Shows
Count Us InEP23 - Deep Dive: Harry SurmanIn this episode, we have a deep dive discussion with Harry and get to know a little bit more. He answers some quick fire questions as well as some deeper questions about drumming heroes and playing styles. This is a mini series that we'll be doing with the 3 of us, so keep an eye out to see who's next! Follow us on Instagram to keep up with new episodes releasing and other drumming goodness! Instagram: @countusinpodcastMatt: @matt_lacey_drummerJamie: @jamiejoinermusicHarry: @harryplaysdrumsSupport the showBuy Me A Coffee...
2024-02-091h 02
Músicas abiertasMúsicas abiertas - 48. 10 joyas del jazz y jazz-fusión de 1971 (serie 50 aniversario)Continuamos nuestra serie 50 aniversario dedicada a la música de 1971, en este caso centrada en el jazz de aquel año. Después de los primeros discos eléctricos de Miles Davis y su enorme éxito, lo que conocemos como jazz-fusión se convirtió en el estilo hegemónico de los años 70, que en este programa repasaremos junto con otros artistas que aún se resistían a dar ese paso y continuaron con el sonido acústico tradicional del jazz. Un nuevo diálogo abierto entre Jose Funes y Fran Macías. Repertorio:
1. Miles Davis - Inamorata... (fragmento) (Live Evil)
2...
2021-12-171h 59
Jazz Anthology50 anni fa: The Last Night at the Old PlaceCome con Machine Gun di Peter Brotzmann, registrato nel maggio '68, a cui abbiamo dedicato una puntata propro in maggio, proporvi questo live - pure del maggio - della Mike Westbrook Concert Band è anche un nostro modo di rendere omaggio al fatidico anno. Tra la fine del '66 e il maggio del '68 la vecchia sede del Ronnie Scott's ribattezzata Old Place, viene destinata al jazz londinese giovane ed emergente. La sera della domenica viene affidata a Mike Westbrook, che guida allora un sestetto, e che approfitta dell'opportunità di suonare con regolarità per montare una ampia compagine, in cui figurano alc...
2018-10-0856 min
The Jazz SessionThe Jazz Session #103: John Abercrombie
John Abercrombie returns with Wait Till You See Her (ECM, 2009), another album of gorgeous, tuneful music from his quartet, featuring Mark Feldman on violin, Joey Barron on drums, and new band member Thomas Morgan on bass. In this interview, Abercrombie talks about how subtle movements in the audience impact a performance; the label “chamber jazz” and whether it applies to his band; and his role as the evil Donald Dastardly in the radio drama Harry Lovett, Man Without A Country, which also featured the voices of John Surman and Jack DeJohnette. Learn more at johnabercrombie.com...
2009-10-3000 minThe Jazz SessionThe Jazz Session #103: John Abercrombie
John Abercrombie returns with Wait Till You See Her (ECM, 2009), another album of gorgeous, tuneful music from his quartet, featuring Mark Feldman on violin, Joey Barron on drums, and new band member Thomas Morgan on bass. In this interview, Abercrombie talks about how subtle movements in the audience impact a performance; the label “chamber jazz” and whether it applies to his band; and his role as the evil Donald Dastardly in the radio drama Harry Lovett, Man Without A Country, which also featured the voices of John Surman and Jack DeJohnette. Learn more at johnabercrombie.com...
2009-10-3000 minPodcast Archives - The Jazz SessionThe Jazz Session #103: John Abercrombie
John Abercrombie returns with Wait Till You See Her (ECM, 2009), another album of gorgeous, tuneful music from his quartet, featuring Mark Feldman on violin, Joey Barron on drums, and new band member Thomas Morgan on bass. In this interview, Abercrombie talks about how subtle movements in the audience impact a performance; the label “chamber jazz” and whether it applies to his band; and his role as the evil Donald Dastardly in the radio drama Harry Lovett, Man Without A Country, which also featured the voices of John Surman and Jack DeJohnette. Learn more at johnabercrombie.com...
2009-10-3000 min