Shows
Center for Advanced Studies (CAS) Miscellanea (LMU) - SDSix Degrees of Separation: The Foax as MoreForgeries are mimetic practices of unique cultural, economic and political relevance. They alter reality, make history and perform cultural work. The conference aims to engage an interdisciplinary dialogue on the potential impacts of fakes, involving literature, performance and media studies as well as art history, with their diverging media and multiple concepts of the original. The debate will focus on faking as process, fakes in intercultural contexts and the forgery of traditions. | Center for Advanced Studies LMU: 29.10.2015 | Speaker: Henry Keazor | Moderation: Christopher Balme, Simone Niehoff2022-01-121h 15
LMU IDK Mimesis"Counter Investigations: The Work of Forensic Architecture"In the context of "Change through Repetition" Conference.2021-08-2656 minLMU IDK MimesisVocal Masking Komplett Ohne Bilder 109.10.19.mp42021-08-2650 minLMU IDK Mimesis"How to See a City? Media, Data, Visualization"2021-08-261h 17LMU IDK Mimesis"The Surrealists on Style: Toward a Theory of Expression as Masquerade"Un/masking Conference2021-08-261h 05LMU IDK Mimesis"Switching Perspectives: The Operative Ontology of the Transformation Masks of the American Northwest Coast"Un/masking Conference2021-08-2655 minLMU IDK MimesisEdgar Reitz im Gespräch mit Fabienne LiptayKünstlerreihe des Internationalen Doktorandenkollegs Mimesis2021-08-261h 38LMU IDK Mimesis"Hat der Mai 68 stattgefunden? Mimesis und Weltgeist"Wie kann man heute an den Mai 68 anknüpfen? Gibt es zwischen Weltgeist und Mimesis einen Zusammenhang?2021-08-2658 minLMU IDK Mimesis"Artist Talk"In the context of "Change through Repetition" Conference2021-08-261h 20LMU IDK Mimesis"Morality and Meaning in Vocal Masking"Un/masking Conference2021-08-2650 min
LMU IDK MimesisHeiner Goebbels im Gespräch mit Christopher BalmeVierteilige Künstlerreihe zum Thema Mimesis in der Kunst, in der bekannte Kunstschaffende darüber Auskunft geben, was Mimesis mit ihrer eigenen Arbeit und deren Programmatik zu tun hat.2021-08-2600 minLMU IDK MimesisMischa Kuball im Gespräch mit Ulrich PfistererVierteilige Künstlerreihe zum Thema Mimesis in der Kunst, in der bekannte Kunstschaffende darüber Auskunft geben, was Mimesis mit ihrer eigenen Arbeit und deren Programmatik zu tun hat.2021-08-261h 22LMU IDK MimesisUlrike Draesner im Gespräch mit Christian BegemannVierteilige Künstlerreihe zum Thema Mimesis in der Kunst, in der bekannte Kunstschaffende darüber Auskunft geben, was Mimesis mit ihrer eigenen Arbeit und deren Programmatik zu tun hat.2021-08-261h 31LMU IDK MimesisMICHAELA MELIÁN: Electric Ladyland. Vortrag und Künstlerinnengespräch mit Annette Keck2021-08-261h 23LMU IDK MimesisFELICITAS HOPPE: Wesen und Unwesen. Gespräch über Literatur und Ungeheuer mit Jan Niklas Howe2021-08-261h 29LMU IDK MimesisMICHAELA MELIÁN: Electric Ladyland. Vortrag und Künstlerinnengespräch mit Annette Keck2021-08-261h 23LMU IDK MimesisFELICITAS HOPPE: Wesen und Unwesen. Gespräch über Literatur und Ungeheuer mit Jan Niklas Howe2021-08-261h 29LMU IDK MimesisOperette als (sexuelle) Revolution2021-08-261h 41LMU IDK MimesisOperette als (sexuelle) Revolution2021-08-261h 41LMU IDK MimesisVocal Masking Komplett Ohne Bilder 109.10.19.mp42021-08-2650 minLMU IDK Mimesis"How to See a City? Media, Data, Visualization"2021-08-261h 17LMU IDK Mimesis"The Surrealists on Style: Toward a Theory of Expression as Masquerade"Un/masking Conference2021-08-261h 05LMU IDK Mimesis"Switching Perspectives: The Operative Ontology of the Transformation Masks of the American Northwest Coast"Un/masking Conference2021-08-2655 minLMU IDK MimesisEdgar Reitz im Gespräch mit Fabienne LiptayKünstlerreihe des Internationalen Doktorandenkollegs Mimesis2021-08-261h 38LMU IDK Mimesis"Hat der Mai 68 stattgefunden? Mimesis und Weltgeist"Wie kann man heute an den Mai 68 anknüpfen? Gibt es zwischen Weltgeist und Mimesis einen Zusammenhang?2021-08-2658 minLMU IDK Mimesis"Counter Investigations: The Work of Forensic Architecture"In the context of "Change through Repetition" Conference.2021-08-2656 minLMU IDK MimesisHeiner Goebbels im Gespräch mit Christopher BalmeVierteilige Künstlerreihe zum Thema Mimesis in der Kunst, in der bekannte Kunstschaffende darüber Auskunft geben, was Mimesis mit ihrer eigenen Arbeit und deren Programmatik zu tun hat.2021-08-2600 minLMU IDK Mimesis"Artist Talk"In the context of "Change through Repetition" Conference2021-08-261h 20LMU IDK Mimesis"Morality and Meaning in Vocal Masking"Un/masking Conference2021-08-2650 minLMU IDK MimesisMischa Kuball im Gespräch mit Ulrich PfistererVierteilige Künstlerreihe zum Thema Mimesis in der Kunst, in der bekannte Kunstschaffende darüber Auskunft geben, was Mimesis mit ihrer eigenen Arbeit und deren Programmatik zu tun hat.2021-08-261h 22LMU IDK MimesisUlrike Draesner im Gespräch mit Christian BegemannVierteilige Künstlerreihe zum Thema Mimesis in der Kunst, in der bekannte Kunstschaffende darüber Auskunft geben, was Mimesis mit ihrer eigenen Arbeit und deren Programmatik zu tun hat.2021-08-261h 31LMU IDK MimesisThe Structure of Scientific Imitations: Hoaxes as Subversive MimesisTaking a meta-perspective on academic trends and publishing, this paper shows that hoaxes of scholarly and scientific research often rely on a somewhat problematic distinction between good and bad mimesis.2016-07-0124 minLMU IDK MimesisThe Structure of Scientific Imitations: Hoaxes as Subversive MimesisTaking a meta-perspective on academic trends and publishing, this paper shows that hoaxes of scholarly and scientific research often rely on a somewhat problematic distinction between good and bad mimesis.2016-07-0124 minLMU IDK MimesisMocking Mimesis: Robinson's Parrot and the Rise of the Modern NovelThis paper examines the blurring of boundaries between animal and human mimesis in Daniel Defoe’s "Robinson Crusoe" and argues that it is the seemingly mechanic voice of the parrot that enables Robinson to become the subject of the modern novel.2016-07-0142 minLMU IDK MimesisMocking Mimesis: Robinson's Parrot and the Rise of the Modern NovelThis paper examines the blurring of boundaries between animal and human mimesis in Daniel Defoe’s "Robinson Crusoe" and argues that it is the seemingly mechanic voice of the parrot that enables Robinson to become the subject of the modern novel.2016-07-0142 minLMU IDK MimesisThe Red Peter Principle: Jewish Mimetics?This paper focuses on the anti-Semitic bestialization of ‘the Jew’ in the nineteenth and at beginning of the twentieth century and presents a reading of Kafka’s "A Report to an Academy" as a subversion of stereotypes that identify Jews with animals, in particular with apes.2016-07-0141 minLMU IDK MimesisThe Red Peter Principle: Jewish Mimetics?This paper focuses on the anti-Semitic bestialization of ‘the Jew’ in the nineteenth and at beginning of the twentieth century and presents a reading of Kafka’s "A Report to an Academy" as a subversion of stereotypes that identify Jews with animals, in particular with apes.2016-07-0141 minLMU IDK MimesisThe Blood of the Animal: Metaphor, Mimesis, and the Origin of PoetryThis paper investigates the problematic relationship between humans and animals in the early twentieth-century crisis of language (Sprachkrise) as well as the merging between both in the act of sacrifice.2016-06-3046 minLMU IDK MimesisThe Blood of the Animal: Metaphor, Mimesis, and the Origin of PoetryThis paper investigates the problematic relationship between humans and animals in the early twentieth-century crisis of language (Sprachkrise) as well as the merging between both in the act of sacrifice.2016-06-3046 minLMU IDK MimesisInteracting with Peacocks in the Vœux du Paon and Bestiaire dAmour of Oxford, Bodleian Library, MS Douce 308 Knights, Ladies, Gods, and a Cow (Audio)This paper considers the symbolical meanings of the peacock in the fourteenth-century manuscript Oxford, Bodleian Douce 308, in terms of what they might imply about medieval attitudes towards the senses of sight and hearing.2016-06-3000 minLMU IDK MimesisInteracting with Peacocks in the Vœux du Paon and Bestiaire dAmour of Oxford, Bodleian Library, MS Douce 308 Knights, Ladies, Gods, and a Cow (Audio)This paper considers the symbolical meanings of the peacock in the fourteenth-century manuscript Oxford, Bodleian Douce 308, in terms of what they might imply about medieval attitudes towards the senses of sight and hearing.2016-06-3000 minLMU IDK MimesisUt Cancer Retrograde Movement in Music (Audio)This paper focuses on the ways in which the cancer has inspired composers to prompt performers to sing/play a written line backwards, addressing also the symbolical and philosophical implications of this notational technique.2016-06-3000 minLMU IDK MimesisUt Cancer Retrograde Movement in Music (Audio)This paper focuses on the ways in which the cancer has inspired composers to prompt performers to sing/play a written line backwards, addressing also the symbolical and philosophical implications of this notational technique.2016-06-3000 minLMU IDK MimesisAnimal Mimesis: Between Art and ScienceThis papers analyses the diverse theories of animal mimicry that spread around 1900 and argues that these theories should be considered not so much as a step in the development of Darwinism, but as part of the history of media and as being engaged in the search for the ‘perfect medium’ in this period.2016-06-3036 minLMU IDK MimesisAnimal Mimesis: Between Art and ScienceThis papers analyses the diverse theories of animal mimicry that spread around 1900 and argues that these theories should be considered not so much as a step in the development of Darwinism, but as part of the history of media and as being engaged in the search for the ‘perfect medium’ in this period.2016-06-3036 minLMU IDK MimesisUbiquitous Signs: The Rudiments of Physiognomy in ArtThis paper addresses the tendency to recognize human and animal faces in art as well as in design, featuring examples such as Daumier's caricatures, Lebrun’s physiognomy, Emoticons and car design.2016-06-3045 minLMU IDK MimesisUbiquitous Signs: The Rudiments of Physiognomy in ArtThis paper addresses the tendency to recognize human and animal faces in art as well as in design, featuring examples such as Daumier's caricatures, Lebrun’s physiognomy, Emoticons and car design.2016-06-3045 minLMU IDK MimesisIntroductionThis paper introduces the conference subject from an interdisciplinary perspective. Manuel Mühlbacher gives an overview of the question ranging from Aristoteles’ thesis that human mimesis involves understanding to echoes of the same line of argument in eighteenth-century philosophy. Katerina Krčal traces the shift of the perspective in the human-animal divide since Darwin’s theory of evolution. Antonio Chemotti shifts the focus to the question of animal mimesis in music from the Middle Ages and discusses the role animals play in origin myths of music.2016-06-3031 minLMU IDK MimesisIntroductionThis paper introduces the conference subject from an interdisciplinary perspective. Manuel Mühlbacher gives an overview of the question ranging from Aristoteles’ thesis that human mimesis involves understanding to echoes of the same line of argument in eighteenth-century philosophy. Katerina Krčal traces the shift of the perspective in the human-animal divide since Darwin’s theory of evolution. Antonio Chemotti shifts the focus to the question of animal mimesis in music from the Middle Ages and discusses the role animals play in origin myths of music.2016-06-3031 min
Center for Advanced Studies (CAS) Miscellanea (LMU) - HDSix Degrees of Separation: The Foax as MoreForgeries are mimetic practices of unique cultural, economic and political relevance. They alter reality, make history and perform cultural work. The conference aims to engage an interdisciplinary dialogue on the potential impacts of fakes, involving literature, performance and media studies as well as art history, with their diverging media and multiple concepts of the original. The debate will focus on faking as process, fakes in intercultural contexts and the forgery of traditions. | Center for Advanced Studies LMU: 29.10.2015 | Speaker: Henry Keazor | Moderation: Christopher Balme, Simone Niehoff2015-10-291h 15