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Patricia ErbeldingPatricia ErbeldingPatricia ErbeldingOeuvres de Patricia Erbelding.Patricia Erbelding est née et travaille à Paris, où elle fera ses premières expositions personnelles à la Galerie du Haut Pavé au début des années 90. Son travail plastique, bien que centré sur la peinture, intègre aussi la photographie et la sculpture. Son œuvre est une proposition, sous la forme d’un vocabulaire de signes et de matières, qui éclaire la2023-05-1900 minPatricia ErbeldingPatricia ErbeldingPatricia ErbeldingOeuvres de Patricia Erbelding.Patricia Erbelding est née et travaille à Paris, où elle fera ses premières expositions personnelles à la Galerie du Haut Pavé au début des années 90. Son travail plastique, bien que centré sur la peinture, intègre aussi la photographie et la sculpture. Son œuvre est une proposition, sous la forme d’un vocabulaire de signes et de matières, qui éclaire la2023-05-1900 minSound KleckseSound KleckseDhalgren - Losing The Voice (Original Mix)SK307 Dhalgren - Dystopian Hypnotization 01) Dhalgren - Hypnotized Twists (Original Mix) 02) Dhalgren - Losing The Voice (Original Mix) https://www.beatport.com/release/dystopian-hypnotization/3317646 https://soundkleckserecords.bandcamp.com/album/dystopian-hypnotization Release: 13.04.20212021-04-1301 minSound KleckseSound KleckseDhalgren - Hypnotized Twists (Original Mix)SK307 Dhalgren - Dystopian Hypnotization 01) Dhalgren - Hypnotized Twists (Original Mix) 02) Dhalgren - Losing The Voice (Original Mix) https://www.beatport.com/release/dystopian-hypnotization/3317646 https://soundkleckserecords.bandcamp.com/album/dystopian-hypnotization Release: 13.04.20212021-04-1301 minSherds PodcastSherds Podcast#28 Dhalgren by Samuel R Delany Samuel R. Delany’s Dhalgren was originally published in 1975. Since its publication, Dhalgren has had its fair share of proponents and enemies - it has been called both the best and the worst book ever to come out of the field of science fiction.  Over the course of its eight-hundred pages, we follow our main character, the Kid, as he wanders listlessly through devastated city of Bellona, located somewhere in the United States on the border between utopia and dystopia.  It is a city where time dilates and contracts, buildings spontaneously combust, obscuring mists curl through the streets.  And here...2020-04-101h 26Kobo in ConversationKobo in ConversationStaff Picks - Dhalgren by Samuel R. DelaneyHello, fellow reader. We thought that right now, when we're all getting less human contact than ever, it would be a good time to get as personal as we can with you, our listeners.  So for the next little while, we'll be popping bonus episodes into this feed where you'll hear from our staff of readers and booksellers, and they're going to tell you all about a book they recommend.  Read Simon's pick, Dhalgren by Samuel R. Delany Read Michael's note on why and how Kobo transitioned to being 100% work-from-home for the next wh...2020-03-2809 minGet New Releases Audiobooks in Sci-Fi & Fantasy, Sci-Fi: ClassicGet New Releases Audiobooks in Sci-Fi & Fantasy, Sci-Fi: ClassicDhalgren Audiobook by Samuel R. DelanyPlease visit https://fashabooks.com/aff/fashabooks/1459 to download full audiobooks of your choice for free. Title: Dhalgren Author: Samuel R. Delany Narrator: Stefan Rudnicki Format: Unabridged Length: 34 hrs and 36 mins Language: English Release date: 01-19-16 Publisher: Skyboat Media Ratings: 4 of 5 out of 84 votes Genres: Sci-Fi & Fantasy, Sci-Fi: Classic Publisher's Summary: In Dhalgren, perhaps one of the most profound and best-selling science fiction novels of all time, Samuel R. Delany has produced a novel that rivals the best American fiction of the 1970s. Bellona is a city at the dead center of the United States. Something has happened there...2016-01-1905 minFree Audiobook: Where Stories Come to LifeFree Audiobook: Where Stories Come to LifeDhalgren Audiobook by Samuel R. DelanyListen to this audiobook in full for free onhttps://hotaudiobook.com/freeID: 252135 Title: Dhalgren Author: Samuel R. Delany Narrator: Stefan Rudnicki Format: Unabridged Length: 34:36:42 Language: English Release date: 01-19-16 Publisher: Blackstone Audiobooks Genres: Science Fiction & Fantasy Summary: In Dhalgren, perhaps one of the most profound and bestselling science fiction novels of all time, Samuel R. Delany has produced a novel that rivals the best American fiction of the 1970s. Bellona is a city at the dead center of the United States. Something has happened there the population has fled. Madmen and criminals wander the streets. Strange portents appear in...2016-01-1910h 36Access Essential Full Audiobooks in Science Fiction & Fantasy, Science FictionAccess Essential Full Audiobooks in Science Fiction & Fantasy, Science FictionDhalgren by Samuel R. DelanyPlease visit https://thebookvoice.com/podcasts/1/audiobook/252135 to listen full audiobooks. Title: Dhalgren Author: Samuel R. Delany Narrator: Stefan Rudnicki Format: Unabridged Audiobook Length: 34 hours 36 minutes Release date: January 19, 2016 Ratings: Ratings of Book: 4 of Total 4 Ratings of Narrator: 4 of Total 1 Genres: Science Fiction Publisher's Summary: In Dhalgren, perhaps one of the most profound and bestselling science fiction novels of all time, Samuel R. Delany has produced a novel that rivals the best American fiction of the 1970s. Bellona is a city at the dead center of the United States. Something has happened there … the population has fled. Madmen and criminals wa...2016-01-1903 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryPrintsThe gallery proposes prints by Patricia Erbelding: Lithographs, serigraphs and C-Prints, limited editions numbered and signed by the artist2012-12-0800 minPatricia ErbeldingPatricia ErbeldingFeatured in the exhibition: PrintsThe gallery proposes prints by Patricia Erbelding: Lithographs, serigraphs and C-Prints, limited editions numbered and signed by the artist2012-12-0800 minPatricia ErbeldingPatricia ErbeldingParticipe à l'exposition: MultiplesLa galerie propose ces estampes réalisées par Patricia Erbelding : Lithographies, sérigraphies et impressions numériques en éditions originales limitées2012-12-0800 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryMultiplesLa galerie propose ces estampes réalisées par Patricia Erbelding : Lithographies, sérigraphies et impressions numériques en éditions originales limitées 2012-12-0800 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryLithographsBoth painting and lithographic work is about the color black: Essence of black! Use the black color to seize the expressive and sensual power of the line or the form to express landscapes, borders, or rhythms, cadences,.. A specific musicality inducted into reality; Black color that organizes, structures, wide colored fields. No abstraction! But an attempt to conduct2011-07-2600 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryLithographiesIndifféremment les peintures ou les lithographies sont autour du noir : Du noir essentiellement ! - Utiliser le noir pour saisir le pouvoir expressif et sensuel de la ligne ou de la forme afin d''exprimer soit, paysages, frontières, soit rythmes, cadences… une certaine musicalité induite dans le réel. Le noir qui organise, structure, de vastes champs colorés. Rien 2011-07-2600 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryPhasmesThe Dhalgren Editions presents in exclusivity, the new artist''s book "Phasmes" (Phasmids) by the two artists Emmanuelle Aussedat and Patricia Erbelding with poems by Tita Reut at the Grand Palais during the International Fine Print Fair. Find us at the Artist''s Booth. La Nef du Grand Palais Stand des Ateliers Avenue Winston-Churchill 75008 Paris, France April 29th to2011-04-2800 minPatricia ErbeldingPatricia ErbeldingFeatured in the exhibition: PhasmesThe Dhalgren Editions presents in exclusivity, the new artist''s book "Phasmes" (Phasmids) by the two artists Emmanuelle Aussedat and Patricia Erbelding with poems by Tita Reut at the Grand Palais during the International Fine Print Fair. Find us at the Artist''s Booth. La Nef du Grand Palais Stand des Ateliers Avenue Winston-Churchill 75008 Paris, France April 29th to2011-04-2800 minPatricia ErbeldingPatricia ErbeldingParticipe à l'exposition: PhasmesLes Edition Dhalgren présente en exclusivité le livre d''artiste "Phasmes" avec des œuvres originales des deux artistes Emmanuelle Aussedat et Patricia Erbelding et des poèmes de Tita Reut au Grand Palais, à l''occasion du Salon International de l''Estampe sur le Stand des Ateliers. La Nef du Grand Palais Stand des Ateliers Avenue Winston-Churchill 75008 Paris Du2011-04-2800 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryPhasmesLes Edition Dhalgren présente en exclusivité le livre d''artiste "Phasmes" avec des œuvres originales des deux artistes Emmanuelle Aussedat et Patricia Erbelding et des poèmes de Tita Reut au Grand Palais, à l''occasion du Salon International de l''Estampe sur le Stand des Ateliers. La Nef du Grand Palais Stand des Ateliers Avenue Winston-Churchill 75008 Paris Du 2011-04-2800 minPatricia ErbeldingPatricia ErbeldingParticipe à l'exposition: The Ghost Lemur of William S. BurroughsLivre d’artiste de Patricia Erbelding et Tony Soulié, avec : - Un boitier 32cm x 32cm x 4cm toilé, rouge ou anthracite - Trois peintures originales de Patricia Erbelding et trois peintures originales de Tony Soulié. - Un texte de 4 pages imprimées au jet d’encre noir sur film transparent, format 30 x 30cm, présentées chacune dans une double feuille de papier.2010-03-2200 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryThe Ghost Lemur of William S. BurroughsThis book includes three original paintings by Patricia Erbelding and three original paintings by Tony Soulie presented in a canvassed box of 32cm x 32cm x 4cm. It was edited in 12 copies numbered from one to twelve and signed by both artists, forming the original edition, printed in March 2010 in Paris.The Ghost Lemur of William S. Burroughs is indebted to William2010-03-2200 minPatricia ErbeldingPatricia ErbeldingFeatured in the exhibition: The Ghost Lemur of William S. BurroughsThis book includes three original paintings by Patricia Erbelding and three original paintings by Tony Soulie presented in a canvassed box of 32cm x 32cm x 4cm. It was edited in 12 copies numbered from one to twelve and signed by both artists, forming the original edition, printed in March 2010 in Paris.The Ghost Lemur of William S. Burroughs is indebted to William2010-03-2200 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryThe Ghost Lemur of William S. BurroughsLivre d’artiste de Patricia Erbelding et Tony Soulié, avec : - Un boitier 32cm x 32cm x 4cm toilé, rouge ou anthracite - Trois peintures originales de Patricia Erbelding et trois peintures originales de Tony Soulié. - Un texte de 4 pages imprimées au jet d’encre noir sur film transparent, format 30 x 30cm, présentées chacune dans une double feuille de papier. 2010-03-2200 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryNomade EngravingsEngravings2008-12-2200 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryGravures NomadesSérie de gravures réalisé au Maroc 2008-12-2200 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryCitron BeachPaintings on paper2006-07-0100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryCitron BeachPeintures sur Papier 2006-07-0100 minPatricia ErbeldingPatricia ErbeldingFeatured in the exhibition: DreamlandsIt''s in New York during 2004 that I started this series of photographs on the amusement parks, Coney Island situated to the south of Brooklyn is where in 1903 Luna Park and Dreamland were first built. The "Foire du Trone" and the Tuileries gardens in Paris, the funfairs of the north of France and the Danish amusement parks Bakken and Tivoli follows. I see a2005-05-0500 minPatricia ErbeldingPatricia ErbeldingParticipe à l'exposition: DreamlandsC’est à New York en 2004 que j’ai commencé cette série de photographies sur les parcs d’attraction, la presqu’île de Cosney Island se situe au sud de Brooklyn et c’est là qu’en 1903 Luna Park et Dreamland ont vu le jour. La Foire du Trône et le Jardin des Tuileries à Paris, les fêtes foraines du nord de la France et les parcs d’attraction de Bakken2005-05-0500 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryDreamlandsIt''s in New York during 2004 that I started this series of photographs on the amusement parks, Coney Island situated to the south of Brooklyn is where in 1903 Luna Park and Dreamland were first built. The "Foire du Trone" and the Tuileries gardens in Paris, the funfairs of the north of France and the Danish amusement parks Bakken and Tivoli follows. I see a2005-05-0500 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryDreamlandsC’est à New York en 2004 que j’ai commencé cette série de photographies sur les parcs d’attraction, la presqu’île de Cosney Island se situe au sud de Brooklyn et c’est là qu’en 1903 Luna Park et Dreamland ont vu le jour. La Foire du Trône et le Jardin des Tuileries à Paris, les fêtes foraines du nord de la France et les parcs d’attraction de Bakken 2005-05-0500 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryLake MonsterPaintings2003-12-0100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryMonstre Du LacPeintures 2003-12-0100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryStudiosTrois artistes : Bernard Thomas, Patricia Erbelding, Tony Soulié, questionnent la notion d’atelier aujourd’hui. Leurs interventions extérieures in-situ dans différents environnements, font partie intégrante de l’œuvre. La poésie de Tita Reut révèle la fluidité entre toutes ces composantes. De Bastille à la Villette, le canal fait le lien entre ces 2003-04-1600 minPatricia ErbeldingPatricia ErbeldingFeatured in the exhibition: StudiosThree artists: Bernard Thomas, Patricia Erbelding, Tony Soulie, question the concept of the studio today. Their exterior interventions in-situ in different environments, are an integral part of their works. The poetry of Tita Reut reveals the fluidity between these components. From Bastille to Villette, the channel links the three harbors which are the artists'' studios.2003-04-1600 minPatricia ErbeldingPatricia ErbeldingParticipe à l'exposition: StudiosTrois artistes : Bernard Thomas, Patricia Erbelding, Tony Soulié, questionnent la notion d’atelier aujourd’hui. Leurs interventions extérieures in-situ dans différents environnements, font partie intégrante de l’œuvre. La poésie de Tita Reut révèle la fluidité entre toutes ces composantes. De Bastille à la Villette, le canal fait le lien entre ces2003-04-1600 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryStudiosThree artists: Bernard Thomas, Patricia Erbelding, Tony Soulie, question the concept of the studio today. Their exterior interventions in-situ in different environments, are an integral part of their works. The poetry of Tita Reut reveals the fluidity between these components. From Bastille to Villette, the channel links the three harbors which are the artists'' studios.2003-04-1600 minJean-Luc Guin\'Amant : Arrows of TimeJean-Luc Guin'Amant : Arrows of TimeArrows of Time #11Mixed-media on Parachute and Paper, 18x15inch / 46x38cm 2002-06-2100 minJean-Luc Guin\'Amant : Arrows of TimeJean-Luc Guin'Amant : Arrows of TimeArrows of Time #3Mixed-media on Parachute and Paper, 26x20inch / 65x50cm 2002-06-2100 minJean-Luc Guin\'Amant : Arrows of TimeJean-Luc Guin'Amant : Arrows of TimeArrows of Time #2Mixed-media on Parachute and Paper, 26x20inch / 65x50cm 2002-06-2100 minJean-Luc Guin\'Amant : Arrows of TimeJean-Luc Guin'Amant : Arrows of TimeArrows of Time #1Mixed-media on Parachute and Paper, 26x20inch / 65x50cm 2002-06-2100 minJean-Luc Guin\'Amant : Arrows of TimeJean-Luc Guin'Amant : Arrows of TimeArrows of Time #12Mixed-media on Parachute and Paper, 18x15inch / 46x38cm 2002-06-2100 minJean-Luc Guin\'Amant : Arrows of TimeJean-Luc Guin'Amant : Arrows of TimeArrows of Time #13Mixed-media on Parachute and Paper, 18x15inch / 46x38cm 2002-06-2100 minJean-Luc Guin\'Amant : Arrows of TimeJean-Luc Guin'Amant : Arrows of TimeArrows of Time #14Mixed-media on Parachute and Paper, 18x15inch / 46x38cm 2002-06-2100 minJean-Luc Guin\'Amant : Arrows of TimeJean-Luc Guin'Amant : Arrows of TimeArrows of Time #4Mixed-media on Parachute and Paper, 26x20inch / 65x50cm 2002-06-2100 minJean-Luc Guin\'Amant : Arrows of TimeJean-Luc Guin'Amant : Arrows of TimeArrows of Time #5Mixed-media on Parachute and Paper, 26x20inch / 65x50cm 2002-06-2100 minJean-Luc Guin\'Amant : Arrows of TimeJean-Luc Guin'Amant : Arrows of TimeArrows of Time #6Mixed-media on Parachute and Paper, 26x20inch / 65x50cm 2002-06-2100 minJean-Luc Guin\'Amant : Arrows of TimeJean-Luc Guin'Amant : Arrows of TimeArrows of Time #7Mixed-media on Parachute and Paper, 26x20inch / 65x50cm 2002-06-2100 minJean-Luc Guin\'Amant : Arrows of TimeJean-Luc Guin'Amant : Arrows of TimeArrows of Time #10Mixed-media on Parachute and Paper, 18x15inch / 46x38cm 2002-06-2100 minJean-Luc Guin\'Amant : Arrows of TimeJean-Luc Guin'Amant : Arrows of TimeArrows of Time #9Mixed-media on Parachute and Paper, 18x15inch / 46x38cm 2002-06-2100 minJean-Luc Guin\'Amant : Arrows of TimeJean-Luc Guin'Amant : Arrows of TimeArrows of Time #8Mixed-media on Parachute and Paper, 18x15inch / 46x38cm 2002-06-2100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryFlèches du TempsLa demi-sphère du parachute en vol, comme un arc tendu qui relie. Passerelle entre mondes. La flèche qui apparaît et donne, un sens. La lumière dedans, a I''intérieur, pour qu''elle trouve son chemin de jaillissement, et en devienne le corps même. Les couleurs de l''enfance: Bleu et ocre surtout. Et aussi, signe du temps: 2002-05-3000 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryArrows of TimeThe semi-sphere of the parachute in flight, as a tended arc which connects. Passage between worlds. The arrow which appears and gives, a meaning. The inner light, inside, to find its way of gushing, and become the body itself. Colors of childhood: Blue and ochre especially. And also, sign of time: the act of painting like2002-05-3000 minPatricia ErbeldingPatricia ErbeldingParticipe à l'exposition: BorderlandsPeintures Photographiques des bords de route2002-04-1600 minPatricia ErbeldingPatricia ErbeldingFeatured in the exhibition: BorderlandsPainted photographs2002-04-1600 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryBorderlandsPainted photographs2002-04-1600 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryBorderlandsPeintures Photographiques des bords de route 2002-04-1600 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryOdyssée 2A plus de quarante ans, Tony Soulié est devenu un artiste reconnu de la "nouvelle abstraction". Contrairement à leurs aînés de l''Ecole de Paris, les peintres de sa génération ont formé leur regard et leur attitude au contact des artistes conceptuels, de ceux de la figuration narrative ou du land art. Tony Soulié a souvent recours dans son œuvre 2002-03-2100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryOdyssey 2Over forty years old, Tony Soulie is a recognized artist of the "new abstraction". Opposing their elders of the School of Paris, the painters of his generation formed their approach and attitude in contact with the conceptual artists, those of the narrative figuration or land art. In his works, Tony Soulie often recourses to the practices of these artists2002-03-2100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryPolyptiquesProposer à l''oeil et peut-être à l''esprit l''étrange déroulement simultané d''histoires anciennes ou récentes, dérisoires ou majuscules, authentiques ou romancées, légères ou graves, fragmentaires ou totalisantes. Archiver, conserver, empaqueter, ficeler, encoller et dans le même temps s''affranchir du passé pour s''ouvrir à l''avenir et arpenter le rêve et 2001-12-2100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryPolyptychsBeholding with the eyes and maybe - the mind, the strange unfolding of history ancient and contemporary, minor or capital, authentic or romanticized, fragmented to global. Filing away, preserving, wrapping up, tying up, gluing and at the same time turning away from the past, opening up to the future, climbing the dream and abstraction. Preparing the conditions for the2001-12-2100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryMandorlesLes Gravures sur Cuivre d''Anne Mandorla,Quand un peintre amoureux du papier comme l''est Anne Mandorla se décide à prendre le chemin de l’atelier du graveur, l’amateur d''estampes suit ses premiers pas avec intérêt, guette les premiers essais. Où, comment l’artiste va-t-elle transposer la matière de ses créations 2000-01-0100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryMandorlesThe Copper-Engravings of Anne Mandorla,When a paper loving painter like Anne Mandorla decides to take the path of the engraver''s study, the collector of prints follows her first steps with interest, watches for the first tests. Where, how will the artist transpose the matter of her original creations, illuminate the printed copper, reproduce the force of the2000-01-0100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryMuranoMURANO, - NOMADES, MARCHÉS D''ESCLAVES  sous LA CHALEUR le long des  RIVAGES D''AFRIQUE : MARCHÉ DE L''EXIL  7 SCULPTURES AFRICAINES TRANSPARENTES  où le mystère est négocié avec le  visible comme une simple radiographie  AUX DOUANES D''AÉROPORT.  qui 1999-08-0100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryMuranoNOMADES, SLAVE MARKETS  under THE HEAT along the  AFRICAN COSTS: TRADED FOR EXILE  7 TRANSPARENT AFRICAN SCULPTURES  where the mystery is negociated with the  visible as a simple radiography  TO THE AIRPORT CUSTOMS.  that reveals a one-way history,  exchange of silence :  11999-08-0100 minPatricia Erbelding : Clouds and DaysPatricia Erbelding : Clouds and DaysNo TitleMixed media on paper, 20x27,5cm (7,9x10,5 inch), Ref JN#9 1999-06-1800 minPatricia Erbelding : Clouds and DaysPatricia Erbelding : Clouds and DaysNo TitleMixed media on paper, 20x27,5cm (7,9x10,5 inch), Ref JN#1 1999-06-1800 minPatricia Erbelding : Clouds and DaysPatricia Erbelding : Clouds and DaysNo TitleMixed media on paper, 20x27,5cm (7,9x10,5 inch), Ref JN#2 1999-06-1800 minPatricia Erbelding : Clouds and DaysPatricia Erbelding : Clouds and DaysNo TitleMixed media on paper, 20x27,5cm (7,9x10,5 inch), Ref JN#3 1999-06-1800 minPatricia Erbelding : Clouds and DaysPatricia Erbelding : Clouds and DaysNo TitleMixed media on paper, 20x27,5cm (7,9x10,5 inch), Ref JN#4 1999-06-1800 minPatricia Erbelding : Clouds and DaysPatricia Erbelding : Clouds and DaysNo TitleMixed media on paper, 20x27,5cm (7,9x10,5 inch), Ref JN#5 1999-06-1800 minPatricia Erbelding : Clouds and DaysPatricia Erbelding : Clouds and DaysNo TitleMixed media on paper, 20x27,5cm (7,9x10,5 inch), Ref JN#6 1999-06-1800 minPatricia Erbelding : Clouds and DaysPatricia Erbelding : Clouds and DaysNo TitleMixed media on paper, 20x27,5cm (7,9x10,5 inch), Ref JN#7 1999-06-1800 minPatricia Erbelding : Clouds and DaysPatricia Erbelding : Clouds and DaysNo TitleMixed media on paper, 20x27,5cm (7,9x10,5 inch), Ref JN#8 1999-06-1800 minPatricia ErbeldingPatricia ErbeldingParticipe à l'exposition: Les Nuages et Les JoursIl existe une artiste qui séjourne, au calme, près de la place de la Bastille, toujours vetue de noir, le pinceau entre l''ombre et le ciel. Patricia Erbelding ne choisit guère la couleur, celle qui envahit les murs d''ici, frénétique, celle qui fouille les yeux trop fort. Dans un espace agencé en forme de carré, je suis allé la rencontrer récemment. Refusant1999-02-1400 minPatricia ErbeldingPatricia ErbeldingFeatured in the exhibition: Clouds and DaysAn artist lives quietly by the Bastille Square, clothed in black, the brush between shadow and sky. Patricia Erbelding do not chose the color, that who invade the walls here, frenetic, that who hurts the eyes. In a space ordered to a square, I recently visited her. Refusing all excesses, she counts her gestures as the warper the threads. The artist pauses in front of1999-02-1400 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryClouds and DaysAn artist lives quietly by the Bastille Square, clothed in black, the brush between shadow and sky. Patricia Erbelding do not chose the color, that who invade the walls here, frenetic, that who hurts the eyes. In a space ordered to a square, I recently visited her. Refusing all excesses, she counts her gestures as the warper the threads. The artist pauses in front of1999-02-1400 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryLes Nuages et Les JoursIl existe une artiste qui séjourne, au calme, près de la place de la Bastille, toujours vetue de noir, le pinceau entre l''ombre et le ciel. Patricia Erbelding ne choisit guère la couleur, celle qui envahit les murs d''ici, frénétique, celle qui fouille les yeux trop fort. Dans un espace agencé en forme de carré, je suis allé la rencontrer récemment. Refusant 1999-02-1400 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryDrawings&PaintingsAre Mosner an expressionist with the painting reflecting only malaise''s and troubles ? Granting that the closeness with the fauvists, the expressionists and even the actors from Die Brücke is palpable. The witnesses are feverish rhythm, the stridence of the palette, the latent and even sometimes manifest erotic. Again granting, the graphical tension brought to its edge1998-11-1100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryDessins&PeinturesMosner serait-il un expressionniste et sa peinture le reflet de malaises et de troubles, uniquement ? Certes, la proximité avec les Fauves, les Expressionnistes et même les acteurs de Die Brücke est flagrante. En témoignent le rythme fiévreux, les stridences de la palette, l''érotisme latent et même parfois manifeste. Certes 1998-11-1100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryUne Ligne de CrêteQuelque chose file, s''effeuille qui ne saurait être compris, à comprendre, à saisir. Si ce n''était justement ce fil virtuel, c''est-à-dire un ultra mince selon Duchamp qui s''étire et s''étiole, disparaît et renaît d''un mot à l''autre, dans l''écart entre le dessin et l''écriture. Quelque 1998-09-2200 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryRidgelineSomething unfurls itself, unravelling and unconscious of its significance. Ours is the task of understanding, of grasping the meaning. Perhaps the latter is the virtual thread itself, in other words, Duchamp''s "ultra thin" (ultra mince) stretching and extending, disappearing and being reborn from one word to the next, in the gap between drawing and writing.1998-09-2200 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryLost BodiesLost bodies always seeked, compared body pieces, arms legs and organs lined up for inspection, objects of curiosity for the "cabinets de curiosité", precursor of today''s museums, life questioned by death.  Bodies in tainted wax, maps of the veins, radiography of translucid bodies, the fragile skin, to see through the body''s transparencies,1998-01-0100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryCorps PerdusCorps perdus car toujours cherchés, morceaux de corps comparés, alignement de bras de jambes d’organes, objets de curiosité destinés aux cabinets du même nom, ancêtres de nos musées, questionnement de la vie par la mort . Corps de cire teintée, cartographie de veines, radiographie d’un corps translucide, la peau fragile, voir à travers le corps comme en 1998-01-0100 minPatricia ErbeldingPatricia ErbeldingFeatured in the exhibition: Lost BodiesLost bodies always seeked, compared body pieces, arms legs and organs lined up for inspection, objects of curiosity for the "cabinets de curiosité", precursor of today''s museums, life questioned by death.  Bodies in tainted wax, maps of the veins, radiography of translucid bodies, the fragile skin, to see through the body''s transparencies,1998-01-0100 minPatricia ErbeldingPatricia ErbeldingParticipe à l'exposition: Corps PerdusCorps perdus car toujours cherchés, morceaux de corps comparés, alignement de bras de jambes d’organes, objets de curiosité destinés aux cabinets du même nom, ancêtres de nos musées, questionnement de la vie par la mort . Corps de cire teintée, cartographie de veines, radiographie d’un corps translucide, la peau fragile, voir à travers le corps comme en1998-01-0100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryVolcanseXposition d''une série d''installations sur des volcans réalisées par Tony Soulié. L''exposition est constituée de photographies des installations sur différents volcans. Les photographies ont été prises par l''artiste. Elles sont tirées à trois exemplaires, numérotées et signées par l''artiste. 1997-08-0100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryVolcanoesThe eXhibition is about a serie of installations on volcanoes realised by the french artist Tony Soulié. It consists of photographs of the installations from around the world. The photographs are by the artist. They are printed in a limited edition of 3. The format of the prints is 50x70cm (20x28Inch). They are numbered and signed by the artist. 1997-08-0100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryLieux de PeintureMirna Kresic donne à voir des lieux de peinture. Formes et matières y sont prises dans l''enveloppe d''un lieu propre où la loi ne serait pas la stabilité de l''objet mais, précisément, son devenir. C''est une peinture qui se joue de ce problème essentiel de la représentation, à savoir que le monde, certes, nous 1997-06-0100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryLieux de PeintureMirna Kresic brings us depicted spaces. Form and matter are folded into a specific space where the law is not the objects stability but, precisely, its becoming. It''s a painting that plays the essential problem of representation, to know that the world, is open to us, but not entirely, nor directly. The painting is the meditation of this capture. In the painting1997-06-0100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryCarrés d'ÊtreAzulejos ? Is it an interrogation point or a dot on the i of infinity ? Questions and assertions side, insert themselves between squares of paper and adhesive ribbons. Dissimilitude, difference and still harmony in a balance of sounds and lights, with sensible lines and impertinent points. Scratching or velvety textures, smooth or jagged,1997-04-0100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryCarrés d'ÊtreAzulejos ? Point d''interrogation ou point sur les i de l''infini ? Questionnement et affirmation se côtoient, s''intercalent entre carreaux de papier et bandes de scotch. Dissemblance, différence et pourtant harmonie dans un équilibre de tons et de lumières, de lignes plutôt sages et de points impertinents. Textures râpeuses ou duveteuses, lisses ou accidentées, 1997-04-0100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryDes Petits RiensAndré Jolivet ou l''effet palimpseste - On dit de la Divine Comédie,du Château, de Ulysses,d''Au dessus du Volcan, que ces œuvres fonctionnent comme des boules de cristal à piéger le monde... Les écrans mentaux travaillés en une certaine qualité de blanc qu''affectionne André 1997-02-1400 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GallerySmall NothingsAndré Jolivet ou l''effet palimpseste - On dit de la Divine Comédie,du Château, de Ulysses,d''Au dessus du Volcan, que ces oeuvres fonctionnent comme des boules de cristal à piéger le monde... Les écrans mentaux travaillés en une certaine qualité de blanc qu''affectionne André Jolivet, sont de la même nature. Tout y est dit, contenu,1997-02-1400 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryDiptèreDes livres qui inculquent les préceptes. Des corps sans âme nous fournissent, par leurs sentences, les préceptes qui nous aideront à bien mourir. - Léonard de Vinci. Diptère est constitué d''un ensemble de 13 encres sur papier ciré, chacune étant collée sur un 1996-12-1100 minPatricia ErbeldingPatricia ErbeldingParticipe à l'exposition: DiptèreDes livres qui inculquent les préceptes. Des corps sans âme nous fournissent, par leurs sentences, les préceptes qui nous aideront à bien mourir. - Léonard de Vinci. Diptère est constitué d''un ensemble de 13 encres sur papier ciré, chacune étant collée sur un1996-12-1100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryDipterousDes livres qui inculquent les préceptes. Des corps sans âme nous fournissent, par leurs sentences, les préceptes qui nous aideront à bien mourir. - Léonard de Vinci. Diptère est constitué d''un ensemble de 13 encres sur papier ciré, chacune étant collée sur un1996-12-1100 minPatricia ErbeldingPatricia ErbeldingFeatured in the exhibition: DipterousDes livres qui inculquent les préceptes. Des corps sans âme nous fournissent, par leurs sentences, les préceptes qui nous aideront à bien mourir. - Léonard de Vinci. Diptère est constitué d''un ensemble de 13 encres sur papier ciré, chacune étant collée sur un1996-12-1100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryVanitésun oracle que l''on interroge où tout n''est que souffle (hèbèl), vide(rig), poussière (aphar). un raccourci du destin de l''humanité. un monde d''illusions et de tourments passionnels "vanité des vanités, tout est vanité" des tableaux, écrans dépouillés de leurs emblèmes 1996-11-0100 minExhibitions at the Dhalgren GalleryExhibitions at the Dhalgren GalleryVanitiesan oracle you question where all is wind(hèbèl), void(rig), dust (aphar). a shortcut of the destiny of humanity. A world of illusions and tormented passions. "vanity of vanities, all is vanity" pictures, screens relieved of their emblems and objects, where skull alone evokes the fragile reality and the transparency of human existence a virtual image1996-11-0100 min