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Edward Hayes

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Sacred Land Speaks2025-11-2051 minThinking Crypto News & Interviews2025-09-2216 minThe Overnightscape Underground2025-07-094h 07The Overnightscape2025-07-094h 07Podcast – The Overnightscape2025-07-094h 07Voices for Voices®2025-06-1936 minThinking Crypto News & Interviews2025-04-0847 minPress Play On This Sensational Full Audiobook And Feel The Difference.2025-04-056h 31愛的凱歌 (Adore Him)
愛的凱歌 (Adore Him)Rejoice: Rejoice, the Lord Is King/ Rejoice Ye Pure in HeartHi, 各位聽眾朋友們,平安!歡迎收聽愛的凱歌(Adore Him),我是Judy。 再過幾天就是農曆新年,在此預先祝褔大家新年快樂! 最近因為快過年了,我們團隊的其他成員也需要好好地休息,所以未來這幾集的podcast,主要由我和Vivien以雙鋼琴演奏的形式,介紹我們想和大家分享的詩歌。 迎接農曆新年的到來,在這集的節目中,思考著要選擇哪首雙鋼琴曲與大家分享時,看到了作曲家Sandra Zylstra將〈樂哉,救主為王〉(“Rejoice, The Lord Is King”)與〈歡欣感謝〉(“Rejoice Ye Pure in Heart”)這兩首聖詩串連起來;以這兩首聖詩的曲調進行改編,創作了命名為Rejoice的雙鋼琴曲。查考這兩首聖詩背後的創作故事,以及理解Sandra Zylstra根據這兩首聖詩進行改編為雙鋼琴曲的手法之後,我覺得,這首標題為Rejoice的雙鋼琴曲,很適合在農曆新年和大家分享。接下來,邀請大家聽聽關於Rejoice這首雙鋼琴曲,以及〈樂哉,救主為王〉(“Rejoice, The Lord Is King”) 和〈歡欣感謝〉(“Rejoice Ye Pure in Heart”)兩首聖詩的創作故事吧! 首先,我們先來談談關於聖詩〈樂哉,救主為王〉(“Rejoice, The Lord Is King”)的創作背景。在之前的節目中,已經多次介紹過由查理斯.衛斯理(Charles Wesley)創作的聖詩。查理斯.衛斯理於1744年在所撰寫的詩集《道德與神聖詩歌》(Moral and Sacred Poems),首次發佈了這首聖詩的詩詞。此詩詞的內容,主要以詩篇97 篇的彌賽亞的意象(messianic imagery),以及希伯來書和啟示錄開頭幾章中描述基督受高舉為背景。詩詞中,查理斯.衛斯理邀請所有的聖徒,應當歡欣喜樂,同來慶賀基督的王權;基督祂統管萬有,全地應當同來稱謝祂的聖名。 至於〈歡欣感謝〉(“Rejoice Ye Pure in Heart”)這首聖詩的歌詞,是由英國聖公會牧師愛德華.海耶斯.普朗特(Edward Hayes Plumptre) 所創作的。1865年5月,Plumptre根據詩篇20:4,以及腓立比書4:4這兩節聖經經文,創作了〈歡欣感謝〉(“Rejoice Ye Pure in Heart”)這首共十節歌詞的讚美詩。詩篇20:4「將你心所願的賜給你,成就你的一切籌算。」腓立比書4:4「你們要靠主喜樂。我再說,你們要喜樂。」Plumptre以這兩節聖經經為為主軸,創作〈歡欣感謝〉(“Rejoice Ye Pure in Heart”)的詩詞,其內容主要是鼓勵義人在基督裡當歡喜快樂! 在扼要地了解〈樂哉,救主為王〉(“Rejoice, The Lord Is King”)以及〈歡欣感謝〉(“Rejoice Ye Pure in Heart”)這兩首聖詩的創作背景之後,接著我們來看看Sandra Zylstra如何將這兩首聖詩的曲調串連一起、加以改編,創作了標題為Rejoice的雙鋼琴曲。 在Rejoice雙鋼琴曲中,Sandra Zylstra採取A-B-A這種像是三明治的手法來進行樂曲的創作。換言之,就是曲子的前、後樂段,皆採用聖詩〈樂哉,救主為王〉(“Rejoice, The Lord Is King”)的曲調來進行雙鋼琴曲的改編。而曲子的中間樂段,則是以聖詩〈歡欣感謝〉(“Rejoice Ye Pure in Heart”)的曲調來進行編曲。採取A-B-A的編曲方式,作曲家的用意是什麽呢?為的是要達到什麼樣的效果呢? 首先,在Rejoice雙鋼琴曲中,Sandra Zylstra以聖詩〈樂哉,救主為王〉(“Rejoice, The Lord Is King”)作為A樂段的主要曲調,並將A樂段放在樂曲的頭、尾兩個部分。由此延伸的意義,Sandra Zylstra彷彿在告訴我們:主是阿拉法,是俄梅嘎;是起初,是末了。又彷彿在訴說著:不論新的一年從開始到末了;又或者我們的一生,當我們還在母腹中,主已經認識我們…,直到我們離世,安抵天家,從頭至尾,如同聖詩〈樂哉,救主為王〉歌詞中所歡慶的:基督統管萬有—祂以祂權能的命令托住萬有,也托住著我們每個寶貴的靈魂。誠如Rejoice這首鋼琴曲,樂曲一開始就以聖詩〈樂哉,救主為王〉為主要的曲調,宣告著「基督掌王權」,直到樂曲的最後還是宣告「基督掌王權」。這首Rejoice的雙鋼琴曲,隨著音樂的前進(行進),也邀請我們日日與主同行,讓基督在我們生命中全然掌權。耶穌昨日、今日、一直到永遠都是一樣的。 再者,在Rejoice雙鋼琴曲中,Sandra Zylstra以聖詩〈歡欣感謝〉(“Rejoice Ye Pure in Heart”)作為B樂段的主要曲調,並將B樂段放置於樂曲的中段。對照聖詩〈歡欣感謝〉(“Rejoice Ye Pure in Heart”)歌詞中的寓意,Sandra Zylstra將這首聖詩的曲調作為雙鋼琴曲的中間樂段,似乎企圖向我們表達,在信仰旅程中,或有許多起伏,但這期間的過程,總不要忘了:當在主裡常常喜樂、總是靠主喜樂;無論在任何的處境中,總是要喜樂。因為不論我們處在什麼樣的光景,我們深知:主基督是阿拉法,是俄梅嘎;是起初,是末了。祂掌王權;祂用祂權能的命令托住萬有,也托住我們。 親愛的聽眾朋友們,在即將迎來農曆新年,藉由Sandra Zylstra這首Rejoice雙鋼琴曲,以及其中隱含的兩首聖詩的創作故事,願主祝福我們,讓我們投靠在那位是起初、也是末了的的懷抱中;日日與主同行,時時靠主喜樂。祝福大家新年快樂! 節目尾聲,邀請您一同來聆聽由Judy和Vivien演奏的這首Rejoice雙鋼琴曲。我們下次見! ❤️ We welcome feedback and comments:  https://open.firstory.me/story/clrq2cwjl01k401v51igm6r6f?m=comment ❤️ 愛的凱歌 Adore Him:  https://he-is-the-one-we-adore.firstory.io/ --------------------------------------------------------- ✏️ “Rejoice: Rejoice, The Lord Is King/ Rejoice Ye Pure in Heart” From Sunday Worship For Two Piano Duets, Volume 1 雙鋼琴編曲|Arranged by: Sadran Zylstra 演奏|Performed by Judy Lin and Vivien Lin 混音&後製|Sound Mixing & Mastering by Vivien Lin ✏️ “Rejoice, The Lord Is King” 詞|Words by Charles Wesley  曲|Music by John Darwa
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