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David Roesner

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Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designSounds, Voices, Music of the LandKonstantinos Thomaidis on the short documentary film "Mother Company" (ft. Jeph Vanger) Konstantinos Thomaidis is Associate Professor in Voice, Theatre & Perofrmance at the Communications, Drama & Film Department, and Director of the MA Theatre Practice at the University of Exeter, UK. He is an actor/director/musician and researcher with a primary interest in voice. Since 2007, his research has focused on the cultural politics of voice pedagogy and the development of methodologies for vocal practice-research: for practising and understanding voice as emergent, processual, generative and disruptive. He has also worked as an actor, director, choreographer and musician in Greece, Poland...
2025-12-2159 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound design„We are the voices of the play“Theatre musicians in Germany want to be heard – a discussion Participants in this episode's discussion are (in order of appearance): Karolin Killig www.karolinkillig.com Constantin John https://constantinjohn.bandcamp.com Nils Ostendorf www.nilsostendorf.com Rainer Süßmilch Katrin Schüler-Springorum https://www.strangerarea.de Fiete Wachholtz www.neurokraft.com Fabian Kalker fabiankalker.com The Open Letter can be found at: https://www.netzwerktheatermusik.de
2025-10-0159 minRoel Funcken
Roel FunckenAmbient set september 20251 . Wil Bolton . Ghost Signals . Rusted in the Salt Air 2 . Wil Bolton & Francis Gri . Crumbling into Mist . Drawing Shadows 3 . Blochemy . gran . Avey 4 . Material Object . Science Acid . MONO 5 . Human Is Alive & Warmth . Through the Haze . Through The Haze 6 . Human Is Alive & Warmth . Nordlys . Through The Haze 7 . Human Is Alive & Warmth . Dawning . Through The Haze 8 . Human Is Alive & Warmth . Dawning . Through The Haze 9 . Seaworthy and Matt Roesner . Hidden Paths, Animal Tracks . Deep Valley 10 . øjeRum . Poppeltræet Med Syv Grene . Langt Fra Jorden 11 . Taylor Deupree & The Humble Bee . Case Study 2 . Re: Case Studies 12 . Pepo Galán . Ancestral Images . Kontrapunkt 13 . Abul Mogard . While Hunting Nightmares and...
2025-08-296h 33What to Say & How to Say It
What to Say & How to Say It256: When the Past Haunts Your Marriage | Healing Old Wounds & Emotional TriggersHave you or your spouse ever said, "I didn't sign up for this"? You're not alone. In this episode of What to Say and How to Say It, Nina Roesner sits down with licensed professional counselor Kyle Hargrove to explore the concept of double-edged history—how past trauma, bad choices, and unresolved emotional pain can impact your present-day marriage. They get real about: Triggers from your spouse's past (or your own) Why healing is your responsibility—not your partner's How past wounds leak into the present David's biblical example of l...
2025-06-3037 minWhat to Say & How to Say It
What to Say & How to Say It256: When the Past Haunts Your Marriage | Healing Old Wounds & Emotional TriggersHave you or your spouse ever said, "I didn't sign up for this"? You're not alone. In this episode of What to Say and How to Say It, Nina Roesner sits down with licensed professional counselor Kyle Hargrove to explore the concept of double-edged history—how past trauma, bad choices, and unresolved emotional pain can impact your present-day marriage. They get real about: Triggers from your spouse's past (or your own) Why healing is your responsibility—not your partner's How past wounds leak into the present David's biblical example of l...
2025-06-3037 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designBook launch (part 2): Music and Sound in European TheatreA conversation with some of the authors and first readers of this new volume Today’s episode is part II of a launch conversation about the new edited volume Music and Sound in European Theatre. Practices, Performances, Perspectives. (Routledge 2025) https://www.routledge.com/Music-and-Sound-in-European-Theatre-Practices-Performances-Perspectives/Roesner-Quick/p/book/9781032675114 We introduce you to the chapters and discuss some of their connections and implications. The guests on this show are: Deniz Başar, Sabancı University, Turkey Emine Fişek Türem, Österreichischen Akademie der Wissenschaften, Austria Lynne Kendrick, Royal Central School of Speech and Drama, UK Helena Langewi...
2025-03-1756 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designBook launch (part 2): Music and Sound in European TheatreA conversation with some of the authors and first readers of this new volume Today’s episode is part II of a launch conversation about the new edited volume Music and Sound in European Theatre. Practices, Performances, Perspectives. (Routledge 2025) https://www.routledge.com/Music-and-Sound-in-European-Theatre-Practices-Performances-Perspectives/Roesner-Quick/p/book/9781032675114 We introduce you to the chapters and discuss some of their connections and implications. The guests on this show are: Deniz Başar, Sabancı University, Turkey Emine Fişek Türem, Österreichischen Akademie der Wissenschaften, Austria Lynne Kendrick, Royal Central School of Speech and Drama, UK Helena Langewi...
2025-03-1756 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designBook launch (part 1): Music and Sound in European TheatreA conversation with some of the authors and first readers of this new volume Today’s episode is part I of a launch conversation about the new edited volume Music and Sound in European Theatre. Practices, Performances, Perspectives. (Routledge 2025) https://www.routledge.com/Music-and-Sound-in-European-Theatre-Practices-Performances-Perspectives/Roesner-Quick/p/book/9781032675114 We introduce you to the chapters and discuss some of their connections and implications. The guests on this show are: Deniz Başar, Sabancı University, Turkey Emine Fişek Türem, Österreichischen Akademie der Wissenschaften, Austria Lynne Kendrick, Royal Central School of Speech and Drama, UK Helena Langewi...
2025-03-171h 10Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designBook launch (part 1): Music and Sound in European TheatreA conversation with some of the authors and first readers of this new volume Today’s episode is part I of a launch conversation about the new edited volume Music and Sound in European Theatre. Practices, Performances, Perspectives. (Routledge 2025) https://www.routledge.com/Music-and-Sound-in-European-Theatre-Practices-Performances-Perspectives/Roesner-Quick/p/book/9781032675114 We introduce you to the chapters and discuss some of their connections and implications. The guests on this show are: Deniz Başar, Sabancı University, Turkey Emine Fişek Türem, Österreichischen Akademie der Wissenschaften, Austria Lynne Kendrick, Royal Central School of Speech and Drama, UK Helena Langewi...
2025-03-171h 10Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designInterview with Drummer and Theatre Musician Matze PröllochsTalking about his first solo album "Birth No Birth" and his theatre works You can find more information about Matze's work and tour dates here: https://matzeproellochs.com More details on "Dionysos Stadt" (2018) are here: https://www.muenchner-kammerspiele.de/de/programm/8384-dionysos-stadt The forthcoming production at the Wiener Festwochen will be announced here: https://www.festwochen.at/home The briefly mentioned theatrophone has been discussed widely, such as here: Larrue, Jean-Marc. 2011. « Sound Reproduction Techniques in Theatre: a Case of Mediatic Resistance. » In: Theatre Noise. The Sound of Performance, edited by Lynne Kendrick and Da...
2025-02-1843 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designInterview with Drummer and Theatre Musician Matze PröllochsTalking about his first solo album "Birth No Birth" and his theatre works You can find more information about Matze's work and tour dates here: https://matzeproellochs.com More details on "Dionysos Stadt" (2018) are here: https://www.muenchner-kammerspiele.de/de/programm/8384-dionysos-stadt The forthcoming production at the Wiener Festwochen will be announced here: https://www.festwochen.at/home The briefly mentioned theatrophone has been discussed widely, such as here: Larrue, Jean-Marc. 2011. « Sound Reproduction Techniques in Theatre: a Case of Mediatic Resistance. » In: Theatre Noise. The Sound of Performance, edited by Lynne Kendrick and Da...
2025-02-1843 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designThe Sound of a Shared Intimacy (Leonie Persyn)Lynne Kendrick and David Roesner in conversation with Leonie Persyn about her PhD Project Leonie Persyn, is a dramaturg, performance maker and academic, who has just graduated from the Ghent University at the Department of Music, Visual Arts and Performance Studies supervised by Christine Stapert and Martine Huvenne. She was trained as a visual artist (Sint-Lucas, Antwerp) and as an Art historian (Ghent) and her PhD project is entitled THE SOUND OF A SHARED INTIMACY. A PHENOMENOLOGICAL RESEARCH INTO SOUND(ING) AND LISTENING IN PERFORMANCE PRACTICES. She defended her thesis in September 2024. Lynne Kendrick works at the...
2024-12-1650 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designThe Sound of a Shared Intimacy (Leonie Persyn)Lynne Kendrick and David Roesner in conversation with Leonie Persyn about her PhD Project Leonie Persyn, is a dramaturg, performance maker and academic, who has just graduated from the Ghent University at the Department of Music, Visual Arts and Performance Studies supervised by Christine Stapert and Martine Huvenne. She was trained as a visual artist (Sint-Lucas, Antwerp) and as an Art historian (Ghent) and her PhD project is entitled THE SOUND OF A SHARED INTIMACY. A PHENOMENOLOGICAL RESEARCH INTO SOUND(ING) AND LISTENING IN PERFORMANCE PRACTICES. She defended her thesis in September 2024. Lynne Kendrick works at the...
2024-12-1650 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Final Part 4.3Sound in revisited theatre stagings curated by Anna R. Burzyńska, Ursula Kramer and Julia H. Schröder Salomé Voegelin: https://www.salomevoegelin.net Bad Weather (2017/2019): https://arturasbumsteinas.com/works/2017-3/badweather/
2024-10-0836 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Final Part 4.3Sound in revisited theatre stagings curated by Anna R. Burzyńska, Ursula Kramer and Julia H. Schröder Salomé Voegelin: https://www.salomevoegelin.net Bad Weather (2017/2019): https://arturasbumsteinas.com/works/2017-3/badweather/
2024-10-0836 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 4.2Sound in revisited theatre stagings curated by Anna R. Burzyńska, Ursula Kramer and Julia H. Schröder The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies Biographies can be found at: Ursula Kramer: https://www.musikwissenschaft.uni-mainz.de/personen/prof-dr-ursula-kramer/ The illustrations to her talk can be found here: https://theatermus.hypotheses.org/files/2024/07/Kramer-CAS-15.9.23-mit-Zeitangaben-Podcast.pdf Dorothea Volz: https://www.theaterwissenschaft.uni-muenchen.de/personen2/lehrbeauftragte/volz_dorothea/index.html Peter Kiefer: http://www.peter-kiefer.de. Images from projects he mentions can also be found on hi...
2024-07-281h 18Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 4.2Sound in revisited theatre stagings curated by Anna R. Burzyńska, Ursula Kramer and Julia H. Schröder The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies Biographies can be found at: Ursula Kramer: https://www.musikwissenschaft.uni-mainz.de/personen/prof-dr-ursula-kramer/ The illustrations to her talk can be found here: https://theatermus.hypotheses.org/files/2024/07/Kramer-CAS-15.9.23-mit-Zeitangaben-Podcast.pdf Dorothea Volz: https://www.theaterwissenschaft.uni-muenchen.de/personen2/lehrbeauftragte/volz_dorothea/index.html Peter Kiefer: http://www.peter-kiefer.de. Images from projects he mentions can also be found on hi...
2024-07-281h 18Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 4.1Sound in revisited theatre stagings curated by Anna R. Burzyńska, Ursula Kramer and Julia H. Schröder The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies Biographies Dr. Julia H. Schröder (Universität der Künste Berlin, SoundS) is a lecturer at the Sound Studies and Sonic Arts Master studies programme at Berlin University of the Arts. She holds a PhD in musicology with research interests in contemporary art music, sound art, sound studies, music and dance as well as sound design in theatre. Her current research project is title...
2024-06-2440 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 4.1Sound in revisited theatre stagings curated by Anna R. Burzyńska, Ursula Kramer and Julia H. Schröder The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies Biographies Dr. Julia H. Schröder (Universität der Künste Berlin, SoundS) is a lecturer at the Sound Studies and Sonic Arts Master studies programme at Berlin University of the Arts. She holds a PhD in musicology with research interests in contemporary art music, sound art, sound studies, music and dance as well as sound design in theatre. Her current research project is title...
2024-06-2440 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 3.5: Discussion with ZU-UK and Gareth FryCollaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies ZU-UK: http://zu-uk.com/about-us/ ZU-UK interview with Duška Radosavjlević: https://www.auralia.space/gallery3-zuuk/ Gareth Fry: https://www.garethfry.co.uk
2024-05-031h 14Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 3.5: Discussion with ZU-UK and Gareth FryCollaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies ZU-UK: http://zu-uk.com/about-us/ ZU-UK interview with Duška Radosavjlević: https://www.auralia.space/gallery3-zuuk/ Gareth Fry: https://www.garethfry.co.uk
2024-05-031h 14Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 3.4: Discussion of the Audio PapersCollaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies In this session we pay closer attention to the processes and dynamics of the collaborative relationships involved in, and between, sound design and music composition for theatre, past and present. We are not only interested in the creative dialogue between a sound designer and a composer (in those theatre cultures where this pairing conventionally exists), but also between the more abstract “functions” of contri...
2024-04-261h 07Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 3.4: Discussion of the Audio PapersCollaboration in sound design and music composition for theatre curated by Adrian Curtin, Duška Radosavjlević and David Roesner The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies In this session we pay closer attention to the processes and dynamics of the collaborative relationships involved in, and between, sound design and music composition for theatre, past and present. We are not only interested in the creative dialogue between a sound designer and a composer (in those theatre cultures where this pairing conventionally exists), but also between the more abstract “functions” of contri...
2024-04-261h 07Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 3.3 Audio papersPapers by Maciej Guzy and Demetris Zavros Beyond Emotions: The Collaboration of Scenography and Sound Design in the Service of Affects by Maciej Guzy Abstract In the paper, concluding one phase of broader research into the interplay of sound and scenography in contemporary Polish theater, I analyze the collaboration that emerged between scenographer Philip Bussmann and composer Karol Nepelski during the production of Luk Perceval’s play “3Sisters” (TR Warszawa & Stary Teatr in Kraków). I investigate the effects of their cooperation on the production’s organizational process and artistic expression of the performance. I present a technical...
2024-03-2934 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 3.3 Audio papersPapers by Maciej Guzy and Demetris Zavros Beyond Emotions: The Collaboration of Scenography and Sound Design in the Service of Affects by Maciej Guzy Abstract In the paper, concluding one phase of broader research into the interplay of sound and scenography in contemporary Polish theater, I analyze the collaboration that emerged between scenographer Philip Bussmann and composer Karol Nepelski during the production of Luk Perceval’s play “3Sisters” (TR Warszawa & Stary Teatr in Kraków). I investigate the effects of their cooperation on the production’s organizational process and artistic expression of the performance. I present a technical...
2024-03-2934 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 3.2 Audio papersPapers by Paul Clark, Melanie Wilson, and Alyson Campbell and Meta Cohen Carving up sonic responsibilities By Paul Clark Abstract In this audio essay, Paul Clark compares his practical experiences of being both composer and sound designer for multiple Clod Ensemble productions, with working as a composer in collaboration with British sound designers Gareth Fry, Melanie Wilson and Donato Wharton on three productions directed by Katie Mitchell. He references Clod Ensemble’s Red Ladies (2003- present), Cleansed (National Theatre 2016), The Cat in the Hat (National Theatre 2009) and The Maids (2016 Toneelgroep). He discusses the many different ways of ca...
2024-03-2238 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 3.2 Audio papersPapers by Paul Clark, Melanie Wilson, and Alyson Campbell and Meta Cohen Carving up sonic responsibilities By Paul Clark Abstract In this audio essay, Paul Clark compares his practical experiences of being both composer and sound designer for multiple Clod Ensemble productions, with working as a composer in collaboration with British sound designers Gareth Fry, Melanie Wilson and Donato Wharton on three productions directed by Katie Mitchell. He references Clod Ensemble’s Red Ladies (2003- present), Cleansed (National Theatre 2016), The Cat in the Hat (National Theatre 2009) and The Maids (2016 Toneelgroep). He discusses the many different ways of ca...
2024-03-2238 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 3.1 Audio papersPapers by Victoria Deiorio and Jimmy Eadie What is it that Sound Designers do? by Victoria Deiorio Abstract: This audio paper explores what a sound designer brings to a collaboration and how the intangible essence of sound provides information where the visual leaves off. It is more a reflection of what the role of sound designer is and how it supports the artistry of live production. Biography: Victoria Deiorio built the Sound Design BFA program at the conservatory of The Theatre School at DePaul University in Chicago, IL, USA. As an award-winning Chicago based artist...
2024-03-1525 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designConference documentation: Theatre Sound as Collaboration. Part 3.1 Audio papersPapers by Victoria Deiorio and Jimmy Eadie What is it that Sound Designers do? by Victoria Deiorio Abstract: This audio paper explores what a sound designer brings to a collaboration and how the intangible essence of sound provides information where the visual leaves off. It is more a reflection of what the role of sound designer is and how it supports the artistry of live production. Biography: Victoria Deiorio built the Sound Design BFA program at the conservatory of The Theatre School at DePaul University in Chicago, IL, USA. As an award-winning Chicago based artist...
2024-03-1525 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designTheatre Sound as Collaboration (Conference Documentation). Part 2.1: Francesco Bentivegna, Alex Nowitz and Cathy van EckVoice as collaboration curated by Konstantinos Thomaidis and Pieter Verstraete The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies Links to the speakers: Francesco Bentivegna: https://www.bristol.ac.uk/people/person/Francesco-Bentivegna-57fb932c-c1cd-4e2a-ba9d-5fa8ad77ccae/ Alex Nowitz: https://nowitz.de Cathy van Eck: https://www.cathyvaneck.net Links as references for their talks: Francesco Benitvegna: For Paola Nunez Torres del Prado, check their website (https://khipucamayoc.github.io/timeofman.html) and this article on AIELSON (https://intellectdiscover.com/content/journals/10.1386...
2024-03-011h 16Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designTheatre Sound as Collaboration (Conference Documentation). Part 2.1: Francesco Bentivegna, Alex Nowitz and Cathy van EckVoice as collaboration curated by Konstantinos Thomaidis and Pieter Verstraete The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies Links to the speakers: Francesco Bentivegna: https://www.bristol.ac.uk/people/person/Francesco-Bentivegna-57fb932c-c1cd-4e2a-ba9d-5fa8ad77ccae/ Alex Nowitz: https://nowitz.de Cathy van Eck: https://www.cathyvaneck.net Links as references for their talks: Francesco Benitvegna: For Paola Nunez Torres del Prado, check their website (https://khipucamayoc.github.io/timeofman.html) and this article on AIELSON (https://intellectdiscover.com/content/journals/10.1386...
2024-03-011h 16Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designTheatre Sound as Collaboration (Conference Documentation). Part 1.3: Dan ScottTheatre through Sound: From Mega Musicals to Digital Minutiae curated by Lynne Kendrick, Duška Radosavjlević and Millie Taylor The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies Dan Scott: https://thedreambureau.co.uk
2024-02-1638 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designTheatre Sound as Collaboration (Conference Documentation). Part 1.3: Dan ScottTheatre through Sound: From Mega Musicals to Digital Minutiae curated by Lynne Kendrick, Duška Radosavjlević and Millie Taylor The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies Dan Scott: https://thedreambureau.co.uk
2024-02-1638 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designTheatre Sound as Collaboration (Conference Documentation). Part 1.2: Rebecca ApplinTheatre through Sound: From Mega Musicals to Digital Minutiae curated by Lynne Kendrick, Duška Radosavjlević and Millie Taylor The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies Rebecca Applin: https://www.rebeccaapplin.co.uk
2024-02-0933 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designTheatre Sound as Collaboration (Conference Documentation). Part 1.2: Rebecca ApplinTheatre through Sound: From Mega Musicals to Digital Minutiae curated by Lynne Kendrick, Duška Radosavjlević and Millie Taylor The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies Rebecca Applin: https://www.rebeccaapplin.co.uk
2024-02-0933 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designTheatre Sound as Collaboration (Conference Documentation). Part 1.1: SK ShlomoTheatre through Sound: From Mega Musicals to Digital Minutiae curated by Lynne Kendrick, Duška Radosavjlević and Millie Taylor The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies SK Shlomo: https://skshlomo.com
2023-11-2839 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designTheatre Sound as Collaboration (Conference Documentation). Part 1.1: SK ShlomoTheatre through Sound: From Mega Musicals to Digital Minutiae curated by Lynne Kendrick, Duška Radosavjlević and Millie Taylor The full programme of the conference can be found here: https://theatermus.hypotheses.org/theatre-sound-as-collaboration-distributed-creations-shared-agencies SK Shlomo: https://skshlomo.com
2023-11-2839 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designHow to teach theatre music?An interview with David Rimsky-Korsakow David Rimsky-Korsakow is an theatre musician and composer within the German theatre landscape, working particularly with directors Christoph Mehler, Laura Linnenbaum and Bettina Bruinier. He also realises productions and chamber concerts around a symphonic cycle, the last part of which, the musical film "kurotadori - the symphony of the blackbird", was invited to the 2021 CTM Festival Berlin. In 2022, David was also part of Iceland's state residency programme, working on a form of spectral composition in the country's Westfjords. https://rimskykorsakow.com/vita
2023-10-1351 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designHow to teach theatre music?An interview with David Rimsky-Korsakow David Rimsky-Korsakow is an theatre musician and composer within the German theatre landscape, working particularly with directors Christoph Mehler, Laura Linnenbaum and Bettina Bruinier. He also realises productions and chamber concerts around a symphonic cycle, the last part of which, the musical film "kurotadori - the symphony of the blackbird", was invited to the 2021 CTM Festival Berlin. In 2022, David was also part of Iceland's state residency programme, working on a form of spectral composition in the country's Westfjords. https://rimskykorsakow.com/vita
2023-10-1351 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designMagic and Horror: Sound and Music in Theatres of the PastA conversation with Anna Ricke and Julia H. Schröder Guest in this episode are: Dr. Anna Ricke, who studied music theatre studies (B.A.) at the University of Bayreuth, musicology (M.A.) at the Cologne University of Music and Dance where she also wrote her PhD on "Smaragda Eger-Berg (1886-1954). Bohemienne - Musician - Sister. Conditions of artistic emancipation in Viennese modernism“. She is currently co-editor with Prof. Dr. Antje Tumat of the forthcoming „Handbuch für Schauspielmusik“ (Handbook for Theatre Music). Dr. Julia H. Schröder also holds a doctorate in musicology on the „In- and interde...
2023-09-051h 05Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designMagic and Horror: Sound and Music in Theatres of the PastA conversation with Anna Ricke and Julia H. Schröder Guest in this episode are: Dr. Anna Ricke, who studied music theatre studies (B.A.) at the University of Bayreuth, musicology (M.A.) at the Cologne University of Music and Dance where she also wrote her PhD on "Smaragda Eger-Berg (1886-1954). Bohemienne - Musician - Sister. Conditions of artistic emancipation in Viennese modernism“. She is currently co-editor with Prof. Dr. Antje Tumat of the forthcoming „Handbuch für Schauspielmusik“ (Handbook for Theatre Music). Dr. Julia H. Schröder also holds a doctorate in musicology on the „In- and interde...
2023-09-051h 05Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designSound-led PerformanceA conversation with Julie Rose Bower and Yaron Shyldkrot You can find out more about Julie Rose Bower and Yaron Shyldkrot's work at http://www.julierosebower.com and https://www.yaronshy.com/about In particular, we talk about Feeling Thing: https://candoco.co.uk/work/feeling-thing/ Safe Word: https://www.fyeandfoul.com/safeword Certain Ways: https://vimeo.com/315497968 Tunnel, a redesign of Certain Ways as an audio walk can be found here: https://slowclinic.bandcamp.com/album/tunnel A few references to books or people mentioned during our conversation are: • Lehmann, Hans-Thies, Postdramatic Theatre. Translated by...
2023-07-241h 13Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designSound-led PerformanceA conversation with Julie Rose Bower and Yaron Shyldkrot You can find out more about Julie Rose Bower and Yaron Shyldkrot's work at http://www.julierosebower.com and https://www.yaronshy.com/about In particular, we talk about Feeling Thing: https://candoco.co.uk/work/feeling-thing/ Safe Word: https://www.fyeandfoul.com/safeword Certain Ways: https://vimeo.com/315497968 Tunnel, a redesign of Certain Ways as an audio walk can be found here: https://slowclinic.bandcamp.com/album/tunnel A few references to books or people mentioned during our conversation are: • Lehmann, Hans-Thies, Postdramatic Theatre. Translated by...
2023-07-241h 13Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designICHNEUTAI by Sophocles – the invention of (theatre) music?A conversation with Konstantinos Thomaidis Many thanks for listening to Staging Sound! Guests today are Dr Konstantinos Thomaidis, and Prof. Dr. Millie Taylor A full transcript of this conversation is available at https://theatermus.hypotheses.org/?p=2692 If you’d like to get in touch with the podcast, please email stagingsound@web.de A freely accessible translation of the play we are dicussing can be found here: http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0221 For the production by Mikhail Marmarinos, feel free to check the listing by th...
2023-05-191h 03Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designICHNEUTAI by Sophocles – the invention of (theatre) music?A conversation with Konstantinos Thomaidis Many thanks for listening to Staging Sound! Guests today are Dr Konstantinos Thomaidis, and Prof. Dr. Millie Taylor A full transcript of this conversation is available at https://theatermus.hypotheses.org/?p=2692 If you’d like to get in touch with the podcast, please email stagingsound@web.de A freely accessible translation of the play we are dicussing can be found here: http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0221 For the production by Mikhail Marmarinos, feel free to check the listing by th...
2023-05-191h 03Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designMemory and Sound, Voice and ArcheologyA conversation with Konstantinos Thomaidis and Pieter Verstraete Many thanks for listening to Staging Sound! Guests today are Dr Konstantinos Thomaidis, Dr Pieter Verstraete, Dr Anna R. Burzyńska and Dr. Julia H. Schröder If you’d like to get in touch with the podcast, please email stagingsound@web.de Here are some references in relation to our conversation: A) in relation to Konstantinos' research: The vocal in-between: For the notion of interstitial voice, please refer to Feldman (2015) and for Mladen Dolar’s Venn diagrams of the voice, check Dolar (2006). For th...
2023-05-051h 08Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designMemory and Sound, Voice and ArcheologyA conversation with Konstantinos Thomaidis and Pieter Verstraete Many thanks for listening to Staging Sound! Guests today are Dr Konstantinos Thomaidis, Dr Pieter Verstraete, Dr Anna R. Burzyńska and Dr. Julia H. Schröder If you’d like to get in touch with the podcast, please email stagingsound@web.de Here are some references in relation to our conversation: A) in relation to Konstantinos' research: The vocal in-between: For the notion of interstitial voice, please refer to Feldman (2015) and for Mladen Dolar’s Venn diagrams of the voice, check Dolar (2006). For th...
2023-05-051h 08Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designCollaborative resonanceBella Merlin and David Roesner reflect on three joint projects. Hosted by Miles Anderson Guests: Bella Merlin (Ph.D., University of Birmingham) is an actor, songwriter, and professor of acting and directing at the University of California, Riverside. Trained at Moscow's State Institute of Cinematography, she has worked on stage and screen for nearly 30 years, including seasons at the National Theatre/Out of Joint (UK), Shakespeare & Company (USA), the award-winning film Mente Revolver (Mexico), and numerous roles on television, theatre and radio. A proponent of practice-as-research (PAR), she is published widely in several languages; books include Shakespeare & Company: When...
2023-04-071h 09Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designCollaborative resonanceBella Merlin and David Roesner reflect on three joint projects. Hosted by Miles Anderson Guests: Bella Merlin (Ph.D., University of Birmingham) is an actor, songwriter, and professor of acting and directing at the University of California, Riverside. Trained at Moscow's State Institute of Cinematography, she has worked on stage and screen for nearly 30 years, including seasons at the National Theatre/Out of Joint (UK), Shakespeare & Company (USA), the award-winning film Mente Revolver (Mexico), and numerous roles on television, theatre and radio. A proponent of practice-as-research (PAR), she is published widely in several languages; books include Shakespeare & Company: When...
2023-04-071h 09Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designPop and Experiment: New impulses for (music) theatreA conversation with the Centre for the Less Good Idea in Johannesburg and Mirjam Schaub Centre for the Less Good Idea in Johannesburg https://lessgoodidea.com Mirjam Schaub, Burg Giebichenstein Kunsthochschule Halle https://www.researchgate.net/profile/Mirjam-Schaub-2
2023-03-2459 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designPop and Experiment: New impulses for (music) theatreA conversation with the Centre for the Less Good Idea in Johannesburg and Mirjam Schaub Centre for the Less Good Idea in Johannesburg https://lessgoodidea.com Mirjam Schaub, Burg Giebichenstein Kunsthochschule Halle https://www.researchgate.net/profile/Mirjam-Schaub-2
2023-03-2459 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designPop and Sound. Theatre, Music Theatre, Gig Theatrewith Katja Lucker and Duška Radosavljević Guests were Katja Lucker and Duška Radosavljević References in the show include: Popkultur Festival Berlin https://www.pop-kultur.berlin Duska’s Book: Aural/Oral Dramaturgies. Theatre in the Digital Age (2022) https://www.taylorfrancis.com/books/mono/10.4324/9781003096337/aural-oral-dramaturgies-duška-radosavljević Masha Qrella https://www.faz.net/aktuell/feuilleton/pop/masha-qrella-singt-auf-woanders-texte-von-thomas-brasch-17204553.html Wim Wenders: Wings of Desire https://www.nickcave.com/films/wings-of-desire/ Josef Kotarba https://www.researchgate.net/profile/Joseph-Kotarba Rio Reiser https://en.wikipedia.org/wiki/Rio_Reiser Sleaford Mods https://www.sleafordmods.com Ulrich Rasche https://de.wikipedia.org/wiki/Ulr...
2023-03-1047 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designPop and Sound. Theatre, Music Theatre, Gig Theatrewith Katja Lucker and Duška Radosavljević Guests were Katja Lucker and Duška Radosavljević References in the show include: Popkultur Festival Berlin https://www.pop-kultur.berlin Duska’s Book: Aural/Oral Dramaturgies. Theatre in the Digital Age (2022) https://www.taylorfrancis.com/books/mono/10.4324/9781003096337/aural-oral-dramaturgies-duška-radosavljević Masha Qrella https://www.faz.net/aktuell/feuilleton/pop/masha-qrella-singt-auf-woanders-texte-von-thomas-brasch-17204553.html Wim Wenders: Wings of Desire https://www.nickcave.com/films/wings-of-desire/ Josef Kotarba https://www.researchgate.net/profile/Joseph-Kotarba Rio Reiser https://en.wikipedia.org/wiki/Rio_Reiser Sleaford Mods https://www.sleafordmods.com Ulrich Rasche https://de.wikipedia.org/wiki/Ulr...
2023-03-1047 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designBook launch: Aural/Oral Dramaturgies: Theatre in the Digital AgeA conversation with Maaike Bleeker, Vânia Gala, Seda Ilter, Silvija Jestrovic, Lynne Kendrick, Flora Pitrolo and the author: Duška Radosavljević References (for the discussion of each book chapter of Radosavljević, Duška (2022) Aural/Oral Dramaturgies: Theatre in the Digital Age, London and New York: Routledge, https://www.routledge.com/AuralOral-Dramaturgies-Theatre-in-the-Digital-Age/Radosavljevic/p/book/9780367560744 Chapter 1 Bleeker, Maaike, Verhoeff, Nana, and Werning, Stefan (2020). ‘Sensing data: Encountering data sonifications, materialization, and interactives as knowledge objects’, Convergence: The International Journal of Research into New Media Technologies, 26:5–6, 1–20 (online-generated pdf). doi: https://doi.org/10.1177/1354856520938601 Chapter 2 Moten, Fred (2017) Black or Blur: Consent...
2023-02-241h 32Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designBook launch: Aural/Oral Dramaturgies: Theatre in the Digital AgeA conversation with Maaike Bleeker, Vânia Gala, Seda Ilter, Silvija Jestrovic, Lynne Kendrick, Flora Pitrolo and the author: Duška Radosavljević References (for the discussion of each book chapter of Radosavljević, Duška (2022) Aural/Oral Dramaturgies: Theatre in the Digital Age, London and New York: Routledge, https://www.routledge.com/AuralOral-Dramaturgies-Theatre-in-the-Digital-Age/Radosavljevic/p/book/9780367560744 Chapter 1 Bleeker, Maaike, Verhoeff, Nana, and Werning, Stefan (2020). ‘Sensing data: Encountering data sonifications, materialization, and interactives as knowledge objects’, Convergence: The International Journal of Research into New Media Technologies, 26:5–6, 1–20 (online-generated pdf). doi: https://doi.org/10.1177/1354856520938601 Chapter 2 Moten, Fred (2017) Black or Blur: Consent...
2023-02-241h 32Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designActive AuralityHow the Practices of Sound and Listening respond to Crisis Public panel from the conference „Krisenkünste“ (LMU Munich, 12-13 Jan 2023) https://www.kunstwissenschaften.uni-muenchen.de/veranstaltungen/krisenkuenstekonferenz/index.html#top Guests: Dr Duška Radosavjlević Is an academic, critic, dramaturg with Serbian roots, a long presence in the UK and currently based in Lund. She has worked on Ensemble Theatre(s) and most recently published an extensive website auralia.space and subsequent monograph on Aural / Oral Dramaturgies. Theatre in the Digital Age (2022). https://www.cssd.ac.uk/staff-profiles/dr-duska-radosavljevic Dr Lynne Kendrick works at the Ro...
2023-02-1045 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designActive AuralityHow the Practices of Sound and Listening respond to Crisis Public panel from the conference „Krisenkünste“ (LMU Munich, 12-13 Jan 2023) https://www.kunstwissenschaften.uni-muenchen.de/veranstaltungen/krisenkuenstekonferenz/index.html#top Guests: Dr Duška Radosavjlević Is an academic, critic, dramaturg with Serbian roots, a long presence in the UK and currently based in Lund. She has worked on Ensemble Theatre(s) and most recently published an extensive website auralia.space and subsequent monograph on Aural / Oral Dramaturgies. Theatre in the Digital Age (2022). https://www.cssd.ac.uk/staff-profiles/dr-duska-radosavljevic Dr Lynne Kendrick works at the Ro...
2023-02-1045 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designBook launch: Theatre Music and Sound at the RSCA conversation with Millie Taylor Guest Prof Dr Millie Taylor holds the Van den Ende Chair of the Musical at the University of Amsterdam. For almost 20 years she toured Britain and Europe as a freelance musical director in Musical theatre. I constantly use her and Dominic Symonds book Studying Musical Theatre (2014) in my course. More recently she has published Theatre Music and Sound at the RSC: Macbeth to Matilda (2018). https://www.uva.nl/en/profile/t/a/m.taylor2/m.taylor.html?cb References Taylor, Millie (2018), Theatre Music and Sound at the RSC. Macbeth to Matilda, London...
2023-01-2742 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designBook launch: Theatre Music and Sound at the RSCA conversation with Millie Taylor Guest Prof Dr Millie Taylor holds the Van den Ende Chair of the Musical at the University of Amsterdam. For almost 20 years she toured Britain and Europe as a freelance musical director in Musical theatre. I constantly use her and Dominic Symonds book Studying Musical Theatre (2014) in my course. More recently she has published Theatre Music and Sound at the RSC: Macbeth to Matilda (2018). https://www.uva.nl/en/profile/t/a/m.taylor2/m.taylor.html?cb References Taylor, Millie (2018), Theatre Music and Sound at the RSC. Macbeth to Matilda, London...
2023-01-2742 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designWriting about sonic experiencesA conversation with Millie Taylor and Adrian Curtin Show notes The Research Project: https://www.en.cas.uni-muenchen.de/research_groups/current_rg/rg_roesner/index.html The Blog: https://theatermus.hypotheses.org Articles: Millie Taylor: ‘Exploring the Grain: The Sound of the Voice in Bruce Nauman’s Raw Materials’, Studies in Theatre and Performance 26/3 (2006), pp. 289-296. https://www.tandfonline.com/doi/abs/10.1386/stap.26.3.289/3 Adrian Curtin: ‚Recomposing Genet: Analysing the Musicality of Playing ‘The Maids’“ (2017): https://www.tandfonline.com/doi/full/10.1080/10486801.2017.1298097 Mentioned: • Naumann, Bruce: Raw Materials https://www.tate.org.uk/art/artists/bruce-nauman-1691/raw-material • Chion, Michel (199...
2023-01-1355 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designWriting about sonic experiencesA conversation with Millie Taylor and Adrian Curtin Show notes The Research Project: https://www.en.cas.uni-muenchen.de/research_groups/current_rg/rg_roesner/index.html The Blog: https://theatermus.hypotheses.org Articles: Millie Taylor: ‘Exploring the Grain: The Sound of the Voice in Bruce Nauman’s Raw Materials’, Studies in Theatre and Performance 26/3 (2006), pp. 289-296. https://www.tandfonline.com/doi/abs/10.1386/stap.26.3.289/3 Adrian Curtin: ‚Recomposing Genet: Analysing the Musicality of Playing ‘The Maids’“ (2017): https://www.tandfonline.com/doi/full/10.1080/10486801.2017.1298097 Mentioned: • Naumann, Bruce: Raw Materials https://www.tate.org.uk/art/artists/bruce-nauman-1691/raw-material • Chion, Michel (199...
2023-01-1355 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designSonic memorieslooking into the text archives of Adrian Curtin, Pieter Verstraete and David Roesner Show notes About the research project: https://www.en.cas.uni-muenchen.de/research_groups/current_rg/rg_roesner/index.html Blog: https://theatermus.hypotheses.org Articles: Adrian Curtin: “Recomposing Genet: Analysing the Musicality of playing ‘the maids’“ (2017): https://www.tandfonline.com/doi/full/10.1080/10486801.2017.1298097 Pieter Verstraete: ”Radical Vocality, Auditory Distress and Disembodied Voice: The Resolution of the Voice-Body in the Wooster Group’s La Didone“ (2011) https://books.google.de/books?id=MDwsBwAAQBAJ&pg=PA82&hl=de&source=gbs_toc_r&cad=4#v=onepage&q&f=false David Ro...
2022-12-301h 08Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designSonic memorieslooking into the text archives of Adrian Curtin, Pieter Verstraete and David Roesner Show notes About the research project: https://www.en.cas.uni-muenchen.de/research_groups/current_rg/rg_roesner/index.html Blog: https://theatermus.hypotheses.org Articles: Adrian Curtin: “Recomposing Genet: Analysing the Musicality of playing ‘the maids’“ (2017): https://www.tandfonline.com/doi/full/10.1080/10486801.2017.1298097 Pieter Verstraete: ”Radical Vocality, Auditory Distress and Disembodied Voice: The Resolution of the Voice-Body in the Wooster Group’s La Didone“ (2011) https://books.google.de/books?id=MDwsBwAAQBAJ&pg=PA82&hl=de&source=gbs_toc_r&cad=4#v=onepage&q&f=false David Ro...
2022-12-301h 08Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designSonic BlissProject launch with guests About the research project: https://www.en.cas.uni-muenchen.de/research_groups/current_rg/rg_roesner/index.html Blog: https://theatermus.hypotheses.org Books mentioned: Theatermusik: https://www.theaterderzeit.de/buch/theatermusik/ Avant-Garde Theatre Sound: https://link.springer.com/book/10.1057/9781137324795 The Frequency of Imagination: https://pieterverstraete.com/research-projects/#jp-carousel-64 Theatre Music and Sound at the RSC https://link.springer.com/book/10.1007/978-3-319-95222-2 Sound Effect: https://www.bloomsbury.com/us/sound-effect-9781350236004/ Theatre Aurality: https://link.springer.com/chapter/10.1057/978-1-137-45233-7_1 Aural/Oral Dramaturgies: https://www.taylorfrancis.com/books/mono/10.4324/9781003096337...
2022-12-141h 26Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designSonic BlissProject launch with guests About the research project: https://www.en.cas.uni-muenchen.de/research_groups/current_rg/rg_roesner/index.html Blog: https://theatermus.hypotheses.org Books mentioned: Theatermusik: https://www.theaterderzeit.de/buch/theatermusik/ Avant-Garde Theatre Sound: https://link.springer.com/book/10.1057/9781137324795 The Frequency of Imagination: https://pieterverstraete.com/research-projects/#jp-carousel-64 Theatre Music and Sound at the RSC https://link.springer.com/book/10.1007/978-3-319-95222-2 Sound Effect: https://www.bloomsbury.com/us/sound-effect-9781350236004/ Theatre Aurality: https://link.springer.com/chapter/10.1057/978-1-137-45233-7_1 Aural/Oral Dramaturgies: https://www.taylorfrancis.com/books/mono/10.4324/9781003096337...
2022-12-141h 26Staging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designIntroducing "Staging Sound"Trailer About the research project: https://www.en.cas.uni-muenchen.de/researchgroups/currentrg/rg_roesner/index.html Fellows: Prof. Dr. Ross Brown is a composer, musician and sound designer and Emeritus Professor of Sound at Royal Central School of Speech and Drama. He is the author of Sound. A Reader (2010) and “Sound Effect. The Theatre We Hear” (2020). https://www.cssd.ac.uk/staff-profiles/prof-ross-brown Dr Anna R. Burzyńska is an adjunct professor of theatre in the faculty of Polish Studies at the Jagiellonian University in Krakow and works as an academic, critic and dramaturg. She h...
2022-12-1401 minStaging Sound. Reflecting theatre music and sound design
Staging Sound. Reflecting theatre music and sound designIntroducing "Staging Sound"Trailer About the research project: https://www.en.cas.uni-muenchen.de/researchgroups/currentrg/rg_roesner/index.html Fellows: Prof. Dr. Ross Brown is a composer, musician and sound designer and Emeritus Professor of Sound at Royal Central School of Speech and Drama. He is the author of Sound. A Reader (2010) and “Sound Effect. The Theatre We Hear” (2020). https://www.cssd.ac.uk/staff-profiles/prof-ross-brown Dr Anna R. Burzyńska is an adjunct professor of theatre in the faculty of Polish Studies at the Jagiellonian University in Krakow and works as an academic, critic and dramaturg. She h...
2022-12-1401 minNegotiations Ninja Podcast
Negotiations Ninja PodcastNegotiations Lessons from the FieldNegotiation Lessons From The Field, with Gary Noesner, Ep #119 Many times the hardest negotiation lessons to learn are hard because they are painful. Those learned in real-life failed negotiations can be among the most valuable. The Waco Siege of 1993 stands out as one of the most tragic and mishandled negotiations in American history. Many observations have been made about what happened there, but the FBI hostage negotiators who were on the scene are the ones who know best what went wrong—and why.. Gary Noesner was the lead negotiator at that event He retired from th...
2020-01-1333 minThe SEI Podcast Series
The SEI Podcast SeriesWhat Lola Heard: Theatrical Sounds of Climate ChangeSydney Environment Institute in partnership with The Living Room Theatre presents ‘What Lola Heard’ – the second artistic work from a SSSHARC funded Pop-up Research Lab. ‘What Lola Heard: Theatrical Sounds from Climate Change’, was a fascinating insight into the creative process in contemporary theatre – part public talk, part installation, part concert, the evening brought together internationally acclaimed improvising musicians in conversation with David Roesner, Professor of Theatre Studies at LMU Munich and Michelle St Anne, Artistic Director of The Living Room Theatre. This conversation was framed by two sets by the musicians performing compositions from The Living Room Theatre’s environmenta...
2018-01-2333 min