Shows
字谈字畅#263：「我们是先拥抱了五分钟？」今天是 ATypI 2025 系列访谈的收尾，我们请来了久违的 Mira 和 Rex，与大家分享在 ATypI 大会的演讲，回顾 The Type 过往的历程及当下的尝试。 《字谈字畅》十周年将近，计划于 9 月 13 日在上海举办线下活动。8 月 31 日起会员即可预订优惠席位，9 月 7 日起面向公众售票。 参考链接 TypeSchool 假名设计线下工作坊计划于 9 月 13、14 日在上海举办，现在可以报名 《字谈字畅》十周年庆沙龙计划于 9 月 13 日 19:00—21:00 在上海思南文学之家举办 “The Type: Evolving Typography Education in Chinese Through Blog, Podcast, Social Media, and AI”，Mira 和 Rex 在 ATypI 2025 的演讲 上海活字（Shanghai Type），厉致谦发起的线上档案项目；关注上海印刷字体设计与生产的项目，聚焦十九世纪末至今的、在上海或与上海有关的印刷字体，挖掘它们背后的社会、历史和人文故事 The Type (Type is Beautiful) 十周年活动 Wǒ ài pīnyīn!，Eric 在 ATypI 2025 的演讲 “Kyiv Metro Fonts”，Yevgeniy Anfalov 在 ATypI 2025 的演讲 “Glacial Evolution of Font Selection UI: Time to Shift From Technical Limitations to Visual Intent”，Oscar Bolaños 在 ATypI 2025 的演讲 “Graphic Strategies in Dictionary Typography”，Joost Grootens 在 ATypI 2025 的演讲 “Typography in Education Since 1995”，Fraser Muggeridge 在 ATypI 2025 的演讲 “Can Type Tools and Community Projects Be Sustainable?”，Lisa Huang、Peter Nowell、Rainer Erich Scheichelbauer 和 Tom Conroy 在 ATypI 2025 的研讨会 The Type 网站近期完成了改版 嘉宾 Mira Ying：译者，平面设计师，西文书法爱好者；Type is Beautiful 编辑；译著有《当我们阅读时，我们看到了什么》《字体设计艺术：西文字体排印五讲》《西文书法的艺术》和《编辑设计》等 Rex Chen：The Type 建立者、主编 主播 Eric：字体排印研究者，译者，The Type 执行编辑 欢迎与我们交流或反馈，来信请致 podcast@thetype.com。如果你喜爱本期节目，也欢迎用支付宝向我们捐赠：hello@thetype.com。
2025-08-261h 34
字谈字畅#259：「今年的宅味太呛了」今天是 ATypI 2025 系列访谈的第五期。我们邀请两位老朋友陈渚、刘育黎，与大家分享在 ATypI 关于《复刻字体设计》的演讲内容以及参会经历。 参考链接 TypeSchool 暑期课程将于 7 月 6 日至 7 月 13 日在上海举办，现在仍可报名 字谈字畅 246：「最好能包围一下拉丁」 陈渚、杰瑞·莱昂尼达斯（编），何诗旸（译）．《复刻字体设计》．同济大学出版社，2024 “A Cross-Script Dialogue: The Translation and Localization Editing of Designing Type Revivals”，陈渚和刘育黎在 ATypI 2025 的演讲 “Reviving Afrikan Scripts: Integrating Indigenous Systems Into Modern Design”，Taurai Valerie Mtake 在 ATypI 2025 的演讲 “Typography in Education Since 1995”，Fraser Muggeridge 在 ATypI 2025 的演讲 “The Type: Evolving Typography Education in Chinese Through Blog, Podcast, Social Media, and AI”，Mira 和 Rex 在 ATypI 2025 的演讲 “Graphic Strategies in Dictionary Typography”，Joost Grootens 在 ATypI 2025 的主题演讲 “The Revolution Before Our Current Revolution: Linotype’s Introduction to Germany”，Doug Wilson 在 ATypI 2025 的演讲 “Variable Wood Type: Translating the Digital to Physical”，Michael McDermott 在 ATypI 2025 的演讲 “Words of Type, a Multilingual Encyclopedia for Typography”，黄丽莎在 ATypI 2025 的演讲 “Towards Infinite Styles: Do We Even Need Fonts?”，殷叶航在 ATypI 2025 的演讲 “Variable Font for Contemporary Tibetan Expression”，张可迪在 ATypI 2025 的演讲 “Forging Connections: Protestant Chinese Hand-Cut Metal Type and the Hybrid Practices of Book Making (1815–1856)”，杨羚在 ATypI 2025 的演讲 “Typofix: European Typographic Proofreader”，Filip Blažek 和 Radek Sidun 在 ATypI 2025 的演讲 丹麦建筑师克努兹·恩格尔哈特（Knud V. Engelhardt，1882—1931） Fred Wiltshire 设
2025-07-011h 42
Pirated Radio39. A Knowing wrongness with Fraser MuggeridgeIn episode 39 of Pirated Radio, I speak with design polymath Fraser Muggeridge about his PhD, A Knowing Wrongness.
2024-12-0458 min
Design Education TalksDesign Education Talks Ep. 87 - Fraser MuggeridgeGet in touch!Fraser Muggeridge is a graphic designer and director of Fraser Muggeridge studio based in London. Throughout a wide range of formats, from artists’ books and exhibition catalogues to posters, marketing material, exhibitions, websites, film titles and music, the studio prioritises artists’ and writers’ content over the imposition of a signature style. By allowing images and texts to sustain their own intent and impact, each project is approached with typographic form and letterform playing a key role in arriving at a sympathetic yet subtly alluring object.Fraser Muggeridge founded and is a tutor at Typ...
2024-07-0133 min
Scratching the Surface229. Fraser MuggeridgeFraser Muggeridge is a graphic designer based in London. His studio works across a range of formats with a focus on typography and formal innovation. In 2010, he founded and is a tutor at the Typography Summer School, a week-long program for recent graduates and professionals and in 2022, he completed a PhD at RMIT called ”A Knowing Wrongness: Innovation in graphic design through combinations of traditional mastery and deliberately unconventional techniques”. In this conversation, Jarrett and Fraser talk about the ideas behind a knowing wrongness, the importance of process, and why so much contemporary graphic design looks the same. Links from this...
2023-03-1546 min
Square HoleReflecting on Square Hole: Employer Perspectives and What Neurodiversity Can Offer to a Creative TeamAs an Art Director/Photographer and Illustrator/Educator, Lorna and Jhinuk unveil their own perspectives on how Neurodiverse traits are attributed to their creative careers. In these combined episodes, they listen back and reflect on points throughout the interview that have directly affected their learning of Neurodiversity, particularly in their own creative processes as well as its impact on the industry at large. Lorna and Jhinuk consider the tension between Neurotypical and Neurodiverse creatives working together in this episode. They respond to creative industry employers and their perspectives on supporting Neurodiverse employees. How can Neurodiversity change mindsets? What are...
2022-05-0648 min
Square HoleFraser MuggeridgeIn this episode we are joined by Fraser Muggeridge. Fraser is Creative Director of the graphic design agency Fraser Muggeridge, studio based in London. Fraser, along with his team, produce a large range of artists’ books and exhibition catalogues to posters, marketing materials, exhibitions and websites. Lorna talked to Fraser about the importance of visual language and typography in this context and what he looks for when hiring designers.
Follow updates from us on Instagram.
Our Creators:
LORNA ALLAN
INSTA: @lornaallanad & @hwodesign
TWITTER: @hwodesign
WEB: https://ww...
2022-05-0632 min
Designed this wayKalapi Gajjar | Type DesignKalapi is an Indian typeface designer and font engineer. He graduated from The Faculty of Fine Arts, MSU Baroda. And he later pursued his post-graduation in Typeface Design from University of Reading. In 2016, he joined forces with friend and fellow University of Reading graduate Gunnar Vilhjálmsson to set-up Universal Thirst, a design practice specialising in developing typefaces for writing systems of the Indian sub-continent. Universal Thirst has designed multiple latin and Indic bespoke typefaces for various companies, brands and events. Soon, they’re releasing their own retail typefaces. On this episode, we talk about Kalapi’s life, design education and t...
2021-04-222h 10
ScaffoldEp 6: Fraser MuggeridgeFraser Muggeridge is a graphic designer based in London. “I’m always trying to create typefaces that are a little bit wrong, that are a little bit off […] We’re in a world now where it’s actually quite easy for graphic designers and non graphic designers to create a piece of communication that actually looks alright. If you use a new font, you don’t really have to do much, whereas if you’ve got a font that’s got a few problems you have to work harder. So I often do that - I often work really hard to make somethin...
2018-04-1859 min