Shows
Story ShapersConclusion: What the Story Shapers Teach UsHere’s what’s remarkable about these 50 creators: almost none were supposed to succeed. They were too weird, too poor, too different, too late. Yet here we are, living in worlds they built. Six lessons emerge from their journeys—how outsiders see what insiders miss, why discipline matters more than talent, how to steal from everything and make it yours, why craft makes the impossible inevitable, how weirdness becomes superpower, and why stories aren’t escapes from reality but tools for surviving it. Their pattern is clear: stories change people, and changed people change the world.
2026-02-1015 minStory ShapersHonorable MentionsThe 50 creators profiled in depth are far from the only story shapers worth knowing. From Douglas Adams’s absurdist sci-fi to Bill Watterson’s philosophical comics, from Ray Bradbury’s poetic science fiction to Toni Morrison’s unflinching examinations of Black American life, this extended profile covers twenty more visionaries who changed storytelling. Each deserves their own full essay. Consider these brief introductions to artists worth your deeper attention—creators who built worlds, changed minds, and left permanent marks on how we imagine, laugh, and dream.
2026-02-1017 min
Story ShapersTaika WaititiWaititi is Māori and Jewish, grew up in New Zealand, and makes films blending Indigenous perspectives with comedy and heart. “Boy” explored childhood in rural New Zealand. “Hunt for the Wilderpeople” was a road movie about a foster kid and his uncle. “Jojo Rabbit” made Hitler a child’s imaginary friend, satirizing fascism through innocence. “Thor: Ragnarok” brought comedy to Marvel’s most serious franchise. Waititi centers Indigenous stories without explaining them to white audiences, makes colonization’s legacy funny and heartbreaking simultaneously, and proves blockbusters can be smart, weird, and Indigenous-led.
2026-02-1007 min
Story ShapersThe WachowskisLana and Lilly Wachowski made “The Matrix” in 1999, blending kung fu, philosophy, and cyberpunk into the most influential action film of its era. “What is real?” became the question. Bullet-time became the technique. The red pill/blue pill became cultural shorthand. The sequels divided audiences but expanded the mythology. Both sisters came out as transgender after the trilogy, recontextualizing the films’ themes of identity, systems of control, and choosing authentic existence over comfortable illusion. They proved blockbusters could ask philosophical questions while delivering spectacular action, making style and substance inseparable.
2026-02-1010 min
Story ShapersKurt VonnegutVonnegut survived the Dresden firebombing as a POW, watching 25,000 civilians die in Allied bombing. Twenty-three years later, he published “Slaughterhouse-Five,” mixing sci-fi, dark comedy, and anti-war testimony into a masterpiece about trauma and time. Billy Pilgrim becomes “unstuck in time,” experiencing his life non-chronologically while processing horror. Vonnegut’s voice—cynical, compassionate, funny, sad—made him the voice of post-war disillusionment. “So it goes” appears 106 times, acknowledging death without dramatizing it. He wrote 14 novels, proving literature could be accessible without being simple, funny without being trivial.
2026-02-1008 min
Story ShapersJ.R.R. TolkienTolkien was an Oxford linguist who invented Elvish languages before writing stories to contain them. “The Hobbit” was a bedtime story for his children. “The Lord of the Rings” took 12 years to write, creating Middle-earth with thousands of years of history, multiple languages, and detailed geography. He survived WWI trenches, losing most friends, and channeled trauma into fantasy about war’s costs. His work invented modern fantasy literature—every dragon, elf, and quest story owes him. Peter Jackson’s films grossed $3 billion, but Tolkien’s real legacy is making fantasy respectable, proving invented worlds could carry literary and philosophical weight.
2026-02-1009 min
Story ShapersSatoshi TajiriTajiri collected insects as a kid in suburban Tokyo before urbanization paved over the fields. He channeled that childhood joy into Pokémon—creatures you catch, collect, and battle. The Game Boy games launched in 1996, creating the highest-grossing media franchise in history at $100+ billion. Bigger than Star Wars. Bigger than Marvel. Pokémon GO got 500 million downloads. Every generation has Pokémon—cards, games, shows, movies. Tajiri spent six years making the first game while Game Freak nearly went bankrupt. His obsession with collecting bugs became a global phenomenon letting millions experience the thrill of discovery.
2026-02-1007 min
Story ShapersSteven SpielbergSpielberg invented the modern blockbuster with “Jaws” in 1975. He made “E.T.” the highest-grossing film of its time. “Jurassic Park” proved CGI viable. “Schindler’s List” won him Oscars for serious drama. “Saving Private Ryan” changed war films. “Indiana Jones” created adventure templates. At 78, he’s still directing, still dominating box office, still making films that define what movies can do. His genius: emotional manipulation that works. The shark in “Jaws” rarely appears—terror comes from not seeing. The dinosaurs in “Jurassic Park” feel real. He understands spectacle and intimacy simultaneously.
2026-02-1008 min
Story ShapersM. Night ShyamalanShyamalan made “The Sixth Sense” in 1999 and became famous for twist endings. “I see dead people” became cultural shorthand. He followed with “Unbreakable,” “Signs,” and “The Village”—each with revelations recontextualizing everything before. Critics called him the next Spielberg, then turned on him after “The Last Airbender” and “After Earth” flopped. He returned with “Split” and “Glass,” completing his superhero trilogy. His career arc mirrors his themes: hidden truths, unexpected gifts, and how perception shapes reality. Love him or hate him, he’s one of the few directors whose name sells tickets.
2026-02-1010 min
Story ShapersDr. SeussTheodor Geisel wrote 46 children’s books as Dr. Seuss, sold 650 million copies, and changed how kids learn to read. “The Cat in the Hat” used 236 words to make phonics fun. “Green Eggs and Ham” bet he couldn’t write a book with only 50 words—he won. His stories rhyme with infectious rhythm, teaching kids language patterns while entertaining them. His early work contained racist caricatures he later regretted. Later books like “The Sneetches” taught anti-discrimination lessons. Every English-speaking child encounters his books—making him one of the most influential educators alive.
2026-02-1008 min
Story ShapersMichael SchurSchur wrote for “The Office,” created “Parks and Recreation,” “Brooklyn Nine-Nine,” and “The Good Place.” His shows are optimistic sitcoms about flawed people trying to be better. “Parks and Rec” believes government can help people. “Brooklyn Nine-Nine” made cops likable through found family. “The Good Place” taught moral philosophy while making audiences laugh and cry. Schur believes TV comedy can be kind without being toothless, funny without being cynical. His characters grow, learn, and care about each other in a television landscape often dominated by irony and meanness.
2026-02-1006 min
Story ShapersJK RowlingRowling was on welfare with a baby when she wrote “Harry Potter” in Edinburgh cafés. Twelve publishers rejected it. Bloomsbury took a chance in 1997. Seven books later, the series sold 500 million copies, spawned eight films grossing $8 billion, created theme parks, and defined a generation. Harry’s world—Hogwarts, Quidditch, Butterbeer, House sorting—became more real to millions than reality. Her later public statements about transgender people have alienated many fans and advocates. Her creative influence on fantasy literature and children’s reading habits remains undeniable even as her legacy grows complicated.
2026-02-1008 min
Story ShapersFred RogersRogers spent 33 years making “Mister Rogers’ Neighborhood,” teaching children emotional literacy with radical gentleness. He talked about death, divorce, anger, fear—topics other children’s shows avoided. He moved slowly, spoke softly, and made every child feel seen. His radical message: You are special exactly as you are. He testified before Congress in 1969 to save PBS funding, melting a skeptical senator’s heart in six minutes. He was an ordained minister who never preached, a pacifist during Vietnam, and someone who practiced kindness as daily discipline. He showed compassion isn’t weakness—it’s practice.
2026-02-1007 min
Story ShapersGene RoddenberryRoddenberry created “Star Trek” in 1966, imagining a future where humanity solved racism, poverty, and war to explore space together. The Enterprise crew was diverse by design: Black woman as communications officer, Asian man as helmsman, Russian navigator during the Cold War. Kirk and Uhura shared TV’s first interracial kiss. “Star Trek” used sci-fi to comment on contemporary issues: war, discrimination, authoritarianism. It inspired engineers, scientists, and astronauts who grew up believing humanity could be better. The franchise spawned 800+ episodes across multiple series, proving optimistic futurism could entertain while inspiring hope.
2026-02-1009 min
Story ShapersShonda RhimesRhimes created “Grey’s Anatomy,” “Scandal,” and “How to Get Away with Murder”—making her the most powerful showrunner in television. Her shows dominate Thursday nights, feature diverse casts, and center Black women as leads in roles traditionally reserved for white actors. Olivia Pope is a Black woman running Washington as a crisis manager. Annalise Keating is a Black woman defense attorney who’s brilliant, flawed, and complex. Rhimes normalized diversity on TV not by making a statement but by treating representation as default. Her formula: compelling characters, breakneck plots, and appointment television you can’t miss.
2026-02-1008 min
Story ShapersPhilip PullmanPullman’s “His Dark Materials” trilogy imagines parallel worlds where people’s souls live outside their bodies as animal companions. Young Lyra Belacqua battles the oppressive Magisterium (a stand-in for organized religion), discovers dark matter called Dust, and participates in the death of God. The books are explicitly anti-authoritarian and anti-religious authority, arguing humans should build meaning without divine oversight. They’re also adventure stories about growing up, first love, and choosing kindness over obedience. Pullman makes atheism heroic and treats children’s intelligence seriously, writing fantasy where critical thinking triumphs over blind faith.
2026-02-1008 min
Story ShapersTerry PratchettPratchett wrote 41 Discworld novels while working full-time at a nuclear power plant, then quit to write full-time. Discworld is a flat world on a turtle’s back where magic works and satire cuts deep. His books mock everything: religion, capitalism, racism, war, technology, academia—all through fantasy that makes you laugh while making you think. Diagnosed with Alzheimer’s at 59, he wrote faster, campaigned for assisted dying rights, and kept publishing until he died in 2015. His Death character speaks IN ALL CAPS and loves cats. He proved fantasy could be funny, philosophical, and profound.
2026-02-1006 min
Story ShapersHaruki MurakamiMurakami quit his jazz bar at 29 to write novels. His books are dreamlike, blending realism with surrealism: a man searches for his missing cat while his wife cheats; teenagers find a secret passage to another world; a man talks to Colonel Sanders about philosophy. He writes about alienation in modern Japan, loneliness, jazz, and the thin membrane between reality and dream. His prose is simple and strange simultaneously. He runs marathons and translates American literature, bringing Western influences into Japanese fiction while remaining distinctly Japanese. His books feel like waking from a dream you can’t quite remember.
2026-02-1008 min
Story ShapersHayao MiyazakiMiyazaki co-founded Studio Ghibli in 1985 and made animation into art. “My Neighbor Totoro,” “Spirited Away,” “Princess Mononoke,” “Howl’s Moving Castle”—his films blend environmental themes, strong female protagonists, and stunning hand-drawn animation. He draws every frame himself, obsessing over details until they convey emotion without words. His movies trust children’s intelligence, never condescending or simplifying. They’re about growing up, environmental destruction, pacifism, and finding wonder in small moments. He’s announced retirement repeatedly then returned because making films is what he does. He won an Oscar at 75 and is still drawing.
2026-02-1006 min
Story ShapersShigeru MiyamotoMiyamoto created Mario, Zelda, Donkey Kong, and Star Fox—characters defining video games for 40+ years. Mario is the most recognizable character on Earth. Miyamoto’s design philosophy: gameplay first, story serves play. He doesn’t care about graphics or processing power—he cares whether moving through space feels good. His childhood exploring caves outside Kyoto influenced Zelda’s dungeon design. His innovation made Nintendo dominate gaming by prioritizing joy, discovery, and accessibility over technical impressiveness. Gaming exists as mainstream culture because Miyamoto understood play.
2026-02-1008 min
Story ShapersLin-Manuel MirandaMiranda wrote “In the Heights” about his Washington Heights neighborhood, then spent seven years creating “Hamilton”—hip-hop musical about a founding father. “Hamilton” won 11 Tonys, a Pulitzer, and changed Broadway by casting non-white actors as historical white figures, using contemporary music to make history feel urgent and relevant. Miranda makes musicals about communities often invisible in theater: Latino neighborhoods, immigrants building new lives, revolutionaries rapping about legacy. He brought hip-hop to Broadway and made theater cool for generations who thought musicals were uncool.
2026-02-1009 min
Story ShapersGeorge RR MartinMartin spent 20 years as a TV writer before “A Game of Thrones” published in 1996. His fantasy series subverts genre tropes: heroes die unexpectedly, honor gets you killed, politics matters more than prophecy. The HBO adaptation dominated 2010s culture, making fantasy mainstream television. Martin writes slowly—fans waited 11 years for the fifth book—because his world is intricate: hundreds of characters, multiple continents, history reaching back thousands of years. “Winter is coming” became cultural shorthand. He proved fantasy could be morally complex, politically sophisticated, and brutally realistic about power’s corrupting nature.
2026-02-1007 min
Story ShapersGeorge LucasLucas made “Star Wars” in 1977 by stealing from Kurosawa, Joseph Campbell, Flash Gordon serials, and westerns—then created something entirely new. He invented modern merchandising, proving toys could earn more than box office. He pioneered CGI with Pixar. THX and Industrial Light & Magic advanced film technology. His prequels disappointed fans but introduced “Star Wars” to a new generation. Love him or hate him, Lucas changed how movies are made, marketed, and monetized. “May the Force be with you” is global language. He built mythology for a post-religious age.
2026-02-1008 min
Story ShapersMadeleine L’EngleL’Engle’s “A Wrinkle in Time” got rejected 26 times before publication in 1962. Publishers said it was too complicated for children. They were wrong. Meg Murry travels through space and time to rescue her father, battling conformity and evil with love and individuality. L’Engle blended quantum physics, Christianity, and adventure into young adult literature that trusted kids to handle complex ideas. She wrote 60+ books exploring faith, science, and what it means to be different—never talking down to young readers, always treating their intelligence and emotional depth seriously.
2026-02-1007 min
Story ShapersSpike LeeLee made “Do the Right Thing” in 1989, examining racial tension on Brooklyn’s hottest day—a film ending in violence and moral ambiguity. He made “Malcolm X,” “25th Hour,” “BlacKkKlansman.” His films don’t comfort white audiences. They challenge, confront, and demand attention. His signature shot: characters floating toward camera on dollies, addressing viewers directly. He wears Knicks jerseys to Oscars. He teaches film at NYU. He makes films about Black life in America—joy, pain, protest, community—refusing to make racism palatable or digestible. He demands audiences grapple with America’s racist foundations rather than look away.
2026-02-1009 min
Story ShapersStan LeeLee co-created Spider-Man, X-Men, Iron Man, Black Panther, Fantastic Four, and dozens more Marvel characters. His innovation: superheroes with problems. Peter Parker worries about rent. Tony Stark battles alcoholism. The X-Men face discrimination. Lee humanized heroes, making them relatable while fantastic. He wrote Marvel comics for 40+ years, building a universe where heroes have flaws, make mistakes, and struggle with responsibility. The MCU films—the biggest franchise in cinema history—are built on his foundation: heroes who feel human even when they’re gods.
2026-02-1009 min
Story ShapersUrsula K. Le GuinLe Guin brought anthropology to science fiction. Her father studied Native American cultures; her mother wrote about them. Le Guin created alien societies that felt genuinely alien—different genders, social structures, and values than Western norms. “The Left Hand of Darkness” explored a world where people are genderless until mating season. “The Dispossessed” contrasted anarchist and capitalist societies. She won five Hugos, six Nebulas, and twenty Locus Awards by proving science fiction could be literary, political, and beautiful—asking how different humans could organize themselves if freed from Earth’s constraints.
2026-02-1007 min
Story ShapersAkira KurosawaKurosawa made 30 films across 50 years, influencing everyone from George Lucas to Steven Spielberg. “Seven Samurai” became “The Magnificent Seven.” “The Hidden Fortress” influenced “Star Wars.” “Throne of Blood” adapted Shakespeare’s Macbeth to feudal Japan. He composed shots like paintings, choreographed action like dance, and made rain fall for the perfect emotional effect. His samurai films aren’t just action—they’re examinations of honor, sacrifice, and what heroism costs. Western directors borrowed his techniques: wipes, long lenses, weather as emotion.
2026-02-1008 min
Story ShapersStephen KingKing writes 2,000 words every day. No exceptions. He’s published 60+ novels, 200+ short stories, and sold 400+ million books. “Carrie,” “The Shining,” “It,” “Misery,” “The Stand,”—his horror taps into everyday fears: bullying, addiction, small-town secrets, what lurks in sewers. He makes monsters from American anxieties. His memoir “On Writing” is essential reading for aspiring writers. He got hit by a van in 1999 and kept writing. He battled alcoholism and wrote about it. He’s been Stephen King longer than most writers have been alive, proving discipline and showing up matters more than inspiration.
2026-02-1008 min
Story ShapersChuck JonesJones directed 300+ animated shorts at Warner Bros., perfecting Bugs Bunny, Daffy Duck, and Wile E. Coyote. He obsessed over timing—how many frames an eye blink needs, when to pause for maximum comic effect. His cartoons are masterclasses in physical comedy, visual storytelling, and character through motion. He made Looney Tunes art by treating animation seriously: every frame mattered, every movement served character, comedy came from personality not just gags. He influenced every animator since by proving cartoons deserved the same craft as any film.
2026-02-1008 min
Story ShapersJohn HughesHughes wrote and directed “The Breakfast Club,” “Sixteen Candles,” “Ferris Bueller’s Day Off,” and “Pretty in Pink”—defining 1980s teenage cinema. He took teenagers seriously. Their problems mattered. Their feelings were real. Adults were often obstacles. His movies captured the specific pain of high school: social hierarchies, first love, parental pressure, the desperate need to fit in while figuring out who you are. He wrote fast—some screenplays in days—channeling authentic adolescent emotion into stories that made teens feel seen and understood.
2026-02-1009 min
Story ShapersJim HensonHenson made felt puppets more emotionally real than most human actors. Kermit the Frog debuted in 1955. “Sesame Street” taught millions of kids their letters. “The Muppet Show” made puppetry entertainment for all ages. “The Dark Crystal” and “Labyrinth” pushed puppetry into fantasy filmmaking. He died at 53 from pneumonia, leaving behind characters that defined childhood across generations. His genius was simple: treat puppets as actors with real emotions, and audiences forget they’re watching fabric and foam.
2026-02-1007 min
Story ShapersMatt GroeningGroening drew “Life in Hell” comics about rabbits while working at an alternative newspaper. In a Fox executive’s lobby, he improvised “The Simpsons” family rather than surrender his rabbits’ rights. “The Simpsons” premiered in 1989 and became the longest-running American sitcom, defining animated comedy for adults. Homer, Marge, Bart, Lisa, and Maggie are America’s animated family—dysfunctional, loving, satirical, somehow both exaggerated and achingly real. The show pioneered animated satire, proving cartoons could mock politics, culture, and society while making audiences laugh and occasionally cry.
2026-02-1009 min
Story ShapersGabriel García MárquezGarcía Márquez wrote “One Hundred Years of Solitude” in 18 months while his wife sold their car to pay bills. The novel tells seven generations of the Buendía family in the fictional town of Macondo, where it rains for four years and women ascend to heaven while folding sheets. He wrote magical realism—where impossible things happen with the same matter-of-fact tone as mundane reality. His journalism background taught him tight prose. His Colombian upbringing taught him storytelling where myth and truth intertwine. He won the Nobel Prize in 1982 for making magic feel real and reality feel magical.
2026-02-1007 min
Stacking Knowledge066 - The Story Cycle, by Robert CarnesIn this episode, I share some thoughts from the book "The Story Cycle" by Robert Carnes.Show notes and more info can be found at:https://stackingknowledge.com/ep066
2025-12-0411 min
Side Hustle to Small BusinessRobert Carnes grows a freelance writing business while working in marketingRobert Carnes is a freelance copywriter and author who started his copywriting business while working full-time in marketing. What began as a creative outlet has grown into a thriving freelance practice, helping clients craft compelling content and develop their brands.
In this episode of the Side Hustle to Small Business® Podcast, Robert shares his journey from balancing a full-time marketing career with a side hustle to building a successful copywriting business. He and host Sanjay discuss the evolving role of AI in writing, strategies for overcoming imposter syndrome, and the lessons he’s learned as an author and entrepreneur.
What You’l...
2025-11-2633 min
Adulting 101 with Casby Bias(S4 FINALE) How to Publish a Book as an Adult w/ Robert CarnesIn today's episode, we're diving into a fascinating topic that many young professionals and aspiring authors will find incredibly valuable: how to publish a book as an adult! Does the process of getting a book published come off as confusing? We're here to help.Robert Carnes, multi-media communicator and writer, joins us to share his expertise on the world of writing, publishing, and marketing. Tune in for more!Helpful resources:"What Expenses Aren't Includible?” IRS, https://www.irs.gov/forms-pubs/about-publication-502, (click "Publication 502" under link)Po...
2023-10-2733 min
Believe you can because you can!Harnessing the Power of Manual Copywriting in the AI Era with Robert Carnes (#551)In this engaging episode of the Unmiss Podcast, we welcome Robert Carnes, a copywriting expert who passionately advocates for the power of manual copywriting even in the age of AI. Join us as we explore the importance of balancing the human touch with technological advancements in the world of content creation. Here are the 7…
2023-06-2445 min
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2023-01-1547 min2023-01-151h 182023-01-1539 min2023-01-1525 min2023-01-1546 min2023-01-1549 min
S'more StoriesEpisode 7 - with Robert CarnesS'more Stories goes professional! This episode, I'm joined by my new friend Robert Carnes, who has honed his craft in the marketing world for years! The topic he chose is a WILD one, which led to some wild stories from both of us. Be sure to check out the link below for all of Robert's published works!
Stay toasty everyone!
Robert Carnes
http://www.jamrobcar.com/
2022-11-131h 09
LEAD Pods064 | The Importance of Effective Storytelling (Robert Carnes)"Let me tell you a story..."Did we capture your attention? There's something about a compelling story that draws our hearts and minds more than just about anything else. Effective storytelling can be a leadership superpower, so how can our churches tell better stories? What's the process we should use to listen, capture, and share good stories, and how can that cycle help grow our churches and share the gospel? On this episode we talk through this and much more with author Robert Carnes. Robert has written two books, including "The Story Cycle," which we t...
2022-10-2044 min2022-10-0656 min
Uplink Marketing PodcastThe Story Cycle with Robert CarnesLearn more about The Story Cycle: https://storycyclebook.com/
Learn more about Robert Carnes: http://www.jamrobcar.com/
Check out Green Mellen: https://www.greenmellenmedia.com/
Work with Uplink Marketing: https://uplinkmarketing.com
2022-09-2938 min
Pursuit Of ServiceEpisode 52: Story Telling and the "Story Cycle" with Robert CarnesRobert Carnes joins Jeff and Brian to discuss the art of storytelling in communication. Robert is a multiple-time author and friend of both Jeff and Brian. You can learn more about him at http://www.jamrobcar.com/
2022-08-2924 min2022-08-2251 min2022-07-0850 min2022-07-0850 min
Modern Church LeaderWhy Storytelling Works in Church with Robert CarnesClick here to view the full show notes and transcript for this episode.Church leaders have long known the power of storytelling to communicate biblical truths, engage people’s hearts, and invite them into a relationship with God. But what is it about storytelling that makes it so effective? The answer: stories don’t just communicate facts; they communicate truths.A fact can be disputed, but truth cannot. And since we all want to live in alignment with truth, we find ourselves drawn in by stories that reveal truths about our own lives and G...
2022-06-2841 min2022-06-1700 min2022-05-0440 min
Insidious And Ghost Football Talkusfl and nfl draft and news and youtubeusfl scores and predictions and nfl draft and news and youtube https://youtube.com/channel/UCq8foZzTZPMNzJTPWPD6RwQ
2022-04-3040 min2022-04-2401 min2022-04-231h 002022-04-2331 min2022-04-1153 min2022-02-1453 min2022-02-0202 min2022-01-3137 min2022-01-1858 min2022-01-1031 min2021-12-2942 min2021-12-1700 min2021-12-141h 192021-12-0947 minInsidious And Ghost Football TalkWeek 13 review week 14 previewOur thoughts on the games and maybe next season maybe some college football
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2021-12-0545 min
Insidious And Ghost Football TalkInsidious and ghost week 1 review and week 2 predictionsNFL talk about week 1 and week 2 predictions and who we think will win the games for next week
2021-12-0546 min2021-11-1705 minInsidious And Ghost Football TalkWeek 10 review week 11 previewIn this episode we talk about week and week 11 make sure to share and help us spread our podcast with others
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2021-09-1602 min
Uplink Marketing PodcastGuest Episode: Robert Carnes talks storytelling, marketing & Frozen II metaphorsIn this episode Evan Chasteen talks with Robert Carnes about storytelling, marketing & Frozen II metaphors.Robert Carnes is a freelance writer and storyteller. He writes for a number of blogs and online publications. Carnes has worked for a number of years in marketing and communications for both churches and nonprofits. Learn more about Robert and his book:http://www.originalstoryteller.com/Learn more about Uplink Marketing: uplinkmarketing.comMusic credits: "Too Cool" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
2020-03-2026 min
The Other 99 - Equipping The Church for Community, Discipleship, and Mission039/Telling Your Story with Robert CarnesWe've been featuring a lot of people telling their stories in the past few weeks, and we wanted to talk to someone who could help us figure out how to become better storytellers. Robert Carnes wrote an excellent book called The Original Storyteller and we wanted to sit down and talk with him about the book and his passion for storytelling. RECOMMENDATION STATION Created for More Building a Story Brand All Marketers are Liars originalstoryteller.com Love Does God Outwitted Me
2018-02-2300 min
Art of the SermonThe Original Storyteller - An Interview with Robert Carnes
Thanks for checking out this episode of Art of the Sermon! Be sure to subscribe through Apple Podcasts, Google Play Music, or your favorite podcast app. If you enjoy this episode, leave a review on our podcast’s page in the iTunes store. This will help others discover the show!
Guest: Robert Carnes - Author, Managing Editor for the Orange Group (Atlanta, GA)
General Topic: Elements for Storytelling
Introduction to Robert (0:32)
Philosophy of communication (5:07)
The Original Storyteller (6:45)
Why storytelling is important (10:03)
Why the recent focus on story? (13:18)
Context is ke...
2018-02-0138 min
The Seminary of Hard Knocks Podcast | Church Communications, Marketing, and Social MediaBecoming a Better Storyteller w/ Robert Carnes, Ep. 43The Seminary of Hard Knocks podcast with Seth Muse
Show notes available at www.sethmuse.com/43
In this episode, I talk with Robert Carnes of Orange Leaders about telling better stories in the church as well as his new book The Original Storyteller. This is a fun conversation full of wise insight on how you can communicate the Gospel more clearly than ever before!
I'm Speaking at Some Free Conferences Soon
Catch me at www.thatchurchsummit.com or at https://churchmarketingsummit.com/free along with over 30 other church communication and marketing experts!
2018-01-0342 min