Shows
FUERA DE CUADROHypercine | Tron (1982)REFERENCIAS:
Hill, T. (2012). New William Kallay book reveals “How Tron Changed Visual Effects and Disney Forever”. Jim Hill Media. Recuperado de http://jimhillmedia.com/editor_in_chief1/b/jim_hill/archive/2012/01/04/new-william-kallay-book-reveals-quot-how-tron-changed-visual-effects-and-disney-forever.aspx
King, S. (2017). “Tron at 35: Star Jeff Bridges, Creator Detail the Uphill Battle of Making the CGI Classic”. Variety. Recuperado de https://variety.com/2017/film/news/tron-jeff-bridges-cgi-1982-disney-anniversary-1202486941/
Trostle, JP. (2010). The “legacy” of TRON is real: Looking back at a ground-breaking movie”. INDY Week. Recuperado de https://indyweek.com/culture/archives/legacy-tron-real-looking-back-ground-breaking-movie/2020-11-2010 min
FUERA DE CUADROBollywood | Salaam Bombay! (1988)REFERENCIAS:
Atkinson, Alan. Salaam Bombay! Proceeds from prize-winning film will benefit street children in India. Context Institute. Recuperado de https://www.context.org/iclib/ic20/bombaypp/
Kulkarani, V. (2018). The uncomfortable truth about Indian cinema. Arts&Culture. Recuperado de https://www.thenationalnews.com/arts-culture/film/the-uncomfortable-truth-about-indian-cinema-1.770885
Rahman, M. (1988). The Real test of Salaam Bombay! is in India: Mira Nair. India Today. Recuperado de https://www.indiatoday.in/magazine/interview/story/19880815-the-real-test-of-salaam-bombay-is-in-india-mira-nair-797576-1988-08-15
Sharma, M. Why Salaam Bombay, Mira Nair’s directorial debut, remains unmatched 30 years after its release. Showsa. Re...2020-11-1409 min
FUERA DE CUADROCinematografía Oriental del Nuevo Milenio | In the Mood for Love (2000)REFERENCIAS:
Camhi, L. (2001). Film: Setting His Tale of Love Found in a City Long Lost.The New York Times. Recuperado de https://www.nytimes.com/2001/01/28/movies/film-setting-his-tale-of-love-found-in-a-city-long-lost.html
Kaufman, A. (2009). Decade: Wong Kar-wai on “In the Mood for Love”. IndieWire. Recuperado de https://www.indiewire.com/2009/12/decade-wong-kar-wai-on-in-the-mood-for-love-55668/
(s.f). Development and pre-production of In The Mood for Love. Gradesaver. Recuperado de https://www.gradesaver.com/in-the-mood-for-love/wikipedia/development-and-pre-production2020-11-0610 min
FUERA DE CUADROCine de Japón | Tetsuo: The Iron Man (1989)REFERENCIAS:
Jolliffe, T. (2020). A Cult Cinematic Oddity - Tetsuo: The Iron Man. Flickering Myth. Recuperado de https://www.flickeringmyth.com/2020/03/cult-cinematic-oddity-turns-30-tetsuo-the-iron-man/
Mes, T. (2005). Iron Man: The Cinema of Shinya Tsukamoto. FAB Press. Recuperado dehttps://books.google.com.mx/books/about/Iron_Man.html?id=2UwcAQAAIAAJ&redir_esc=y
Shadowlink (2018). Industrial Nightmares Come to Life In Tetsuo: The Iron Man. Neon Dystopia. Recuperado de https://www.neondystopia.com/cyberpunk-movies-anime/industrial-nightmares-come-to-life-in-tetsuo-the-iron-man/
Tomas, L. (2019). Five reasons to watch cyberpunk body-horror Tetsuo: The Iron Man - 30th anniversary. BFI. Recuperado de https://www2...2020-11-0308 min
FUERA DE CUADROCine de china (5ta y 6ta generación) | Suzhou River (2000)REFERENCIAS:
Alikhan, A. (2016). Look Out Hollywood, here comes Chollywood. Scroll.In. Recuperado de https://scroll.in/reel/816729/look-out-hollywood-here-comes-chollywood
Clode, J. (2002). Suzhou River. Intersections: Gender, History and Culture in the Asian Context. Issue 7. Recuperado de http://intersections.anu.edu.au/issue7/clode_review.html
Mac, S.C (2019). Retrospective - Lou Ye: Every Face is a Mask. In Review Online. Recuperado de https://inreviewonline.com/2019/05/13/lou-ye-retro/
The Guardian (2007). Banned Chinese director heads to Palestinian territories. Recuperado de https://www.theguardian.com/film/2007/mar/28/news1
Xia, R. (2007). Fleeting Romance in the Throes...2020-10-3009 min
FUERA DE CUADROCine americano independiente de los 90's | Blue Velvet (1986)REFERENCIAS:
Aubrey, E. (2019). David Lynch is releasing 51 minutes of lost footage from his iconic film, ‘Blue Velvet’. NME. Recuperado de https://www.nme.com/news/david-lynch-releasing-lost-footage-iconic-film-blue-velvet-24498
Ferreirós, H. (2019). Terciopelo Azul, la película que salvó la carrera de David Lynch. La Nación. Recuperado de https://www.lanacion.com.ar/espectaculos/cine/terciopelo-azul-pelicula-extrema-salvo-carrera-david-nid2263377
JournalNow (2012). ‘Blue Velvet’ documentary draws crew back to N.C. Winston-Salem Journal. Recuperado de https://journalnow.com/archives/blue-velvet-documentary-draws-crew-back-to-n-c/article_3f0c9674-5a83-5397-aa8b-7cf8bcec3984.html
Lynchnet (s.f). Blue Velvet. Recuperado el 13 de octubre...2020-10-1610 min
FUERA DE CUADRODogma 95 | Los Idiotas (1998)REFERENCIAS:
Christensen, O. (2000). Spastic Aeshtetics - The Idiots. Revista P.O.V, Núm. 10. Recuperado de https://pov.imv.au.dk/Issue_10/POV_10cnt.html
Dobler, H. (2001) Lars Von Trier, el niño terrible del cine danés. Revista Latinoamericana de Comunicación Chasqui. Núm. 95. pp 79-80. Recuperado de https://www.redalyc.org/pdf/160/16007505.pdf
Oxholm, J. (2000). The ultimate Dogma film. An interview with Jens Albinus and Louise Hassinng on Dogma 2 – The Idiots. Revista P.O.V, Núm. 10. Recuperado de https://pov.imv.au.dk/Issue_10/section_2/artc2A.html
Von Tr...2020-10-0909 min
FUERA DE CUADRONuevo Cine Europeo | Moscú no cree en lágrimas (1980)REFERENCIAS
Halperin, H. (1987). The Other Side: How Soviets and Americans Perceive Each Other. Transaction Publishers. pp 115-116.
Hosking, G. (2020). Russia. Encyclopædia Britannica. Retrieved from https://www.britannica.com/place/Russia
Koslov, V. (n.d) Moscow does not Believe in Tears. Passport Moscow. Retrieved from http://www.passportmagazine.ru/article/1813/
Sities, R. (1992). Russian Popular Culture: Entertainment and Society since 1900. Cambridge University Press. pp. 165-174.
Ustian, G. (2015). Vladimir Menshov’s ‘Moscow Does not Believe in Tears’, 35 years on. Russia Beyond. Retrieved from https://www.rbth.com/arts/2015/04/06/vladimir_menshovs_moscow_does_no...2020-10-0211 min
FUERA DE CUADRONuevo Cine Europeo | El cocinero, el ladrón, su mujer y su amante (1989)REFERENCIAS:
Bradshaw, P. (2013). Margaret Thatcher: the Iron Lady of the British Film. The Guardian. Recuperado de https://www.theguardian.com/film/filmblog/2013/apr/09/margaret-thatcher-british-film-industry
Ebert, R. (1999). The Cook, The Thief, His Wife and Her Lover. Roger Ebert.com. Recuperado de https://www.rogerebert.com/reviews/the-cook-the-thief-his-wife-and-her-lover-1999
Pagan, N. (1995). "The Cook, the Thief, His Wife, & Her Lover": Making Sense of Postmodernism. South Atlantic Review, 60(1), 43-55. doi:10.2307/3200712
Penington, A. (2019). “Craft Leaders: Peter Greenway, Filmmaker”. IBC, Recuperado de https://www.ibc.org/interviews/craft-leaders-peter-greenaway-filmmaker/5197.article
Roberts, M. (2012). The Cook, The Thief, His...2020-09-2508 min
FUERA DE CUADROEl Tercer Cine en África | Mooladè (2004)REFERENCIAS:
Bayon, M. (2007). Ousmane Sembene, padre del cine africano. El País.
Dupont, J. (2004). An African director takes up his banter. The New York Times. Recuperado el 15 de septiembre, 2020, de https://www.nytimes.com/2004/10/14/style/an-african-director-takes-up-his-banner.html
Festival de Cine Africano (s.f). MOOLADE. Recuperado el 15 de septiembre, 2020, de https://www.fcat.es/peliculas/moolade/.
Gadigo, S. (2006). The Making of Mooladè. Africultures - Les mondes en relation. Recuperado el 15 de septiembre, 2020, de http://africultures.com/the-making-of-molaade-5748/
Stramucci, Emilio (2010). La revuelta de las mujeres. un análisis de Mooladè de Ousm...2020-09-1710 min
FUERA DE CUADROEl Tercer Cine en Latinoamérica | Memorias del Subdesarrollo (1968)REFERENCIAS:
Berthier, N. (2004). Cine y revolución: memorias del subdesarrollo de Tomás Gutiérrez Alea (1968). In En torno a las Antillas hispánicas: ensayos en homenaje al profesor Paul Estrade (pp. 564-575).
Recuperado de https://mdc.ulpgc.es/utils/getfile/collection/tebeto/id/201/filename/202.pdf
Kabous, M (2014). Memorias del subdesarrollo & Memorias del desarrollo de la política cubana Cines Latinoamericanos [Online]. Consultado el 13 de septiembre de 2020. URL: http://journals.openedition.org/cinelatino/248; DOI: https://doi.org/10.4000/cinelatino.248
Ramirez Carrasco, G. (Agosto 30, 2017). 2,000 palabras sobre Memorias del subdesarrollo. Revista Icónica...2020-09-1410 min
FUERA DE CUADROHollywood y Blockbusters | El Padrino (1972)REFERENCIAS:
Brody, R. (2013, Agosto 08). "The Godfather" and Style. The New Yorker. Recuperado August 30, 2020, de https://www.newyorker.com/culture/richard-brody/the-godfather-and-style
Sragow, M. (1997, Marzo 17). Making of The Godfather. The New Yorker. Recuperado August 30, 2020, de https://www.newyorker.com/magazine/1997/03/24/godfatherhood
Fresh Air. (Productor). (16 de noviembre, 2017). To Make 'The Godfather' His Way, Francis Ford Coppola Waged A Studio Battle. [Audio en podcast]. Recuperado de https://www.npr.org/2016/11/15/502250244/to-make-the-godfather-his-way-francis-ford-coppola-waged-a-studio-battle2020-09-0408 min