Shows
What A Time To Be Alive#317 The Best of 2023Folks, we put together some of our favorite moments of 2023 including: roasting Kath's stinky tea, getting a surgery to look like Krang surgery, what animals have a dick and balls, our new way to pronounce 'genius', our desire to enter the NBA draft, Big Anthony writing his own 'If I Did It', office bathroom etiquette, if Flubber can indeed jack off, the ending of David the Gnome, and appearances by Alex Ptak and Paul F. Tompkins!
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2023-12-251h 37
The Watt From Pedro Show2023-01-07 The Watt from Pedro Showhour one:
"double clutching" cecil taylor quintet w/john coltrane
"still here still ripping" cyrus pireh
"sending positive vibes" cyrus pireh
"I'll tell u whatz funny" bomis prendin
"a barrel of knives / rakish paddy / the wee dollop" spot
"for sonny osborne" mike molnar
"dream interpretation #16" roger clark miller
"contraband" blag dahlia
"feel not crushed" robert pollard
"an interlude for that vital second cup of tea of the day with some chocolate on the side" puppet midnight
"rubber bat and arsenopyrite slime mine" rubber o cement
"duos 1 excerpt" anthony jay ptak & cyrus pireh
hour two:
"erased and marginalized original persons of...
2023-01-073h 00
FilmawkaPROJEKT FELLINI: „La Strada” (1954) | Epizod #4Czwarty epizod Projektu Fellini to opowieść poświęcona La Stradzie, pierwszemu laureatowi Oscara dla najlepszego filmu nieanglojęzycznego. Opowiemy jak Anthony Quinn miał koszmary z Federico Fellinim, jak Dino de Laurentis buntował się przeciw obsadzie, oraz oraz jak za pomocą gwizdów ekipa Zmysłów Viscontiego buntowała się przeciw werdyktom Festiwalu w Wenecji.
„La Strada” – Fabuła
Wędrowny siłacz-artysta Zampano (Anthony Quinn) kupuje od ubogiej rodziny dziewczynę, która ma mu towarzyszyć w występach cyrkowych. Zampano traktuje Gelsominę (Giulietta Masina) jak niewolnicę – znęca się nad nią, szkoli i wydaje polecenia. Początkowo dziewczyna c...
2020-05-221h 11
End of Music PodcastDisruptive marketing partners listeners in the field.The end of music. Music is over. auxiliary Chanel for Axoxnxs Podcast. Sandbox mode. I’m open to inquiries from advertisers who are looking at influencers and influence marketing. I’m interested to work with you. I think I can provide you with the perspective that meets your aspirations for your business. It’s possible, I believe that.
2019-02-2116 min
Axoxnxs PodcastAgrculture Stairwell ℗ & © 2018 A.J. PtakLiner notes: Agriculture Stairwell [12:42]. Sound is a carrier of information. Vibration is the message. Frequency is the interoculator.- AJ Ptak
2018-12-1400 min2018-07-0215 min2018-07-0217 minAxoxnxs PodcastCut Atom ℗ & © 2018 A.J. PtakLiner notes: Cut Atom Splice [02:18]. Sound is a carrier of information. Vibration is the message. Frequency is the mindfulness meditation.- AJ Ptak
2018-06-1600 min2018-06-0602 min2018-06-0501 min2018-06-0515 min2018-06-0503 min2018-06-0503 minAxoxnxs PodcastBumper Outro ℗ & © 2018 A.J. PtakLiner notes: Bumper Outro [01:00]. Credits. Thank you. Sound is a carrier of information. Vibration is the message. Frequency is the instruction.- AJ Ptak
2018-06-0200 minAxoxnxs PodcastElusive MoMA Performance ℗ & © 2009 A.J. PtakLiner notes: Elusive MoMA 2009 [00:39]. Live impromptu performance at MoMA. Sound is a carrier of information. A weekday afternoon in 2009, with permission sound amplification provided ny MoMA. - AJ Ptak
2018-06-0200 minAxoxnxs PodcastBreak Beat Egg ℗ & © 2017 A.J. PtakLiner notes: Break Beat Egg 2014 [00:03]. Session material with Ann Hairston. Sound is a carrier of information. - AJ Ptak
2017-11-1900 minAxoxnxs PodcastAcrosyntactic Live at the Stone ℗ & © 2017 A.J. PtakLiner notes: Acrosyntactic, Post Traumatic System 2007 16:17. Live theremin interference noise performance at the Stone NYC, curated by Elliott Sharp. Live concert recording 8 bit mono. Sound is a carrier of information. - AJ Ptak
2017-11-1200 minAxoxnxs PodcastBitters for Cyrus ℗ & © 2017 A.J. PtakLiner notes: Bitters 11 for 17 (2017) [0:52] Bitters 2017, Anthony Ptak. Drum track written for for Cyrus Pireh This electro-drum work concentrates on sound as a carrier of information. - AJ Ptak
2017-09-2700 minAxoxnxs PodcastApple Bunny ℗ & © 2017 A.J. PtakSpoken word story told by Anthony Ptak after a health setback, in the ER of a NYC hospital while in the midst of a pulmonary embolism plus pneumonia, with the assistance of artist and interviewer David Wallace. All sonic materials acquired, and assembled by the composer. - A.J. Ptak
2017-09-2200 minAxoxnxs PodcastDrumbrat ℗ & © 2017 A.J. PtakLiner notes: Drum Brat [0:50] Bitters 2017, Anthony Ptak. Drum track written for no one in particular. This electro-drum work concentrates on sound as a carrier of information. - AJ Ptak
2017-09-2000 minAxoxnxs PodcastNo Memories ℗ & © 2013 A.J. PtakThe title refers to no memory of this work. All sonic materials acquired, and assembled by the composer. - A.J. Ptak
2017-09-0500 minAxoxnxs PodcastOmniscient Interview with Britt Sady 2016 035 ℗ & © 2017 A.J. PtakAn informal interview with Anthony Ptak spontaneously conducted by the multitalented writer actress activist advocate journalist Britt Sady in NYC Summer 2016. The background audio still needs a bit more cleanup but I feel it is a timely release in the current state of noise reduction. I talk with Britt about life humanity emotion music motor neurons disability brain cancer illness theremin technique theatre and the possibility of being omniscient. - A.J. Ptak
2017-06-2300 minAxoxnxs PodcastSymbol.03 034 ℗ & © 2003 A.J. PtakAll sonic materials acquired, and assembled by the composer. - A.J. Ptak
2017-04-2600 minAxoxnxs PodcastBitters 4-2017 033 ℗ & © 2017 A.J. PtakAll sonic materials acquired, and assembled by the composer. - A.J. Ptak
2017-04-0800 minAxoxnxs PodcastZen Drum 032 ℗ & © 2014 A.J. PtakThis sound recording by Anthony Ptak. Liner notes: Zen Log Drum (2014) [1:35] This recording concentrates on a traditional Japanese Log Drum at the Zen Center, 23rd Street, NYC. We listen to the world as a system of associative indices. The acoustics of the log drum are recorded. Sound is a physical axis that occupies and transforms space. The temporal heterophony of the drum is navigation. All sonic materials acquired, and assembled by the composer. - A.J. Ptak
2016-11-2900 minAxoxnxs PodcastTumbleweed live at Roulette 031 ℗ & © 2009 A.J. PtakLiner notes: Tumbleweed (2009) [46:22] Saturday, June 20, 2009 @ 8:30 p.m.. 20 Greene Street between Canal and Grand Streets, SoHo, New York, NY. Tumbleweed A collaborative performance installation for prepared electric guitars, theremin and projections by David Means with Cyrus Pireh and Anthony Ptak. Tumbleweed combines archival images from the American dust bowl with interactions and improvisations of musicians and live electronics. Sound as a carrier of information. -AJ Ptak
2016-10-1900 minAxoxnxs PodcastAcrosynaxis 030 ℗ & © 2006 A.J. PtakLiner notes: Acrosynaxis (2006) [2:11] Acrosynaxis, Anthony Ptak. Utilizing the theremin principle of interference to feed back into itself an exponential deconstruction of the instrument, the frequency of oscillation along a unified temporal axis, reflects a recursive bridging of distance in a soundscape of interference. Much like the 1000th of a second captured image of Warrick's hovering hummingbird, or the Kino-Glaz reality 24 times per second delineated by Dziga Vertov, or John Cage's Future of Music Credo which alludes to Beethoven as a material operating at 50 times per second and rejects imitative use of the theremin. This electro-acousmatic work concentrates on sound as...
2016-10-1000 minAxoxnxs PodcastPhonologistic Auralities 029 ℗ & © 2006 A.J. PtakThis sound art installation by artist Anthony Ptak. Liner notes: Phonologistic Auralities 1 (2006) [4:00] Phonologistic Auralities Sound Art Installation opens April 21, 2006 at Independent Media Center Urbana, Illinois. 24-channel collaborative work in a former US postal facility with 13 of my sound artist students. Part of an immersive arts event Late Night Space curated by improviser Jason Finkelman for Boneyard Arts Festival. Sponsored by 40 North Champaign County Arts, Culture and Entertainment Council. Credits: Alex Valasco, Christopher Willard, Frederick Follmer, Pat Fahrner, Christine Don, Teresa Gale, Andrew Graham, Vincent Murphy, Jessica Roberts, Collin Bradford, Nate Wallace, Russell Weiss, Anthony Ptak. Sound is an axis of...
2016-09-2800 minAxoxnxs PodcastSOHO2 028 ℗ & © 2016 A.J. PtakThis sound of theremin artist Anthony Ptak. Liner notes: Soho2 (2016) [0:19] This computer music work concentrates on minimal synth information. We listen to the world as a system of associative indices. Quickly cobbled together using my Chromebook and cobble stones. 160 bpm. Not yet certain. - AJ Ptak
2016-09-1800 minAxoxnxs PodcastSOHO 027 ℗ & © 2016 A.J. PtakThis sound of theremin artist Anthony Ptak. Liner notes: Soho (2016) [0:24] This computer music work concentrates on minimal synth information. We listen to the world as a system of associative indices. Quickly cobbled together using my Chromebook and cobble stones. Not yet certain. - AJ Ptak
2016-09-1700 minAxoxnxs PodcastPhonography in the Garden ℗ & © 2007 A.J. PtakThis sound of sound artist Anthony Ptak. Liner notes: Phonography [09:56] consists of unprocessed binaural field recordings by Anthony Ptak circa 2005 assembled for presentation at the Garden, curated by Ben Owen. Includes cooking sounds, the voice of my grandma Violet, black birds migrating at IAS in Princeton, NJ, Princeton University building ambient interiors, Chinatown shops and pedestrians in New York City, Slavoj Zizek public lecture, Saint Thomas Church organ at 1 W 53rd St, New York City, NY 10019-5401, voice of my father, a grandfather clock at IAS Princeton, New York City Subway train, A phonography of phonography, homeless man coughing, the...
2016-09-1500 minAxoxnxs PodcastSquiggles 025 ℗ & © 2013 A.J. PtakThis sound of theremin artist Anthony Ptak. Liner notes: Squiggles [00:21] Moog Etherwave theremin using echo effects created for a DJ collaborative project. More a snippet than a composition. -A.J. Ptak
2016-08-2500 minAxoxnxs PodcastPost Traumatic System 024 ℗ & © 2008 A.J. PtakThis live recording of theremin artist Anthony Ptak. Liner notes: Post Traumatic System [3:30] This computer/ theremin music work concentrates on difference frequencies as a carrier of information. We listen to the world as a system of associative indices. The acoustics are generated sine wave partials, synthetically generated interference phenomena. Sound is a virtual axis that occupies and transforms space. The heterophony of the score is navigation. The most anticipated 2008 performance at The Stone in East Village of New York City. Series curator Elliott Sharp. Recorded live in 8-bit mono March 25, 2008 at 10:00 p.m.. The Stone is at the corner of...
2016-08-2400 minAxoxnxs PodcastDownstreaming 023 ℗ & © 2016 A.J. PtakThis sound of artist producer Anthony Ptak. Liner notes: Downstreaming [5:00] An unusual pop collage work. A melange of sketches combined in asynchrony. A mix reminds me of Radiohead without rainbows. There is nothing academic abut this, just a fun afternoon project. Additional percussion provided by ambient field recording anonymous trash-kit in Washington Square Park. drum machine, yamaha console organ, electric guitar, field recording by the artist. -AJ Ptak
2016-07-2700 minAxoxnxs PodcastAll Notes 022 ℗ & © 2007 A.J. PtakThis sound of theremin artist Anthony Ptak and guitarist Cyrus Pireh. Liner notes: All Notes [26:20] Roulette Intermedium May 20, 2007 8:00 p.m.. 20 Greene Street between Canal and Grand Streets, SoHo, New York, NY. Cyrus Pireh is the world greatest living electric guitarist. Anthony Jay Ptak is an experimental thereminist, artist, and composer. 1.All Notes for auto guitar and theremin 2.Acrosynaptic for theremin and auto guitar Roulette.org credits, sound engineer Matthew Mehlan. -AJ Ptak
2016-07-2700 minAxoxnxs PodcastNo Apologies 021 ℗ & © 2006 A.J. PtakThis sound of theremin artist Anthony Ptak. Liner notes: No Apologies [6:18] A live performance Sunday October 22, 2006 at 3:15 p.m..on hacked solo thereminvox recorded live at Noisefest! October 20 - 22 , 2006 - LNAC Lemp Neighborhood Arts Center 3301 Lemp Ave. St Louis, Missouri. Experimental Aesthetic and Composition Workshop. Dedicated to Herbert Brün. -AJ Ptak
2016-07-2600 minAxoxnxs PodcastBefore the Flood 020 ℗ & © 2013 A.J. PtakThis sound of performance artist Anthony Ptak. Liner notes: Before the Flood (2014) [4:02] Before the Flood 2013 is an original composition by Anthony Ptak, this performance was recorded a Gildas Club NYC after participation in an interview for the yet to be released documentary film Love Gilda. Anthony Ptak is an artist, composer, and cancer survivor. Here he plays the piano after his brain cancer had seriously debilitated his left hand. The title has a double meaning. The piano has since been removed from Gildas Club following a building flood that did serious damage, also the metaphor of flood has not been...
2016-07-2300 minAxoxnxs PodcastAcid Atak ℗ & © 2015 A.J. PtakThis sound of composer producer artist Anthony Ptak. Liner notes: Acid Atak (2015) [0:25] This compact electronica work concentrates on sound as a carrier of information. We listen to the world as a system of associative indices. The synthetically generated phenomena is a physical axis that occupies and transforms space. The electronic sounds were composed exclusively using a Chromebook and the basic Acid genre is navigation. All sonic materials acquired, performed, and assembled by the composer. - A.J. Ptak
2016-05-1200 minAxoxnxs PodcastIn Store ℗ & © 2011 A.J. PtakThis sound of artist Anthony Ptak. Liner notes: In Store (2011) [0:38] This modest work was created in the store on a demo system. We listen to the world as a system of associative indices. The emotions elicited by this soundscape are to be experienced, as creatively inspired phenomena in the form of music. Sound is a physical axis that occupies and transforms space. The differentiation of the emotive adjacency is navigation. All sonic materials played, recorded, and assembled by the composer. This may have emotive speculative effects in the listener. - A.J. Ptak
2016-05-0300 minAxoxnxs PodcastBig Screens ℗ & © 2009 A.J. PtakThis sound of artist Anthony Ptak. Liner notes: Big Screens (2009) [8:20] This computational work concentrates on sound as a carrier of information. We listen to the world as a system of associative indices. The acoustics of this soundscape world are to be analyzed, synthetically generated phenomena in the form of 1000 sine wave partials offset by phase and frequency. Sound is a physical axis that occupies and transforms space. The differentiation of the wave adjacency is navigation. All sonic materials computed, recorded, and assembled by the composer. This may have cognitive speculative effects in the listener. This is a monaural version, A...
2016-05-0100 minAxoxnxs PodcastElephant Ears 016 ℗ & © 2010 A.J. PtakThis sound of artist Anthony Ptak. Liner notes: Elephant Ears (2010) [1:54] This acoustic stereo recording concentrates on sound as art, as a carrier of information. We listen to the world as a system of associative indices. The field recording of the heavy steel plating on concrete floor is to be analyzed, scrutinized. Elephant ears, Elephant tears.This barely there recording was made in DUMBO, Brooklyn along an axis that occupies and transforms space. The reflected sound is navigation. Sonic materials acquired, performed, improvised, recorded and assembled by the composer. Contemplative sonic experience. Less minimal, more subtle. - AJ Ptak
2016-04-1800 minAxoxnxs PodcastLocomotif ℗ & © 2013 A.J. PtakThis sound of theremin artist Anthony Ptak. Liner notes: Motif (2013) [5:12] This recording by Anthony Ptak utilizes an electric guitar via loop pedal layers. The recording was made in a rudimentary fashion using a First Act guitar amplifier, and a Zoom H2 recorder built in stereo microphone nearby. No post-processing was applied. A minimalist music approach was explored in this experimental art music work. Influences of Steve Reich, Cyrus Pireh, and Tony Conrad may be present in this motif, defined as a short succession of notes producing a single impression; a brief melodic or rhythmic formula out of which longer passages...
2016-04-1300 minAxoxnxs PodcastBNC Be and See ℗ & © 2006 A.J. PtakThis sound of artist Anthony Ptak. Liner notes: BNC (2006) [7:25] This electro-acousmatic work concentrates on the interior of the piano as a carrier of information. We listen to the world as a system of associative indices. The acoustics of the piano are analyzed, along with generated phenomena. Sound is a physical axis that occupies and transforms space. The heterophony of the piano mechanism is navigation. A piano from the insides out. All sonic materials acquired, performed, improvised, and assembled by the composer. - A.J. Ptak
2016-04-0200 minAxoxnxs PodcastBitters One ℗ & © 2016 A.J. PtakThis sound of sound artist Anthony Ptak. Liner notes: Bitters_1 (2016) [0:31] This electro-drum work concentrates on sound as a carrier of rhythmic information. We listen to the world as a system of associative indices. The acoustics of the natural world are analyzed, along with synthetically generated phenomena. Sound is a physical axis that occupies and transforms space. The offset beat of the electronic drum is navigation. All sonic materials programmed, performed, and assembled by the composer. - A.J. Ptak
2016-03-1800 minAxoxnxs PodcastGeneva ℗ & © 2013 A.J. PtakThis sound of sound artist Anthony Ptak. Liner notes: Commissioned work for dance choreography (2013) [07:46] This electroacoustic work concatenates sounds improvised as carriers of information. We listen to the world as a system of associative indices. The movement of the performing gesture are analyzed, along with choreography. This composition presents a physical axis that occupies and transforms dance space. The heterophony of the cacophony is navigation. Sonic materials performed, improvised, invented recorded, and presented by the composer. by Anthony Ptak (Axoxnxs) on a variety of instruments and materials. This work was never presented as a complete dance work. - AJ Ptak
2016-03-0700 minAxoxnxs PodcastSimplexity Live ℗ & © 2013 A.J. PtakThis sound of theremin artist Anthony Ptak. Liner notes: New York Theremin Society International Edition (2013) [05:20] This electronic work concentrates on theremin and computing as a carrier of information. We listen to the world as a system of associative indices. The electronics of the performing gesture are analyzed, along with computational FFT acoustic physics phenomena. This composition is a physical axis that occupies and transforms space. The heterophony of the antenna is navigation. Sonic materials programmed, performed, improvised, invented and presented by the composer. by Anthony Ptak (Axoxnxs) on his Gaken theremin Premium and computer. Joes Pub, at the Public Theatre, 425...
2016-02-2400 minAxoxnxs PodcastLive Bar-Coding ℗ & © 2010 A.J. PtakThis music by artist Anthony Ptak. Liner notes: New Interfaces for Musical Expression, Sydney, Australia 2010. NIME Live Bar-coding. Performance using a repurposed bar code scanner and barcoded cards as an input to a software interface. Cards are scanned live during performance to dramatic effect. The performance was recorded off of the house mixing board direct to a Sound Devices digital PCM wav recorder. - A.J. Ptak
2016-01-3100 minAxoxnxs PodcastBear in a Cave ℗ & © 2012 A.J. PtakThis music by artist Anthony Ptak. Liner notes: A sudden and rare brain tumor leads to an accomplished musician’s brush with death and a gap between his brain and his body – but Anthony Ptak will make music any way he can, Narrative.ly. Live piano performance at Caffe Vivaldi by artist composer Anthony Ptak. NYC. 2012. - A.J. Ptak
2016-01-2700 minAxoxnxs PodcastCopper Pipe Improvisation ℗ & © 2007 A.J. PtakThis sound of artist Anthony Ptak. Liner notes: This work performed by Anthony Ptak on his invented reed instrument called the Copper Pipe. The recording was made in Urbana, IL inside a concrete drainage pipe. I also did several recordings in the Round Barn, but I believe this natural reverberation is from the acoustics of the drain pipe. This is purely an acoustic recording of an improvised composition. No further processing was applied to the original PCM wav file. Recorded using a digital Marantz PMD-600 stereo field recording device using the built-in internal microphones. I built the copper pipe instrument...
2016-01-2500 minAxoxnxs PodcastNullsleep_Axoxnxs Elusive Live ℗ & © 2009 A.J. PtakThis sound of theremin artist Anthony Ptak. Liner notes: Nullsleep_Axoxnxs Elusive Live collaboration (2009) [16:20] This electronic work concentrates on chiptunes and physical computing as a carrier of information. We listen to the world as a system of associative indices. The electronics of the performers gesture are analyzed, along with 8-bit hacking and computational acoustical physics phenomena. This glitch collaboration is a physical axis that occupies and transforms space. The heterophony of the computation is navigation. Sonic materials hacked, performed, improvised, invented and presented by the composers. Jeremiah Johnson aka Nullsleep (8bitpeoples) live 8-bit chiptunes performance accompanied by Anthony Ptak (Axoxnxs...
2016-01-2400 minAxoxnxs PodcastGuitar Therapy ℗ & © 2012 A.J. PtakThis sound of theremin artist Anthony Ptak. Liner notes: Guitar Therapy (2012) [2:24] This electric guitar work concentrates on jazz improvisation as a carrier of information. We listen to the world as a system of associative indices. The field recordings of the street drummer in Washington Square Park are analyzed, along with post-cancer disability and neurological phenomena. Spasticity is a physical axis that occupies and transforms space. The heterophony of the guitar is navigation. Sonic materials acquired, performed, improvised, recorded and assembled by the composer. A therapeutic struggle to control my affected left hand. - AJ Ptak
2016-01-2300 minAxoxnxs PodcastRehearsal with violinist Serge Zenisek 005 ℗ & © 2015 A.J. PtakRehearsal performance of graphic score Difference Frequencies, with Serge Zenisek, violin.
2016-01-0900 minAxoxnxs PodcastEkphoneticasulponticello ℗ & © 2005 A.J. PtakThis sound of composer artist Anthony Ptak. Liner notes: Ekphoneticasulponticello (2005) [2:00] This solo electro-acousmatic performance work concentrates on sound as a carrier of information. We listen to the world as a system of associative indices. The acoustics of this invented instrument are analyzed, along with acoustically generated phenomena. Sound is a physical axis that occupies and transforms space. The heterophony of this invented instrument is navigation. All sonic materials crafted, performed, and assembled by the composer. This artwork is intended to evoke both the abstract and functional aspects of music. It is a visual representation, a sculpture of the physical space...
2016-01-0700 minAxoxnxs PodcastA Concert for Solo Theremin in La Granja, Spain ℗ & © 2006 A.J. PtakThis sound of theremin artist Anthony Ptak. Liner notes: A Concert for Solo Theremin in La Granja, Spain (2006) [18:22] Calart Actual - Iglesia de San Juan Nepomuceno July 22, 2006 8pm at Plaza del Teatro S/N Real Sitio de la Granja de San Ildefonso - 40100 Segovia - Espana. This live polyphonic solo theremin performance work recorded in LaGranja, Spain concentrates on sound as a carrier of information. We listen to the world as a system of associative indices. The acoustics of the performance space are analyzed, along with synthetically generated phenomena. Sound is a physical axis that occupies and transforms space. The...
2016-01-0600 minAxoxnxs PodcastDifference Frequencies ℗ & © 2015 A.J. PtakThis sound of theremin artist Anthony Ptak. Liner notes: Difference Frequencies (2015) [5:00] This computer music work concentrates on difference frequencies as a carrier of information. We listen to the world as a system of associative indices. The acoustics of the physics world are generated sine wave partials, synthetically generated phenomena. Sound is a virtual axis that occupies and transforms space. The heterophony of the score is navigation. All sonic materials generated, performed, and assembled by the composer. - AJ Ptak
2015-10-0100 minAxoxnxs PodcastAxoxnxs ℗ & © 2005 A.J. PtakThis sound of theremin artist Anthony Ptak. Liner notes: Axoxnxs (2005) [7:00] This electro-acousmatic work concentrates on sound as a carrier of information. We listen to the world as a system of associative indices. The acoustics of the natural world are analyzed, along with synthetically generated phenomena. Sound is a physical axis that occupies and transforms space. The heterophony of the theremin antenna is navigation. All sonic materials acquired, performed, and assembled by the composer. - A.J. Ptak
2005-11-2700 min