cathy van EckVoice as collaboration curated by Konstantinos Thomaidis and Pieter Verstraete
The full programme of the conference can be found here:
https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies
Links to the speakers:
Francesco Bentivegna: https://www.bristol.ac.uk/people/person/Francesco-Bentivegna-57fb932c-c1cd-4e2a-ba9d-5fa8ad77ccae/
Alex Nowitz: https://nowitz.de
Cathy van Eck: https://www.cathyvaneck.net
Links as references for their talks:
Francesco Benitvegna:
For Paola Nunez Torres del Prado, check their website (https://khipucamayoc.github.io/timeofman.html) and this article on AIELSON (https://intellectdiscover.com/content/journals/10.1386...2024-03-011h 16
Staging Sound. Reflecting theatre music and sound designTheatre Sound as Collaboration (Conference Documentation). Part 1.3: Dan ScottTheatre through Sound: From Mega Musicals to Digital Minutiae curated by Lynne Kendrick, Duška Radosavjlević and Millie Taylor
The full programme of the conference can be found here:
https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies
Dan Scott: https://thedreambureau.co.uk2024-02-1638 min
Staging Sound. Reflecting theatre music and sound designTheatre Sound as Collaboration (Conference Documentation). Part 1.2: Rebecca ApplinTheatre through Sound: From Mega Musicals to Digital Minutiae curated by Lynne Kendrick, Duška Radosavjlević and Millie Taylor
The full programme of the conference can be found here:
https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies
Rebecca Applin: https://www.rebeccaapplin.co.uk2024-02-0933 min
Staging Sound. Reflecting theatre music and sound designTheatre Sound as Collaboration (Conference Documentation). Part 1.1: SK ShlomoTheatre through Sound: From Mega Musicals to Digital Minutiae curated by Lynne Kendrick, Duška Radosavjlević and Millie Taylor
The full programme of the conference can be found here:
https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies
SK Shlomo: https://skshlomo.com2023-11-2839 min
Staging Sound. Reflecting theatre music and sound designHow to teach theatre music?An interview with David Rimsky-Korsakow
David Rimsky-Korsakow is an theatre musician and composer within the German theatre landscape, working particularly with directors Christoph Mehler, Laura Linnenbaum and Bettina Bruinier.
He also realises productions and chamber concerts around a symphonic cycle, the last part of which, the musical film "kurotadori - the symphony of the blackbird", was invited to the 2021 CTM Festival Berlin. In 2022, David was also part of Iceland's state residency programme, working on a form of spectral composition in the country's Westfjords.
https://rimskykorsakow.com/vita2023-10-1351 min
Staging Sound. Reflecting theatre music and sound designMagic and Horror: Sound and Music in Theatres of the PastA conversation with Anna Ricke and Julia H. Schröder
Guest in this episode are:
Dr. Anna Ricke, who studied music theatre studies (B.A.) at the University of Bayreuth, musicology (M.A.) at the Cologne University of Music and Dance where she also wrote her PhD on "Smaragda Eger-Berg (1886-1954). Bohemienne - Musician - Sister. Conditions of artistic emancipation in Viennese modernism“. She is currently co-editor with Prof. Dr. Antje Tumat of the forthcoming „Handbuch für Schauspielmusik“ (Handbook for Theatre Music).
Dr. Julia H. Schröder also holds a doctorate in musicology on the „In- and interde...2023-09-051h 05
Staging Sound. Reflecting theatre music and sound designSound-led PerformanceA conversation with Julie Rose Bower and Yaron Shyldkrot
You can find out more about Julie Rose Bower and Yaron Shyldkrot's work at
http://www.julierosebower.com
and
https://www.yaronshy.com/about
In particular, we talk about
Feeling Thing: https://candoco.co.uk/work/feeling-thing/
Safe Word: https://www.fyeandfoul.com/safeword
Certain Ways: https://vimeo.com/315497968
Tunnel, a redesign of Certain Ways as an audio walk can be found here: https://slowclinic.bandcamp.com/album/tunnel
A few references to books or people mentioned during our conversation are:
• Lehmann, Hans-Thies, Postdramatic Theatre. Translated by...2023-07-241h 13
Staging Sound. Reflecting theatre music and sound designICHNEUTAI by Sophocles – the invention of (theatre) music?A conversation with Konstantinos Thomaidis
Many thanks for listening to Staging Sound!
Guests today are Dr Konstantinos Thomaidis, and Prof. Dr. Millie Taylor
A full transcript of this conversation is available at https://theatermus.hypotheses.org/?p=2692
If you’d like to get in touch with the podcast, please email stagingsound@web.de
A freely accessible translation of the play we are dicussing can be found here: http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0221
For the production by Mikhail Marmarinos, feel free to check the listing by th...2023-05-191h 03
Staging Sound. Reflecting theatre music and sound designMemory and Sound, Voice and ArcheologyA conversation with Konstantinos Thomaidis and Pieter Verstraete
Many thanks for listening to Staging Sound!
Guests today are Dr Konstantinos Thomaidis, Dr Pieter Verstraete, Dr Anna R. Burzyńska and Dr. Julia H. Schröder
If you’d like to get in touch with the podcast, please email stagingsound@web.de
Here are some references in relation to our conversation:
A) in relation to Konstantinos' research:
The vocal in-between:
For the notion of interstitial voice, please refer to Feldman (2015) and for Mladen Dolar’s Venn diagrams of the voice, check Dolar (2006). For th...2023-05-051h 08
Staging Sound. Reflecting theatre music and sound designCollaborative resonanceBella Merlin and David Roesner reflect on three joint projects. Hosted by Miles Anderson
Guests:
Bella Merlin (Ph.D., University of Birmingham) is an actor, songwriter, and professor of acting and directing at the University of California, Riverside. Trained at Moscow's State Institute of Cinematography, she has worked on stage and screen for nearly 30 years, including seasons at the National Theatre/Out of Joint (UK), Shakespeare & Company (USA), the award-winning film Mente Revolver (Mexico), and numerous roles on television, theatre and radio. A proponent of practice-as-research (PAR), she is published widely in several languages; books include Shakespeare & Company: When...2023-04-071h 09
Staging Sound. Reflecting theatre music and sound designPop and Experiment: New impulses for (music) theatreA conversation with the Centre for the Less Good Idea in Johannesburg and Mirjam Schaub
Centre for the Less Good Idea in Johannesburg
https://lessgoodidea.com
Mirjam Schaub, Burg Giebichenstein Kunsthochschule Halle
https://www.researchgate.net/profile/Mirjam-Schaub-22023-03-2459 min
Staging Sound. Reflecting theatre music and sound designPop and Sound. Theatre, Music Theatre, Gig Theatrewith Katja Lucker and Duška Radosavljević
Guests were
Katja Lucker and Duška Radosavljević
References in the show include:
Popkultur Festival Berlin
https://www.pop-kultur.berlin
Duska’s Book: Aural/Oral Dramaturgies. Theatre in the Digital Age (2022)
https://www.taylorfrancis.com/books/mono/10.4324/9781003096337/aural-oral-dramaturgies-duška-radosavljević
Masha Qrella
https://www.faz.net/aktuell/feuilleton/pop/masha-qrella-singt-auf-woanders-texte-von-thomas-brasch-17204553.html
Wim Wenders: Wings of Desire
https://www.nickcave.com/films/wings-of-desire/
Josef Kotarba
https://www.researchgate.net/profile/Joseph-Kotarba
Rio Reiser
https://en.wikipedia.org/wiki/Rio_Reiser
Sleaford Mods
https://www.sleafordmods.com
Ulrich Rasche
https://de.wikipedia.org/wiki/Ulr...2023-03-1047 min
Staging Sound. Reflecting theatre music and sound designBook launch: Aural/Oral Dramaturgies: Theatre in the Digital AgeA conversation with Maaike Bleeker, Vânia Gala, Seda Ilter, Silvija Jestrovic, Lynne Kendrick, Flora Pitrolo and the author: Duška Radosavljević
References (for the discussion of each book chapter of Radosavljević, Duška (2022) Aural/Oral Dramaturgies: Theatre in the Digital Age, London and New York: Routledge, https://www.routledge.com/AuralOral-Dramaturgies-Theatre-in-the-Digital-Age/Radosavljevic/p/book/9780367560744
Chapter 1
Bleeker, Maaike, Verhoeff, Nana, and Werning, Stefan (2020). ‘Sensing data: Encountering data sonifications, materialization, and interactives as knowledge objects’, Convergence: The International Journal of Research into New Media Technologies, 26:5–6, 1–20 (online-generated pdf). doi: https://doi.org/10.1177/1354856520938601
Chapter 2
Moten, Fred (2017) Black or Blur: Consent...2023-02-241h 32
Staging Sound. Reflecting theatre music and sound designActive AuralityHow the Practices of Sound and Listening respond to Crisis
Public panel from the conference „Krisenkünste“ (LMU Munich, 12-13 Jan 2023)
https://www.kunstwissenschaften.uni-muenchen.de/veranstaltungen/krisenkuenstekonferenz/index.html#top
Guests:
Dr Duška Radosavjlević
Is an academic, critic, dramaturg with Serbian roots, a long presence in the UK and currently based in Lund. She has worked on Ensemble Theatre(s) and most recently published an extensive website auralia.space and subsequent monograph on Aural / Oral Dramaturgies. Theatre in the Digital Age (2022).
https://www.cssd.ac.uk/staff-profiles/dr-duska-radosavljevic
Dr Lynne Kendrick works at the Ro...2023-02-1045 min
Staging Sound. Reflecting theatre music and sound designBook launch: Theatre Music and Sound at the RSCA conversation with Millie Taylor
Guest
Prof Dr Millie Taylor holds the Van den Ende Chair of the Musical at the University of Amsterdam. For almost 20 years she toured Britain and Europe as a freelance musical director in Musical theatre. I constantly use her and Dominic Symonds book Studying Musical Theatre (2014) in my course. More recently she has published Theatre Music and Sound at the RSC: Macbeth to Matilda (2018).
https://www.uva.nl/en/profile/t/a/m.taylor2/m.taylor.html?cb
References
Taylor, Millie (2018), Theatre Music and Sound at the RSC. Macbeth to Matilda, London...2023-01-2742 min
Staging Sound. Reflecting theatre music and sound designWriting about sonic experiencesA conversation with Millie Taylor and Adrian Curtin
Show notes
The Research Project: https://www.en.cas.uni-muenchen.de/research_groups/current_rg/rg_roesner/index.html
The Blog: https://theatermus.hypotheses.org
Articles:
Millie Taylor: ‘Exploring the Grain: The Sound of the Voice in Bruce Nauman’s Raw Materials’, Studies in Theatre and Performance 26/3 (2006), pp. 289-296. https://www.tandfonline.com/doi/abs/10.1386/stap.26.3.289/3
Adrian Curtin: ‚Recomposing Genet: Analysing the Musicality of Playing ‘The Maids’“ (2017): https://www.tandfonline.com/doi/full/10.1080/10486801.2017.1298097
Mentioned:
• Naumann, Bruce: Raw Materials https://www.tate.org.uk/art/artists/bruce-nauman-1691/raw-material
• Chion, Michel (199...2023-01-1355 min
Staging Sound. Reflecting theatre music and sound designSonic memorieslooking into the text archives of Adrian Curtin, Pieter Verstraete and David Roesner
Show notes
About the research project: https://www.en.cas.uni-muenchen.de/research_groups/current_rg/rg_roesner/index.html
Blog: https://theatermus.hypotheses.org
Articles:
Adrian Curtin: “Recomposing Genet: Analysing the Musicality of playing ‘the maids’“ (2017): https://www.tandfonline.com/doi/full/10.1080/10486801.2017.1298097
Pieter Verstraete: ”Radical Vocality, Auditory Distress and Disembodied Voice: The Resolution of the Voice-Body in the Wooster Group’s La Didone“ (2011) https://books.google.de/books?id=MDwsBwAAQBAJ&pg=PA82&hl=de&source=gbs_toc_r&cad=4#v=onepage&q&f=false
David Ro...2022-12-301h 08
Staging Sound. Reflecting theatre music and sound designSonic BlissProject launch with guests
About the research project: https://www.en.cas.uni-muenchen.de/research_groups/current_rg/rg_roesner/index.html
Blog: https://theatermus.hypotheses.org
Books mentioned:
Theatermusik: https://www.theaterderzeit.de/buch/theatermusik/
Avant-Garde Theatre Sound: https://link.springer.com/book/10.1057/9781137324795
The Frequency of Imagination: https://pieterverstraete.com/research-projects/#jp-carousel-64
Theatre Music and Sound at the RSC https://link.springer.com/book/10.1007/978-3-319-95222-2
Sound Effect: https://www.bloomsbury.com/us/sound-effect-9781350236004/
Theatre Aurality: https://link.springer.com/chapter/10.1057/978-1-137-45233-7_1
Aural/Oral Dramaturgies: https://www.taylorfrancis.com/books/mono/10.4324/9781003096337...2022-12-141h 26
Staging Sound. Reflecting theatre music and sound designIntroducing "Staging Sound"Trailer
About the research project:
https://www.en.cas.uni-muenchen.de/researchgroups/currentrg/rg_roesner/index.html
Fellows:
Prof. Dr. Ross Brown is a composer, musician and sound designer and Emeritus Professor of Sound at Royal Central School of Speech and Drama. He is the author of Sound. A Reader (2010) and “Sound Effect. The Theatre We Hear” (2020).
https://www.cssd.ac.uk/staff-profiles/prof-ross-brown
Dr Anna R. Burzyńska
is an adjunct professor of theatre in the faculty of Polish Studies at the Jagiellonian University in Krakow and works as an academic, critic and dramaturg. She h...2022-12-1401 min
Negotiations Ninja PodcastNegotiations Lessons from the FieldNegotiation Lessons From The Field, with Gary Noesner, Ep #119 Many times the hardest negotiation lessons to learn are hard because they are painful. Those learned in real-life failed negotiations can be among the most valuable. The Waco Siege of 1993 stands out as one of the most tragic and mishandled negotiations in American history. Many observations have been made about what happened there, but the FBI hostage negotiators who were on the scene are the ones who know best what went wrong—and why.. Gary Noesner was the lead negotiator at that event He retired from th...2020-01-1333 min
Life in RelationshipWritten in Iron Ink: Tending MarriageILMS 55 - Written in Iron Ink: Tending Marriage Leah Heffner from leahheffner.com and Life Around the Coffee Cup The ripple effect God of the Overflowing Cup (Psalm 23) Resting on the foundation when it’s hard Building up one another’s marriage Friendships that build marriage with accountability Praying together for our marriages Leaning in and waiting when it’s hard Who are your people? There isn’t a template. 2018-04-1932 min
The SEI Podcast SeriesWhat Lola Heard: Theatrical Sounds of Climate ChangeSydney Environment Institute in partnership with The Living Room Theatre presents ‘What Lola Heard’ – the second artistic work from a SSSHARC funded Pop-up Research Lab. ‘What Lola Heard: Theatrical Sounds from Climate Change’, was a fascinating insight into the creative process in contemporary theatre – part public talk, part installation, part concert, the evening brought together internationally acclaimed improvising musicians in conversation with David Roesner, Professor of Theatre Studies at LMU Munich and Michelle St Anne, Artistic Director of The Living Room Theatre. This conversation was framed by two sets by the musicians performing compositions from The Living Room Theatre’s environmenta...2018-01-2333 min