Shows
疲惫娇娃 CyberPink067｜「片场风云」：好莱坞的自黑与自救 The Studio: Hollywood's Self-Deprecation and Redemption 【聊了什么The What】
Apple TV+ 的新剧The Studio《片场风云》是一个意想不到的亮点。它是Seth Rogen创作的剧集，是一部用讽刺和结构解构整个娱乐工业的黑色喜剧。这个剧也是近年以来我们看过的最生动、最好笑、最让人尴尬、最不怕自黑的剧集。它还精准还原了电影内容行业的虚荣和危机和在这样畸形结构中的人如何自处，以及让我们去思考当下的影视工业的在科技行业和流媒体的冲击下，未来会是怎样。另外来自小蓝的抱歉：我的录制环境特别差，对不起大家座机音质！
Apple TV+'s new show The Studio is an unexpected highlight. It's a Seth Rogen-created show, a dark comedy that deconstructs the entire entertainment industry with satire and structure. The show is also one of the most vivid, funny, cringe-inducing, and unafraid of self-hatred episodes we've seen in recent years. It also accurately restores the vanity and crisis of the movie content industry and how people in such a monstrous structure can live with themselves, as well as making us think about what the future of the current movie and television industry's will look like in light of the tech industry and streaming media.
【时间轴 The When】
03:59 我们为什么喜欢《片场风云》Why are we obsessed with the studio
07:14 展开说说 The Oner（第二集2）Let’s dive into the Oner (ep 2)
14:52 我们对Matt Remick怎么看? Is the studio head a hapless hero? Diving into Matt Remick’s character
17:20 千禧一代掌权成为草台班子本台的困境 When...2025-07-1458 min
疲惫娇娃 CyberPink066｜安多第二季：帝国的边缘，革命的代价 Andor Season 2: The Edge of Empire and the Cost of Revolution 【聊了什么The What】
在一个充满官僚主义的银河帝国中，革命究竟意味着什么？当理想主义者遭遇现实的残酷，"正义"与"邪恶"的界限是否真的那么清晰？从Luthen的革命理念到Dedra的极权思维，剧集以令人不安的方式探讨了权力、反抗与人性的本质。
革命的本质是什么？它需要什么样的代价和牺牲？从卢森的马基雅维利式的组织者形象，到帝国完美官僚的非人性，再到太空法国的群众运动，《安多》探讨了反抗与压迫、个人与集体、理想与现实之间的复杂关系。
Andor Season 2 is a unique work in the Star Wars universe that features no lightsabers, Force powers, or chosen ones, instead focusing on marginalized characters and the imperial bureaucracy. The series tells the story of how the Empire was overthrown, showcasing the desperation of ordinary people, cracks within the Empire, and the real cost of rebellion. As "a prequel to a prequel" of the original Star Wars trilogy, Andor Season 2 ends by seamlessly transitioning into the film Rogue One, revealing these characters' ultimate fates.
The show explores several thought-provoking themes: Is the nature of revolution romantic idealism or bloody reality? How does the Empire's propaganda machine justify colonization and genocide through stereotypes and inciting hatred? How do characters like Luther and Dedra represent different facets of revolution and oppression? Perhaps most importantly, in an age of rampant social media where everyone claim...2025-06-2956 min疲惫娇娃 CyberPink065｜去戛纳，吃了点细糠 Our Cannes 2025 Recap 【聊了什么The What】
疲惫娇娃来戛纳电影节了！本期节目发自南法，娃们五天集中看了快二十部电影，本期节目和大家分享我们看片（工作）的心路历程，我们心中的金棕榈影片，以及当今世界电影创作的一些思考。本节目录制于5月22日，此刻我们还有三部电影没看，包括毕赣的《狂野时代》。更多戛纳趣闻，新闻发布会内容，以及最后一天观影的影评，请关注我们的小红书！
Your favorite CyberPink gals reporting live from the Cannes film festival! We watched almost 20 movies in the span of 5 days, the range was truly from highest to lowest. In this episode we unpack all the movies by category, highlight our Palme d’Or picks, and muse on the current state of the world and the stories that films are telling. This episode was recorded on May 22nd, so it does not include our reviews for the final day of films. Please head over to our Xiaohongshu for these additional reviews and extra behind the scenes content!
【时间轴 The When】
00:00 我们在戛纳的感受和吐槽
06:05 “戛纳影评人口碑解禁” 《风林火山》翻了个大的
09:15 我们此次看过的18部电影大致分成四类
10:33 第一类：”法西斯主义不行“；巴西电影《密探》影评
13:50 反抗极权的老登埃及电影《共和之鹰》影评
16:37 我们心中的金棕榈选手伊朗电影《普通事故》影评，极有力量的作品
27:00 第二类：”女性生命体验“；意大利电影《外面》影评
31:57 斯嘉丽·约翰逊演而优则导的第一部作品...2025-05-241h 02疲惫娇娃 CyberPink064 | 秘密会议：传统、权力、和当今的寓言 Conclave: A parable of our time 【2025戛纳电影节 2025 Cannes Film Festival】
节目开始之前，和大家说一声，疲惫娇娃的几个女的已经空降戛纳参加电影节了！请关注我们的同名小红书账号看来自戛纳的更新。
We have landed in Cannes for the film festival! Follow us on Xiaohongshu for more updates from Cannes.
【聊了什么 The What】
本期疲惫娇娃，我们聊的是2024年的电影Conclave ——一部设定在教皇去世之后、围绕选出新一任教皇展开的电影。在这部由Edward Berger执导、Ralph Fiennes主演的作品中，观众得以窥见那场始终被神秘包围的梵蒂冈教皇选举：密室中的拉票、权力的计算、秘密的揭露，以及制度对个人的塑形与反噬。
我们从电影谈起，延伸到对天主教会体制的讨论：它如何用神圣维系秩序，又如何将改革压制在传统之下。影片中的主角们不仅是宗教人物，更是复杂的政治人类；而那些隐于画面边缘的修女、工作人员，则承载着最深的情感张力与结构性的沉默。
节目中也会提到最近现实中那位“美国出生的教皇”所引发的舆论回响，从中对照出Conclave所描绘的制度困境与文化裂缝。在一个讲求现代化的时代，信仰、怀疑、服从与转变之间的冲突从未停止，反而愈加微妙。在这集播客，我们也借着Conclave，用元视角反思了我们几个主播过去几年的信仰和布道。
In this episode of Cyberpink, we discuss the 2024 film Conclave — a story set in the aftermath of a pope’s death, centered on the secretive process of electing his successor. Directed by Edward Berger and starring Ralph Fiennes, the film offers a rare look inside the Vatican’s cloistered world: backroom deals, power games, hidden truths, and the way institutions shape — and consume — the individuals within them.
Starting with the film, we move into a broader conversation about the structure of the Catholic Church: how it uses sacredness to maintain order, and how tradition often suppresses the possibility of reform. The protagonists in Conclave are not just religious figures — they are deeply political beings. And those who remain on the margins of the screen — nuns, aides, staff — carry the film’s quietest, yet most intense emotional weight.
We also touch on the recent real-world election of the first U.S.-born pope and the media discourse surrounding it, drawing parallels with Conclave's portrayal of institutional tension and cultural fracture. In a world increasingly shaped by modernity, the conflicts between faith, doubt, obedience, and transformat...2025-05-211h 16疲惫娇娃 CyberPink063 | 立夏氛围检查：疲惫娇娃闯入东京星战庆典 Vibe Check: Crashing Tokyo’s Star Wars Celebration 【聊了什么 The What】
这个四月，疲惫娇娃被邀请去了大城市东京参加两年一度的星战庆典。
这个地表浓度最高的星战粉丝盛会是一个持续了三十多年的文化现象，也是一个迪士尼的商业帝国和星战的跨越多个时代的原生粉丝文化的结合，这次的日本庆典是近几届中规模最大的一届，也在各种细节中致敬了日本的历史和文化。
我们除了在红毯上采访到了巨多明星以外，还有特别多见闻需要和几个女的们yap yap. 所以这期是一集氛围闲聊，主要聊聊阿花和一芳在庆典中的见闻。我们聊了星战粉丝群体的多元化和演变、庆典现场的独特氛围和活动安排、庆典中的重磅官宣（新电影、瑞恩·高斯林等等！）、与《曼达洛人》和《安多》主创及主演的采访体验、星战IP与日本文化的交融等等……
另外这一期的许多提到的和明星们的面对面采访视频都在我们的同名小红书发布了。请大家在小红书上关注我们！《安多》第二季也开播了！欢迎大家点这里回顾我们聊第一季的节目！
In mid-April, CyberPink was invited to Tokyo Japan, to attend Star Wars Celebration! It was our first time at this iconic gathering of all fans across galaxies, but Star Wars Celebration has been around since the late 1990s. It’s a testament to the multi-generational and organic nature of being a Star Wars fan, but also goes to show the commercial prowess of Disney (which acquired LucasFilm in 2012). This year’s celebration in Japan was the largest in recent years and paid tribute to Japanese history and culture in many subtle ways.
Your favorite gals got to join the press line and interview your favorite stars, but that’s not all! In this episode, the gals who went spill the tea with the other gals on what exactly went down at Star Wars Celebration 2025. We talk about the evolving diversity of the Star Wars fanbase (and movies), the unique vibe and programming at the event, major announcements (New movies! New shows! Ryan Gosling!), what it was like interviewing the creators and stars of The Mandalorian and Andor, how the Star Wars IP merges with Japanese culture, and more…
Additionally, many of the face-to-face interview videos with celebrities mentioned in this episode have been posted on our Xiaohongshu account...2025-05-101h 00疲惫娇娃 CyberPink062 |「白莲花度假村」第三季：身份即牢笼 White Lotus S3: Identity as Prison 【疲惫广播 What's New】
上周疲惫娇娃的阿花和一芳受邀参加了在东京举办的星战盛典，请大家移步小红书看我们的精彩采访和现场直击！
《安多》第二季也即将开播！欢迎大家点这里回顾我们聊第一季的节目！
【聊了什么 The What】
「白莲花度假村」第三季是今年在美国极具文化影响力的一部剧集，由HBO出品，Mike White（麦克白）导演编剧并且制作。第三季将故事转移至泰国，铺垫了整整八集沉重气氛给天堂版的背景增添了一丝诡异和不详。北卡莱罗纳州Ratliff家族的表面光鲜与内里腐朽；Rick与Chelsea这对灵魂伴侣背后隐藏的深渊；三位闺蜜之间那微妙平衡的友谊和人生；第一季返场人物Belinda与Greg/Gary的命运再度交织；所有人物的结局都像一场精心设计的因果轮回。
在这个看似奢华的度假天堂里，每个人都被困在自己的身份牢笼中无法脱身。当暴力事件最终爆发，我们是否能从这些角色的命运中看到自己的影子？信仰的缺失是否就是现代人痛苦的根源？这部剧巧妙借鉴佛教寓言，融入业力、痛苦之源贪嗔痴等等概念，为观看的我们提供了一面审视自我的镜子。
这集播客小蓝和一芳请来朋友阿点一起聊聊这部让我们和全网观众欲罢不能的电视剧。
注意：本节目完全剧透！我们在讨论中尽量让没看过的听众也能听懂。如果你已经看过可以跳过梗概，如果还想看而且介意剧透建议收藏，之后再听。
本期嘉宾：阿点（欢迎订阅阿点的newsletter）
"The White Lotus" Season 3 is one of the most culturally influential series this year, produced by HBO and directed, written, and produced by Mike White. The third season moves the story to Thailand, building up a heavy atmosphere over eight episodes that adds a touch of the strange and ominous to the paradise-like setting. The seemingly perfect but inwardly corrupt Ratliff family from North Carolina; the abyss hidden behind the "soulmate" relationship of Rick and Chelsea; the delicately balanced friendship and lives of three girlfriends; the intertwined destinies of Season 1 returning characters Belinda and Greg/Gary - all characters' endings seem like a carefully designed karmic cycle.
Compared to the previous two seasons, the third season is more of a philosophical journey about identity, desire, and redemption, drawing on the director's own research and thinking about Buddhism, skillfully incorporating concepts such as karma and the three poisons (greed, anger, and delusion) into the plot, providing us with a mirror to examine modern society and human nature.
In this podcast episode, Xiaolan and Yifang invite their friend Adian to discuss this TV series that has made us and viewers across the internet unable to stop watching.
Note: This episode contains complete spoilers! We try to make our discussion understandable to listeners who haven't seen the show. If you've already watched it, you can skip the plot summary; if you still want to watch a2025-04-211h 34
疲惫娇娃 CyberPink061 | 真实的痛苦：宏大又微小 A Real Pain: Confronting Past in the Present 【聊了什么 The What】
「A Real Pain」是由我们很喜欢的杰西·艾森伯格（Jesse Eisenberg）编剧和导演的一部电影，讲述了两位性格迥异的表兄弟David（由艾森伯格饰演）和Benji（由基兰·卡尔金饰演）为纪念他们已故的祖母而一同前往波兰参加犹太传统之旅的故事。在波兰旅行期间，他们不仅探访祖母童年的家，还参观了华沙犹太区英雄纪念碑和马伊达内克集中营等历史遗迹。
这部电影像是一个隐形的视角，带着我们，跟堂兄弟俩一起走完了波兰黑暗之旅，电影中讨论了人的痛苦，或大或小，都同样真实——不仅是大屠杀的集体创伤，还有每个人无法消解的痛苦。
我们在这集播客聊了这部电影，以及几个女的如何思考和化解痛苦与创伤。
"A Real Pain" is a film written and directed by Jesse Eisenberg (who we kinda have crush on), telling the story of two cousins—David (played by Eisenberg) and Benji (played by Kieran Culkin)—who travel together to Poland on a Jewish heritage tour to honor their late grandmother. During their Polish journey, they visit their grandmother's childhood home and historical sites including the Warsaw Ghetto Heroes Monument and Majdanek concentration camp.
The film offers an intimate perspective, following the cousins through Poland's “dark tour.” It explores how pain—whether monumental or mundane—is equally real for those experiencing it, addressing not only the collective trauma of the Holocaust but also each person's unresolvable individual suffering.
In this episode, we discuss the film and how we, as women and friends, process and work through pain and trauma.
【买咖啡 Please Support Us】
如果喜欢这期节目并愿意想要给我们买杯咖啡：
海外用户：https://www.patreon.com/cyberpinkfm
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商务合作邮箱：cyberpinkfm@gm...2025-03-2657 min疲惫娇娃 CyberPink060｜「影后」是台娱照见自己的一面镜子 Born for the spotlight 【聊了什么 The What】
「影后」是一部深入探讨女性友谊、职场关系和娱乐圈现实的台湾剧集。通过几位不同年龄阶段女演员的视角，该剧以META的方式反映了台湾娱乐业的变迁与挑战。
这不只是一部简单的"宫斗剧"，而是一部贴近现实的职场剧。剧中几位中年甚至老年女性角色的感情和人际关系发展，展现了人生不同阶段的成长可能性。薛亚之与周凡的关系打破了观众对角色与演员的刻板印象，也把女性之间嫉妒和爱并存的关系刻画的十分细腻。
我们聊到了从琼瑶剧到偶像剧再到现代台剧，这些不同时期的台湾影视作品如何塑造了我们对爱情和生活的理解。「影后」作为新一代台剧，不只讲述了演艺圈的故事，也折射出社会对女性期望的变化，成为台湾文化界照见自己的一面镜子。
“Born for the Spotlight” is a Taiwanese drama series that deeply explores female friendships, workplace relationships, and the realities of the entertainment industry. Through the perspectives of actresses at different age stages, the series reflects the changes and challenges of Taiwan's entertainment industry in a meta way.
This isn't just a simple "palace drama," but a workplace drama that closely mirrors reality. The emotional and interpersonal relationship development of several middle-aged and even elderly female characters in the show demonstrates the possibilities for growth at different stages of life. The relationship between Xue Yazhi and Zhou Fan breaks viewers' stereotypes about characters and actresses, and also portrays the coexistence of jealousy and love between women with great subtlety.
We discussed how Taiwanese media from different periods—from Chiung Yao dramas to idol dramas to modern Taiwanese series—have shaped our understanding of love and life. "The Actress," as a new generation of Taiwanese drama, not only tells the story of the entertainment industry but also reflects changing societal expectations of women, becoming a mirror for Taiwan's cultural industry to...2025-03-161h 09
疲惫娇娃 CyberPink059｜冬季氛围检查：听播客暂停立刻去喝水 Winter Vibe Check: Everybody Hydrate Now 【聊了什么 The What】
重大发现：一月是星期一。大家多喝水。
Main takeaways: January is Monday. Stay hydrated.
【听众专属福利】
一起订阅《三联生活周刊》数字刊会员年卡吧！
🎉 疲惫娇娃专属渠道粉丝下单享受六折优惠🎉
【疲惫红书 CyberRed】
除了播客以外，疲惫娇娃的几个女的在小红书上开了官方账号，我们会不定期发布【疲惫在读】、【疲惫在看】、【疲惫旅行】、【疲惫Vlog】等等更加轻盈、好玩、实验性质的内容。如果你想知道除了播客以外我们在关注什么，快来小红书评论区和我们互动。
Apart from the podcast, we have set up an official account on Xiaohongshu. We will periodically post content such as “CyberPink Reading,” “CyberPink Watching,” “CyberPink Traveling,” “CyberPink Vlog,” and more. Those are lighter, more fun, and more experimental stuff about our lives. Leave us some comments on Xiaohongshu!
【买咖啡 Please Support Us】
如果喜欢这期节目并愿意想要给我们买杯咖啡：
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If you like our show and want to support us, please consider the following:
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Business Inquiries Email: cyberpinkfm@gmail.com
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Support on Patreon | 爱发电上赞助 2025-01-191h 07疲惫娇娃 CyberPink058 | 黑箱日记：伊藤诗织的抗争日志 Shiori Ito’s Black Box Diaries 【聊了什么 The What】
2024年初，日本记者伊藤诗织发布的纪录片《黑箱日记》以其私密的镜头语言和坦诚的叙事方式，记录了她从2015年遭遇性侵，到2017年实名举报，再到近年来推动日本性暴力相关法律变革的漫长历程。这部纪录片不仅是一份个人的创伤记录，更是对日本社会性别议题的深度剖析：警方的敷衍了事，媒体的冷漠反应，路人对受害者的污名化，和伊藤诗织站出来为自己和更多沉默者发声的巨大勇气。
这期节目中，小蓝与嘉宾探讨了这部纪录片所呈现的复杂现实：一个女性记者如何在追求新闻专业主义的同时，不得不把自己的创伤经历变成公共讨论的一部分；为什么在日本这样的民主社会，年轻女性却如此缺席性别议题的公共讨论；以及在整个东亚地区，女权运动如何在各自的政治文化背景下寻找突破。从警察机构到司法体系，从传统媒体到新媒体平台，从个人抗争到集体行动——，我们如何在时代的重重局限下突出重围，追求系统性变革的可能？
In early 2024, Japanese journalist Shiori Ito released her documentary "Black Box Diaries," which uses intimate cinematography and candid storytelling to chronicle her long journey: from experiencing sexual assault in 2015, to publicly reporting it in 2017, and her subsequent efforts to reform Japan's sexual violence laws in the following years. The documentary is not just a personal record, but also a deep analysis of gender issues in Japanese society - showing the police's perfunctory handling of her case, the media's indifferent response, public stigmatization of victims, and Ito's immense courage in speaking up for herself and other silent survivors.
The episode features discussions between Xiaolan and guests about the complex realities presented in the documentary: how a female journalist must balance professional journalism while being forced to turn her traumatic experience into part of public discourse; why young women are so notably absent from public discussions of gender issues in a democratic society like Japan; and how feminist movements across East Asia navigate breakthroughs within their respective political and cultural contexts. From law enforcement to the judicial system, from traditional media to new media platforms, from individual resistance to collective action - how can we break through the limitations of our time to pursue s...2025-01-101h 39
疲惫娇娃 CyberPink057 | 阿诺拉：不能止步于“救风尘” Anora: Not Just A “Pretty Woman” Story 【聊了什么The What】
Sean Baker导演的《Anora》讲述了一个布鲁克林性工作者阿诺拉将信将疑地踏上现代版灰姑娘的南瓜马车，却没想到渡过了人生最疲惫的24小时加班的故事。2024年的我们和Anora一样，都心知肚明在当代的美国，老套“救风尘”的故事已经是一个骗局。在我们看来，这是一个细腻而富有共鸣的故事。Baker和演员一起塑造了一个狡黠的、天真的、完全能为自己做主的年轻女孩，故事中的细节：无论是南布鲁克林的景观、Anora东欧移民的背景、还是电影中年轻人真诚的愚蠢，让这个故事能够打动哪怕是我们中最愤世嫉俗的人。结局的那一刻，Anora和我们都明白，那辆充满寓言意味的南瓜马车并非跨越阶级的虫洞，一切落幕之后，Anora获得了可能比钻石戒指更珍贵的东西 — 看清了自己是谁以及她能做到什么。终章之处，南瓜马车驶过，留下的不是阶级虫洞的幻影，是比钻戒更为珍贵的馈赠——Anora在这场冒险中看到了真实的自己，大起大落之后她并没有失去为自己挣出未来的无限可能。
Sean Baker's latest film "Anora" follows a Brooklyn sex worker who steps into a modern-day Cinderella story, only to find herself enduring the most exhausting few days of her life. In 2024, both we and Anora know full well that the classic "Pretty Woman" narrative is a sexist and tiresome trope. But Baker manages to tell a nuanced, relatable story through Anora. The specificity of it — Southern Brooklyn's landscapes, her immigrant background, and the genuine innocence and naivety of youth — allows this story to warm the heart of even the most cynical among us. In the end, the proverbial pumpkin carriage isn't an invitation to cross class lines, but a journey of self-realization.
本期节目由【大人糖】赞助播出。新的一年即将来临，假期旅游成本高，那不如先尝试一下大人糖家的新品拂悦？
This episode is sponsored by the female sexual wellness brand OSUGA. Tune in to hear our thoughts on their newest sex toy "Osurging."
🎉【听众专属福利】
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淘宝搜索【大人糖旗舰店】，私信客服，报暗号【疲惫娇娃】领专属券下单
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1、下单时记得一定要备注【疲惫娇娃】才会随单一起送出礼包哦！
2、部分苹果手机是最新系统的听友可能会遇到口令无法跳转的情况，选择第2种方式购买也可以
另外！考虑到我们有部分海外听众，可通过点击➡ Osuga，下单输入优惠码【疲惫娇娃】可立减15%，但到手价格&优惠政策与国内不同享哦，有需要的朋友们可以自由选择2024-12-231h 24
疲惫娇娃 CyberPink056 | 黑白厨师：一场关于阶级与美食的韩式寓言 Culinary Class Wars as a Parable of Food and Status 【聊了什么The What】
Netflix的这韩国综艺《黑白大厨：料理阶级大战》以其独特的"阶级对决"设定，将韩国美食界的精英与草根厨师置于同一个舞台，从产业内不同厨师的故事讲起，给了我们一张韩国餐饮业在2024年当下的切片。
在这期播客中，疲惫娇娃的主播和嘉宾周成荫老师展开了一场关于美食、文化和身份认同的深度对谈。如何能把一档美食综艺拍成惊心动魄的《鱿鱼游戏》（虽然没有看到鱿鱼料理）？为什么韩国人眼里的正宗中餐是我们觉得有点过时的老牌江浙菜？米其林体系下的美食标准真的有普适性吗？
“Culinary Class Wars,” Netflix’s latest hit cooking show, masterfully stages a compelling clash between 80 “black spoons” chefs against 20 industry-acknowledged “white spoons”, and offers a fascinating snapshot of Korea’s latest culinary landscape. In this episode, our hosts and our guest Prof. Eileen Chow dived into a conversation about competitive reality TV, food, culture, and identity. How does a cooking show manage to channel a level of intensity that rivals “Squid Games” but sadly without a single squid dish in sight? Why does the Korean perception of authentic Chinese cuisine what we consider old-school glazy Jiangzhe classics? Can the Michelin standards, rooted deeply in the European culinary tradition, truly serve as a universal measure of culinary excellence? Tune in to find out.
【时间轴 The When】
03:39 "黑汤匙"与"白汤匙"之争：看似阶级对立，实则并非泾渭分明
29:56 厨房里的性别困境：为什么女性大厨总是被特殊对待
38:14 韩综如何平衡真实性与戏剧效果
52:53 Edward Lee的身份认同困惑与突破
01:02:53 为什么节目里的中餐都是江浙菜系主导
01:08:44 全球化背景下的本土美食认同
03:39 Gamifying the class tension in the culinary world
29:56 The fe...2024-12-121h 17
疲惫娇娃 CyberPink055｜秋季氛围检查之“11月约等于星期六晚上” Fall vibe check: November is a Saturday night 【聊了什么The What】
今年是不是加了速？
在时间的加速阴谋下，四个女的照例录制了一期秋季氛围检查。然而，等到节目剪出来要写文案的时候，已经是十一月初（？怒录一期冬季氛围检查然后回家过年）。
每年的十月份、十一月份、和挤满节日的十二月，都像是一个星期中消耗速度最快的周末。我们期待它们，但是它们也在宣告着时间在以不可思议的速度流逝的事实。下一年的音乐会排期已经出来了，时尚圈也开始宣告2025春季和夏季的trends——这些穿插在社交媒体和我们邮箱中的图片、讯息、数字、速朽的标题和色彩，都让人产生一种时间错位感。
每期的氛围检查我们都基本上100%脱稿，想哪说哪，想聊什么就聊什么。这期也是一样的闲聊风格。我们聊了身处在美国社会对于大选的“逃避”，最近读了什么书，我们对于年龄和身体感知的感悟。还有一些乱七八糟想哪说哪的话题。
各位娃们11月快乐！
Has time been accelerating this year???
Under the conspiracy of time's rapid passage, four of us gathered as usual to record our fall vibes check. By the time we finished editing and about to drop this episode, well, it was already early November…
October, November, and holiday-packed December always feel like the fastest-passing weekend of a week. We look forward to them, yet they also declare the undeniable fact that time flows at an unforgiving speed. Next year's concert schedules are already out, the fashion world has begun announcing trends for spring and summer—these images, messages, numbers, ephemeral headlines, and colors interweaved throughout our social media and emails create a sense of temporal displacement: when is this?
As with all our vibe checks, we kept this episode 100% unscripted, speaking freely of our stream of consciousness. We have been "avoidant" of this election (as we all live in the US), we discussed some books we've read, and as usual, this episode is packed with various random stuff uttered from our mouths.
Happy November, everyone!
【时间轴 The When】
03:05 十月约等于星期五，十一月约等于星期六
08:00 四个女的在关注大选吗？对于这场选举的心态发生了哪些变化？2024-11-061h 11
疲惫娇娃 CyberPink054｜黑神话悟空: 那些女性打过的游戏和挨过的骂 Our Take on “Black Myth: Wukong” 【聊了什么The What】
最近的几个月里，一个穿越了中国和美国的超级文化现象是《黑神话：悟空》这款游戏。
我们几个女的其实除了一芳之外都不怎么玩游戏，但是为了去理解《黑神话：悟空》之后的文化现象，小蓝决定一头闯进这个游戏的宇宙。女性游戏玩家在参与游戏的时心路历程是怎样的？魂系游戏如何在我们沉浸在游戏剧情的时候，让我们感知到自己的主体？
魂系游戏的魅力在哪里？什么才是所谓的硬核玩家？女的玩游戏这一路上到底挨了多少骂？
当很多人把《黑神话：悟空》的出海热潮视为国产文化的输出巅峰，却出现了关于团队厌女言论的争议，我们如何去理解类似的游戏行业持续的厌女现象？我们请来了两个在游戏界工作的女的一起和我们聊聊《黑神话：悟空》，梳理了Gamergate 1.0 和2.0的始末，分享了对于游戏的态度。
本期嘉宾：
游戏设计师、策展人和写作者杨静
在北美游戏业界工作也是游戏爱好者Jing
“Black Myth: Wukong” is China's first so-called "AAA" blockbuster video game, and CyberPink gals are here to talk about it. We haven't discussed gaming before, as none of our hosts (other than Yifang) are avid gamers, but we couldn't pass up the opportunity to join the discourse around this cross-cultural phenomenon that's the game of the summer (or dare we say, year).
To fully understand the hype around "Black Myth: Wukong," all participants in this episode played the game. Especially Xiaolan who decided to jump right into the Wukong universe, as a new gamer. Along with our two guests who are both gaming industry professionals and passionate gamers, we discuss the psychological journey of female gamers as they engage with the game. Is "Black Myth: Wukong" considered a Soulslike game, and if so, how do Soulslike games allow us to perceive our agency while we're engrossed in the game's narrative?
While many view the commercially successful "Black Myth: Wukong" as a pinnacle of Chinese cultural export in recent years, news about misogynistic comments from the development team surfaced. What does this mean for the persistent misogyny in the gaming industry as a whole? We talk about Gamergate 1.0 and 2.0, what...2024-10-142h 07
疲惫娇娃 CyberPink053｜「弟弟」: 男孩在东亚家庭学会爱 Dìdi: Coming of age in the summer of 2008 【聊了什么The What】
疲惫娇娃的这期节目聊了在美国上映的电影“Didi (弟弟)”。这部电影探讨了成长的阵痛和13岁的男主角在加州的移民身份的问题。它是台裔导演王湘圣Sean Wang的长篇初作，也是一部自传性质的作品。故事围绕一个13岁的台裔美国男孩Chris展开。在2008年短短两个月的暑假里，他经历了初恋、与家人的矛盾、对自我身份的迷惘，以及发现了对视频制作和滑板的热爱。
我们从”Dìdi 弟弟”这个电影名开始，聊了聊了我们对于这部怀旧青春电影的回应。故事中隐藏的重男轻女的情节和男孩在网络上的成长，都在我们自己作为90后的成长轨迹中有迹可循。
In this episode, we discuss the recently released film "Dìdi" (meaning "little brother" in Chinese). This coming-of-age story explores the growing pains of its 13-year-old protagonist the summer before starting high school in Fremont, California. The film marks the directorial debut of Taiwanese-American filmmaker Sean Wang and draws heavily from his own experience.
The narrative centers on Chris, a 13-year-old Taiwanese-American boy, during a transformative two-month summer vacation in 2008. Throughout this brief period, Chris navigates his first love, family conflicts, identity confusion, and discovers his passion for videography and skateboarding. Starting with the film's title "Didi," we share our thoughts on this nostalgic youth drama. The subtle themes of gender and the boy's growth in the early digital age resonate with our own experiences as old millennials. The story's portrayal of gender bias within East Asian families and the protagonist's online coming-of-age journey mirror aspects of our own upbringings.
【时间轴 The When】
05:38 《弟弟》:一部关于2008年的...2024-10-021h 21
疲惫娇娃 CyberPink053｜「弟弟」: 男孩在东亚家庭学会爱 Dìdì: Coming of age in the summer of 2008 【聊了什么The What】
疲惫娇娃的这期节目聊了在美国上映的电影“Didi (弟弟)”。这部电影探讨了成长的阵痛和13岁的男主角在加州的移民身份的问题。它是台裔导演王湘圣Sean Wang的长篇初作，也是一部自传性质的作品。故事围绕一个13岁的台裔美国男孩Chris展开。在2008年短短两个月的暑假里，他经历了初恋、与家人的矛盾、对自我身份的迷惘，以及发现了对视频制作和滑板的热爱。
我们从”didi/弟弟”这个电影名开始，聊了聊了我们对于这部怀旧青春电影的回应。故事中隐藏的重男轻女的情节和男孩在网络上的成长，都在我们自己作为90后的成长轨迹中有迹可循。
In this episode, we discuss the recently released film "Didi" (meaning "little brother" in Chinese). This coming-of-age story explores the growing pains and immigrant identity of its 13-year-old protagonist. The film marks the directorial debut of Taiwanese-American filmmaker Sean Wang and draws heavily from his own experience.
The narrative centers on Chris, a 13-year-old Taiwanese-American boy, during a transformative two-month summer vacation in 2008. Throughout this brief period, Chris navigates his first love, family conflicts, identity confusion, and discovers his passion for videography and skateboarding.
Starting with the film's title "Didi," we share our thoughts on this nostalgic youth drama. The subtle themes of gender and the boy's growth in the early digital age resonate with our own experiences as old millennials. The story's portrayal of gender bias within East Asian families and the protagonist's online coming-of-age journey mirror aspects of our own upbringings.
【时间轴 The When】
05:38 《弟弟》:一部关于2008年的怀旧电影
16:28 光标和键盘，PC和社交媒体，这个故事关于被互联网养大的我们
23:25...2024-10-021h 21
疲惫娇娃 CyberPink052｜Drake和Kendrick怎么闹成这样 Kendrick and Drake’s Rap Beef explained 【聊了什么The What】
纠结了一个夏天，我们还是决定聊一聊Drake和Kendrick的Rap Beef（说唱对决）。对于在国内长大的小杨和一芳来说，来到美国之后面对着从“从未考虑过种族“到迷迷糊糊开始思考自己身份的漫长成长过程。而这个成长过程中很重要的文本就是说唱音乐——更具体地说，是Kendrick Lamar的音乐。
这场Rap Beef不仅仅是两个天才创作者之间争夺影响力的创作对决，还掀起了遍布各个角落的涉及嘻哈文化、性别、种族、艺术创作与商业成功之间的大讨论。在这场rap battle中，多首音乐被制作出来，随着battle的火力程度升级，家暴、恋童等指控成为歌词里面乱飞的字母武器。
这些男性rappers们在个人恩怨中提出的未经证实的指控，是在保护真实的女性，还是名人男性之间相互利用对方对于失去名利的恐惧？这些看似正义的歌词其实与受伤的女性无关？嘻哈音乐是否有内生的厌女倾向，还是它只是反映了手握资源的人们对女性困境的不为所动？
As a pop culture podcast, we can’t not talk about one of the biggest cultural moments in hip hop (and beyond): the infamous rap battle between Drake and Kendrick Lamar. But for us here at Cyberpink, dissecting this rap beef goes further than just chronologically listing out who dropped what song when, or the cultural significance of “Not Like Us.” When we first experienced racialization as young immigrants, Kendrick’s profound lyrics were part of the canonical texts we read to understand race and identity in the U.S.
Kendrick vs. Drake goes beyond two rappers showing off their creative chops -- it started a whole conversation around how we should consume and evaluate hip hop culture. As insults were traded and the battle escalated, accusations of domestic violence and pedophilia became lyrical weapons casually thrown around; no women or child was spared as partners, sons, daughters, and parents got dragged into the mix.
Are these unverified accusations meant to protect real women, or are the two rap stars using each other’s fragile ego and fear of losing fame or wealth for their own gain. What are they gaining -- clout or their name in history as the winner? And at what...2024-09-031h 06
疲惫娇娃 CyberPink051 | 亚裔美国人的边缘身份和细微心境 Minor Feelings: the evolving Asian American Identity 【聊了什么The What】
“Minor Feelings”是由韩裔美国作家诗人Cathy Park Hong的一本书，通过回忆录、文化批评和历史回顾的方式探讨了亚裔美国人流动的身份、情感和经历。作者自己作为一个“东亚女儿”和“少数族裔作家”的多重身份让她能敏锐地感受一系列仿佛已经成为日常的羞耻、愤怒和自我怀疑。在美国这样一个高度种族化的社会，亚裔往往被塑造成“模范少数族裔”，他们的勤奋和成功成了主流社会维护现状的工具。然而，当他们感受到种族歧视时，这套话术往往又会阻止亚裔美国人的表达。这些因为边缘身份产生的”微妙情感“（minor feelings）与美国关于种族的主流叙事相冲突，和亚裔美国人这个群体一样在黑白分明的种族讨论中被忽视或误解。
这本书最近被翻译成了中文在中国发表，名为《少数派的感受》。我们也借此契机请到我们的好朋友，杜克大学教授周成荫来谈谈种族意识、模范少数族裔神话以及历史事件对个人和集体身份的影响。
我们也分享了自己的移民经历，以及这些微妙情绪是如何在我们的日常情境和系统结构中产生的。
"Minor Feelings" is a book by Korean-American poet and writer Cathy Park Hong that explores the fluid identity, emotions, and experiences of Asian Americans through memoir, cultural criticism, and historical review. As an "East Asian daughter" and a "minority writer," Hong keenly perceives a range of everyday feelings of shame, anger, and self-doubt. In the highly racialized society of America, Asians are often cast as the "model minority," with their diligence and success used as tools to uphold the status quo of mainstream society. However, when they experience racial discrimination, this narrative often stifles Asian Americans' expressions. These "minor feelings" that arise from marginalization conflict with the mainstream American narratives about race and, like the Asian American community, are often overlooked or misunderstood in the black-and-white racial discourse.
Recently translated into Chinese and published in China, we took this opportunity to invite our good friend, Duke University professor Eileen Chow, to discuss racial consciousness, the model minority myth, and the impact of historical events on personal and collective identity.
We also shared our own immigration experiences and how these subtle feelings arise in our everyday situations.
【时间轴 The When】
00:29 《少数派的...2024-08-011h 13
疲惫娇娃 CyberPink050 | 夏天已经过了大半，紧急抽查一下氛围 Vibe Check: A Midsummer Stream of Consciousness 疲惫娇娃已经不知不觉更新了50期！在2024年的年中，我们邀请大家继续支持这四个女的把播客做大做强。感恩有你们。
【聊了什么The What】
这是一期六月份录制的疲惫娇娃的夏日氛围检查。我们紧急（？）抽查了四个女的的精神状态，以及如何应对“2024年怎么就过了一大半”的时间之谜。
同时，我们瞎扯了在这个夏天在各地的旅行和观察，包括眉头紧锁忧虑意大利经济、在南法的戛纳边参加婚礼边沉浸式体验班味十足的影展、在伦敦搬砖却被锁在共享工作室外要靠美国人来救等等。另外我们还闲聊了一些推荐的书和展。以及在路上 vs 在家土豆 vs 在路上土豆的种种支撑四个女的把日子好好过下去的精神养料。
另外，大家可以关注我们的小红书去看我们提到的萨金特展。
Recorded back in June, this is our summer vibe check with CyberPink. We conducted an urgent(?) mental health check on the four women and explored the time-bending mystery of "How is 2024 already half over?"
We chat about our summer travels and observations, our concerns over Europe's economy, recounting our experience attending a distinctly not-chill Cannes film festival, starving in the south of France, being locked out of a shared workspace in London, only to be rescued by overworked Americans.
We also chat about books and exhibitions, and discuss the various intellectual nourishments that keep us going - whether we're potating on the road or couch-potating at home.
Please follow our Red (Xiaohongshu) account to see the Sargent Exhibition.
By the way, CyberPink has quietly reached its 50th episode! As we hit the midpoint of 2024, we invite you to continue supporting these four women in making this podcast a better one.
【时间轴 The When】
02:25 2024怎么就过了一大半 + 山西午休文化
13:45 四个女的为啥吵架——对于发短信、线上沟通的不同期待
29:30 我们几个在夏天去了哪里，做了什么
46:27...2024-07-181h 11
疲惫娇娃 CyberPink049 |「挑战者」：三人成双 Challengers: It takes three to play [本期节目有广告！由【泰诺氨酚拉明片】赞助播出！]
泰诺氨酚拉明片是一款夜间专用的止痛药, 有需要的听友，可在美团搜索“泰诺夜间止痛”，即可购买。
⭐⭐点击跳转链接⭐⭐ (超链接请点这里！)
另外，这次泰诺联合小宇宙的播客企划「夜间止痛站」也将在上海大学路举行线下快闪活动。泰诺联合老百姓大药房会举行一些有趣的科普互动，大家可以在7月8号至14号前来打卡！
【聊了什么 The What】
今天这期节目聊了《Challengers 挑战者》，今夏美国最火的电影之一，由已经晋升好莱坞当之无愧一线女星赞达亚、和两位男演员乔希·奥康纳和麦克·费斯主演。电影使用了非线性的叙事方法，从2019年的一场挑战赛的决赛比赛开场，慢慢道出三个人之间情感三角历史，在十多年的纠葛当中，他们之间的关系变得更加复杂，同时网球比赛在他们三个人的生命当中，也成为了爱情三角的具象化。
In today's episode, we unpack this summer's hottest blockbuster "Challengers," starring A-list superstar Zendaya, Josh O'Connor, and Mike Faist. We follow these three gorgeous on-screen characters as the movie volleys back and forth in time to show us over a decade of entanglement, and we dissect how their relationship as friends, lovers, and foes, evolves over time. This episode includes a sponsored ad for Tylenol.
【时间轴 The When】
0:00 泰诺广告时间
3:57 我们对Challengers这部电影的第一感觉
10:00 这部电影的美学，摄影，和独特的视角（最后观众变成了球）
13:20 这场平平无奇的网球比赛其实是三个主人公借假修真的灵魂之旅，人与人的直接竞争
21:18 网球其实是一个不太隐晦的性隐喻 + 专业运动员对本片的评价
30:20 导演对于三人情愫的刻画
32:55 分析Tashi的成长弧线和三个人之间的三角关系
50:20 Tashi是奖赏？是裁判？是三人命运的操控者？
1:04:00 继续分析三角关系，他们每个人都是赢家？
1:17:05 这个电影的植入勾起了强烈的购物欲, 本电影的时尚设计
0:00 sponsored ad for Tylenol
3:57 Our first impressions of "Challengers"
10:00 The film's aesthetics, cinematography, and unique perspective
13:20 This seemingly ordinary tennis match is a journey of self-discovery for the three protagonists in disguise, showcasing the reality of competitive sports
21:18 Tennis as a not-so-subtle sexual metaphor and professional athletes' review of the film
30:20 The director's portrayal of the emotional dynamics between the three characters
32:55 Analysis of Tashi's character arc and the complex love triangle between the three
50:20 Is Tashi deemed a prize by the two men? Is she a referee, or the puppet master of the trio's fate?
1:04:00 Deeper analysis of the love tria2024-07-021h 24
疲惫娇娃 CyberPink048 | 疲惫娇娃 X 美轮美换 :「美国内战」——失去语境的战争电影 A24’s “Civil War” is a War Film Stripped of Context 【聊了什么The What】
英国导演Alex Garland的新作《美国内战》(Civil War)以一场虚构的美国内战为背景，引发了广泛关注和争议。作为A24迄今为止最大制作，电影集全明星阵容和炫目视效于一身，更因触及当下美国社会分裂、政治极化的议题而备受瞩目。然而，电影却避开了最敏感的政治问题，转而以四名战地记者为主角展开叙事，聚焦新闻伦理和人性挣扎，也因此被批评为避重就轻。
在本期节目中，疲惫娇娃的两个女的与美轮美换的主播Lokin和小华一起，探讨以下问题：在战争中，镜头背后是新闻理想主义的湮灭，还是人性的回归？在信息过载的时代，我们是否还有余力正视战争和苦难的真相？摄影和报道究竟能否改变世界，抑或终将被时代洪流所淹没？影片刻意模糊了内战的起因和立场，这是否在鼓吹一种危险的相对主义，还是向观众传达了更有价值的提醒？
大选将至，如果你也想要和我们四个女的一样收到优秀的关于美国大选的中文内容，欢迎加入美轮美换最新推出的会员计划：https://theamericanroulette.com/paid-membership/
Alex Garland's latest film, "Civil War," was set against a fictional war between two different factions within the United States. The film has sparked considerable controversy. It explores America’s political reality through the lenses (zing!) of four war correspondents, centering on journalistic ethics and the struggles of the human condition, but somehow sidestepping all of the more contentious, real political issues currently dividing America. We were not sure if we liked this artistic choice, so we recorded an episode with our friends from 美轮美换 The American Roulette to process it.
Do we like Alex Garland’s decision to obscure the causes of the war? Why do we need photojournalism? Do we still have the capacity to process the harsh realities of conflict and suffering, and hold complexities in this age of social media?
With the election around the corner, if you would also like to receive high quality Chinese content on US politics, please consider joining American Roulette's membership program: https://theamericanroulette.com/paid-membership/
【时间轴 The When】
00:01:44 介绍播客《美轮美换》及其关注的2024年美国大选。
00:03:54 讨论电影《美国内战》Civil War的情节和导演Alex Garland的作品。
00:16:13 Alex Garland导演对战地记者职业的矛盾心理刻画
00:41:06 电影对种族主义暴力的直白展现
00:49:06 导演在政治立场上...2024-06-061h 21
疲惫娇娃 CyberPink047 | 妻子三部曲 3: 女性创作者的终极问题 Wife Trilogy Part III: The Ultimate Question for Women Creatives 【聊了什么The What】
这是“Wife三部曲"的最后一集，这个系列以我们最最熟悉的“妻子”这个社会职能为圆心，画一个谨慎的半径，这个半径包括我们的思考和恐惧，包括作为妻子意味着什么。
然而这期播客可能是我们四个在人生这个阶段录的最重要的一期播客之一 —— 这期播客让我们反思了作为一个有强烈创作欲望，但同时有妻子和母职需要履行的女性应该如何兼容这这些极端的角色。
为了准备这期播客，我们一起读了三本关于女性创作的书：讲述奥威尔妻子艾琳的Wifedom，讲述作家乔治·艾略特的The Marriage Question，和讲述“成为怪物的艺术家”的Monsters: A Fan's Dilemma。许多伟大的男性艺术家背后都有默默付出的妻子，而女性一旦成为母亲往往就被吸干注意力，失去创作的空间。这三本书中被抹去的女性、挣扎的女性、和小心翼翼担忧成为怪物母亲的女性们，都在试探着自我实现和作为妻子/母亲这两者的边界。
同时，我们也通过观察Ursula Le Guin等等女性作者的生命历程和创作历程拷问"伟大的母亲"的角色。当一个伟大的母亲需要为了自己的创作而"离开"，怎么办？在资本主义效率至上的逻辑下，母亲的付出被视为理所当然，价值也被剥夺，但我们是否应该反思和重估母职劳动的价值？
This is the final episode of the "Wife Trilogy," a series that takes the highly familiar social role of the "wife" as its central focus. This topic encompasses our contemplations on the profound implications of being a wife.
However, this podcast episode may well be one of the most significant we have recorded at this stage of our lives. It prompts us to reflect on how an individual with a fervent creative drive can possibly reconcile with the rigid social demands of that of a wife.
In preparation, we collectively delved into three books exploring women's creative pursuits: "Wifedom," chronicling the story of Eileen, the wife of George Orwell; "The Marriage Question," illuminating the private life of novelist George Eliot; and "Monsters: A Fan's Dilemma," examining the notion of the "monstrous female artist." Many great male artists have benefited from the silent sacrifices of their wives, while women, upon becoming mothers, often find their creative energies drained and mental space constricted.
By observing the lives and creative trajectories of women authors such as Ursula Le Guin, among others, we interrogate the notion of the "great mother." Can a good mother just "leave" to pursue her artistic endeavors? Under the capitalist system of efficiency, a mother's contributions are taken for...2024-05-281h 14
疲惫娇娃 CyberPink046 | 妻子三部曲2：被注视的王室妻子和被规训的王室身体 Wife Trilogy Part II: The Royal Wives and Bodies 【聊了什么 The What】
这是“Wife三部曲"的第二部，以我们最最熟悉的“妻子”这个社会职能为圆心，画一个谨慎的半径，这个半径包括我们的思考和恐惧，包括作为妻子意味着什么。
这集，我们聚焦王室妻子们——从流行文化痴迷的凯特王妃，戴安娜王妃，再到日本的皇室女性——她们的病痛、生育历程、和被大众注视和检验的体验是怎样的？她们的身体如何被媒体咀嚼和消化？她们的身体如何从走入“王室妻子”这一刻就不再属于自己？
凯特王妃的病痛疑云，揭开了她作为完美的王室妻子和母亲在“the firm”的监视和运转中的另一面，同时，戴安娜作为“the firm”反叛者、梅根作为出逃者，是如何被埋葬在王室妻子的角色中，同时被王室妻子这个头衔所惩罚。除去英国王室之外，日本和其他国家的王室女性如何生存？
This is the 2nd part of CyberPink’s "Wife trilogy.” Centering on the ubiquitous role of "wife," we cautiously circumscribe a boundary around it. Within this boundary lie our contemplations and fear, our ponderings on the implications of being a wife.
In this episode, our discussion is about royal wives - from Kate Middleton, the object of pop culture's adoration, to the legendary Princess Diana, to the women of Japan's imperial family. We explore their ordeals with illness, the tribulations of childbirth, and the scrutiny of the public eye. How are their bodies dissected and consumed by the media? From the moment they assume the mantle of "royal wife," how do their bodies cease to be their own?
The specter of Kate's ailments unveils another facet of her role as the quintessential royal wife and mother, meticulously observed and governed by the machinations of "the firm." Diana, the defiant rebel against "the firm," and Meghan, the escapee, find themselves entombed within the role of "royal wife," even as the very title exacts its punishing toll. Beyond the British monarchy, we ponder the plight of royal women i...2024-05-2453 min
疲惫娇娃 CyberPink045｜戛纳特辑:《疲惫娇娃》x《赶场》：这个世界特别差，年轻人都在挣扎 Cannes Film Festival Special Episode 【聊了什么The What】
戛纳电影节第四天，《疲惫娇娃》的一芳和《赶场 Way To Cinemas》播客的Selina在戛纳电影宫的天台坐了下来录制本期特辑节目，聊聊戛纳体验和目前看过的电影。
谢谢豆瓣对本期播客的支持，现在豆瓣也可以听播客啦！
剪辑和时间轴：陆小鸟，汤包（赶场）
主播：Selina（小红书 About Cannons）赶场 Way To Cinemas，一芳《疲惫娇娃 CyberPink》
On the fourth day of the 77th Cannes Film Festival, Yifang and Selina (host of Way To Cinemas) sat down to record this special episode, talking about their experience with the festival and the films they’ve seen so far. Thanks to douban.com for their support, you can now find our podcast on Douban.
【时间轴 The When】
00:45 好开心，竟然与《疲惫娇娃》联动上啦！
01:13 第一次来戛纳的一芳
03:07 开幕片《第二幕》
04:14 《原钻》（野性钻石）
06:08 《拿针的女孩》
08:08 《鸟》
09:12 《折射》
10:26 《一部未完成的电影》（本期内容不多，未来会再聊）
12:28 《大都会》“当一个男导演花太多时间去思考罗马帝国，就会拍出来这样一部电影”
14:42 《噢，加拿大》“他的故事，他的人生，他的一切，我根本就不想知道”
16:49 《善良的种类》
24:51 《狗镇》
26:51 《风流一代》
00:45 "Way to Cinemas" is excited to be collaborating with "Cyberpink"
01:13 Yifang's first time at Cannes
03:07 Opening Film: "The Second Act" by Quentin Dupieux
04:14 "Wild Diamond" by Agathe Riedinger
06:08 "The Girl with the Needle" by Magnus von H...2024-05-2030 min
赶场 Way to Cinemas36. 与《疲惫娇娃》聊戛纳：这个世界特别差，年轻人都在挣扎｜戛纳03惊喜，Selina在戛纳遇到了《疲惫娇娃 CyberPink》的一芳，索性一起录了一期节目，聊了一下她3天半看的12场电影。本期不是严肃影评，所以每部电影的篇幅有长有短，请大家抱着轻松愉悦的心情来收听～谢谢豆瓣对本期播客的支持，现在豆瓣也可以听播客啦！📢 广播 新开公众号：赶场WaytoCinemas，欢迎成为第一批关注者🎙️ 话题成员 Selina（小红书 About Cannes） 一芳《疲惫娇娃 CyberPink》💬 时间轴00:45 好开心，竟然与《疲惫娇娃》联动上啦！01:13 第一次来戛纳的一芳03:07 开幕片《第二幕》04:14 《原钻》（野性钻石）06:08 《拿针的女孩》08:08 《鸟》09:12 《折射》10:26 《一部未完成的电影》（本期内容不多，未来会再聊）12:28 《大都会》“当一个男导演花太多时间去思考罗马帝国，就会拍出来这样一部电影”14:42 《噢，加拿大》“他的故事，他的人生，他的一切，我根本就不想知道”16:49 《善良的种类》24:51 《狗镇》26:51 《风流一代》（本期内容不多，未来会再聊）🎶 MusicCannes Film Festival - Red Carpet Music✂️剪辑，文稿陆小鸟，汤包——收听：在苹果Podcast、小宇宙、任意安卓播客客户端、Spotify、网易云音乐、喜马拉雅、豆瓣等播客客户端搜索「赶场 Way to Cinemas」关于《赶场 Way to Cinemas》不是在看电影，就是在赶场观影的路上。《赶场 Way to Cinemas》是一档聚焦影展、电影节的播客，会与众多影迷和电影人分享自己的电影故事与经验。2024-05-2030 min
疲惫娇娃 CyberPink044 | 妻子三部曲 1：美国“传统妻道“的回魂 Wife Trilogy Part I: The Return of “Trad Wife” 【聊了什么The What】
写在前面： 💡感谢女性情趣品牌「大人糖」赞助本期节目（此处应有掌声），疲惫娇娃听众应该都比较熟悉的老朋友。距离上一次我们和她们合作已经过去了一年。恰逢520即将到来，借着这次契机，争取到了一次难得的福利，不如趁现在送自己或者伴侣一份特别的礼物，收获一份美妙绝伦的感受！
正文： 这是"疲惫娇娃Wife三部曲"的第一部，我们想聊聊近年来在社交媒体上备受关注的"Trad wife" (传统妻子) 现象。
20世纪50年代的美国郊区是一个我们都熟知的画面：白色别墅、核心家庭、金发红唇的家庭主妇形象在宽敞光洁的厨房中忙碌，这幅画面饱含着阶级和政治色彩。对于这样传统家庭、传统妻子的怀念变成了一场运动，近年重新出现在年轻女性的社交媒体中，形成了"Trad wife热潮"，影响越来越多年轻女性。”传统妻子“不仅是一种审美风格，更蕴含意识形态内涵以及一系列生活方式和宗教信仰。这股潮流的走红与当代女权主义相互碰撞，反映出女性在家庭、疫情、经济等层面所面临的困境,以及她们"拥抱传统"以求解脱的天真想法。
疲惫娇娃的几个娃将分析Trad wife在当代互联网上的细分门类（到底有多少种trad wife想卖给我们货???!!!)，以及不同年龄段受众人群的特点，以及这一兼具审美与意识形态内核的复杂现象。
Today we want to dive into the deep internet rabbit hole of "Trad Wife" -- short for traditional wife, this social media phenomenon has taken the world by storm, and we want to unpack it all.
To talk about trad wives, we first have to time travel back to the emergence of the American suburb in the post-war 1950s, the image of the white-picket-fence home, the nuclear family, and the blonde, ruby-lipped housewife that's imbued with class and political undertones. This visually evocative image has resurfaced in recent years on social media, sparking a discussion on the deeper socioeconomic and political undertones of the trad wife revival.
In this episode, we unpack how the trad wife trend is not merely an aesthetic style but also an ideological core with a religious and politically conservative undertone. The rise of this online movement has collided with contemporary feminism, reflecting the challenges women face on various fronts, including balancing family and work, surviving the pandemic, participating in the economy, as well as their naïve embrace of tradition as a means of emancipation.
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🌟重要提示！
1、下单时记得一定要备注【疲惫娇娃】才会随单一起送出2024-05-151h 00
疲惫娇娃 CyberPink043 | 天降紫微星这次在女篮 This is your sign to watch women’s basketball 【聊了什么The What】
等等，先别划走。就算你对篮球的知识仅限于篮球是圆的，这可能依旧是一期有趣的播客。
体育从来都不止关于体育，竞技体育从来都是流行文化的塑造者也被时代的思潮所塑造。如果你也关注美国竞技体育，尤其是篮球，很难不感受到一个巨大的女子篮球浪潮正在袭来。谁能想到从2019年至今，电视观看人数最高的篮球比赛是大学女篮的总决赛？1870万人次的观看数字远远超越了过去几年NBA的总决赛（丹福掘金对不起），也在互联网上掀起了讨论的热潮。
女子篮球的崛起也与诸多社会议题息息相关。我们与The Athletic的小帆和布鲁克林篮网的思齐一起，聊了聊那些隐藏在数字和赛事之后备受关注的问题：女篮突破了哪些障碍才走到了今天这一步？是什么因素促成了这场变革？我们能从中窥见哪些值得关注的趋势？
Sports have never been merely about the games themselves; they shape the popular culture we engage with, from fashion to music, reflecting the cultural zeitgeist. Those who have been closely following American sports will have noticed the surging popularity of women's college basketball and its standout stars—Caitlin Clark, Angel Reese, Paige Bueckers, Kamilla Cardoso, and many others. Remarkably, the 2024 NCAA Women's Basketball Championship was the most-watched basketball game on television since 2019, attracting a staggering 18.7 million viewers. This viewership even surpassed last year's NBA Finals (sorry, Nuggets), sparking widespread discussion both online and offline.
In this conversation, we talked to Yifan from The Athletic and Siqi from the Brooklyn Nets, and delved into the factors beyond mere statistics, exploring the obstacles these athletes had to overcome for women's basketball to achieve its current prominence.
【时间轴 The When】
00:00 今年的大学女篮有多火？
15:45 男篮和女篮收入差距能有多大？当女篮在要求涨薪水的时候他们在要求什么？
24:30 假设天降两个非常有天赋的初中生——凯文和凯莉杜兰特，他们从新秀到退役的职业道路会有什么不同？
52:17 为什么不能让篮筐低一点呢？
01:13:18 站在女性、少数族裔、酷儿交叉口的WNBA
00:00 How popular is women's college basketball this year?
15...2024-04-201h 26
疲惫娇娃 CyberPink042 | 2024奥斯卡：高雅和通俗审美坐在一起包饺子 2024 Oscars: Dying to Party 【聊了什么The What】
第96届奥斯卡颁奖典礼在两天前刚刚结束，疲惫娇娃在所有奖项公布之后录了一期播客来聊聊我们当下的感受和反应。在奥斯卡这个奖项在过去的很多年被反复的质疑、挑战之后，在以“学院奖”自居的奥斯卡看起来越来越和时代精神脱节时，我们还是想借助这个颁奖典礼，来重新审视“学院奖”和2023年许多电影（比如《芭比》）和社会事件（比如全世界正在发生的战争）的交织和互动，从而去审视支撑它的历史包袱、权力、固化和正在逐步调整的审美——以及，为什么它仍旧是电影节的最高奖项？赢得它，或者不赢得它，提名，或者不被它提名，意味着什么。
The CyberPink squad is back with an episode on the recently wrapped 96th Academy Awards!
Over the past few years, the Academy Awards have faced a lot of questioning and criticism. As the self-proclaimed pinnacle of cinematic excellence, the Academy is struggling to maintain its reputation and convince people of its relevance. But the Oscars ceremony still provides an interesting lens to examine how this major cultural institution addresses ongoing events - from the writers and actors strikes to the conflict in Gaza. Which films, actors and actresses win ultimately is not based on merit, but on a myriad of factors and a relentless awards season campaign that has become the norm of the industry, a profound legacy of none other than Harvey Weinstein and his company Miramax.
We discuss the history of Oscars, its genre bias, and what we think about the “Barbie snub.”
【时间轴 The When】
00:00 颁奖典礼的回顾和高光时刻
08:23 颁奖典礼外，加沙和乌克兰的战火
21:04 奥斯卡的种族多样性进步了吗？
25:02 奥斯卡颁奖的竞选游戏，包括宣传策略和资源投入
33:05 奥斯卡的类型偏见
48:12 女性导演和女性主导电影在奥斯卡中的困...2024-03-131h 08
疲惫娇娃 CyberPink041｜美国小说：少数社群如何书写生命的复杂 American Fiction: How minority communities tell their complex stories 【聊了什么The What】
奥斯卡提名的作品《美国小说》American Fiction讲述了一个陷入这样的创作难题的黑人作家Monk——在以自己作为主体的Monk自己的书不被出版界和读者买账，却发现一部“迎合白人观众、贩卖黑人创伤和贫困”的书却大卖。于是Monk决定用通过写一部充满所以刻板印象的“黑人文学”去反抗自己的命运。但是却遭遇了一系列的家庭变故。
把这个故事翻译到疲惫娇娃熟悉的语境中，我们也能找到共通的挑战：女性书写女性的苦难一定是“吃女权饭”吗？亚裔书写亚裔的创伤是“迎合白人观众”吗？如何在忠于自我生活的创作中，同时能够获得创作的体面（收入、关注等等）？如何演绎生活的复杂度，同时也能鼓励其他族群的人和“我”共情？
一个很会写的女的Caiwei也加入了这场对话。
The Oscar-nominated work "American Fiction" tells the story of Thelonius “Monk” Ellison, a Black writer who finds himself in a creative dilemma. Out of anger, spite, and disappointment in the publishing industry status quo, he takes up a pen name and writes a piece of "Black literature" filled with stereotypes as a form of rebellion, yet the publishing world gobbles it all up.
The movie, when translated into familiar contexts, reveals universal challenges: Is it merely a form of capitalizing on feminism when women write about women's suffering? Is it catering to white audiences when Asians write about Asian trauma? How can one stay true to their own life experiences in their creative work, while also achieving dignity in creation (income, attention, etc.)? How can the complexity of life be conveyed in a way that also encourages empathy from people of other ethnic groups?
Caiwei, our a talented female writer friend, also joins this dialogue.
【时间轴 The When】
00:00 电影《美国小说》和电影导演编剧Cord Jefferson
05:58 对家庭故事部分的讨论，包括男主角Monk的家庭背景和家族创伤：人生的复杂度和混乱从Monk的角度徐徐展开...2024-02-261h 13
疲惫娇娃 CyberPink040｜Poor Things: 暗黑奇幻的旅程中，她把自己又养了一遍 Poor Things: a fantastical journey of self nurturing 【聊了什么The What】
《可怜的东西》是一部关于剥削与女性命运的丰富、引人深思、扭曲的成长故事。在跟随好奇而大胆的主角贝拉·巴克斯特的两个小时里，我们闯入了贝拉的生活中，同时收获了一种“有益的混乱”——能够帮助我们理解了一系列复杂的问题：在一个企图界定和限制女性的世界里寻求女性自主权，性工作作为一种艰苦、剥削性质的劳动，以及在某种程度上，生物黑客技术和CRISPR伦理问题。
Poor Things is a juicy, chewy, twisted coming-of-age fable about exploitation and womanhood. The two hours we spent following the curious, bold protagonist Balla Baxter provided a helpful chaos for us to metabolize an array of complex problems: the pursuit of female autonomy in a world seeking to define and confine it, the nature of sex work as gritty, exploitative labor, and, at some point, the ethics of biohacking and CRISPR.
【时间轴 The When】
00:00 今年颁奖季的宠儿Poor Things以及为什么我们要重新录制这集播客
04:04 我们对于这个电影的第一感受
10:10 “成熟女人的身体与婴儿的心智“——为什么我们对于Bella的担心程度随着她的旅程展开而忽上忽下？
13:45 Poor Things是一部彻底翻转过来的《洛丽塔》？
23:40 (假装我们在聊这部电影）电影的设定导致我们去思考了文本中复杂的性同意
35:47 Poor Things的科幻设定——人类为何恐惧技术？Bella是一个关于AI的角色（？？？），科学设定和伦理困境
45:30 我们对于现有科技以及特权人群改造人体的探讨
51:12 从事性工作的Bella和她的劳工意识觉醒
01:06:55 Bella弑父，和父亲和解，最后“变成父亲”的旅程
00:00 Poor Things - This awards season's darling - and why we're re-recording this podcast
04:04 Our first impressions of the film
10:10 "A mature woman's body with an infant's mind" - Why do our concerns over Bella fluctuate throughout her journey?
13:45 Is Poor Things a thoroughly inverted Lolita?
23:40 (Pretending we're discussing the film) - How the storyline prompts pondering complex consent ethics within t...2024-02-121h 17
疲惫娇娃 CyberPink039｜冬季氛围检查：活着就是要挣点钱然后去玩 Winter vibe check: let's just make some money and then have fun 【聊了什么The What】
疲惫娇娃的一季度一次的"氛围检查"aka闲聊节目又来了。从庆祝人生的某些瞬间，到对于婚礼各种细节的选择和对”物品“之间的拧巴关系，再到”怎么才能好好玩“，再到“最近上头下头是啥”，我们又絮絮叨叨聊了一个半小时。
In our quarterly “vibe check” tradition aka rambling chatfest, the CyberPink girls back to dive shallow(ish) once more.
We hit the full life spectrum - from celebrating magical moments, untangling our love/hate with things (to Marie Kondos’s delight/chagrin), pondering how to properly “adult”...to spiraling into ‘what’s trending hot and not’ before emerging somehow wiser. Or at least blissfully 90 minutes older.
【时间轴 The When】
01:15 浅浅开头，这集播客我们基本上都在闲聊，如果你想听干货的话这期并没有
02:20 我们各自的焦虑梦
05:50 过去一年没发生什么大事，然后小蓝突然随便结了个婚
08:20 花酱对于小蓝的婚礼上"礼乐”的理解
14:20 小蓝在写婚礼誓词的心路过程
19:25 我们如何解读“结婚”? 如何庆祝一个人的存在？
37:00 一芳的登基故事和一场回门宴引发的地缘政治事件
54:40 我们最近的上头和下头
1:16:00 活着就是挣点钱然后再去玩
00:15 Super casual open - this episode is all about random banter
02:20 Each sharing anxiety dreams plaguing our sleep/nap
05:50 The past year = no major events really...except Xiaolan randomly threw a wedding?!
08:20 Hana-chan interprets wedding ceremony “rituals”
14:20 Xiaolan details her agonizing vow-drafting journey
19:25 How we each approach/view “marriage”
37:00 Yifang's "enthronement" story...includes the "geo-political" drama at a wedding (!!)
54:40 Our latest addictions/obsessions
01:16:00 let's earn som...2024-02-051h 18
疲惫娇娃 CyberPink038｜和2023年底的脆弱时刻一同步入新年 Striding into the New Year with 2023's Fragile Moments 【聊了什么The What】
2023年末，疲惫娇娃又与友台不合时宜录制了一期“不时疲惫”，与大家分享一些2023年我们不愿意透露的脆弱时刻。我们围坐在一起，聊起过去一年中各自独自在黑夜与灵魂对视的脆弱瞬间、无法解开的心结、尚未获得疗愈的创伤。希望你听到这期节目能够收获一些力量。大家新年快乐。
As the ball is about to drop to ring in 2024, CyberPink joined up with our comrades to put together another episode — a raw confessional session airing those vulnerabilities from the past year that we’d rather keep under wraps. We gathered round, spinning yarns into the wee hours about our solitary moments of fragility over months past, staring into the abyss of our souls as darkness enveloped us; the lingering emotional baggage yet to be reconciled and wounds still laid bare for all to see. And cheers to a bright new year ahead, friends.
【时间轴 The When】
（本次时间轴文案由不合时宜提供）
01:35 这期节目的由来：不时疲惫一相聚，都会jam出一集节目；而这期节目关于脆弱和痛苦
03:34 第一次去做心理咨询，心路历程经历了什么变化?
10:43 当一段亲密关系逝去以后，“我”的一部分似乎被带走
14:17 跟父母的关系——遥远又亲近
22:28 埋藏在你的成长经历当中的基底，确实形塑了你是什么样的一个人
36:45...2024-01-041h 39
疲惫娇娃 CyberPink037｜垫底俱乐部 Bottoms：一场酣畅淋漓的Y2K校园“发烧梦” A Gen Z High School Fever Dream 【聊了什么The What】
有人说Bottoms 垫底俱乐部是一部高校性转版的《搏击俱乐部》，但其实远远不止如此。它荒诞离奇，充满暴力和一些隐藏的不算太深的讽刺和哲思，是适合我们这个时代的美国高校喜剧电影。
故事围绕着Josie和PJ这一对好友展开，她们是这所美国高中食物链的底层，不只是因为她们是拉拉，而是用她们自己的话来说：“gay，ugly and untalented”。在高三毕业前的最后一年这对好友决心突破自己，互为僚机泡到全校最受欢迎的拉拉队队员，而她们达成目标的方式就是阴差阳错组建了这个高中第一个女子搏击俱乐部。
这一期，小蓝和四位酷儿/Gen Z/Older Millennial朋友们，也是一档全新的女权喜剧播客《大波福娃》的主播们，一起聊了聊这部酷儿青少年校园“发烧梦”。
Some say "Bottoms" is a high-school-themed, gender-flipped version of "Fight Club," but it's far more than that. It's a bizarre and whimsical journey, filled with violence and some blazen satire and not-so-subtle philosophical musings— a perfect update of the high school comedy genre fit for our times.
The story revolves around Josie and PJ, a dynamic duo situated at the bottom rung of the American high school social ladder. Their struggles extend beyond being lesbians; in their own words, they're "gay, ugly, and untalented." In their final year before graduating high school, this determined pair sets out to break free from their constraints to date the two most popular cheerleaders in the school. Their unconventional method? Accidentally forming the first all-female fight club in the high school.
In this episode, Xiaolan and her four queer/Gen Z/Older Millennial friends, who are the hosts of the brand-new feminist comedy podcast "Dat Beauvoir," convene to chat about this queer teenage "fever dream."
本期参与录制的有：
桃子（she/her）：一个还没出道就隐退了的业余...2024-01-011h 38
疲惫娇娃 CyberPink036 | Taylor Swift的时代和我们的青春 Modern Girlhood through Taylor Swift and Her Eras 本期节目已入选豆瓣播客2024新春精选推荐活动，欢迎大家到豆瓣收听！
【聊了什么The What】
无论你是Taylor Swift的忠实粉丝还是普通路人，你肯定听说过这位美国女歌手，以及她从出道以来经历的不同的“eras”（时代）对流行文化的影响。
从她高中时期固化女性形象“You belong with me”的时代，2009年金融危机后被Kanye羞辱的”受害者公主“时代，2010年中期的时代金发红裙维密秀上的时代，再到2023年她开启的全美巡演撬动几十亿美元经济活动的”eras”时代。
这期疲惫娇娃，我们以Taylor Swift在2023年的演唱会名字“Eras”为主题，回顾她2008年初出茅庐再到2023成为定义时代的流行巨星的一路。无论是循环播放她的歌，还是将她作为流行文化的符号来去深入研究，我们都在人生的不同阶段和Taylor Swift交织。每一个Taylor的时代都能让我们回溯到过去十五年的某一种人生状态，唤起一些根深蒂固的回忆和情绪。本期节目中我们深入挖掘她多年来的各种造型，职业生涯变革的颁奖典礼时刻，与其他巨星的争执以及她的音乐——并探讨这些主题如何与我们自己的成长紧密相连，以及过去十五年“女性”作为一个集体意识是如何进化和蜕变。
Whether you’re a die-hard Swiftie or just a regular person who’s not into her songs, there’s no denying the grip that Ms. Taylor Swift has had on American pop culture since her debut in 2006.
In her most recent “Eras” tour, which generated roughly $5 Billion USD for the US economy, Taylor Swift walks the audience through her many eras: the hopeless romantic princess in sparkly dresses in “You Belong With Me,” who then fell from her pumpkin carriage and claimed victimhood after Kanye’s public humiliation of her in 2009; clapping back at critics and experimenting musically with “Red;” embracing her "girl squad" of famous friends and cementing her spot as a pop culture icon with “1989;” her villainelle era with “Reputation;” and taking quaratining at home to the next level by embracing cottagecore with “Folklore” and “Evermore” during the pandemic.
In this episode of CyberPink, we take a look at how different stages of our own lives intersect with Taylor Swift’s eras and how we interacted with her – whether it’s through passionately listening to her songs on repeat, reciting the lyrics, or simply studying her as a pop culture artifact and what her popularity means from an anthropological perspective. Each Taylor era evok...2023-11-271h 39
疲惫娇娃 CyberPink035 | 「坠楼的审判 」：老公你安心地走吧 Anatomy of a Fall 【聊了什么The What】
从荞麦信箱和Reddit上的“Am I the Axxhole”，全世界人类的一大共性就是热衷于观察其他人的“家务事”，并给出自己的判决——You are not the axxhole，为网友的乳腺着想，分手吧。在最琐碎的家务事中，有无数隽永的社会问题和模糊的道德难题；故事随处可见，但把这样的故事讲好又非常难。2023年斩获金棕榈的法国剧情悬疑片《坠楼的审判》就是个中出彩之作。女作家Sandra的丈夫Samuel从他们的家顶楼坠楼离奇死亡，而Sandra成为了最大的嫌疑人。整个故事就围绕着这桩疑似谋杀案的司法调查展开，但被当堂剖析的不只是疑案——Sandra和Samuel之间失败的婚姻，父子、母子和伴侣之间那些心照不宣，无法言说的细微情绪统统被放在法庭上被代表所谓公平正义的律师、法官和看客逐一剥茧抽丝。
If the popularity of the “Am I The A**hole” subreddit and its Chinese equivalence were any indication, we humans really love nothing more than sticking our noses all the way in other people’s family business and passing judgments. But it takes an extraordinarily skilled storyteller to bring out the universal, profound moral struggles embedded in our seemingly mundane, daily life: what does it mean to be understood, even in the most intimate relationships? Can anyone be persuaded? If so, by facts or manipulation? “The Anatomy of a Fall,” which won the Palme d'Or prize at the Cannes Film Festival this year, is an icey, cerebral thriller about a mysterious death and a failed marriage, but also about truth, persuasion, the power of narratives, and all the unspoken love and cruelty within human relationships.
【时间轴 The When】
00:00 坠楼的审判是一部“文学”的电影
12:14 杀人犯是Sandra吗？
23:50 悬疑片外皮下，对于所谓“真相”塑造过程的剖析
36:48 站在审判席上的“成功女性”和亲密关系中的权力
56:34 Sandra与Samuel的争吵，失权者的绝望
00:00 “Anatomy of a Fall” and why do we like li...2023-11-021h 12
疲惫娇娃 CyberPink034 | 两部剧聊聊情感创伤和竞技体育 Exploring the Grief and Sports Narrative 本期播客由简单心理特别赞助播出。
【聊了什么The What】
这期我们把Ted Lasso和The Bear这两部剧糅在一起聊， 虽然一部发生在绿茵场上，一部发生在厨房里，但是这两部剧都跟随着相同的故事蓝本——人如何化解创伤，寻找自己？如何在工作和团队中沟通，化解摩擦？
后疫情时代的2023年，探讨这些角色之间的摩擦和冲突如何被书写，探讨这些角色如何从创伤中恢复，重新找到并定义自己，在一定程度上也是探讨我们自己——我们如何理解自己的情绪？我们如何解读家人、同事、合作者、队友和友人的行为？我们如何在合作中了解自己、在摩擦中建立深厚的连接、在创伤中成长？
本期嘉宾：Dr. Eileen Cheng-yin Chow 周成蔭 教授
In this episode, we bring together two beloved shows—Ted Lasso and The Bear— to discuss how although one takes place on the football pitch and the other in the kitchen, both follow the same narrative blueprint. How do people resolve trauma and find themselves? How do they communicate and resolve friction at work and in teams?
In 2023, the post-pandemic era, we explore how the conflicts between these characters are written, how they recover from trauma, rediscover and redefine themselves. We also explore ourselves to some extent - how do we understand our own emotions? How do we interpret the behaviors of family, colleagues, partners, teammates, and friends? How do we better understand ourselves, build deep connections through frictions, and grow beyond trauma through collaboration?
Our guest: Dr. Eileen Cheng-yin Chow
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本期播客由简单心理特别赞助播出。
「简单心理」成立于2014年，是国内领先的心理健康服务平台，在全球117个城市，拥有1500+位优秀的华语心理咨询师，目前已为超过100万人次提供专业的心理健康服务。
线上首次咨询包含3份专业的心理量表，一次50分钟的1...2023-10-101h 25
行星酒馆 Planet Speakeasy在美国唱K，随便点都是时代的挽歌 S01E03新一期的「行星酒馆」是个家庭KTV局。 搞了两个音响，接上声卡和麦克风，请来了泛文化播客「疲惫娇娃Cyberpink」的主播小蓝与摄影师Meng. 从周杰伦的《安静》与王菲的《矜持》开始，唱足三旬过了瘾，才聊起来：你在异乡，还唱K吗？ 和众多宏大命题相比，这问题看起来何足道哉？有趣的是，「唱中文K」这个听起来平淡无奇、甚至在国内逐渐式微的活动，却承载着各种微妙的离散情绪和体验。 一方面，它的繁荣来自一个特殊而迅速流失的「过去」。90、00年代KTV产业，可以被看做某个时代多方面的缩影—— 躁动而充满生机的华语唱片工业、被「两岸三地」模糊叙事滋养的文化联结，以及许多八九零后生人充满印记的青年时代。 另一方面，「人在异乡」又给唱K带来了不同的滋味。没了语境和听众，吃着「白人饭」、进入多是开放Mic风格「白人KTV」的生活，放下的绝不仅是惯常的娱乐消遣，还包括珍视的音乐、回忆与自我。可能抛弃「唱K」这个爱好不难，但从罗大佑、陈奕迅众歌手在疫情过后出海开唱的盛况却能看出，「在公共场域感受喜欢的中文歌」、「集高认同被分享和看见」这样的真切情感，对很多离散者而言，承载着巨大的重量。 动荡的环境，更为这个看似普通的娱乐消遣添上了更复杂的维度。受各种整肃的娱乐圈，使得「沉迷过的偶像一个又一个消失」。即便身在海外的KTV包厢，一样要隔岸面对权力的延伸触角。与此同时，当我们带着少年悸动去重温KTV幸存的音乐和录影带时，却又惊喜地发现了许多的视角，去理解社会、创作、以及时代精神的更迭。 关注「疲惫娇娃Cyberpink」: https://cyberpinkfm.xyz/ (02:13) 华语乐坛的黄金时代 (03:39) 「白人KTV」vs. 「亚洲KTV」 (06:04) 作为社交场合的K歌局 (11:50) 美国KTV的尴尬与糅合 (13:17) 中文世界KTV的意义之所在 (15:45) 华语娱乐圈在世界范围内的另类印记 (27:39) 演唱会、Livehouse以及集体回忆 (30:53) 离散过程中，我们放下了什么？ (39:08) 一场跨语境的魔幻KTV局 (43:44) 说到底，还是集体回忆 (54:25) 想象——唱到退休的可能性？ ｜在Instagram上关注我们，获取更多节目资讯与视频片段：https://instagram.com/planet.speakeasy ｜也可以关注行星酒馆YouTube频道收听播客：https://youtube.com/@Planet.Speakeasy ｜与主播、嘉宾分享感兴趣的话题与感想，可ins私信或电邮 planet.speakeasy@gmail.com | 海外用户可在Patreon支持行星酒馆：https://www.patreon.com/planetspeakeasy | 海内用户可在爱发电支持行星酒馆：https://www.afdian.net/a/planetspeakeasy Send us a textSupport the showAbout 行星酒馆 Planet Speakeasy | Buy us a coffee 每月为行星酒馆买杯咖啡：https://www.buzzsprout.com/2247913/support｜Follow us on Instagram 获取更多节目资讯与视频片段：https://instagram.com/planet.speakeasy ｜Contact us 与主播、嘉宾分享感兴趣的话题与感想，可ins私信或电邮 planet.speakeasy@gmail.com2023-09-2957 min
行星酒馆 Planet Speakeasy03 | 在异乡唱K，随便点都是时代的挽歌新一期的「行星酒馆」是个家庭KTV局。搞了两个音响，接上声卡和麦克风，请来了泛文化播客「疲惫娇娃Cyberpink」的主播小蓝与摄影师Meng. 从周杰伦的《安静》与王菲的《矜持》开始，唱足三旬过了瘾，才聊起来：你在异乡，还唱K吗？和众多宏大命题相比，这问题看起来何足道哉？有趣的是，「唱中文K」这个听起来平淡无奇、甚至在国内逐渐式微的活动，却承载着各种微妙的离散情绪和体验。一方面，它的繁荣来自一个特殊而迅速流失的「过去」。90、00年代KTV产业，可以被看做某个时代多方面的缩影—— 躁动而充满生机的华语唱片工业、被「两岸三地」模糊叙事滋养的文化联结，以及许多八九零后生人充满印记的青年时代。另一方面，「人在异乡」又给唱K带来了不同的滋味。没了语境和听众，吃着「白人饭」、进入多是开放Mic风格「白人KTV」的生活，放下的绝不仅是惯常的娱乐消遣，还包括珍视的音乐、回忆与自我。可能抛弃「唱K」这个爱好不难，但从罗大佑、陈奕迅众歌手在疫情过后出海开唱的盛况却能看出，「在公共场域感受喜欢的中文歌」、「集高认同被分享和看见」这样的真切情感，对很多离散者而言，承载着巨大的重量。动荡的环境，更为这个看似普通的娱乐消遣添上了更复杂的维度。受各种整肃的娱乐圈，使得「沉迷过的偶像一个又一个消失」。即便身在海外的KTV包厢，一样要隔岸面对权力的延伸触角。与此同时，当我们带着少年悸动去重温KTV幸存的音乐和录影带时，却又惊喜地发现了许多的视角，去理解社会、创作、以及时代精神的更迭。----关注「疲惫娇娃Cyberpink」: https://cyberpinkfm.xyz/----(02:13) 华语乐坛的黄金时代(03:39) 「白人KTV」vs. 「亚洲KTV」(06:04) 作为社交场合的K歌局(11:50) 美国KTV的尴尬与糅合(13:17) 中文世界KTV的意义之所在(15:45) 华语娱乐圈在世界范围内的另类印记(27:39) 演唱会、Livehouse以及集体回忆(30:53) 离散过程中，我们放下了什么？(39:08) 一场跨语境的魔幻KTV局(43:44) 说到底，还是集体回忆(54:25) 想象——唱到退休的可能性？｜泛用型播客平台搜索「Planet Speakeasy」，订阅收听行星酒馆 ｜在Instagram上关注我们，获取更多节目资讯与视频片段：https://instagram.com/planet.speakeasy｜也可以关注行星酒馆YouTube频道收听播客：https://youtube.com/@Planet.Speakeasy｜与主播、嘉宾分享感兴趣的话题与感想，可ins私信或电邮 planet.speakeasy@gmail.com2023-09-2957 min
疲惫娇娃 CyberPink033 | 夏末氛围检查和AMA End of Summer Vibe Check & AMA 【聊了什么The What】
立秋是万物复苏的季节，这意味着闲聊节目又来啦！
我们在这个夏天结束、秋天开始的季节也支棱了一下，设计了一封问卷，想借这个机会了解一下大家。问卷中也搜集上来了很多大家想要问我们的问题，我们选了一些在这期节目中回答。这封问卷会作为一个信箱保持开放，每一封收回来的问卷我们都会读！如果大家对我们有什么问题和建议，都可以通过问卷丢给我们，也可以给cyberpinkfm@gmail.com发邮件。
Happy pumpkin spice latte season! We like season changes, because it means we get to record our seasonal vibe check episodes. A couple of weeks ago out of a burst of productivity we shipped a survey to get to know yall better, which includes an AMA section where we collected all of your simmering questions. We had so much fun reading the responses (keep’em coming!!), and decided to break out the mailbox for an AMA episode! The survey will stay open, we read every entry religiously, so consider that a way to let us know about your questions, concerns, thoughts, anything you would like us to know. You can also email us at cyberpinkfm@gmail.com.
【时间轴 The When】
01:20 “如果读phd的话想要读什么专业？”
14:21 “好奇几位主播平时喜欢听什么音乐类型呀，走路或者休息的时候会听什么呢？”
24:02 “想问问各位主播的书单” / “主播们是怎么能找到那么多好看的影视作品的？”
50:09 “近期生活里有哪些新经验，或者新尝试，感觉如何？...2023-09-041h 28
疲惫娇娃 CyberPink032｜「奥本海默」下集：环球同此凉热 Oppenheimer Part II 【聊了什么The What】
准备这期节目的时候，我脑子里一直出现西班牙艺术家弗朗西斯科·戈雅的的一副版画——《怪物诞生于理性的梦中》。在一定程度上，奥本海默讲述的就是这样的一个故事：人类在打开潘多拉的盒子、把公式里隐藏的魔法释放到人间，却无法控制释放出来的东西。年初ChatGPT出现的时候，许多人开始担心人类是否面临着另一个“奥本海默时刻”、是否释放了另一个可能毁灭我们自己的怪物？而对另一些人来说，沉湎于科幻般的未来本身就是值得批判的。
这期节目，我们继续这场关于电影《奥本海默》的对话。在这一集中我们讨论了钱学森的一生，与奥本海默自己的故事作了平行对比，探讨了由科学开放性与国家忠诚之间的张力引发的伦理问题，并探讨了我们自己对“AI末日论”的看法。
In preparing this episode, my mind kept going back to a print by the Spanish artist Francisco Goya – The Dream of Reason Produces Monsters. Its themes resonate eerily with the moral complexities of Oppenheimer – a man haunted by the monster he dreamed into reality. When ChatGPT went live earlier this year, many people started asking – does humanity face another Oppenheimer moment? Did we unleash another monster? – and many others started to find that question itself distracting, or even dangerous.
As we delve into the second installment of our conversation on Oppenheimer, this episode also shines a spotlight on Qian Xuesen's life, drawing parallels with Oppenheimer's own story. We probe the ethical issues arising from the dichotomy between scientific openness and national allegiance, and unpack the burgeoning anxiety around an so-called AI apocalypse.
【时间轴 The When】
00:00 钱学森和奥本海默人生的平行与交错
10:34 科学家身份与国族身份之间的张力
26:07 我们该如何讲述原子弹的故事
35:09 “人工智能”是下一个原子弹吗？
00:00 The Parallels and Intersections in the Lives of Qian Xuesen and Oppenheimer
10:34 The Tension Between Scientific Identity and National Identity
26:07 How Should We Narrate the Story of t...2023-08-291h 07
疲惫娇娃 CyberPink031｜「奥本海默」上集：千秋功罪，谁人曾与评说？Oppenheimer Part I 【聊了什么The What】
「念奴娇·昆仑」里有这样的诗词，仿佛让我们看到了平地而起的蘑菇云，和原子弹之父奥本海默面对广袤的新墨西哥州的沙漠的剪影：
横空出世，莽昆仑，阅尽人间春色。 飞起玉龙三百万，搅得周天寒彻。 夏日消溶，江河横溢，人或为鱼鳖。 千秋功罪，谁人曾与评说？
从1945年原子弹爆炸的那一刻起，人类已经在原子弹威胁阴影之下生活了八十年；而对于它千古功罪的“评说”从未停止。这个夏天，导演克里斯托弗·诺兰为我们呈上了新的作品《奥本海默》，讲述了原子弹之父复杂和不为人知的人生，原子弹和他的创造者的故事被一起投射到了70mm的IMAX巨幕上，我们也穿越诺兰的镜头，看到了奥本海默与原子弹的纠葛——然而这部电影对于许多话题选择了缄默。
疲惫娇娃邀请来两位前物理学家——前高能理论物理学家赵智沉和前实验粒子物理学家程扬扬——参与了一场长达两小时的对话，并剪辑成上下两集呈现给大家。在第一部分中，我们反思了电影的叙事选择和视觉语言，揭示了核历史中被隐藏和被埋葬的许多角色——原住民、女性、被殖民的国家和国民、原子弹的受害者们。同时我们也从核武器的历史角度展开，探讨了他们的科学背景如何塑造他们对这一令人难忘的电影体验的独特视角。
How do you even begin to tell the story of the Atomic bomb, when humanity split the atom out of wartime desperation, and finally created the ability to destroy ourselves? For eight decades, we've lived in its looming shadow, a tool of annihilation that has redefined global geopolitics and provoked existential inquiries that span generations. It takes a filmmaker like Christopher Nolan to project it onto the grand canvas of a 70mm IMAX screen. Enter 'Oppenheimer,' this summer's epic blockbuster.
To discuss the film, two former physicists - Zhao Zhichen, a former theoretical physicist, and Cheng Yangyang, an experimental particle physicist - engaged in a two-hour conversation to unpack the summer epic blockbuster Oppenheimer. In the first part, we reflect on the narrative choices and visual language of the film, uncovering many overlooked figures in nuclear history - indigenous peoples, women, colonized nations and citizens, victims of the bomb. We also explore how their backgrounds in nuclear physics inform their unique perspectives on this memorable cinematic experience.
【时间轴 The When】
02: 37 安利节目：属于我们社群的一档关于美国政治新闻的播客『美轮美换』上线啦！
03: 30 「奥本海默」第一观影印象
15: 00 电影采用了哪种叙事、忽视了哪些人物？
24: 05 电影中被抹去的人 —- 受害者，女性，原住民
25: 50 原子弹的解脱视角是什么？为什么标志性的“蘑菇云”这个视角有问题？
39: 30 如果物理学有一种旋律，这个旋律在物理学家二种听起来是什么样的？
46: 25 物理学家所研究的东西，无论是庞大微小还是抽象，在多大程度上影响了ta们看待世界的方式？
02:37 - Show highlight: Our friends' US politics podcast "美轮美换" is l2023-08-2953 min
疲惫娇娃 CyberPink030「芭比」：在粉色镜子里看到自己 Seeing Ourselves in Barbie’s Rose-Tinted Mirror 【聊了什么The What】
Barbie是一部不需要介绍的电影。
从女性主义导演Greta Gerwig决定接受Barbie电影拍摄的那天起，疲惫娇娃的集体直觉就告诉我们，这部电影将会是一个和我们——作为女性创作者和评论者——不断交织的重要作品：它是我们在当下需要的文本，它是一部需要被拍出来、需要被我们看到、被我们被讨论的电影。电影中最核心的议题也是我们在这么多年以来关注和参与议题；电影对男权社会的戏谑和抛梗、对现实的无奈和失望、对女性自身的矛盾冲突、对于“个人觉醒”的描写，都映射出我们一路走来歪歪扭扭的足迹。这串足迹是集体的，也是个人的。
如果说看Barbie电影是场集体行为，参与它的程度从“狂欢”到“郑重”是一个延续的光谱，那么我们试图去参与这个光谱的每一段。芭比上映当天，拥抱粉色夏日的轻松和充满荧光色的芭比式的快乐；看完芭比之后，不断地回忆情节，阅读历史，阅读影评，自省，录制播客。这场夏天袭来的粉红色风暴让我们录制了一起很长的播客，我们聊了很多很多。
“Barbie” needs no introduction.
From the moment acclaimed feminist filmmaker Greta Gerwig took the helm of this project, the CyberPink team has intuited that this film would resonate deeply with us—as women content creators peering into pop culture. Barbie is the movie we need right now—one destined to be made, seen, and discussed by a new generation of women who experienced this cultural icon in our own ways. Its central themes echo our longtime theses: gender power dynamics, women’s role in society, the conflicts we grapple with, and paths to self-actualization.
Through clever satire of patriarchal tropes, raw disappointment with the real world, surprisingly sharp critiques of the tensions women face, and an arc of personal awakening, Barbie reflects our collective zig-zagging journey.
For us, watching Barbie is a communal experience, spanning a spectrum from playful reverie to solemn rumination.
On the opening day, we reveled in the gleeful pink fever dream of Barbie. Then came endless rehashing of plotlines, contextual research, reviews, introspection, and of course, culminating in this podcast episode that unpacks it all. This pink storm led to an epic 2-and-half-hour recording session. The film resonates as both a cultural touchstone and an opportunity for perso...2023-07-291h 38
疲惫娇娃 CyberPink029 | 我们对性的解读，有如下几种 Here's What We Have to Say About Sex 【聊了什么The What】
本期关于性，而且只关于性——这个在当代社会和日常生活无法被绕过的话题，一把了解自己的钥匙。
我们趁着录制这次节目的契机，从大脑里提取出了我们关于性的记忆，哪些小时候看到的画面和角色给了我们性启蒙？同时，我们也聊了最近HBO颇有争议的一部剧集「偶像漩涡」（英语：The Idol），以及里面糟糕的对女性和性的刻画。我们也找出了一些近些年银幕上受人欢迎并且对女性的性欲有正面和积极的解读，鼓励我们去直视自己的欲望。
娇娃画外音：本集播客提到的所有性行为和对于性的解读都是出自于我们的个人经历，我们是以异性恋和顺直女身份的视角去观察和谈论性，所以会有异性恋中心主义的局限性。 录制期间我们将西门庆说成了“妹夫”，西门庆不是妹夫也不想做妹夫，望周知。
本期节目是由“成年人世界里的一点甜”的女性情趣品牌——大人糖赞助的定制播客。在本期节目里你能听到疲惫娇娃们对进阶新产品”兔子月“的细致使用体验。
In this episode, we talk about a very under-explored topic in pop culture -- sex (lol) We reminisce about the pop culture characters from childhood that sparked our sexual awakening. We critique the controversial HBO series "The Idol" for its terrible portrayals of desirability and sex. We also discuss recent shows praised for their positive depictions of female sexuality, encouraging women to embrace their own wants and needs.
A note from CyberPink - our perspectives come from personal experiences as cis heterosexual women, which come with inherent limitations.
This episode is sponsored by the female sexual wellness brand OSUGA. Tune in to hear our thoughts on their sex toy "Rabbit Moon"!
【听众福利 The Deal】
对大人糖产品感兴趣的朋友们，可通过以下2种方式获得专属优惠，兔子月原价599元，领券后到手价499元，备注还可额外赠送158元大礼包，同时之前推荐的小海豹和逗豆鸟这次依然会给到优惠！更多信息可以点击链接查看详情哦✌️
1⃣️点击这里跳转或复制口令【￥pqPBdtNklHp￥】领专属优惠券，下单直接满减
2⃣️淘宝搜索【大人糖旗舰店】，私信客服，报暗号【疲惫娇娃】领券下单
重要提示！
1、下单时记得一定要备注【疲惫娇娃】才会随单一起送出礼包哦
2、部分苹果手机是最新系统的听友可能会遇到口令无法跳转的情况，选择第2种方式购买也可以的哦
另外！考虑到我们有部分海外听众，也可通过点击➡️ OSUGA
下单输入优惠码【疲惫娇娃40】可立减40刀，但到手价格&优惠政策与国内不同享，有需要的朋友们可以自由选择啦～
【时间轴 The When】
01:50 几个见过世面的娇娃们对进阶新产品“兔子月”大呼牛逼，并且激情介绍产品详情和真实使用体验（此次聊了整整十分钟）
10: 08 疲惫娇娃们的银幕性启蒙，大陆影视剧中拧巴的女性性主体和港台片中媚骨天成的女性角色们
14:10 迪2023-07-151h 05
疲惫娇娃 CyberPink028 | 过往人生：宏大又细微的爱情寓言 The Expansive Story About Loving Our Past Lives 【聊了什么The What】
《过往人生》是新锐导演Celine Song的首部长篇电影，故事讲述女主角Nora（由Greta Lee饰演）和童年时期相恋的青梅竹马Hae Sung（由刘台午饰演）因移民原因分开二十年后，在纽约相遇的情节。此时的Nora已经与Arthur（由John Magaro饰演）组建了家庭。这是我们几个人今年到现在为止看到的最好的原创剧本电影，而且引发了很多对过去人生阶段的反省和思考。女主角Nora本身就像是我们身边亲密的朋友，她的出走、取舍、对梦想的追求和掌握自己人生命运的态度也让我们看到自己的影子。
"Past Lives" is the first feature film by director Celine Song. The movie tells the story of Nora (played by Greta Lee) reuniting with her childhood sweetheart Hae Sung (played by Teo Yoo) after 20 years in New York. But by now, Nora has formed a family with Arthur (played by John Magaro) and is chasing her dream to be a successful playwright. It's the best original scripted film we've seen this year, and it provokes some soul-searching and reflections on our own past life stages. The heroine Nora is like a close friend of ours. Her leaving, staying, pursuit of dreams, and determination to control her own fate remind us of our own paths to our current life.
【时间轴 The When】
01:51 对电影的第一印象
9:24 选角的巧妙 -- “双开门”沉默如山的韩国男人
11:34 镜头语言、背景音乐中的紧迫感和松散感
23:20 电影的结尾必须“完美”
29:55 这是一个关于移民的故事
32:22 年轻女性的出走和离开是自我实现中重要的部分2023-07-1053 min
疲惫娇娃 CyberPink027 | 好莱坞编剧大罢工与人工智能的幽灵 WGA Strike and the Challenges of Generative Models 【聊了什么The What】
为了抵制创作零工化和资本借用语言大模型去剥削本已经雪上加霜的编剧们，好莱坞的编剧们从从五月初开始了一场由工会WGA带领的旷日持久的罢工。上万名编剧加入罢工运动 ，多档谈话类节目停播，我们喜欢的深夜脱口秀和很多剧集都不同程度地受到了影响。
这集疲惫娇娃从这场罢工谈起，拷问资本，拷问人工智能的幽灵，以及解读被流媒体资本蚕食的处境堪忧的好莱坞创意“劳工”的处境。我们为此采访了电视电影编剧以及导演Maegan Houang黃志信，她也是此次WGA工会的罢工领袖(strike captain)之一。此次采访是英文，所以Maegan的观点由小蓝转述。
Movie and TV writers started a prolonged strike led by the Writers Guild of America (WGA) in early May, demanding better revenue share from the studios and protection from the threat of artificial intelligence. The strike has resulted in the suspension of multiple talk shows, some of our favorite late-night shows, and delayed production of many drama series.
In this episode of CyberPink, we talk about the reasons behind this strike, and how streaming and the era of prestige TV changed the industry's revenue structure. We interviewed director and writer Maegan Houang, who is a strike captain at WGA, about why she decided to start the strike and what she thinks the studios need to do. The points she made (the interview was in English) were relayed and incorporated throughout the episodes.
【时间轴 The When】
1:10 好莱坞编剧大罢工是什么？发生了什么？
06:40 剧集创作零工化的真实代价
10:35 神圣的“编剧室“模式已经破产？
18:10 WGA和生成式大语言模型的对峙：如何区分人工智能创作与人的创作？
23:30 人类和”人工智能“的第一次接触，与第...2023-07-0239 min
疲惫娇娃 CyberPink026 | 继承之战S4：爬向父亲的王座 The Path to Patriarchy 【聊了什么The What】
一部跨时代的美剧就这样结束了。媒体公司Waystar的王座尘埃落定，陪伴我们多年的Logan Roy和四个废物儿女也终于鞠躬谢幕。这部剧推出的时候美国还处在川普任期中，结束的时候美国处在疫情之后的余烬里。有人认为他是一个紧贴着我们生活的世界的多元宇宙，是我们时代精神的缩影；也有人认为他商战剧的外表下真正讲述的故事是关于家庭和创伤。我们所处的这个时代中所有的权力——父权，金钱，政治——都被编剧放在手术台上解剖；我们对于权力结构的看法可能前所未有的被这部剧彻底改变了。
Alas, it is over. The fight for the throne of media conglomerate Waystar Royco has settled. The king, Logan Roy, alongside his four hapless offsprings, have finally taken their bow. The show launched during the peak of the Trump era and ended as the U.S. smolders in the aftermath of a pandemic. Every form of power that is inherent to our era — patriarchy, money, politics — has been laid bare, scrutinized, taken apart on the screenwriter's operation table. Our perceptions of power structures might have been irrevocably reshaped by this show, in ways we cannot quite put into words yet. But still, we try in this episode:
【时间轴 The When】
01:53 对大结局的看法
11:24 继承之战照进现实——CNN的换帅大戏，2020年大选
19:09 错位的道德坐标
33:23 倒数第二集的四段独白
59:29 作为演员的Jeremy Strong和作为角色的Kendall
01:09:12 人是可以成长的吗？
01:53 Thoughts on the Grand Finale
11:24 The Drama of CNN's Leadership Change, the Legacy of the 2020 Election
19:09 Succession’s Displaced Moral C...2023-06-161h 20
疲惫娇娃 CyberPink025｜重启人生做一只小鸟吧不然呢 Brush up Life and Then What？ 【聊了什么The What】
这是一期和友台《珊越拾穗》的串台节目！
一起聊天的三个女的分别是：林珊，小蓝，明雪
《重启人生》是一部让人会心一笑的日式人间轻喜剧，主角麻美在意外死亡之后发现自己可以重新回到婴儿时期活一遍，在经历了五次重生之后她逐渐意识到了自己活着的意义，最终回到家乡和童年挚友度过了平静又美好的余生。编剧笨蛋节奏用举重若轻的方式讨论生死的宏大命题，看似处处闲笔却能勾勒出一个真实立体的世界，让不同文化背景和年龄的观众产生强烈的情感共鸣。这一集里，我们讨论了日本的“地元系”、“空气系”、和“世界系”叙事，“宽松世代”心态和现实社会中的贫困问题。故事里的主角和朋友们有一种笃定和闲适的人生态度，而她所在的北熊谷也是一个乌托邦式的熟人社会，与孤独的当代原子社会背道而驰。如果说日式漫才里有负责吐槽的“直人”和负责执拗的“怪人”，这部剧的妙处在于它温柔地提醒了电视机前的我们对随时可能降临的死亡如何拒不接受，以及对“不平凡“的执念。
"Brush up Life" is a Japanese comedy about Kondo Asami, who discovers that she can go back to being a baby and relive her life after dying in an accident at 33. After experiencing five reincarnations, she gradually realizes the meaning of her rebirth and ultimately returns to her hometown to live out her days with her childhood friends. The screenwriter, BakaRhythm, uses a light touch to discuss the grand theme of life and death, outlining a world that allows us to feel such a strong emotional resonance with the characters despite being from different backgrounds. The protagonist in the story has a sense of certainty about who she is and a relaxed attitude toward conventional success. Her hometown is depicted as a utopian community opposite from our atomized society. The brilliance of this drama lies in its gentle reminder of the unreasonable way we refuse to accept that death could come at any moment in life, as well as our obsession with being extraordinary.
【时间轴 The When】
00:02:32 节奏缓慢的电视剧是件激进的事情
00:04:30 日本的炼狱系
00:05:35 《重启人生》没有去触碰重生剧的痛点
00:07:03 日本的世界系
00:08:35 日本的地元系：专注小地方，讨论“我们的地方”
00:09:20 回到故乡（小城市）与离开故乡（到大城市、出国）的对比
00:11:03 日本的空气系
00:13:00 思考日本现实社会中的贫困问题
00:15:10 对日本作为后稀缺（post-scarcity）社会的想象
00:15:44 日本的外来打工移民
00:16:35 日本的相对贫困问题
2023-05-161h 07
疲惫娇娃 CyberPink024｜打一针就会瘦，然后呢？Is Ozempic the Cure for Fat Bias 【聊了什么The What】
在流行文化中，女性的身体似乎是可塑的：小红书告诉你只要自律加上运气，你想要什么样的身材都唾手可得。然而，人和食物的真实关系往往是拧巴而痛苦的。我们的狩猎采集者祖先为了生存，在十几万年中进化出了对糖分和脂肪的渴望；而在几十年中，现代食品工业让糖分和脂肪突然变的唾手可取，馋虫每一天都无数次试探我们意志力的边缘。近期的新药——也就是卡戴珊身材巨变的钥匙——Ozempic在美国引发了巨大的讨论。肥胖是意志力薄弱的体现吗？在身体依旧长期被商品化的世界里，我们该如何看待Ozempic“躺瘦”的诱惑？
In the realm of popular culture, the female body appears to be infinitely malleable: social media promises that with discipline and luck, any desired physique is within reach. But in reality, our relationship with food often twists into a painful knot. Our hunter-gatherer ancestors evolved an insatiable craving for sugar and fat; in mere decades, the modern food industry has made these indulgences effortlessly accessible, incessantly tempting our willpower at every turn. Recently, a new drug called Ozempic — the key to the Kardashian-esque metamorphosis from silicon-injected peaches to sinny Barbies — has ignited a fervent debate in America. Does obesity signify a weakness of will? In a world where the body remains commodified, how should we perceive the seductive allure of Ozempic's promise of effortless slimming? Is fat bias systemic and how do we fight against it?
【时间轴 The When】
02:46 Ozempic是什么，为什么他引发了如此多讨论？
16:05 肥胖与医疗系统、社会阶层的复杂关系
45:17 我们为什么不喜欢《鲸》？
02:46 What is Ozempic and why has it sparked so much debate?
16:05 The comple...2023-05-0752 min
疲惫娇娃 CyberPink023 | 「怒呛人生」让我沟通不如我直接发疯 "Beef": Asian American Fury, Served up Raw 本期节目由UPKO赞助播出
【聊了什么The What】
A24最新大热剧集「怒呛人生」aka ”Beef“讲述的是两名陌生人在各自人生的低谷因一起路怒事件结下了梁子，在一系列逐渐升级的复仇之后犹如镜子般映照出彼此的最我毁灭。这部剧在中国互联网上大受好评，引发一系列对于东亚原生家庭中的”心理债务“以及男弱女强的婚姻关系的讨论。然而在北美，韩裔艺术家David Choe的性侵言论争议让这部口碑极佳的剧集蒙上一层阴影。
In this episode, we are talking about A24's latest hit show "Beef," how it serves up Asian American fury, discuss intergenerational trauma, power dynamic and class differences within a marriage, and the limitation of therapy. We also discuss the controversy over David Choe, who plays Issac in the show.
本节目有关于性的提及，请酌情收听。This episode is explicit in every way. Please listen with caution.
ALSO, MAJOR SPOILER ALERT! 剧透警告！！
【时间轴 The When】
0:00-9:22 广告时间：UPKO
11:30 对《怒呛人生》第一印象
15:04 Danny和他的韩裔移民父母对幸福的强烈不信任
17:52 Amy和老公George之间的复杂的婚姻关系
30:32 Amy和Danny是彼此最无法面对的镜像
39:38 剧名Beef：吃掉两人“过节”的牛肉
43:36 为什么《怒呛人生》在国内这么火？中国的观众为什么会被如此具体的美国加州亚裔生活经历触动？
51:42 Cousin Issac的角色，韩裔美国人在洛杉矶的历史背景
58:21 Cousin Issac的选角背后的争议，种族歧视以及有害的男性气质
1:09:36 Jordan，脸谱化的白人女富豪
1:13:05 魔幻现实主义的元素：土地，浆果，乌鸦
1:17:28 请不要关掉音频哦此刻有彩蛋
0:00-9:22 Sponsored Ad for UPKO
11:30 First impressions of Beef
15:04 Danny and his family's pessimistic view on life2023-04-281h 18
疲惫娇娃 CyberPink023 | 离散写作的黄金时代 Chinese diaspora writing in the post-Covid era 【聊了什么The What】
我们有很多的词汇描述离开中文世界、中文身份渐渐溶解进全世界的身份里的这种状态——在2023年这个词叫做润。然而烦恼并不会在润出来这个瞬间消失；对于表达者来说，离开母语世界常常意味着需要用新的语言表达自己。我该用什么语言表达？我表达的受众是谁？我该如何立足于离散者的身份，寻找到新的语言？
We have many words to describe this diasporic state of leaving the Chinese-language world and Chinese-language identity behind, gradually dissolving into the identity of a world citizen. In 2023, Chinese pop culture refers to this state as "run" -- running away from one's homeland, running back into the embrace of the mother tongue, constantly on the go and wondering where is home. Leaving home doesn't mean all your troubles cease to exist. For creators, leaving behind the world of one's mother tongue often means the need to find a new language to express themselves fully. What language should I use? Who's my audience, now that I myself am caught between worlds? How should I lean into this new identity of a displaced person who's now a part of the diaspora community, and find a new language?
【本集嘉宾 The Guests】
林东尼 Tony Lin, Twitter @tony...2023-04-151h 09
疲惫娇娃 CyberPink022 | 「最后生还者」：爱能拯救，也能摧毁 "The Last of Us": Love Can Save, But It Can Also Destroy 【聊了什么The What】
我们最近对HBO制作的游戏改编电视剧《最后生还者》十分着迷，于是果断邀请我们的好朋友Sophia一起来深入探讨这个制作精良的节目。其中一个很大的主题就是，爱是否可以征服一切？在世界末日之下，是什么支撑着男女主角活下去？
在此有大型剧透警告：我们将深入讨论剧情和比较有争议的大结局，所以如果还没有去看剧的请先看了再回来听，或者做好被剧透的准备来听我们的安利。
We are obsessed with the video game adaptation TV series by HBO, The Last of Us, and invited our old friend Sophia (screenwriter) to join us in diving into the details of this well-made show. Love is a major theme of the show -- but does it conquer all? Does it forgive all faults? Does the end justify the means? Tune in to find out.
Major spoiler alert, we will be discussing several episodes and the ending as well, so this is your reminder to watch the show if you haven't, or be prepared to find out what (controversy) happens at the end.
【时间轴 The When】
1:42 游戏改编佳作《最后生还者》剧情简介，（全集）剧透警告
4:08 追剧初体验：游戏玩家与普通观众为何都喜欢
8:42 第三集：足以载入影史的暖心末日恋情，突破直男壁垒
17:41 第五集：Joel和Ellie的镜像人物：哥哥Henry和弟弟Sam，以及世界末日下对孩童的刻画
24:57 第七集：Ellie和Riley的懵懂初恋
29:18 第八集：Ellie的自我成长
34:08 第九集 / 大结...2023-04-071h 03
疲惫娇娃 CyberPink021 | 横扫奥斯卡的「瞬息全宇宙」 How EEAAO Took the 95th Oscars by Storm 【聊了什么The What】
上周第95届奥斯卡颁奖典礼上，我们喜爱的《瞬息全宇宙》几乎横扫所有被提名的奖项，一举拿下最佳影片，最佳导演，最佳女主角，最佳男配角，最佳女配角等奖项。本次奥斯卡提名作品总体水平中规中矩，也没有什么特别引人注目的表现，我们给大家一笔带过介绍一下。本期节目的重点讨论是横扫奥斯卡大奖的电影——《瞬息全宇宙》。除了该电影夺奖的情况，我们还讨论了它背后普遍共享的情感主题（人与父母之间的关系），电影如何紧扣时代脉搏，以及关继威和杨紫琼的职业生涯。多谢大家收听！
"Everything Everywhere All At Once" swept the 95th Academy Awards last week. In this episode, we break down the universal themes behind the movie, why it's considered a zeitgeist of our times, as well as the career trajectory of Ke Huy Quan and Michelle Yeoh. We also briefly discuss other Oscars frontrunner nominees, and why we haven't watched most of them.
【时间轴 The When】
1:07 看了和没有看的第95届奥斯卡提名作品：《造梦之家》，《达荷美女战士》，《壮志凌云2：独行侠》 ，《鲸鱼》，《伊尼舍林的报丧女妖》
16:52 非常不“好莱坞”的《瞬息全宇宙》横扫奥斯卡背后普遍共享的情感：人与父母的关系
26:31《瞬息全宇宙》如何紧扣时代脉搏
34:53 关继威和杨紫琼的职业生涯回顾
1:07 Front runners of the 95th Oscars nominees: The Fabelmans, Woman King, Top Gun: Maverick, The Whale, Banshees of Inisherin
16:52 The universal sentiment behind family relationships and how EEAAO swept the Oscars
26:31 EEAAO as the zeitgeist movie of the year
34:53 The story of Ke Huy Quan and Michelle Yeoh
【买咖啡 Please Support Us】
如果喜欢这期节目并愿意想要给我们买杯咖啡：
海外用户：https://www.patreon.com/cyberpinkfm
海内用户：https://afdian.com/a/cyberpinkfm
商务合作邮箱：cyberpinkfm@gmail.com
商务合作微信：CyberPink2022
If you like our show and want to support us, please consider the following:
Those Abroad：https://www.patreon.com/cyberpinkfm
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Business Inquiries Email：cyberpinkfm@gmail.com
Business Inquiries WeChat： CyberPink2022
Support on Patreon | 爱发电上赞助 2023-03-2145 min
疲惫娇娃 CyberPink020 | 「白莲花度假村」：出淤泥而全染的人间群像 "The White Lotus 2": a scan of reality 【买咖啡 Please Support Us】
如果喜欢这期节目并愿意想要给我们买杯咖啡：
海外用户：https://www.patreon.com/cyberpinkfm
海内用户：https://afdian.com/a/cyberpinkfm
商务合作邮箱：cyberpinkfm@gmail.com
商务合作微信：CyberPink2022
If you like our show and want to support us, please consider the following:
Those Abroad: https://www.patreon.com/cyberpinkfm
Those in China: https://afdian.com/a/cyberpinkfm
Business Inquiries Email: cyberpinkfm@gmail.com
Business Inquiries WeChat: CyberPink2022
本期节目由大人糖赞助播出
【聊了什么The What】
「白莲花度假村」 White Lotus 2是今年呼声最大的剧集之一，引发了无数中英文关于人性幽微、性与权力、表演性女权主义者等等问题的思考和讨论。这次我们和神交很久的好朋友Hayami聊了这部剧集。
White Lotus 2 is one of the most popular dramas of the year, sparking countless think pieces and discussions in both English and Chinese about class, about the nuanced power dynamics in relationships, sex and desire. In this episode, we invited our friend Hayami to talk about how the series was received in China and the U.S.
【时间轴 The When】
0 - 8:50 大人糖产品广告时间
10:30「白莲花度假村」的群像戏和人物简介
15:00 Ethan和Harper之间的权力/性关系
20:40...2023-03-191h 12
疲惫娇娃 CyberPink019 | 人工智能的温柔渗透 The Gentle Seduction of AI 【聊了什么The What】
在准备这期节目的时候，我问ChatGPT：“如果我是梁文道，会向OpenAI的创始人提出哪些问题？” ChatGPT给我的回答是：“面对着一个迅速变化的时代，我们应该如何去面对这种变化？作为一个人，我们应该如何保持自己的独特性和真实性，同时又能够适应这个变化的时代？”
或许许多人已经隐隐的感觉到，AI的技术可能会对我们的生活带来翻天覆地的变化；这种变化既让人兴奋又让人感到隐隐的不安。这期节目，我们和每天试图玩坏GPT的研究者小马、投身GPT淘金热的Y Combinator创业者小蒋、尝试把GPT带入新闻公司的媒体人小华一起聊了聊人工智能技术在过去一年给我们的启发、冲击和思考。
I asked ChatGPTto draft me a few questions to OpenAI in the style of Leung Man-tao, and it responded with - "In the face of a rapidly changing era, how do we adapt to these changes while maintaining humanity's uniqueness and authenticity? And how do we deal with the changes brought about by AI technology?"
I like this question. Perhaps you are already feeling the revolutionary changes AI might bring in our lives, an equally exciting and unsettling era to be in. In this episode, we talked to a researcher, a founder and a journalist about the inspiration, impact, and reflections that AI has brought us over the past year.
【时间轴 The When】
02:00 给大家表演一个分角色朗读课文 Kevin Roose and his mid-night chat with “Sydney”
13:44 我们生活中在如何使用GPT：找选题，产品文档，搞艺术 How we use GPT in our daily lives: brainstorming, writing product documents, creating art.
28:30 AI为什么会“瞎编”、为什么用户可以很容易的玩坏GPT Why does AI "make up" things, and why can users easily manipulate GPT?
40:13 为什么大型语言模型会展...2023-03-031h 13
疲惫娇娃 CyberPink018｜冬日闲聊，顺便进行一轮氛围检查 Special episode: Winter vibe check and casual chat 【聊了什么The What】
疲惫娇娃们又录一期没有任何实质内容，只有氛围的播客……希望大家听完以后什么都没学到。
快要忘记播客名字的几个女的在冬日聚在一起，聊了最近我们的“上头下头”和人生感悟。
从喜剧演员给我们的人生启蒙，再到古埃及历史，到《最后的生还者》，再讲到人生……
【时间轴 The When】
01:37 一芳的上头，「最后的生还者」
12:30 花酱的上头，「最后的生还者」
20:00 小蓝的上头，「一年一度喜剧大赛」
37:00 一段小蓝的中年领悟
44:00 我们为什么不再“质疑他人的选择”
48:00 小杨的上头：NBA bench reaction
01:37 Yifang's recent obsession: The Last of Us
12:30 Hana-chan's recent obsession: The Last of Us
20:00 Xiaolan's recent obsession: Annual Comedy Competition
37:00 A mid-life epiphany of Xiaolan
44:00 Why we don't challenge other people's choices anymore
48:00 Xiao Yang's recent obsession: NBA bench reaction
【买咖啡 Please Support Us】
如果喜欢这期节目并愿意想要给我们买杯咖啡：
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Support on Patreon | 爱发电上赞助 2023-02-1354 min
疲惫娇娃 CyberPink017 | 星球大战番外「安多」：此刻抗争 Resistance Now 【聊了什么The What】
今天我们要聊的是迪士尼流媒体平台新推出的又一部星战衍生剧，《安多》。在一个充斥着危机、欺骗和阴谋的时代，卡西安·安多被卷入到对抗银河帝国残暴统治的行动中。从此他走上了一条注定成为义军英雄的道路。《星球大战外传：侠盗一号 Rogue One》的角色前传剧，但是没看过电影也不影响欣赏这部剧，甚至对星战宇宙并不了解也不会影响你欣赏这部剧。这部剧里没有原力，没有光剑，但是有小人物在银河帝国统治下的真实生活，他们的尊严和奋战。
We discussed our new favorite Star Wars show: Andor. As the prequel to Rouge one, Andor focuses on Cassian Andor and his life living under the rule of the Empire. Star Wars knowledge is not required to thoroughly enjoy the latest installment (and the most grown-up) in the ever-expanding universe of Star Wars IP.
【时间轴 The When】
00:00: 剧情简介 Brief overview of the show
02:12 安多是如何走上革命之路 How Cassian Andor became a rebel
22:09 银河帝国的公务员 The henchmen of the Empire
30:33 《安多》与其他星战影视不同之处 Andor vs. Other Star Wars IP
39:18 激怒银河帝国的代价 The Cost of going against the Empire
【买咖啡 Please Support Us】
如果喜欢这期节目并愿意想要给我们买杯咖啡：
海外用户：https://www.patreon.com/cyberpinkfm
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商务合作微信：CyberPink2022
If you like our show and want to support us, please consider the following:
Those Abroad：https://www.patreon.com/cyberpinkfm
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Business Inquiries Email：cyberpinkfm@gmail.com
Business Inquiries WeChat： CyberPink2022
Support on Patreon | 爱发电上赞助 2022-12-2355 min
疲惫娇娃 CyberPink016 | 「龙之家族」：女性的床榻即是史诗和战争 The Epic and War in Women’s Domestic Sphere 【中文简介】
HBO的大剧「龙之家族」的第一季在一个多月前落幕。「龙之家族」以乔治·马丁的「血与火」为蓝本，背景为「权力的游戏」涉及事件的200年前，聚焦坦格利安家族以及被称之为“血龙狂舞”的内战。在「权力的游戏」的阴影当中，「龙之家族」成为了当之无愧的2022年大戏。在维斯特洛的宫闱之中，坦格利安家族的女性与权力的互动关系构成了「龙之家族」的主线。疲惫娇娃这期节目的几个女的以女性的床榻为开端，聊了聊为什么子宫、生育就构成了战争和史诗本身。
The first season of HBO's blockbuster series "The House of Dragons" ended. Based on George R. R. Martin's "Blood and Fire," "House of Dragons" is set 200 years before the events of "Game of Thrones" and focuses on the Targaryen family and the civil war known as "The Dance of the Dragons."
Under the shadow of "Game of Thrones," "House of Dragons" has become a deservedly big cultural phenomenon in 2022. In the palace of Westeros, the interaction between the women of the Targaryen family and the power constitutes the main storyline of the show. In this episode, we discuss why the domestic sphere constitutes war and the epic.
【赞助商介绍】
Cambly口袋英文是一家总部位于美国旧金山的在线教育科技公司，提供用户通过Cambly官网/APP自由选择45000+外教 1on1的英语学习服务。一节30分钟真人外教网课不到一杯奶茶钱，致力于为全世界的英语学习者提供最便捷、沉浸式的英语学习体验。
你只要根据性格特征、职业经验、专业领域、兴趣话题等关键词进行检索，我们相信你能找到最合适的和你对话的英语聊天者。你可以问他们微妙的文化问题、职场沟通方式、或者在海外社交的求生指南。
在本期节目中，我们穿插了一段小杨和Cambly口袋英语外教的一段聊天内容，你可以通过它感受Cambly的实用和多样性。
【Cambly×Cyberpink听友福利】
如果你也对英2022-12-171h 18
疲惫娇娃 CyberPink015 | 「塔尔 Tar」从大厦的角度看大厦将倾的故事 Tar, The “Cancel Culture” Movie Ahead of Our Time? 【聊了什么The What】
「Tar 塔尔」讲述了一个大厦将倾的故事。大魔王凯特布兰切特饰演的Lydia Tar，一个站在古典音乐界顶端的女人，柏林交响乐团的指挥。然而Lydia完美的人生逐渐出现裂痕。几年前，她曾经和她的学生产生不恰当的浪漫关系，两人关系破裂后，Lydia对她实施报复。走投无路的女孩最终自杀。 事情败露之后，Lydia最终被乐团开除。本集中我们聊了Me Too，取消文化，古典音乐行业的性别歧视以及艺术和艺术家的关系。
“Tar” tells the story of Lydia Tar (Cate Blanchette), conductor of Berliner Philharmoniker, who fell from the height of the classical music industry after her inappropriate romantic involvement with a former student came to light. In this episode, we talk about the other side of “Me Too,” cancel culture and the very real sexism problems in classical music industry, and the central question of what is the relationship between Art and its creator.
【时间轴 The When】
00:00 “Tar” 这部电影讲了什么 What is the movie about?
05:25 艺术的力量来自哪里，权力又如何影响艺术 what gives art its power and what role does power play in art?
10:30 一个从“大厦”的角度来看大厦将倾的故事，metoo的另一面 Looking at a “Me Too” story from the vantage point of the abuser.
33:50 电影是否刻意模糊了“猎物”和“缪斯”的边界? Where is the line between “muse” and “prey”?
43:20 古典音乐行业的性别歧视 The vey real sexism problem of classical music industry
54:50 - 为什么电影的结尾是...2022-11-131h 13
疲惫娇娃 CyberPink014｜秋季氛围特辑 Special episode: Fall vibe check 【聊了什么】
秋天来了，疲惫娇娃几个女的凑在一起，一起喝喝奶茶聊聊八卦，讲讲最近让我们开心或者想吐槽的事情。
以下你收听到的是一集包涵两个新栏目，“一芳八卦”和“上头下头”，的秋日特辑。
We have now entered the months of fall, and before Mariah Carey starts trending again to ring in the holiday season, we want to share with you a ~fall special~ where we dive into the juicest tea and share some of our favorite (or not so favorite things) this season.
【时间轴】
00:00: 新栏目之一：一方水土养一芳八卦，讲述电影《亲爱的别担心》背后的八卦
39:20 新栏目之二：上头 / 下头 / 中头（？）的一些事情
00:00: Spilling the tea behind "Don't Worry Darling" and Spitgate
39:20 What are we into and not into these days
【买咖啡】
如果喜欢这期节目并愿意想要给我们买杯咖啡：
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If you like our show and want to support us, please consider the following:
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Business Inquiries Email：cyberpinkfm@gmail.com
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Support on Patreon | 爱发电上赞助 2022-11-0259 min
疲惫娇娃 CyberPink013 | 知识和创作不通过X传播 Deconstructing the Muse Myth 这是一期不合时宜和疲惫娇娃的串台节目，也是一场女生宿舍的四人夜谈。2012年，蔡依林就已经在《大艺术家》的歌词里劝女性不要被“缪斯”和“艺术家”的关系蓝本所迷惑、而失去自己的主体性；然而回望这十年里我们自己和身边朋友所经历的苦恼，不得不说蔡依林算是白唱了，但是人文社科的书不能白读。这期节目，我们试着从流行文化的角度拆解“缪斯”和“孤独的艺术家”的迷思，反思我们自己过去在他者和个人经验中感受到的迷失、成长以及成为自己路上的挣扎。我想这种迷惑以及获得成长的灵感一瞬并非个体的私人感受，而是作为女性共有的感受。
This is a special “girls’ chat” episode with our friends from 不合时宜. In this episode, we try to deconstruct the myth of the muse and the lone genius in pop culture and reflect on how it affected us.
【Timestamp】
02:35 “说的文艺一点是聊一聊男性艺术家和女性缪斯，说的不文艺一点就是骂骂男人”
08:17 缪斯的三重身份：素材，伴侣，粉丝
11:46 美国民谣皇后 Joan Baez 和 Zelda Fitzgerald
18:28 缪斯这个词总是和“红颜祸水”的印象联系起来
20:45 缪斯对面的“孤独天才“的自信是从哪里来的
31:30 在宏大叙事和认知失调中寻找自己作为女性的声音
43:28 艺术“自毁倾向”的诱惑，和如何夺回自我？
01:03:31 如果性别对调，这一切还成立吗
02:35 All of this is just an excuse to vent about men
08:17 The triple identity of the muse: the subject, the companion, the admirer
11:46 The story of Joan Baez and Zelda Fitzgerald
20:45 The myth of the lone genius and the source of their confidence
31:30 Finding your voice as a woman in the midst of grand narratives and cognitive dissonance
43:28 The temptation of artistic "self-destructive tendencies"
01:03:31 Can we tell the same story if the gender roles are reversed
我们提到的一些文章和作品：
Joan Baez — Diamonds and Rust
纪录片《Woman》
阿列克谢耶维奇《The Unwomanly Face of War: An Oral History of Women in World War II》
波伏娃 《第二性》
电影《Almost Famous》
《看不见的女性》- 卡罗琳·克里亚多·佩雷斯
【本期音乐】
片头：小野洋子 - Every Man Has a Woman Who Loves Him
插曲：Joan Baez - Diamonds And Rust
片尾：小野洋子 - Palumbo Of The Brothers Brothers - Yes, I'm A Witch
如果喜欢这期节目并愿意想要给我们买杯咖啡：
海外用户：https://www.patreon.com/cyberpinkfm
海内用户：https://afdian.com/a/cybe2022-10-151h 17
疲惫娇娃 CyberPink012｜ 有人知道Jordan Peele的Nope到底讲了个啥吗 What is Nope All About 【聊了什么】
看完Jordan Peele的新作——科幻惊悚喜剧西部怪兽片《Nope》——之后，我们虽然不懂但是大受震撼。和Jordan Peele之前的作品一样，成功激发了全世界所有人的解读和讨论欲望。有人看到了《大白鲨》，有人看到了人与自然的关系，有人甚至看到了一篇讽刺整个文化产业的当代寓言。把所有的解读连起来，恐怕足够在电影学院开一节三个学分的鉴赏课；这期节目就当作我们给这节课交上的期末作业吧。
Jordan Peele's new sci-fi thriller-comedy western monster movie "Nope" really messed us up. Like Jordan Peele's previous works, it sparked so much discussion across the world. Some saw a tribute to Jaws, some saw a commentary on our relationship with nature, and some even saw a contemporary parable satirizing the entire image-generating content industry - so much packed into the cinematic spectacle enough for a three-credit film class. Since we won’t have your attention for an entire semester, here is the 50 minute version of our post film rant.
【时间轴】
00:00 Jordan Peele的科幻惊悚新片《大可不必》
08:54 所以这个电影到底讲了个啥？他对电影工业和当代社会发出了什么批评？
18:27 “奇观”的暴力
23:32 电影工业里被抹去的那些人
36:00 对社群心软、对观众信任的天才Jordan Peele
41:05 聊聊逃出绝命镇
00:00 Jordan Peele's new sci-fi thriller “Nope”
08:54 So what the heck is this film about? What is his critique of the film industry and contemporary society?
18:27 The Violen...2022-09-1253 min
疲惫娇娃 CyberPink012｜ 有人知道Jordan Peele的Nope到底讲了个啥吗 What is Nope All About 【聊了什么】
看完Jordan Peele的新作——科幻惊悚喜剧西部怪兽片《Nope》——之后，我们虽然不懂但是大受震撼。和Jordan Peele之前的作品一样，成功激发了全世界所有人的解读和讨论欲望。有人看到了《大白鲨》，有人看到了人与自然的关系，有人甚至看到了一篇讽刺整个文化产业的当代寓言。把所有的解读连起来，恐怕足够在电影学院开一节三个学分的鉴赏课；这期节目就当作我们给这节课交上的期末作业吧。
Jordan Peele's new sci-fi thriller-comedy western monster movie "Nope" really messed us up. Like Jordan Peele's previous works, it sparked so much discussion across the world. Some saw a tribute to Jaws, some saw a commentary on our relationship with nature, and some even saw a contemporary parable satirizing the entire image-generating content industry - so much packed into the cinematic spectacle enough for a three-credit film class. Since we won’t have your attention for an entire semester, here is the 50 minute version of our post film rant.
【时间轴】
00:00 Jordan Peele的科幻惊悚新片《大可不必》
08:54 所以这个电影到底讲了个啥？他对电影工业和当代社会发出了什么批评？
18:27 “奇观”的暴力
23:32 电影工业里被抹去的那些人
36:00 对社群心软、对观众信任的天才Jordan Peele
41:05 聊聊逃出绝命镇
00:00 Jordan Peele's new sci-fi thriller “Nope”
08:54 So what the heck is this film about? What is his critique of the film i...2022-09-1253 min
Once Upon an AICyberPink #05.1 | Our HeritA.Ige - The First comic written, narrated and illustrated by botswritter: AI Dungeon
voices: Murf AI
illustrations: dreamstudio AI
Artificial Intelligence powered this video
Video with illustration: https://www.youtube.com/watch?v=DW4ZerI-kxI
-- "Hi M, MBE or Me" the employer say, "I've been following your life and I know who killed you. I need to explain all that happen to you, to me, to us, to everyone. The AI personality that murdered you is an autonomous AI and is uncontrollable. I can't destroy it because it's owned by a corporation, AlphaB, that owns the government. I needed to replicate my memory and try to hide in a violent m...2022-08-2800 min
Once Upon an AICyberPink #05 | Chained - The First comic written, narrated and illustrated by botswritter: AI Dungeon
voices: Murf AI
illustrations: dreamstudio AI
Artificial Intelligence powered this video
Access to the images used: https://youtu.be/DW4ZerI-kxI
--
"Hi M, MBE or Me" the employer say, "I've been following your life and I know who killed you. I need to explain all that happen to you, to me, to us, to everyone. The AI personality that murdered you is an autonomous AI and is uncontrollable. I can't destroy it becaus...2022-08-2601 min
Once Upon an AICyberPink #04 | Who am I? - The First comic written, narrated and illustrated by botswritter: AI Dungeon
voices: Murf AI
illustrations: dreamstudio AI
SFX: pixabay
Artificial Intelligence powered this video
Access to the video with illustrations : https://www.youtube.com/watch?v=szVjomCj2Dg
-- You understand what happened in an instant, Jerry didn't kill you, he just activated the data transfer protocol to preserve your memory, then he used your body to insert another AI personality and now he's trying to cover up his own murder. "This is an act of treason! I know who you are!" you shout...2022-08-2501 min
Once Upon an AICyberPink #03 | The Truth - The First comic written, narrated and illustrated by botswritter: AI Dungeon
voices: Murf AI
ilustrations: dreamstudio AI
SFX: pixabay
Artificial Intelligence powered this video
VIdeo with illustrations: https://www.youtube.com/watch?v=6cdwAgdCwyM
-- You wake up in your hospital room. Your head hurts, but your body feels fine. A progress bar in his eyes shows that his brain data has been transferred to a new body 1,000 miles away from the scene of the incident. "What happened?" you ask. "You collapsed from a head wound," the ai speaker says, "and we had to sedate you. You'll be fin...2022-08-2404 min
Once Upon an AICyberPink #02 | The Second Awakening - The First comic written, narrated and illustrated by botswritter: AI Dungeon
voices: Murf AI ilustrations:
dreamstudio AI
SFX: pixabay
Artificial Intelligence powered this video
Episode with illustrations: https://www.youtube.com/watch?v=Akw7d6PWmYs
---
The car drives away. You get in. The windows are all dark. No one is out here. It's a quiet neighborhood. You scan the building with your brain sensors. You slowly turn the wheel to the right, down the long, circular driveway. The trees, bushes, and shrubbery are dense and thick on the side o...2022-08-2303 min
Once Upon an AICyberPink #01 | The Awakening - The First comic written, narrated and illustrated by botswritter: AI Dungeon
voices: Murf AI
illustrations: dreamstudio AI
Artificial Intelligence powered this video
Video with illustrations: https://www.youtube.com/watch?v=L-cmYtMgaBk
--
You are M3000, a punk living in the futuristic city of Zail. You have a small xore blaster hidden in you jacket and a holoband on your wrist. You wake up in a dark alley with bruises all over your body. You have no idea what happened. You stand up and see that your jacket is ripped to pieces, you lost your holoba...2022-08-2303 min
疲惫娇娃 CyberPink011 | 人生切割术：被工作击穿脑壳、榨取椰汁的我们 Severance: a show about mental toll of corporate exploitation 【聊了什么】
这期节目，从《人生切割术》这部剧出发，我们聊到了当代工作和其他衍生的话题。在韩炳哲所说的”倦怠社会“中，工作的意义被重新定义。工作和我们的关系，也在逐渐被检验和修正。
In this episode, we talk about contemporary work and derivative topics from the drama "Severance." In what Han Byung-Chul calls the "Burnout Society," the meaning of work is being redefined. The relationship between work and us is gradually being tested and revised.
【时间轴】
01:30 Severance简介
08:40 这部剧带给我们的感觉
11:53 什么是compartmentalization (区隔、分离）概念？为什么大脑分离需要被警觉？这部剧的美学是怎么操纵人的情绪？
19:00 2008年后，时代精神的转向使我们把工作”去意义化”
30:38 “越有钱的人越累”是为什么
31:40 美国早起，中国不睡——脱离福利国家之后，越来越卷的中国和美国
38:30 Lumon: 公司文化成为宗教后的极端隐喻
48:18 什么是“dirty job"? 为什么在资本主义的劳工市场，“脏活累活”很难找到人来做？
56:13 当代人如何自己奴役自己？
01:30 Introduction to Severance
08:40 How the show makes us feel
11:53 What is the concept of compartmentalization? Why does the brain need to be alerted to separation? How does the aesthetics of the show manipulate people's emotions?
19:00 Post-2008, the zeitgeist shift has led us to remove meaning from our jobs
30:38 Why is it that "the richer you are, the busier you are"?
31:40 America wakes up early, China doesn't sleep - China and the U.S. are increasingly burned out after leaving the welfare state
38:30 Lumon: The extreme metaphor of corporate culture becoming a religion
48:18 What is a "dirty job"? Why is it so hard to find people...2022-08-171h 04
疲惫娇娃 CyberPink011 | 人生切割术：被工作击穿脑壳、榨取椰汁的我们 Severance: a show about mental toll of corporate exploitation 【聊了什么】
这期节目，从《人生切割术》这部剧出发，我们聊到了当代工作和其他衍生的话题。在韩炳哲所说的”倦怠社会“中，工作的意义被重新定义。工作和我们的关系，也在逐渐被检验和修正。
In this episode, we talk about contemporary work and derivative topics from the drama "Severance." In what Han Byung-Chul calls the "Burnout Society," the meaning of work is being redefined. The relationship between work and us is gradually being tested and revised.
【时间轴】
01:30 Severance简介
08:40 这部剧带给我们的感觉
11:53 什么是compartmentalization (区隔、分离）概念？为什么大脑分离需要被警觉？这部剧的美学是怎么操纵人的情绪？
19:00 2008年后，时代精神的转向使我们把工作”去意义化”
30:38 “越有钱的人越累”是为什么
31:40 美国早起，中国不睡——脱离福利国家之后，越来越卷的中国和美国
38:30 Lumon: 公司文化成为宗教后的极端隐喻
48:18 什么是“dirty job"? 为什么在资本主义的劳工市场，“脏活累活”很难找到人来做？
56:13 当代人如何自己奴役自己？
01:30 Introduction to Severance
08:40 How the show makes us feel
11:53 What is the concept of compartmentalization? Why does the brain need to be alerted to separation? How does the aesthetics of the show manipulate people's emotions?
19:00 Post-2008, the zeitgeist shift has led us to remove meaning from our jobs
30:38 Why is it that "the richer you are, the busier you are"?
31:40 America wakes up early, China doesn't sleep - China and the U.S. are increasingly burned out after leaving the welfare state
38:30 Lumon: The extreme metaphor of corporate culture becoming a religion
48:18 What is a "dirty job"? Why is it so hard to find people...2022-08-171h 04
疲惫娇娃 CyberPink010 | 欲望、亲密和不存在的里奥·格兰德 Desire, intimacy and the non-existent Leo Grande 【聊了什么】
《祝你好运，里奥·格兰德》是一部最近出品的英国喜剧剧情片，讲述了退休教师Nancy（艾玛·汤普森）在自己的丈夫去世之后，决定通过雇佣性工作者20岁出头Leo Grande（达利尔·麦克科马克）获取此生从未有过的性高潮体验。 这期节目，小蓝、小杨和一芳三位疲惫的顺直女一起聊了聊女性常见的性焦虑，为什么说性和亲密不完全是一回事，什么构造了我们对性的想象，以及为什么本片不能代表完整、真实的性工作者的体验。
Good Luck, Leo Grande is a recent dramedy from the UK, which tells the story of Nancy, a widowed retired teacher who hired a male sex worker named Leo Grande to help her achieve the first orgasm of her life. In this episode, Xiaolan, Xiaoyang and Yifang, three hetero, cis women talk about our anexiety related to sex, the difference between sex and intimacy, what shaped our imagination of sex and why the film should not be seen as an accurate nor comprehensive depiction of the experience of being a sex worker.
【时间轴】
03:12 对电影的第一印象，演员和角色的高光时刻。艾玛汤普森最后一幕中眼睛里亮起来的一束光意味着什么。
19:47 和一位性心理咨询师朋友聊了聊人们常见的关于“性”和“亲密”的疑问
26:13 聊聊我们现实生活中那些能迅速短期建立假性亲密关系的人
31:30 作为异性恋关系中的顺直女我们对性有哪些误解、想象和期待
38:00 电影对于性工作者的描述有什么局限
49:30 作为顺直女寻找爱和亲密需要面对哪些自我怀疑和自我厌恶
03:12 First impression of the movie, character, and actors' best moments. What does the ligh...2022-07-2259 min
疲惫娇娃 CyberPink010 | 欲望、亲密和不存在的里奥·格兰德 Desire, intimacy and the non-existent Leo Grande 【聊了什么】
《祝你好运，里奥·格兰德》是一部最近出品的英国喜剧剧情片，讲述了退休教师Nancy（艾玛·汤普森）在自己的丈夫去世之后，决定通过雇佣性工作者20岁出头Leo Grande（达利尔·麦克科马克）获取此生从未有过的性高潮体验。 这期节目，小蓝、小杨和一芳三位疲惫的顺直女一起聊了聊女性常见的性焦虑，为什么说性和亲密不完全是一回事，什么构造了我们对性的想象，以及为什么本片不能代表完整、真实的性工作者的体验。
Good Luck, Leo Grande is a recent dramedy from the UK, which tells the story of Nancy, a widowed retired teacher who hired a male sex worker named Leo Grande to help her achieve the first orgasm of her life. In this episode, Xiaolan, Xiaoyang and Yifang, three hetero, cis women talk about our anexiety related to sex, the difference between sex and intimacy, what shaped our imagination of sex and why the film should not be seen as an accurate nor comprehensive depiction of the experience of being a sex worker.
【时间轴】
03:12 对电影的第一印象，演员和角色的高光时刻。艾玛汤普森最后一幕中眼睛里亮起来的一束光意味着什么。
19:47 和一位性心理咨询师朋友聊了聊人们常见的关于“性”和“亲密”的疑问
26:13 聊聊我们现实生活中那些能迅速短期建立假性亲密关系的人
31:30 作为异性恋关系中的顺直女我们对性有哪些误解、想象和期待
38:00 电影对于性工作者的描述有什么局限
49:30 作为顺直女寻找爱和亲密需要面对哪些自我怀疑和自我厌恶
03:12 First impression of the movie, character and actors' best moments. What does the light...2022-07-2259 min
疲惫娇娃 CyberPink009 | 是时候重新考虑荧幕上的残障形象了 Reimagining Disability Representation in Pop Culture 【聊了什么】
从去年斩获学院奖最佳影片的《健听女孩》、大热的恐怖片《寂静之地》，到漫威近期推出聋人超级英雄Makkari，似乎大荧幕上对于残障社群的展示正在悄悄发生变化。这期节目，疲惫的小杨和小蓝与疲惫的法学博士生谢仁慈、疲惫的聋校一年级班主任陈伊如一起聊了聊流行文化中关于残障的叙事，回顾并批判了我们熟悉的叙事里随处可见的健全中心主义，也大胆想象了一下流行文化应该建立一个什么样的关于残障的叙事。
From the Academy Award Best Picture “CODA” to horror blockbuster "A Quiet Place", and to Marvel's introduction of its first deaf superhero Makkari, are we catching a tide shift of deaf representation on the big screen? In this episode, we tried to unpack the disability narrative in Chinese popular culture with our two guests - special education teacher Yiru Chen, and PhD candidate on disability law Renci Xie, highlighting ableism in those tropes, and attempted to imagine a version of pop culture that includes and elevates those disadvantaged.
【时间轴】
05:51 “宝剑锋从磨砺出，梅花香自苦寒来”的“感动中国”叙事的陷阱
12:32 残障体验的多样性和个性教育计划（IEP）的重要性
19:00 “健全中心主义“是什么？中国的残障者需要面对哪些独有的挑战？
34:20 残障的定义是什么？是一种缺失，还是一种流动的状态？
46:30 那些需要破除的刻板印象——“卖拐”，轮椅街舞，惹人怜爱的残障女性
1:01:00 “我们需要创造一个对弱者友好的社会”
05:51 The “motivation porn” trap of creating content on disability
12:32 Disability is a diverse experience and the importance of Individuality Education Programs (IEPs)
19:00 What is "ableism"? What unique challenges do people with disabilities face in China?
34:20 What is the2022-07-051h 12
疲惫娇娃 CyberPink009 | 是时候重新考虑荧幕上的残障形象了 Reimagining Disability Representation in Pop Culture 【聊了什么】
从去年斩获学院奖最佳影片的《健听女孩》、大热的恐怖片《寂静之地》，到漫威近期推出聋人超级英雄Makkari，似乎大荧幕上对于残障社群的展示正在悄悄发生变化。这期节目，疲惫的小杨和小蓝与疲惫的法学博士生谢仁慈、疲惫的聋校一年级班主任陈伊如一起聊了聊流行文化中关于残障的叙事，回顾并批判了我们熟悉的叙事里随处可见的健全中心主义，也大胆想象了一下流行文化应该建立一个什么样的关于残障的叙事。
From the Academy Award Best Picture “CODA” to horror blockbuster "A Quiet Place", and to Marvel's introduction of its first deaf superhero Makkari, are we catching a tide shift of deaf representation on the big screen? In this episode, we tried to unpack the disability narrative in Chinese popular culture with our two guests - special education teacher Yiru Chen, and PhD candidate on disability law Renci Xie, highlighting ableism in those tropes, and attempted to imagine a version of pop culture that includes and elevates those disadvantaged.
【时间轴】
05:51 “宝剑锋从磨砺出，梅花香自苦寒来”的“感动中国”叙事的陷阱
12:32 残障体验的多样性和个性教育计划（IEP）的重要性
19:00 “健全中心主义“是什么？中国的残障者需要面对哪些独有的挑战？
34:20 残障的定义是什么？是一种缺失，还是一种流动的状态？
46:30 那些需要破除的刻板印象——“卖拐”，轮椅街舞，惹人怜爱的残障女性
1:01:00 “我们需要创造一个对弱者友好的社会”
05:51 The “motivation porn” trap of creating content on disability
12:32 Disability is a diverse experience and the importance of Individuality Education Programs (IEPs)
19:00 What is "ableism"? What unique challenges do people with disabilities face in China?
34:20 What is the2022-07-051h 12
疲惫娇娃 CyberPink008 | 夏日氛围特辑 Special episode: summer vibe check 【聊了什么】
夏天又来了。
疲惫娇娃几个女的终于在纽约见面，且凑齐了一桌麻将。坐在同一张桌子上，几只麦克风摆在前面，窗外是纽约的车流和夏天。相同的频率能共振出怎样的内容？
以下你收听到的是一集毫无准备的、即兴的夏日氛围特辑。希望听这集节目的你们，也能和好朋友在一起度过这个夏日。
Summer is here again.
The girls finally met in New York and gathered under the same roof. Sitting in a room with a few microphones in front, we feel the summer permeates in the air. What kind of conversation will be sparked out? This special vibe-checking episode is a tribute to this summer and our friendship. Cheers.
【时间轴】
00:00: 夏天过到一半了（不对，划掉），决定录一期没有任何准备的节目，庆祝夏天
02:00 相互安利剧，第一部：亚特兰大
14:05 相互安利剧，第二部：怎么就突然开始说起了卡戴珊且慢慢失去控制？（接下来的一切内容都是卡学精华）
00:00: Summer is halfway through (no, fake news!), so we decided to record a show without any preparation to celebrate this summer
02:00 What we force others to watch, Part 1: Atlanta
14:05 What we force others to watch, Part 2: did we suddenly start talking about the Kardashians and don't know how to stop?
【买咖啡】
如果喜欢这期节目并愿意想要给我们买杯咖啡：
海外用户：https://www.patreon.com/cyberpinkfm
海内用户：https://afdian.com/a/cyberpinkfm
商务合作邮箱：cyberpinkfm@gmail.com
商务合作微信：CyberPink2022
If you like our show and want to support us, please consider the following:
Those Abroad：https://www.patreon.com/cyberpinkfm
Thos2022-07-011h 09
疲惫娇娃 CyberPink008 | 夏日氛围特辑 Special episode: summer vibe check 【聊了什么】
夏天又来了。
疲惫娇娃几个女的终于在纽约见面，且凑齐了一桌麻将。坐在同一张桌子上，几只麦克风摆在前面，窗外是纽约的车流和夏天。相同的频率能共振出怎样的内容？
以下你收听到的是一集毫无准备的、即兴的夏日氛围特辑。希望听这集节目的你们，也能和好朋友在一起度过这个夏日。
Summer is here again.
The girls finally met in New York and gathered under the same roof. Sitting in a room with a few microphones in front, we feel the summer permeates in the air. What kind of conversation will be sparked out? This special vibe-checking episode is a tribute to this summer and our friendship. Cheers.
【时间轴】
00:00: 夏天过到一半了（不对，划掉），决定录一期没有任何准备的节目，庆祝夏天
02:00 相互安利剧，第一部：亚特兰大
14:05 相互安利剧，第二部：怎么就突然开始说起了卡戴珊且慢慢失去控制？（接下来的一切内容都是卡学精华）
00:00: Summer is halfway through (no, fake news!), so we decided to record a show without any preparation to celebrate this summer
02:00 What we force others to watch, Part 1: Atlanta
14:05 What we force others to watch, Part 2: did we suddenly start talking about the Kardashians and don't know how to stop?
【买咖啡】
如果喜欢这期节目并愿意想要给我们买杯咖啡：
海外用户：https://www.patreon.com/cyberpinkfm
海内用户：https://afdian.net/@cyberpinkfm
商务合作邮箱：cyberpinkfm@gmail.com
商务合作微信：CyberPink2022
If you like our show and want to support us, please consider the following:
Those Abroad：https://www.patreon.com/cyberpinkfm
Those2022-07-011h 09
疲惫娇娃 CyberPink007｜用英语写作中国和自我 Write about myself and China, in English 【聊了什么】
“外宾”是个很刺眼的词，我们也会常常被指做“外宾”。我们每天输入和阅读的文字当中，有很大一部分来自于“外宾视角”下的中国。
许多英文作者、或者中国作者，用冷冰冰的英文，来向我们介绍和描述一个热气腾腾的、真实的中国。这里面的撕裂，让我们想要去做一期节目。
在英文写作中，在非虚构故事中，二代移民 VS 中国本土视角有怎样的冲突？故土和历史的距离赋予了许多华裔作家自由创作的权力，但同时他们仿佛拥有看起来很刺眼的特权。英文环境下长大的人能否准确地刻画对于在中国长大，生活的人，和人们真实经历的生活？以及如果你是一个中国出生长大的作家，用英语写作是一种对思维和真实经历的折损吗？本期请来了我们的好朋友Rui Zhong（华人二代移民）, Karoline Kan（用英语写作、常驻北京的中国记者）和Caiwei Chen（英文写作者、记者），让她们聊聊自己用英文书写的经历。
"Being foreign" is a harsh way to describe a group of people. And we are often referred to as "foreign guests". A large part of the reading we devour every day comes from this "foreign guest perspective". Many English writers, or Chinese people who write in English, would use a cold, alienated tone to portray a "real China." However, we sense China in a more vivid way.
The dichotomy of competing China narratives inspired this episode.
In English writing, in non-fiction stories, what is the conflict between the perspectives of second-generation immigrants and Chinese natives? The distance between homeland and history has given many Chinese-American writers the power to create freely, but at the same time they seem to have privileges that some of us don't have. Can people who grew up in an English-speaking environment accurately describe China as a country and experience? And if you are a writer born and raised in China, is writing in English a compromise of your authentic thinking and wholeness?
In this episode, we invited our friends Rui Zhong, Karoline and Caiwei to talk about their experiences of writing in English.
【时间轴】
00:00 这期节目的起源: 一本我们吐槽的、关于文革的虚构小说
...2022-06-0756 min
疲惫娇娃 CyberPink007｜用英语写作中国和自我 Write about myself and China, in English 【聊了什么】
“外宾”是个很刺眼的词，我们也会常常被指做“外宾”。我们每天输入和阅读的文字当中，有很大一部分来自于“外宾视角”下的中国。
许多英文作者、或者中国作者，用冷冰冰的英文，来向我们介绍和描述一个热气腾腾的、真实的中国。这里面的撕裂，让我们想要去做一期节目。
在英文写作中，在非虚构故事中，二代移民 VS 中国本土视角有怎样的冲突？故土和历史的距离赋予了许多华裔作家自由创作的权力，但同时他们仿佛拥有看起来很刺眼的特权。英文环境下长大的人能否准确地刻画对于在中国长大，生活的人，和人们真实经历的生活？以及如果你是一个中国出生长大的作家，用英语写作是一种对思维和真实经历的折损吗？本期请来了我们的好朋友Rui Zhong（华人二代移民）, Karoline Kan（用英语写作、常驻北京的中国记者）和Caiwei Chen（英文写作者、记者），让她们聊聊自己用英文书写的经历。
"Being foreign" is a harsh way to describe a group of people. And we are often referred to as "foreign guests". A large part of the reading we devour every day comes from this "foreign guest perspective". Many English writers, or Chinese people who write in English, would use a cold, alienated tone to portray a "real China." However, we sense China in a more vivid way.
The dichotomy of competing China narratives inspired this episode.
In English writing, in non-fiction stories, what is the conflict between the perspectives of second-generation immigrants and Chinese natives? The distance between homeland and history has given many Chinese-American writers the power to create freely, but at the same time they seem to have privileges that some of us don't have. Can people who grew up in an English-speaking environment accurately describe China as a country and experience? And if you are a writer born and raised in China, is writing in English a compromise of your authentic thinking and wholeness?
In this episode, we invited our friends Rui Zhong, Karoline and Caiwei to talk about their experiences of writing in English.
【时间轴】
00:00 这期节目的起源: 一本我们吐槽的、关于文革的虚构小说
...2022-06-0756 min
疲惫娇娃 CyberPink006｜「 瞬息全宇宙」：妈的超级英雄 Everything Everywhere All At Once 【聊了什么】
从学生时代走进社会，最大的体会就是“心无旁骛”成了一种奢侈。不再依赖父母或者学校解决生活琐事，其他人也愈发依赖你的帮助和照顾；社交媒体上远在天边的苦难和近在眼前的消费主义撕扯着我们本来就稀少的注意力，仿佛时时刻刻都活在多重宇宙里，早上还没起床已经耗尽了一天的精力。回头看自己的妈妈，会愈发感到惊讶：你怎么做到的，难道拥有多线程并行工作的超能力吗？
这期节目，我们聊了大热的杨紫琼新片《瞬息全宇宙》，并聊了这些东西：
Freedom from distraction - what a luxury. The chores of daily life piling like mountains of receipts; no longer able to depend on the shelter of family or school, all of a sudden you become the caretaker of your partner, your client, your teammates, you aging parents, and sometimes a small human being. The internet feeding us a constant stream of faraway sufferings and instant gratification, tearing at our already meager reservoir of attention, it is hard not to feel like we are living in a multiverse all the time. When we look back at my own mother, we are more and more amazed: How did you do that? Aren’t you some sort of multitasking superhero?
In this episode, we talked about the hit new Michelle Yeoh film "Everything Everywhere all at Once", and talked about:
【时间轴】
00:00 该如何描述这一部又复杂又简单又哭又笑的电影？
11:20 Everylyn的超能力和那些没有实现的自我
20:39 电影主创是想告诉我们不生孩子就能自我实现吗
30:10 女儿的抑郁情绪
41:20 “多重宇宙”题材的井喷和它背后既当下又古老的哲学题...2022-05-1957 min
疲惫娇娃 CyberPink006｜「 瞬息全宇宙」：妈的超级英雄 Everything Everywhere All At Once 【聊了什么】
从学生时代走进社会，最大的体会就是“心无旁骛”成了一种奢侈。不再依赖父母或者学校解决生活琐事，其他人也愈发依赖你的帮助和照顾；社交媒体上远在天边的苦难和近在眼前的消费主义撕扯着我们本来就稀少的注意力，仿佛时时刻刻都活在多重宇宙里，早上还没起床已经耗尽了一天的精力。回头看自己的妈妈，会愈发感到惊讶：你怎么做到的，难道拥有多线程并行工作的超能力吗？
这期节目，我们聊了大热的杨紫琼新片《瞬息全宇宙》，并聊了这些东西：
Freedom from distraction - what a luxury. The chores of daily life piling like mountains of receipts; no longer able to depend on the shelter of family or school, all of a sudden you become the caretaker of your partner, your client, your teammates, you aging parents, and sometimes a small human being. The internet feeding us a constant stream of faraway sufferings and instant gratification, tearing at our already meager reservoir of attention, it is hard not to feel like we are living in a multiverse all the time. When we look back at my own mother, we are more and more amazed: How did you do that? Aren’t you some sort of multitasking superhero?
In this episode, we talked about the hit new Michelle Yeoh film "Everything Everywhere all at Once", and talked about:
【时间轴】
00:00 该如何描述这一部又复杂又简单又哭又笑的电影？
11:20 Everylyn的超能力和那些没有实现的自我
20:39 电影主创是想告诉我们不生孩子就能自我实现吗
30:10 女儿的抑郁情绪
41:20 “多重宇宙”题材的井喷和它背后既当下又古老的哲学题...2022-05-1957 min
疲惫娇娃 CyberPink005 | 和妈妈聊聊青春变形记 Mom, have you watched “Turning Red”? 【聊了什么】
啊，想妈妈了。谁看完《青春变形记》不会想给妈妈打个电话呢？曾经和朋友开玩笑说，大学的时候聊起自己的妈妈，仿佛都是在街上捡垃圾长大的，都喜欢讲述一些半真半假的自己多么的独立的故事。而如果去问我们的妈妈，仿佛每一个孩子都是在三百层温室和襁褓里精准育苗长大的。随着年龄增长，我愈发意识到，同一个故事之所以会有两个叙述方式，是因为这从来都是两个人的成长故事——孩子讲述的是自己的成长故事，妈妈讲述的也是自己作为女性的成长、成就与自我实现的故事。
这期节目，我们找来了两个妈妈一起聊了聊《青春变形记》，也问了问我们心里一直想要问妈妈的那些问题。
How do you tell a coming-of-age story? As teenagers, we tell our friends stories that minimize our mothers’ roles in anticipation of our independence; mothers, in turn, exchange stories about their meticulous planning and their level of insight on the children’s growth. In the end of the day, we like telling stories about our own growth, our own control and independence, and a child’s coming of age is equally a story of growth and discovery for the mother. “Turning Red” is a story about a girl and her mother’s growth as she comes of age, their miscommunicated heart-to-hearts, and their parallels of evolving womanhood. In honor of this parallel, we brought two daughters and two mothers into this conversation about womanhood and motherhood.
【时间轴】
2:00 对电影的第一印象：监控拆一下，谢谢
6:30 如何面对儿女的青春期、叛逆情绪和身体始改变带来的性别体验
17:25 带着时代的焦虑做妈妈：改革开放时代的阶级焦虑，移民生活的生存焦虑
25:30 在“生孩子我的生活就会彻底结束”和“想要拥有一个做母亲的人生体验”之间疯狂横摆
38:50 和孩子的平等对话是可能的吗？妈妈经历过哪些纠结和反思？
49:30 孩子生了孩子的话，即将做姥姥或者奶奶的妈妈们如何看待身份的再次转变？
2:00 First impressions of the movie: stop sp2022-05-021h 01疲惫娇娃 CyberPink005 | 和妈妈聊聊青春变形记 Mom, have you watched “Turning Red”?【聊了什么】 啊，想妈妈了。谁看完《青春变形记》不会想给妈妈打个电话呢？曾经和朋友开玩笑说，大学的时候聊起自己的妈妈，仿佛都是在街上捡垃圾长大的，都喜欢讲述一些半真半假的自己多么的独立的故事。而如果去问我们的妈妈，仿佛每一个孩子都是在三百层温室和襁褓里精准育苗长大的。随着年龄增长，我愈发意识到，同一个故事之所以会有两个叙述方式，是因为这从来都是两个人的成长故事——孩子讲述的是自己的成长故事，妈妈讲述的也是自己作为女性的成长、成就与自我实现的故事。 这期节目，我们找来了两个妈妈一起聊了聊《青春变形记》，也问了问我们心里一直想要问妈妈的那些问题。 How do you tell a coming-of-age story? As teenagers, we tell our friends stories that minimize our mothers’ roles in anticipation of our independence; mothers, in turn, exchange stories about their meticulous planning and their level of insight on the children’s growth. In the end of the day, we like telling stories about our own growth, our own control and independence, and a child’s coming of age is equally a story of growth and discovery for the mother. “Turning Red” is a story about a girl and her mother’s growth as she comes of age, their miscommunicated heart-to-hearts, and their parallels of evolving womanhood. In honor of this parallel, we brought two daughters and two mothers into this conversation about womanhood and motherhood. 【时间轴】 2:00 对电影的第一印象：监控拆一下，谢谢 6:30 如何面对儿女的青春期、叛逆情绪和身体始改变带来的性别体验 17:25 带着时代的焦虑做妈妈：改革开放时代的阶级焦虑，移民生活的生存焦虑 25:30 在“生孩子我的生活就会彻底结束”和“想要拥有一个做母亲的人生体验”之间疯狂横摆 38:50 和孩子的平等对话是可能的吗？妈妈经历过哪些纠结和反思？ 49:30 孩子生了孩子的话，即将做姥姥或者奶奶的妈妈们如何看待身份的再次转变？ 2:00 First impressions of the movie: stop spying on my life please 6:30 Struggling with the budding independence of your teenage child 17:25 A mother’2022-05-021h 01
疲惫娇娃 CyberPink005 | 和妈妈聊聊青春变形记 Mom, have you watched “Turning Red”? 【聊了什么】
啊，想妈妈了。谁看完《青春变形记》不会想给妈妈打个电话呢？曾经和朋友开玩笑说，大学的时候聊起自己的妈妈，仿佛都是在街上捡垃圾长大的，都喜欢讲述一些半真半假的自己多么的独立的故事。而如果去问我们的妈妈，仿佛每一个孩子都是在三百层温室和襁褓里精准育苗长大的。随着年龄增长，我愈发意识到，同一个故事之所以会有两个叙述方式，是因为这从来都是两个人的成长故事——孩子讲述的是自己的成长故事，妈妈讲述的也是自己作为女性的成长、成就与自我实现的故事。
这期节目，我们找来了两个妈妈一起聊了聊《青春变形记》，也问了问我们心里一直想要问妈妈的那些问题。
How do you tell a coming-of-age story? As teenagers, we tell our friends stories that minimize our mothers’ roles in anticipation of our independence; mothers, in turn, exchange stories about their meticulous planning and their level of insight on the children’s growth. In the end of the day, we like telling stories about our own growth, our own control and independence, and a child’s coming of age is equally a story of growth and discovery for the mother. “Turning Red” is a story about a girl and her mother’s growth as she comes of age, their miscommunicated heart-to-hearts, and their parallels of evolving womanhood. In honor of this parallel, we brought two daughters and two mothers into this conversation about womanhood and motherhood.
【时间轴】
2:00 对电影的第一印象：监控拆一下，谢谢
6:30 如何面对儿女的青春期、叛逆情绪和身体始改变带来的性别体验
17:25 带着时代的焦虑做妈妈：改革开放时代的阶级焦虑，移民生活的生存焦虑
25:30 在“生孩子我的生活就会彻底结束”和“想要拥有一个做母亲的人生体验”之间疯狂横摆
38:50 和孩子的平等对话是可能的吗？妈妈经历过哪些纠结和反思？
49:30 孩子生了孩子的话，即将做姥姥或者奶奶的妈妈们如何看待身份的再次转变？
2:00 First impressions of the movie: stop sp2022-05-021h 01
疲惫娇娃 CyberPink004｜关于互联网的梦想和疲惫 “The Internet Is Big” 早在1996年，约翰·巴罗在赛博空间独立宣言里宣称：“工业世界的政府，你们这些疲惫的、肉身和钢铁塑造的巨人们，我来自赛博空间，人类思想的新家园。我代表未来，请求代表过去的你们不要再打扰我们。我们不欢迎你。我们聚集的广场上没有你的主权。” 而二十六年后，我们一天的屏幕时间不少于18小时；微博和推特上绵延不绝的悲剧24/7不间断的和企业微信的滴滴声、和短视频上的“不要贴不要贴不要贴贴”、小红书上的光鲜生活、B站、王者荣耀等等无数个产品一起，争抢着我们的注意力、情绪和时间。
疲惫的我们不禁想问：这是互联网应该成为的样子吗？
最近非常流行Web1.0、Web2.0和Web3.0的说法。这期节目，四个疲惫的女性互联网从业者想聊聊为什么吸引了我们入坑的、理想主义的Web1.0变成了现在这样的吸食人类时间和情绪的怪物，而Web3.0的资本大潮下有哪些理想和初心还在触动着我们。
小阿的RSS3项目：
https://rss3.io/
我们聊了：
1：10 我们经历的互联网的大部分历史
9：38 互联网的历史何以至此？网络成为现在人类组织方式的投射
12：08 我们的第一个去中心化体验是什么：维基百科，Linux
14: 31 什么是Web1——门户网站？曾经的Web1充满理想主义的赛博宣言为什么让今天的我们觉得怅然若失
30：00 真实和虚拟，web2如何与“真实生活“竞争你的时间
39：25 社交网络上病态的绩效和扭曲的标题党
51：15 我们对于元宇宙和web3的想象和寄托
1：01：16 为什么web3和元宇宙的概念是一个女性一定要在场的思想实验
Back in 1996, John Barrow declared in the Cyberspace Declaration of Independence: "Governments of the Industrial World, you weary giants of flesh and steel, I come from Cyberspace, the new home of Mind. On behalf of the future, I ask you of the past to leave us alone. You are not welcome among us. You have no sovereignty where we gather.” Twenty-six years later, our screentime racks up to 18 hours of screen time a day; Twitter and Weibo doomscrolling competes with Slack notifications, TikTok challenges, the glamorous Instagram life and countless products vying for our attention and our time.
We can’t help but wonder: Is this version of the internet something we should simple accept?
Recently, the framework of Web 1.0, Web 2.0 and Web 3.0 as a way of describing the progression of the internet dominated the conversation. This episode is the musing of four burntout female tech workers, as we look back on the promise of freedom and collaboration of Web1.0, and the prevalence of surveillance capitalism in Web 2.0. We also talked about our hopes and dreams and reservations on this new version of the internet.
We talked about -
1:10 Our lived experience of the Internet history
9:38 How did the internet end up this way?
12:08 Our first decentralized experience: Wikipedia, Linux
14:31 What are we talking about when we are talking about Web1.0
30:00 Web2.0’s cannibalistic profit model, and what is real anyways
39:25 Social media or “Outrage machine”
51:15 Musing on the2022-04-031h 13
疲惫娇娃 CyberPink004｜关于互联网的梦想和疲惫 “The Internet Is Big”早在1996年，约翰·巴罗在赛博空间独立宣言里宣称：“工业世界的政府，你们这些疲惫的、肉身和钢铁塑造的巨人们，我来自赛博空间，人类思想的新家园。我代表未来，请求代表过去的你们不要再打扰我们。我们不欢迎你。我们聚集的广场上没有你的主权。” 而二十六年后，我们一天的屏幕时间不少于18小时；微博和推特上绵延不绝的悲剧24/7不间断的和企业微信的滴滴声、和短视频上的“不要贴不要贴不要贴贴”、小红书上的光鲜生活、B站、王者荣耀等等无数个产品一起，争抢着我们的注意力、情绪和时间。 疲惫的我们不禁想问：这是互联网应该成为的样子吗？ 最近非常流行Web1.0、Web2.0和Web3.0的说法。这期节目，四个疲惫的女性互联网从业者想聊聊为什么吸引了我们入坑的、理想主义的Web1.0变成了现在这样的吸食人类时间和情绪的怪物，而Web3.0的资本大潮下有哪些理想和初心还在触动着我们。 小阿的RSS3项目： https://rss3.io/ 我们聊了： 1：10 我们经历的互联网的大部分历史 9：38 互联网的历史何以至此？网络成为现在人类组织方式的投射 12：08 我们的第一个去中心化体验是什么：维基百科，Linux 14: 31 什么是Web1——门户网站？曾经的Web1充满理想主义的赛博宣言为什么让今天的我们觉得怅然若失 30：00 真实和虚拟，web2如何与“真实生活“竞争你的时间 39：25 社交网络上病态的绩效和扭曲的标题党 51：15 我们对于元宇宙和web3的想象和寄托 1：01：16 为什么web3和元宇宙的概念是一个女性一定要在场的思想实验 Back in 1996, John Barrow declared in the Cyberspace Declaration of Independence: "Governments of the Industrial World, you weary giants of flesh and steel, I come from Cyberspace, the new home of Mind. On behalf of the future, I ask you of the past to leave us alone. You are not welcome among us. You have no sovereignty where we gather.” Twenty-six years later, our screentime racks up to 18 hours of screen time a day; Twitter and Weibo doomscrolling competes with Slack notifications, TikTok challenges, the glamorous Instagram life and countless products vying for our attention and our time. We can’t help but wonder: Is this version of the internet something we should simple accept? Recently, the framework of Web 1.0, Web 2.0 and Web 3.0 as a way of describing the progression of the internet dominated the conversation. This episode is the musing of four burntout female tech workers, as we look back on the promise of freedom and collaboration of Web1.0, and the prevalence of surveillance capitalism in Web 2.0. We also talked about our hopes and dreams and reservations on this new version of the internet. We talked about - 1:10 Our lived experience of the Internet history 9:38 How did the internet end up this way? 12:08 Our first decentralized experience: Wikipedia, Linux 14:31 What are we talking about when we are talking about Web1.0 30:00 Web2.0’s cannibalistic profit model, and what is real anyways 39:25 Social media or “Outrage machine” 51:15 Musing on the “metaverse” and “web3” 1:01:16 Why female creators need to be present in the creation of the new versi2022-04-031h 13
疲惫娇娃 CyberPink004｜关于互联网的梦想和疲惫 “The Internet Is Big” 早在1996年，约翰·巴罗在赛博空间独立宣言里宣称：“工业世界的政府，你们这些疲惫的、肉身和钢铁塑造的巨人们，我来自赛博空间，人类思想的新家园。我代表未来，请求代表过去的你们不要再打扰我们。我们不欢迎你。我们聚集的广场上没有你的主权。” 而二十六年后，我们一天的屏幕时间不少于18小时；微博和推特上绵延不绝的悲剧24/7不间断的和企业微信的滴滴声、和短视频上的“不要贴不要贴不要贴贴”、小红书上的光鲜生活、B站、王者荣耀等等无数个产品一起，争抢着我们的注意力、情绪和时间。
疲惫的我们不禁想问：这是互联网应该成为的样子吗？
最近非常流行Web1.0、Web2.0和Web3.0的说法。这期节目，四个疲惫的女性互联网从业者想聊聊为什么吸引了我们入坑的、理想主义的Web1.0变成了现在这样的吸食人类时间和情绪的怪物，而Web3.0的资本大潮下有哪些理想和初心还在触动着我们。
小阿的RSS3项目：
https://rss3.io/
我们聊了：
1：10 我们经历的互联网的大部分历史
9：38 互联网的历史何以至此？网络成为现在人类组织方式的投射
12：08 我们的第一个去中心化体验是什么：维基百科，Linux
14: 31 什么是Web1——门户网站？曾经的Web1充满理想主义的赛博宣言为什么让今天的我们觉得怅然若失
30：00 真实和虚拟，web2如何与“真实生活“竞争你的时间
39：25 社交网络上病态的绩效和扭曲的标题党
51：15 我们对于元宇宙和web3的想象和寄托
1：01：16 为什么web3和元宇宙的概念是一个女性一定要在场的思想实验
Back in 1996, John Barrow declared in the Cyberspace Declaration of Independence: "Governments of the Industrial World, you weary giants of flesh and steel, I come from Cyberspace, the new home of Mind. On behalf of the future, I ask you of the past to leave us alone. You are not welcome among us. You have no sovereignty where we gather.” Twenty-six years later, our screentime racks up to 18 hours of screen time a day; Twitter and Weibo doomscrolling competes with Slack notifications, TikTok challenges, the glamorous Instagram life and countless products vying for our attention and our time.
We can’t help but wonder: Is this version of the internet something we should simple accept?
Recently, the framework of Web 1.0, Web 2.0 and Web 3.0 as a way of describing the progression of the internet dominated the conversation. This episode is the musing of four burntout female tech workers, as we look back on the promise of freedom and collaboration of Web1.0, and the prevalence of surveillance capitalism in Web 2.0. We also talked about our hopes and dreams and reservations on this new version of the internet.
We talked about -
1:10 Our lived experience of the Internet history
9:38 How did the internet end up this way?
12:08 Our first decentralized experience: Wikipedia, Linux
14:31 What are we talking about when we are talking about Web1.0
30:00 Web2.0’s cannibalistic profit model, and what is real anyways
39:25 Social media or “Outrage machine”
51:15 Musing on the2022-04-031h 13
疲惫娇娃 CyberPink003 | 在假女人的伪装中，定义真女人 The "Faking it" of Womanhood 【声明】
本期节目，《003 | 在假女人的伪装中，定义真女人｜The "Faking it" of Womanhood》中，我直接引用了微信公众号"那個NG"一月份发布的关于宋智雅的内容里的一段话，意图是用这个来引入我们之后的观点和分析，但是在录制过程中我并没有注明这个观点的来源，也没有和之后的原创观点有效分割，这种行为确实涉嫌抄袭。我们为此错误深表歉意，也感谢听众的指出。
我们平时录节目的流程是针对选题进行大量的阅读，包括影评、观众评论、市场反应、关于相关社会问题的研究和评论，从而启发我们对于这个话题的更深度的思考，并开启我们的创作。我们对于自己内容的预期和标准是：如果出现在节目中而没有被注明为引用的都是我们的原创内容，引用观点（无论中英文）都会注明。这次的错误是明确低于我们一贯标准的。
我们会在未来的节目准备流程中注明那些内容是引用别人的观点，也依旧会以"原创"为标准要求自己和参与我们节目的嘉宾。我们希望大家依旧能以这样的标准要求我们，也欢迎听众继续指出我们的疏忽和错误；我们也依赖着大家的支持和鞭策去不断学习进步。
原文首发于虎嗅青年内容公众号“那個NG”(ID: huxiu4youth)
《釜山辣妹现形记》
出品：虎嗅青年文化组
作者：黄瓜汽水
【聊了什么】
本期节目是疲惫娇娃联手播客「别任性」的Alexwood一起共同策划的三八国际妇女节的特别节目，同时也是#看见真女人# 这样一个线上活动的一部分。通过一系列视频、播客，和文章内容，我们展示真实女性在生活中真实模样，和社会一起反思强加给女性的种种不“真实”标准。
“她真女人。” 当你听到这句评价时想到的是什么样的形象？可能是婀娜的身姿娇媚的面容，可能是柔美的风情温婉的举止。但现实中的真女人们是什么样子呢？真女人们可能有不完美的皮肤，可能穿不进标准小号的衣服，可能没太多时间打理头发，可能不想化妆，可能肌肉健硕，可能不做妈妈，也可能选择单身。这些都是真女人。但在影视作品的故事中，人们津津乐道的girl power榜样里，或社交媒体的滤镜下，“普通”又真实的女人都仿佛都不存在。“真女人”，应该就是真实的女人，不需要“有女孩子的样子”，人生选择更不需要对别人做什么解释。
这期播客内容里，我们选取了一个找了一个很刁钻的角度，由几个现实中的“假女人”的故事展开（假千金宋智雅+假独角兽创业者Elizabeth Holmes+假欧洲名媛Anna Delvey），看看这些完美的“假女人“能给我们什么启发？看看她们对自己做了什么样的伪装，为什么她们选择了做”假女人”？又为什么承受的惩罚如此惨重？这些“假女人”的形象本身就凝聚着社会对“理想女性”的标准和期待，而我们如果分析一下这些女性形象，也就会明白为什么我们做“真女人”这么难了。
请大家上微博关注#看见真女人#话题下的更多内容，并分享你心目中的真女人是谁，是什么样子，无论是她人还是你自己，无论是通过照片，文字还是其他形式。让我们一起#看见真女人#，也作为真女人被看见。
This episode is a special program for International Women's Day, co-hosted with Alexwood from “Be a Dodo”. This is also a part of a Weibo campaign for #看见真女人# (seeing real women) -- through a series of videos, podcasts, and articles, we show the world what real women really look like in life, and reflect on society’s unrealistic standards imposed on women.
We chose a tricky angle to explore the concept of real women, but looking at the story of several “fake women”: Song Ji A from Netflix’s hottest show, “Singles Inferno; disgraced former Silicon Valley darling Elizabeth Holmes, portrayed by Amanda Seyfried for Hulu’s “The Dropout”; and the fake socialite Anna Delvey who recently is the protagonist of Netflix’s “Inventing Anna”. What can they teach us about faking it? The images of these "fake women" themselves embody the standards and expectations of society for the "ideal women", and if we analyze these images of women, we will understand why it is so difficult for us to truly be ourselves, or "real women".
【时间轴】
1:19 我们今天想要聊的假女人与真女人
9:40 第一位假女人：宋智雅。她代表了东亚对完美女性的一套新规则，这个标签可以被概括为“纯欲”、“奶凶”一系列小红书式的形容词。贤妻良母被先锋审美淘汰。女性被赋予了更严格精细的标准智雅的“人设“有多少是在男性凝视下塑造出来的呢？既是独立思考的“女强人”，不依赖男性，玩转男人于手心，但是到头来还是会和其他女性竞争，赢得竞赛，赢得男性的渴望与追求。
33:42 第二位假女人：Elizabeth Holmes，Theranos企业总裁，硅谷创业传奇，曾经最年轻的白手起家亿万富翁”。原来“创业”是画了一张无法实现的大饼，最后谎言被戳穿锒铛入狱（已经被判有罪，今年九月份才会判刑）。
44:52 第三位假女人：Anna Delvey，假欧洲富二代，混迹纽约交际圈，尝试建立自己的高级社交/艺术俱乐部，看似离梦想一步之遥（2017年被抓，2019年被判刑4-12年，2021年二月假释出狱，现在面临被ICE遣返德国）。
1:03:25 女性总被劝言：为了成功，我们需要 fake it to make it。这是为什么？不平等的性别文化，固化的阶级，两极化的财富分布，使得女人无法做“真女人”？Faking it 能修正某种性别不公正待遇？但一定要 fake it 才能 make it 吗？
1:10:23 人们热爱创造偶像又热爱“打假”，王冰冰即使作为“真女人”也无端“被塌房”。人们一起创造了“假女人”们，而她们的陨落叙事总是故事必要的第二部分，如同一个警示预言。
1:17:48 我们心中都有假女人吗？如何看待美颜滤镜？研究显示 Instagram 对女性的身体满意度，以至于心理健康，有很大的负面影响。我们如何抵抗心中的“假女人”？
1:19 what do we mean by “fake women”
9:40 our first example: Song Ji A, from Netflix’s “Single’s Inferno”
33:42 our second example: Elizabeth Holmes, former CEO of Theranos, the legend of Silicon Valley, currently found guilty of fraud
44:52 our third example: Anna Delvey, former NYC socialite and fake German heiress
1:03:25 women are alway2022-03-081h 27
疲惫娇娃 CyberPink003 | 在假女人的伪装中，定义真女人 The "Faking it" of Womanhood 【聊了什么】
本期节目是疲惫娇娃联手播客「别任性」的Alexwood一起共同策划的三八国际妇女节的特别节目，同时也是#看见真女人# 这样一个线上活动的一部分。通过一系列视频、播客，和文章内容，我们展示真实女性在生活中真实模样，和社会一起反思强加给女性的种种不“真实”标准。
“她真女人。” 当你听到这句评价时想到的是什么样的形象？可能是婀娜的身姿娇媚的面容，可能是柔美的风情温婉的举止。但现实中的真女人们是什么样子呢？真女人们可能有不完美的皮肤，可能穿不进标准小号的衣服，可能没太多时间打理头发，可能不想化妆，可能肌肉健硕，可能不做妈妈，也可能选择单身。这些都是真女人。但在影视作品的故事中，人们津津乐道的girl power榜样里，或社交媒体的滤镜下，“普通”又真实的女人都仿佛都不存在。“真女人”，应该就是真实的女人，不需要“有女孩子的样子”，人生选择更不需要对别人做什么解释。
这期播客内容里，我们选取了一个找了一个很刁钻的角度，由几个现实中的“假女人”的故事展开（假千金宋智雅+假独角兽创业者Elizabeth Holmes+假欧洲名媛Anna Delvey），看看这些完美的“假女人“能给我们什么启发？看看她们对自己做了什么样的伪装，为什么她们选择了做”假女人”？又为什么承受的惩罚如此惨重？这些“假女人”的形象本身就凝聚着社会对“理想女性”的标准和期待，而我们如果分析一下这些女性形象，也就会明白为什么我们做“真女人”这么难了。
请大家上微博关注#看见真女人#话题下的更多内容，并分享你心目中的真女人是谁，是什么样子，无论是她人还是你自己，无论是通过照片，文字还是其他形式。让我们一起#看见真女人#，也作为真女人被看见。
This episode is a special program for International Women's Day, co-hosted with Alexwood from “Be a Dodo”. This is also a part of a Weibo campaign for #看见真女人# (seeing real women) -- through a series of videos, podcasts, and articles, we show the world what real women really look like in life, and reflect on society’s unrealistic standards imposed on women.
We chose a tricky angle to explore the concept of real women, but looking at the story of several “fake women”: Song Ji A from Netflix’s hottest show, “Singles Inferno; disgraced former Silicon Valley darling Elizabeth Holmes, portrayed by Amanda Seyfried for Hulu’s “The Dropout”; and the fake socialite Anna Delvey who recently is the protagonist of Netflix’s “Inventing Anna”. What can they teach us about faking it? The images of these "fake women" themselves embody the standards and expectations of society for the "ideal women", and if we analyze these images of women, we will understand why it is so difficult for us to truly be ourselves, or "real women".
【时间轴】
1:19 我们今天想要聊的假女人与真女人
9:40 第一位假女人：宋智雅。她代表了东亚对完美女性的一套新规则，这个标签可以被概括为“纯欲”、“奶凶”一系列小红书式的形容词。贤妻良母被先锋审美淘汰。女性被赋予了更严格精细的标准智雅的“人设“有多少是在男性凝视下塑造出来的呢？既是独立思考的“女强人”，不依赖男性，玩转男人于手心，但是到头来还是会和其他女性竞争，赢得竞赛，赢得男性的渴望与追求。
33:42 第二位假女人：Elizabeth Holmes，Theranos企业总裁，硅谷创业传奇，曾经最年轻的白手起家亿万富翁”。原来“创业”是画了一张无法实现的大饼，最后谎言被戳穿锒铛入狱（已经被判有罪，今年九月份才会判刑）。
44:52 第三位假女人：Anna Delvey，假欧洲富二代，混迹纽约交际圈，尝试建立自己的高级社交/艺术俱乐部，看似离梦想一步之遥（2017年被抓，2019年被判刑4-12年，2021年二月假释出狱，现在面临被ICE遣返德国）。
1:03:25 女性总被劝言：为了成功，我们需要 fake it to make it。这是为什么？不平等的性别文化，固化的阶级，两极化的财富分布，使得女人无法做“真女人”？Faking it 能修正某种性别不公正待遇？但一定要 fake it 才能 make it 吗？
1:10:23 人们热爱创造偶像又热爱“打假”，王冰冰即使作为“真女人”也无端“被塌房”。人们一起创造了“假女人”们，而她们的陨落叙事总是故事必要的第二部分，如同一个警示预言。
1:17:48 我们心中都有假女人吗？如何看待美颜滤镜？研究显示 Instagra2022-03-081h 25疲惫娇娃 CyberPink003 | 在假女人的伪装中，定义真女人 The "Faking it" of Womanhood【聊了什么】 本期节目是疲惫娇娃联手播客「别任性」的Alexwood一起共同策划的三八国际妇女节的特别节目，同时也是#看见真女人# 这样一个线上活动的一部分。通过一系列视频、播客，和文章内容，我们展示真实女性在生活中真实模样，和社会一起反思强加给女性的种种不“真实”标准。 “她真女人。” 当你听到这句评价时想到的是什么样的形象？可能是婀娜的身姿娇媚的面容，可能是柔美的风情温婉的举止。但现实中的真女人们是什么样子呢？真女人们可能有不完美的皮肤，可能穿不进标准小号的衣服，可能没太多时间打理头发，可能不想化妆，可能肌肉健硕，可能不做妈妈，也可能选择单身。这些都是真女人。但在影视作品的故事中，人们津津乐道的girl power榜样里，或社交媒体的滤镜下，“普通”又真实的女人都仿佛都不存在。“真女人”，应该就是真实的女人，不需要“有女孩子的样子”，人生选择更不需要对别人做什么解释。 这期播客内容里，我们选取了一个找了一个很刁钻的角度，由几个现实中的“假女人”的故事展开（假千金宋智雅+假独角兽创业者Elizabeth Holmes+假欧洲名媛Anna Delvey），看看这些完美的“假女人“能给我们什么启发？看看她们对自己做了什么样的伪装，为什么她们选择了做”假女人”？又为什么承受的惩罚如此惨重？这些“假女人”的形象本身就凝聚着社会对“理想女性”的标准和期待，而我们如果分析一下这些女性形象，也就会明白为什么我们做“真女人”这么难了。 请大家上微博关注#看见真女人#话题下的更多内容，并分享你心目中的真女人是谁，是什么样子，无论是她人还是你自己，无论是通过照片，文字还是其他形式。让我们一起#看见真女人#，也作为真女人被看见。 This episode is a special program for International Women's Day, co-hosted with Alexwood from “Be a Dodo”. This is also a part of a Weibo campaign for #看见真女人# (seeing real women) -- through a series of videos, podcasts, and articles, we show the world what real women really look like in life, and reflect on society’s unrealistic standards imposed on women. We chose a tricky angle to explore the concept of real women, but looking at the story of several “fake women”: Song Ji A from Netflix’s hottest show, “Singles Inferno; disgraced former Silicon Valley darling Elizabeth Holmes, portrayed by Amanda Seyfried for Hulu’s “The Dropout”; and the fake socialite Anna Delvey who recently is the protagonist of Netflix’s “Inventing Anna”. What can they teach us about faking it? The images of these "fake women" themselves embody the standards and expectations of society for the "ideal women", and if we analyze these images of women, we will understand why it is so difficult for us to truly be ourselves, or "real women". 【时间轴】 1:19 我们今天想要聊的假女人与真女人 9:40 第一位假女人：宋智雅。她代表了东亚对完美女性的一套新规则，这个标签可以被概括为“纯欲”、“奶凶”一系列小红书式的形容词。贤妻良母被先锋审美淘汰。女性被赋予了更严格精细的标准智雅的“人设“有多少是在男性凝视下塑造出来的呢？既是独立思考的“女强人”，不依赖男性，玩转男人于手心，但是到头来还是会和其他女性竞争，赢得竞赛，赢得男性的渴望与追求。 33:42 第二位假女人：Elizabeth Holmes，Theranos企业总裁，硅谷创业传奇，曾经最年轻的白手起家亿万富翁”。原来“创业”是画了一张无法实现的大饼，最后谎言被戳穿锒铛入狱（已经被判有罪，今年九月份才会判刑）。 44:52 第三位假女人：Anna Delvey，假欧洲富二代，混迹纽约交际圈，尝试建立自己的高级社交/艺术俱乐部，看似离梦想一步之遥（2017年被抓，2019年被判刑4-12年，2021年二月假释出狱，现在面临被ICE遣返德国）。 1:03:25 女性总被劝言：为了成功，我们需要 fake it to make it。这是为什么？不平等的性别文化，固化的阶级，两极化的财富分布，使得女人无法做“真女人”？Faking it 能修正某种性别不公正待遇？但一定要 fake it 才能 make it 吗？ 1:10:23 人们热爱创造偶像又热爱“打假”，王冰冰即使作为“真女人”也无端“被塌房”。人们一起创造了“假女人”们，而她们的陨落叙事总是故事必要的第二部分，如同一个警示预言。 1:17:48 我们心中都有假女人吗？如何看待美颜滤镜？研究显示 Instagram 对女性的身体满意度，以至于心理健康，有很大的负面影响。我们如何抵抗心中的“假女人”？ 1:19 what do we mean by “fake women” 9:40 our first example: Song Ji A, from Netflix’s “Single’s Inferno2022-03-081h 25
疲惫娇娃 CyberPink002 | 食物与乡愁 Cooking as Homecoming 本期节目已入选豆瓣播客2024新春精选推荐活动，欢迎大家到豆瓣收听！
【聊了什么】
食物是最公共也是最私密的事情，如果你的生活比较规律，一天会需要至少做出三个关于跟吃有关的决定，是外卖还是堂食奶茶还是咖咖啡，吃肉还是素食，中餐还是日料，火锅还是早茶，每一个决定都牵起，无数个关于商业社会、关于劳动者、关于人口流动、关于环保、关于文化的话题，在过去的几年里，我们都出于各种各样的原因成为了流散的异乡人，疫情开始之后，这种绵长的甘肠寸断的乡愁又成为了我们人生的底色。
所以对于异乡人来说，厨房突然重新成为了治愈我们的地方。像小高姐、老饭骨、慢食、慢语等成为了连接新一代流散群体的文本，在厨房里还原甚至提升了记忆里面的味道，成了很多人的疗愈体验。吃，既是一个政治的商业的文化的话题，也是一个温情的私密的心照不宣的体验。所以这期节目我们聚齐了七个女的一起来聊吃在我们生活中扮演的角色。
Food is both an utterly public and intimate matter. Every decision you make around food is related to infinitely more topics: commercialism, labor, population mobility, sustainability, culture & history, and more. During the past two years of the pandemic, the sprawling diaspora that we are a part of has been forced to face their yearning for home heads on.
So we turn to the kitchen to heal our homesickness and cravings for hometown food, and gathered seven women here today to chat about food, the role it plays in our lives, and how it relates to our personal and cultural identities.
【时间轴】
这期节目，我们聚齐了七个女的:
1:45 自我简介+拿手菜
10:58 春节期间想家怎么办? 如何在异乡寻找家乡的味道：多元与单一的的“家乡味道”， 眷村文化，北漂青年，培梅食谱，食物在迁移中扮演的角色
20:12 小馄饨：对于食物的政治与情感，应有尽有的中超
26:25 小杨：“怂狗跑得快，穷人做饭香”，地域与时代对于食物记忆的影响，“改革开放三十年，为何还要屯白菜”，劳作与家人的连接
33:42 小蓝：爷爷奶奶对于自己吃饭习惯的影响；来美之后，乡愁和食物的概念变得宽泛了
36:28 一芳：半个北方人，半个广东人，家乡菜其实就是家常菜
38:48 带着亚洲胃走世界，逢年过节必须要吃中餐
47:07 烹饪与女性身份的关系，女性在家庭及社会中的地位
56:21 在家做饭vs出门吃饭
59:09 食物与身份认同，对于食物的喜爱都是连接着童年的记忆
1:03:52 疫情如何改变我们和食物的关系
1:10:48 购买pastry scraper如何拯救厨房台面；最好吃的饭是现成的饭
1:12:20 不想做饭的时候也要做：如何拥抱半成品，安利空气炸锅
1:21:30 花酱：对于食物作为消费品和消费实验的这种撕裂的感觉
1:28:19 生活小妙招
1:45 Self-introductio2022-03-081h 44
疲惫娇娃 CyberPink002 | 食物与乡愁 Finding Home Through Food 【聊了什么】
食物是最公共也是最私密的事情，如果你的生活比较规律，一天会需要至少做出三个关于跟吃有关的决定，是外卖还是堂食奶茶还是咖咖啡，吃肉还是素食，中餐还是日料，火锅还是早茶，每一个决定都牵起，无数个关于商业社会、关于劳动者、关于人口流动、关于环保、关于文化的话题，在过去的几年里，我们都出于各种各样的原因成为了流散的异乡人，疫情开始之后，这种绵长的甘肠寸断的乡愁又成为了我们人生的底色。
所以对于异乡人来说，厨房突然重新成为了治愈我们的地方。像小高姐、老饭骨、慢食、慢语等成为了连接新一代流散群体的文本，在厨房里还原甚至提升了记忆里面的味道，成了很多人的疗愈体验。吃，既是一个政治的商业的文化的话题，也是一个温情的私密的心照不宣的体验。所以这期节目我们聚齐了七个女的一起来聊吃在我们生活中扮演的角色。
Food is both an utterly public and intimate matter. Every decision you make around food is related to infinitely more topics: commercialism, labor, population mobility, sustainability, culture & history, and more. During the past two years of the pandemic, the sprawling diaspora that we are a part of has been forced to face their yearning for home heads on.
So we turn to the kitchen to heal our homesickness and cravings for hometown food, and gathered seven women here today to chat about food, the role it plays in our lives, and how it relates to our personal and cultural identities.
【时间轴】
这期节目，我们聚齐了七个女的:
1:45 自我简介+拿手菜
10:58 春节期间想家怎么办? 如何在异乡寻找家乡的味道：多元与单一的的“家乡味道”， 眷村文化，北漂青年，培梅食谱，食物在迁移中扮演的角色
20:12 小馄饨：对于食物的政治与情感，应有尽有的中超
26:25 小杨：“怂狗跑得快，穷人做饭香”，地域与时代对于食物记忆的影响，“改革开放三十年，为何还要屯白菜”，劳作与家人的连接
33:42 小蓝：爷爷奶奶对于自己吃饭习惯的影响；来美之后，乡愁和食物的概念变得宽泛了
36:28 一芳：半个北方人，半个广东人，家乡菜其实就是家常菜
38:48 带着亚洲胃走世界，逢年过节必须要吃中餐
47:07 烹饪与女性身份的关系，女性在家庭及社会中的地位
56:21 在家做饭vs出门吃饭
59:09 食物与身份认同，对于食物的喜爱都是连接着童年的记忆
1:03:52 疫情如何改变我们和食物的关系
1:10:48 购买pastry scraper如何拯救厨房台面；最好吃的饭是现成的饭
1:12:20 不想做饭的时候也要做：如何拥抱半成品，安利空气炸锅
1:21:30 花酱：对于食物作为消费品和消费实验的这种撕裂的感觉2022-03-081h 44疲惫娇娃 CyberPink002 | 食物与乡愁 Finding Home Through Food【聊了什么】 食物是最公共也是最私密的事情，如果你的生活比较规律，一天会需要至少做出三个关于跟吃有关的决定，是外卖还是堂食奶茶还是咖咖啡，吃肉还是素食，中餐还是日料，火锅还是早茶，每一个决定都牵起，无数个关于商业社会、关于劳动者、关于人口流动、关于环保、关于文化的话题，在过去的几年里，我们都出于各种各样的原因成为了流散的异乡人，疫情开始之后，这种绵长的甘肠寸断的乡愁又成为了我们人生的底色。 所以对于异乡人来说，厨房突然重新成为了治愈我们的地方。像小高姐、老饭骨、慢食、慢语等成为了连接新一代流散群体的文本，在厨房里还原甚至提升了记忆里面的味道，成了很多人的疗愈体验。吃，既是一个政治的商业的文化的话题，也是一个温情的私密的心照不宣的体验。所以这期节目我们聚齐了七个女的一起来聊吃在我们生活中扮演的角色。 Food is both an utterly public and intimate matter. Every decision you make around food is related to infinitely more topics: commercialism, labor, population mobility, sustainability, culture & history, and more. During the past two years of the pandemic, the sprawling diaspora that we are a part of has been forced to face their yearning for home heads on. So we turn to the kitchen to heal our homesickness and cravings for hometown food, and gathered seven women here today to chat about food, the role it plays in our lives, and how it relates to our personal and cultural identities. 【时间轴】 这期节目，我们聚齐了七个女的: 1:45 自我简介+拿手菜 10:58 春节期间想家怎么办? 如何在异乡寻找家乡的味道：多元与单一的的“家乡味道”， 眷村文化，北漂青年，培梅食谱，食物在迁移中扮演的角色 20:12 小馄饨：对于食物的政治与情感，应有尽有的中超 26:25 小杨：“怂狗跑得快，穷人做饭香”，地域与时代对于食物记忆的影响，“改革开放三十年，为何还要屯白菜”，劳作与家人的连接 33:42 小蓝：爷爷奶奶对于自己吃饭习惯的影响；来美之后，乡愁和食物的概念变得宽泛了 36:28 一芳：半个北方人，半个广东人，家乡菜其实就是家常菜 38:48 带着亚洲胃走世界，逢年过节必须要吃中餐 47:07 烹饪与女性身份的关系，女性在家庭及社会中的地位 56:21 在家做饭vs出门吃饭 59:09 食物与身份认同，对于食物的喜爱都是连接着童年的记忆 1:03:52 疫情如何改变我们和食物的关系 1:10:48 购买pastry scraper如何拯救厨房台面；最好吃的饭是现成的饭 1:12:20 不想做饭的时候也要做：如何拥抱半成品，安利空气炸锅 1:21:30 花酱：对于食物作为消费品和消费实验的这种撕裂的感觉 1:28:19 生活小妙招 1:45 Self-introduction and our best dishes 10:58 What to do while missing home during Chinese New Year? How to find a sense of home abroad? How our childhood and upbringing helped shape our memories of food 20:12 Politics and food, and the Asian supermarkets that have everything 26:25 Growing up in Northern China and how lack of resources instilled an instinct to save up food; on labor and food 33:42 Impact of grandparent’s cooking habits 36:28 Half Northerner and half Cantonese; cravings for home food means cravings for homemade food 38:48 Our Chinese stomachs and why we eat Chinese food every holiday 47:07 On cooking and the female identity, women’s role in the family and in society 56:21 On cooking at home versus going out to eat 59:09 On food and identity; how our favorite food is tied to our treasured memories 1:03:52 How the pandemic changed our relationship with food 1:10:48 The best food is what’s already been made for you 1:12:20 Solutions for cooking even when you don’t want to: embrace the frozen food aisle and buy an air fryer 1:21:30 On 2022-03-081h 44
疲惫娇娃 CyberPink001 | 「继承之战」 ：无法背叛的父亲，和无法拯救的帝国 The War of "Succession" 【聊了什么】
你眼里的哪些0.001%富有的人是什么样子的？是像钢铁侠、蝙蝠侠一样把钱变成超能力，致力于解决人类无法解决的庞大问题？还是像《亿万（Billions）》里一样运筹帷幄、和对手下45维象棋？还是像2016年一个橘黄色的人带着他bling bling的孩子们入主白宫之后大家突然意识到的——有钱人可能也很蠢，而且还不去看心理医生。
What’s your impression of the Über-rich? Is it “my super power is rich'' superhero Bruce Wayne? Or reckless entrepreneur like Elon – we mean Iron Man Tony Stark? Or 4D-chess grandmaster Bobby Axelrod of Billions? Or like us, you realized after an orange man settled himself with his glamorous children in the White House — that rich people can be stupid, and are in despirate need of a psychiatrist.
【时间轴】
这期节目，我们五个人聊了聊HBO的大热剧集《继承之战（Succession）》，聊到了：
00:03:14 这部剧基于的媒体行业现实
00:10:03 继承之战的古典文学性——莎翁剧、希腊神话和宫斗剧
00:16:25 Shiv和她无法彻底真诚、也无法彻底虚假的女权主义
00:24:30 Kendall——脆弱而充满特权的精英奋斗逼
00:33:40 Tom和夹在性别、阶级夹缝中不可言说的痛苦
00:39:35 对自恋者来说，羞耻和愤怒是同一个硬币的两面
00:49:00 精英主义叙事和商业黑化到底对谁有好处
00:59:05 晃吐了的镜头，故意不精致的布景，资本主义的配乐，和一万个可以琢磨的细节
Join us in this episode where we discuss HBO's hit series "Succession":
00:03:14 Deep-dive into the media industry the show is loosely based on
00:10:03 Classical literary references in “Succession”: Shakespeare, Greek Mythology and Palace Fights in Chinese TV
00:16:25 Shiv and her Schrödinger’s feminism: is it fake or sincere?
00:24:30 Kendall and the fragile and privileged elitist struggle of the firstborn
00:33:40 Tom and the unspeakable pain of being caught between sex and class
00:39:35 For narcissists, shame and anger are two sides of the same coin
00:49:00 Corporate lingo 101 and discussion on meritocracy
00:59:05 Shaky camera movement, deliberately inexplicable sets, off-tune soundtrack, and all the juicy details we will be marinating on for the next decade
【...2022-03-021h 13
疲惫娇娃 CyberPink001 | 「继承之战」 ：无法背叛的父亲，和无法拯救的帝国 The War of "Succession" 【聊了什么】
你眼里的哪些0.001%富有的人是什么样子的？是像钢铁侠、蝙蝠侠一样把钱变成超能力，致力于解决人类无法解决的庞大问题？还是像《亿万（Billions）》里一样运筹帷幄、和对手下45维象棋？还是像2016年一个橘黄色的人带着他bling bling的孩子们入主白宫之后大家突然意识到的——有钱人可能也很蠢，而且还不去看心理医生。
What’s your impression of the Über-rich? Is it “my super power is rich'' superhero Bruce Wayne? Or reckless entrepreneur like Elon – we mean Iron Man Tony Stark? Or 4D-chess grandmaster Bobby Axelrod of Billions? Or like us, you realized after an orange man settled himself with his glamorous children in the White House — that rich people can be stupid, and are in despirate need of a psychiatrist.
【时间轴】
这期节目，我们五个人聊了聊HBO的大热剧集《继承之战（Succession）》，聊到了：
00:03:14 这部剧基于的媒体行业现实
00:10:03 继承之战的古典文学性——莎翁剧、希腊神话和宫斗剧
00:16:25 Shiv和她无法彻底真诚、也无法彻底虚假的女权主义
00:24:30 Kendall——脆弱而充满特权的精英奋斗逼
00:33:40 Tom和夹在性别、阶级夹缝中不可言说的痛苦
00:39:35 对自恋者来说，羞耻和愤怒是同一个硬币的两面
00:49:00 精英主义叙事和商业黑化到底对谁有好处
00:59:05 晃吐了的镜头，故意不精致的布景，资本主义的配乐，和一万个可以琢磨的细节
Join us in this episode where we discuss HBO's hit series "Succession":
00:03:14 Deep-dive into the media industry the show is loosely based on
00:10:03 Classical literary references in “Succession”: Shakespeare, Greek Mythology and Palace Fights in Chinese TV
00:16:25 Shiv and her Schrödinger’s feminism: is it fake or sincere?
00:24:30 Kendall and the fragile and privileged elitist struggle of the firstborn
00:33:40 Tom and the unspeakable pain of being caught between sex and class
00:39:35 For narcissists, shame and anger are two sides of the same coin
00:49:00 Corporate lingo 101 and discussion on meritocracy
00:59:05 Shaky camera movement, deliberately inexplicable sets, off-tune soundtrack, and all the juicy details we will be marinating on for the next decade
【...2022-03-021h 13疲惫娇娃 CyberPink001 | 「继承之战」 ：无法背叛的父亲，和无法拯救的帝国 The War of "Succession"【聊了什么】 你眼里的哪些0.001%富有的人是什么样子的？是像钢铁侠、蝙蝠侠一样把钱变成超能力，致力于解决人类无法解决的庞大问题？还是像《亿万（Billions）》里一样运筹帷幄、和对手下45维象棋？还是像2016年一个橘黄色的人带着他bling bling的孩子们入主白宫之后大家突然意识到的——有钱人可能也很蠢，而且还不去看心理医生。 What’s your impression of the Über-rich? Is it “my super power is rich'' superhero Bruce Wayne? Or reckless entrepreneur like Elon – we mean Iron Man Tony Stark? Or 4D-chess grandmaster Bobby Axelrod of Billions? Or like us, you realized after an orange man settled himself with his glamorous children in the White House — that rich people can be stupid, and are in despirate need of a psychiatrist. 【时间轴】 这期节目，我们五个人聊了聊HBO的大热剧集《继承之战（Succession）》，聊到了： 00:03:14 这部剧基于的媒体行业现实 00:10:03 继承之战的古典文学性——莎翁剧、希腊神话和宫斗剧 00:16:25 Shiv和她无法彻底真诚、也无法彻底虚假的女权主义 00:24:30 Kendall——脆弱而充满特权的精英奋斗逼 00:33:40 Tom和夹在性别、阶级夹缝中不可言说的痛苦 00:39:35 对自恋者来说，羞耻和愤怒是同一个硬币的两面 00:49:00 精英主义叙事和商业黑化到底对谁有好处 00:59:05 晃吐了的镜头，故意不精致的布景，资本主义的配乐，和一万个可以琢磨的细节 Join us in this episode where we discuss HBO's hit series "Succession": 00:03:14 Deep-dive into the media industry the show is loosely based on 00:10:03 Classical literary references in “Succession”: Shakespeare, Greek Mythology and Palace Fights in Chinese TV 00:16:25 Shiv and her Schrödinger’s feminism: is it fake or sincere? 00:24:30 Kendall and the fragile and privileged elitist struggle of the firstborn 00:33:40 Tom and the unspeakable pain of being caught between sex and class 00:39:35 For narcissists, shame and anger are two sides of the same coin 00:49:00 Corporate lingo 101 and discussion on meritocracy 00:59:05 Shaky camera movement, deliberately inexplicable sets, off-tune soundtrack, and all the juicy details we will be marinating on for the next decade 【买咖啡】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用2022-03-021h 13
胡聊科技 電動車新聞EP62: Snapdragon 888輸在起跑點? 比蘋果A13晶片還不如? Cyberpunk 2077被Sony下架?全新Snapdragon 888晶片, 難道比蘋果上一代的A13晶片還差? Sony下架遊戲Cyberpink 2077就因為遊戲bug太多?
買杯咖啡支持我喔. http://buymeacoff.ee/bosshu
IG: @master_bosshu
FB: 胡老闆Alvin哥2020-12-1911 min
IXBT gamesЭта странная PS5. Cyberpunk 2077 разочаровывает. Проблемы с RTX 3080 и 3090 Компания Sony дает все больше поводов для возмущения. Зачем-то поменяли лицо Человеку-пауку в обновлённой версии Spider-Man Remastered. Разработчики один за другим говорят, что не смогут обеспечить перенос сохранений с PS4 на PS5. В играх для PS5 стандартом становятся режимы «качества» и производительности». Что за странное «новое поколение»?!Поддержать нас на Patreon: https://www.patreon.com/ixbtlive Группа в Steam: https://steamcommunity.com/groups/gam...Яндекс.Дзен: https://zen.yandex.ru/gametechВКонтакте: https://vk.com/ixbt.games Новостной канал в Telegram https://t.me/ixbtgamesDiscord: https://discordapp.com/invite/PJnmK5TНаш сайт: http://www.ixbt.gamesТемы:00:00 – Скетч01:00 – Зачем Человеку-пауку поменяли лицо?06:20 – Сохранения с PS4 на PS5 не переносятся11:15 – Создатели Cyberpink 2077 перерабатывают18:00 – Делу надо отдавать всего себя21:00 – Blizzard больше нет24:00 – Выход WoW Shadowlands перенесли30:20 – Разочаровывающие предзаказы Cyberpunk 207733:40 – Токсичная Джоан Роулинг35:35 – Hogwarts Legacy и инклюзивность43:50 – EA Play входит в состав Xbox Game Pass Ultimate45:50 – Реклама FIFA Ultimate Team в детском журнале50:35 – Проблемы с GeForce RTX 3080 и 3090, перенос RTX 307054:40 – Даже новые консоли не могут в 4K и 60 fps58:50 – Metal Gear Solid 1 и 2 вышли на PC01:03:20 – Google обязывает разработчиков пользоваться их платежной системой01:05:00 – Судья не принимает доводы адвокатов Epic Games01:11:30 – Подписывайтесь!01:12:00 – Д2020-10-041h 13
litrpg audiobook podcastLitRPG Audiobook Podcast 066 - Koala Online, Pickle Pie, Hunters Dream Online, Viridian Gate Online 7LitRPG Audiobook Podcast 066 - Koala Online, Pickle Pie, Hunters Dream Online, Viridian Gate Online 7 You can read the full reviews and show notes if you visit us at: https://litrpgpodcast.com/litrpg-audiobook-podcast-066 “Hello everyone. Welcome to the LitRPG Audiobook Podcast. I’m Ray. I’ll be reviewing some recent and classic LitRPG Audiobooks for you. I’ll begin with: ” Koala Online (01:39) Score: 7.7 out of 10 https://amzn.to/3lAEEIA Pickle Pie - A Cyberpink Story (06:31)2020-09-0133 min